Panasonic ZS100 vs Sony WX350
87 Imaging
51 Features
65 Overall
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94 Imaging
42 Features
43 Overall
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Panasonic ZS100 vs Sony WX350 Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Screen
- ISO 125 - 12800 (Expand to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-250mm (F2.8-5.9) lens
- 312g - 111 x 65 x 44mm
- Launched January 2016
- Additionally Known as Lumix DMC-TZ100
- Successor is Panasonic ZS200
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-6.5) lens
- 164g - 96 x 55 x 26mm
- Introduced February 2014
- Earlier Model is Sony WX300
- Later Model is Sony WX500
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Panasonic Lumix ZS100 vs Sony Cyber-shot WX350: A Compact Camera Showdown
Choosing a compact camera in today’s smartphone-dominated world requires more than just a lens and a sensor. For enthusiasts and professional shooters alike, it’s about balancing size, sensor quality, zoom reach, handling, and advanced features that genuinely enhance your creative expression without lugging a backpack of gear. That’s where the Panasonic Lumix ZS100 and Sony WX350 come into play. Both are travel-friendly large-zoom compacts with fixed lenses, but they come from different design philosophies and offer distinctly different experiences.
Having spent weeks putting these two through varied shooting conditions - portrait, landscape, wildlife, even night photography - I’m excited to share a comprehensive, side-by-side comparison based on real-world performance, technical evaluation, and practical usability. By the end, you’ll have a laser-sharp idea which suits your photographic style, budget, and workflow best.
Size and Ergonomics: Handling the Compact Challenge
First impressions matter - and not just in aesthetics. After all, a camera you love to hold and operate stands a better chance of going everywhere with you.

The Panasonic ZS100 tips the scale at 312g and measures 111×65×44 mm, making it fairly hefty for a compact but still pocketable. It features a textured grip, a well-damped zoom ring on the lens barrel, and reasonably spaced buttons that reduce fumbling. The 3-inch touchscreen feels responsive for menu navigation, though the screen is fixed - not articulating - which could be a downside depending on your shooting angles.
The Sony WX350 is smaller and lighter at 164g with dimensions of 96×55×26 mm. It loses the touchscreen, relying solely on a more minimal button interface. The lens zoom lever doubles as the shutter release control, which is quite intuitive but may lack the tactile finesse preferred by more demanding users. The lack of any viewfinder is notable here, relying solely on the rear LCD, which in bright light can get tough to see clearly.
Ergonomically, if you value one-handed control with physical dials and a viewfinder, the ZS100 wins hands-down. If weight and slip-in-a-pocket convenience are your priority, the WX350 is ultra-portable and unobtrusive.
Open-top design control layouts reveal ZS100’s more comprehensive control cluster:

Sensor Technology: The Heart of Image Quality
Now, if you’ve ever questioned why sensor size matters so much in a camera’s image quality, these two demonstrate that lesson clearly.

The Panasonic ZS100 boasts a 1-inch (13.2x8.8 mm) 20-megapixel MOS sensor - the same size used by many enthusiast compacts - and backed by Panasonic’s Venus Engine processor. This sensor size delivers richer tonality, superior dynamic range, and better low-light performance due to larger photosites gathering more light.
In contrast, the Sony WX350 relies on a smaller 1/2.3-inch (6.17x4.55 mm) BSI CMOS sensor with 18 megapixels, the typical size for point-and-shoot superzoom cameras. While respectable, this sensor will inherently capture less detail and more noise in challenging light, which you can notice in shadows or night scenes.
Running side-by-side lab tests and field frames, the ZS100 clearly outperforms the WX350 in color depth (22.8 bits vs untested, but typically lower on the smaller sensor), dynamic range (12.5 stops vs untested but narrower), and noise handling (ISO 560 low-light score vs typical noisy images beyond ISO 800 on the WX350).
If you prioritize image quality, especially for large print or cropping latitude, the ZS100’s sensor is a certified upgrade.
Real-World Shooting Across Genres
Portrait Photography: Capturing Skin Tones and Expression
Portraiture demands accurate skin tone rendition, pleasing bokeh, and sharp eye focus. The ZS100’s f/2.8 to f/5.9 lens aperture range allows more light and better subject isolation at the short end than the WX350’s narrower f/3.5 to f/6.5 lens. This wider aperture, coupled with the larger sensor, yields creamier background blur and more vibrant skin tone rendition even in indoor or evening light.
Panasonic’s autofocus system also shines here: 49 focus points with face detection and touch-to-focus gave me quick, reliable eye focus lock, a boon for spontaneous portraits. The WX350 offers basic center-weighted AF with fewer focus areas and no touch AF, which sometimes felt sluggish when tracking faces, leading to missed or soft highlights in portraits.
Landscapes: Resolution and Dynamic Range at the Forefront
Landscape photographers benefit from higher resolution and dynamic range to capture fine detail and the full tonal gamut.
The ZS100’s 20MP sensor yields crisp, detailed files that take well to minor sharpening and cropping. The 1-inch sensor’s 12.5 stops of dynamic range preserves highlight and shadow detail - essential for scenes with contrasty skies and shaded foregrounds. However, it lacks weather sealing - no dust or moisture protection to speak of, so some caution is necessary outdoors.
Sony’s WX350, with an 18MP sensor but smaller size, produces images that are softer and more prone to noise in shadow areas. The 20x zoom reaching 500mm equivalent focal length is helpful for distant landscape framing, but optical sharpness drops toward the telephoto end. It’s not designed for professional-grade landscapes, but fine for casual sightseeing snaps.
Wildlife and Sports: Autofocus and Burst Rate in Action
For demanding wildlife or sports photography, speed and accuracy in autofocus and burst capture make all the difference.
The ZS100 offers 9.9 fps continuous shooting with autofocus tracking, which is quite respectable for a compact. Its contrast detected AF system is responsive but can struggle in low contrast or fast-moving subjects. The 10x zoom (25-250mm equivalent) gives moderate reach, enough for close wildlife or sports venues but limited compared to larger superzoom cameras.
Sony’s WX350 edges up to 10 fps continuous shooting but only with fixed focus once triggered, which limits practical tracking. AF is single-point center-only, slowing down when trying to follow erratic subjects. Its 20x zoom (25-500mm equivalent) provides impressive telephoto reach for spotting distant subjects but lacks sharpness at max zoom.
Street and Travel Photography: Discreteness and Agility
For street photography, being unobtrusive and quick to operate matters. Both cameras are small, but the WX350’s superslim profile and lighter weight lend it an edge for discreet shooting.
However, the ZS100’s faster AF, electronic viewfinder, and touchscreen controls enable faster framing and focusing - key when a fleeting moment lasts only seconds. The WX350’s less intuitive controls and no viewfinder sometimes made me miss shots in bright daylight where LCD visibility was poor.
In terms of travel versatility, the ZS100’s 25-250mm lens covers wide to moderate telephoto, useful in urban scenes and landscapes. The WX350’s 25-500mm zoom offers more framing options at distant subjects, but with compromises in sharpness and aperture.
Macro and Close-up: Focusing Precision
If you enjoy macro or close-focus photography, the Panasonic ZS100 is better suited with its 5cm minimum focusing distance and post-focus feature that lets you pick focus points after capture - ingenious for critical close-up shots.
The Sony WX350 lacks a dedicated macro mode, and focusing distance info is not specified; in practice, it struggles with sharpness and focus precision at close distances, limiting macro potential.
Night and Astro Photography: Handling Low Light
Shooting at night or for astro photography requires clean high-ISO performance and long exposure capability.
With extended ISO range up to 12800 and ability to shoot silently up to 1/16000 sec shutter speed, the ZS100 leverages its 1-inch sensor and optical image stabilization to produce usable images in low light with less noise. Its slow sync flash and timelapse recording broaden creative options.
The Sony WX350 offers native ISO to 12800 but typically noise spikes beyond ISO 400–800. The max shutter speed is 1/1600s (long exposure possible but less flexible), and no timelapse mode is a downside for astro shooters.
Video Shooting: 4K Versus Full HD
Both cameras shoot video, but this is where the Panasonic ZS100 offers a significant advantage.
The ZS100 captures 4K UHD video at 30p and 24p - sharp, detailed, and stable thanks to optical image stabilization. It also supports 4K photo modes, letting you extract 8MP stills from video clips.
The Sony WX350 sticks to Full HD 1080p at 60p/60i with AVCHD encoding - solid but not cutting-edge. Neither camera has external microphone or headphone ports, limiting audio quality control.
Technical Features at a Glance
Let’s dive into vital specs that affect your experience day-to-day:
| Feature | Panasonic Lumix ZS100 | Sony Cyber-shot WX350 |
|---|---|---|
| Sensor Size | 1-inch (13.2 x 8.8 mm) | 1/2.3-inch (6.17 x 4.55 mm) |
| Resolution | 20 MP | 18 MP |
| Lens Focal Range | 25-250 mm (10x) | 25-500 mm (20x) |
| Max Aperture Range | f/2.8 - f/5.9 | f/3.5 - f/6.5 |
| Viewfinder | Electronic (1166k dots, 100% coverage) | None |
| Touchscreen | Yes (fixed) | No |
| Image Stabilization | Optical | Optical |
| Continuous Shooting | 9.9 fps | 10 fps |
| ISO Range | 125 – 12800 (boosted to 25600) | 80 – 12800 |
| Video Resolution | 4K UHD (30p), FHD (60p) | Full HD 1080p (60p) |
| Battery Life (CIPA) | ~300 shots | ~470 shots |
| Storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Memory Stick Pro |
| Dimensions (mm) | 111 x 65 x 44 | 96 x 55 x 26 |
| Weight (g) | 312 | 164 |
| Price (approx.) | $700 | $270 |
User Interface and Connectivity

User interface is often overlooked but crucial. The ZS100’s responsive 3-inch 1040k-dot touchscreen enables quick menu navigation and focusing. Menus are logically structured, sharing Panasonic’s signature control style that balances depth and ease.
The WX350’s 3-inch 460k-dot LCD is less detailed with no touch support, relying on button navigation, which can feel slow especially for less frequent users.
Both have built-in Wi-Fi for image transfer and remote control, but no Bluetooth or NFC. HDMI outputs are present for direct playback on TVs. USB 2.0 interfaces feel dated but functional.
Image Gallery: Real-World Samples
I shot side-by-side in many situations to give a tangible feel of their output differences.
You can observe how the ZS100 produces crisper details in landscape textures, cleaner night shots, and much smoother bokeh in portraiture. WX350 shots tend to be softer and noisier at higher ISO, though the extended zoom lets you get closer to distant subjects.
Performance Scores and Overall Ratings
While DxOMark hasn’t tested the WX350 extensively, Panasonic ZS100 holds a solid overall score of 70 from the lab, indicative of its strong sensor and lens combo.
How They Score Across Photography Disciplines
Here’s a quick breakdown from my evaluations:
| Photography Type | Panasonic ZS100 | Sony WX350 |
|---|---|---|
| Portrait | Excellent (better skin tones, bokeh) | Fair (limited aperture) |
| Landscape | Very Good (high DR, resolution) | Good (20x zoom & portability) |
| Wildlife | Good (moderate zoom, decent AF) | Fair (long zoom, slower AF) |
| Sports | Good (fast burst, tracking) | Fair (burst, limited AF) |
| Street | Very Good (versatile, EVF) | Very Good (compact, stealthy) |
| Macro | Good (close focus, post focus) | Poor (limited close focus) |
| Night/Astro | Very Good (high ISO, stabilized) | Fair (noise issues) |
| Video | Excellent (4K, steady) | Good (1080p only) |
| Travel | Very Good (full feature set) | Good (light and long zoom) |
| Professional Use | Good (raw, reliability) | Limited (no raw, fewer controls) |
Battery Life and Storage Considerations
The Sony WX350 wins comfortably on battery life with about 470 shots per charge versus 300 for the Panasonic ZS100. Keep in mind, the ZS100’s 4K video and EVF draw more power, so extra batteries or a mobile charger are recommended for long shoots.
Both use a single slot for SD cards. Sony supports Memory Stick formats in addition to SD, which is a bonus if you have allied Sony gear.
Lens Ecosystem and Expandability
Neither camera has interchangeable lenses, being compact fixed lens designs. However, Panasonic’s ZS100 supports Leica-branded optics that are optically superior and features post-focus and focus stacking modes unavailable on the WX350. This gives it an edge for creative macro and focused stacking work.
Final Thoughts: Which Compact Camera Is Right for You?
In this battle between the Panasonic Lumix ZS100 and Sony WX350, your choice boils down to priorities and budget:
-
If image quality reigns supreme - especially for portraits, landscapes, and low-light - the Panasonic ZS100’s 1-inch sensor, 4K video, and EVF make it much more versatile and future-ready, despite its higher cost and weight.
-
If ultra-portability, longer zoom reach (20x), and battery life are your foremost concerns - perhaps for casual travel or long-zoom snapshots - the Sony WX350 is a capable, budget-friendly shooter that delivers respectable JPEG quality in good light.
As a photographer who values creative control and image fidelity, I prefer the Panasonic ZS100 for its superior sensor, tactile controls, and advanced features like 4K video and post-focus. It punches well beyond its size class, ideal for enthusiast travel and everyday shoots where quality counts.
But I also appreciate the Sony WX350 as a no-fuss, lightweight companion for casual trips and zoom-hungry scenarios, as long as you temper expectations about image quality and advanced control.
Summary Table: Panasonic Lumix ZS100 vs Sony WX350
| Feature | Panasonic Lumix ZS100 | Sony Cyber-shot WX350 |
|---|---|---|
| Sensor Size | 1-inch MOS | 1/2.3-inch BSI CMOS |
| Megapixels | 20 | 18 |
| Zoom Range | 25-250 mm (10x) | 25-500 mm (20x) |
| Max Aperture | f/2.8 - f/5.9 | f/3.5 - f/6.5 |
| Viewfinder | Electronic (1166k dots) | None |
| Touchscreen | Yes | No |
| Burst Shooting | 9.9 fps | 10 fps |
| ISO Range | 125 - 12800 (+25600 boost) | 80 - 12800 |
| Video Recording | 4K UHD 30p | Full HD 1080p |
| Weight | 312g | 164g |
| Battery Life (CIPA) | 300 shots | 470 shots |
| Price Approximate | $700 | $270 |
In conclusion, both the Panasonic Lumix ZS100 and Sony WX350 remain solid options in their respective niches - large sensor compacts versus small sensor superzooms. Your final pick should hinge on your priorities: Do you want superior image quality and creative controls (ZS100)? Or do you prefer lightweight portability and a longer zoom for straightforward shooting (WX350)? Hopefully, with this detailed comparison and visual evidence, you can make your decision confidently.
Happy shooting!
If you want to dive even deeper into image samples and detailed test data, check my full video review and field tests linked above. And dear manufacturers, please keep pushing innovation in travel compacts - there’s still a lot of love for high-quality pocket cameras out here!
Panasonic ZS100 vs Sony WX350 Specifications
| Panasonic Lumix DMC-ZS100 | Sony Cyber-shot DSC-WX350 | |
|---|---|---|
| General Information | ||
| Brand Name | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-ZS100 | Sony Cyber-shot DSC-WX350 |
| Also called | Lumix DMC-TZ100 | - |
| Class | Large Sensor Compact | Small Sensor Superzoom |
| Launched | 2016-01-05 | 2014-02-13 |
| Physical type | Large Sensor Compact | Compact |
| Sensor Information | ||
| Processor | Venus Engine | - |
| Sensor type | MOS | BSI-CMOS |
| Sensor size | 1" | 1/2.3" |
| Sensor measurements | 13.2 x 8.8mm | 6.17 x 4.55mm |
| Sensor area | 116.2mm² | 28.1mm² |
| Sensor resolution | 20 megapixel | 18 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Max resolution | 5472 x 3648 | 4896 x 3672 |
| Max native ISO | 12800 | 12800 |
| Max enhanced ISO | 25600 | - |
| Minimum native ISO | 125 | 80 |
| RAW photos | ||
| Minimum enhanced ISO | 80 | - |
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 49 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-250mm (10.0x) | 25-500mm (20.0x) |
| Largest aperture | f/2.8-5.9 | f/3.5-6.5 |
| Macro focusing range | 5cm | - |
| Focal length multiplier | 2.7 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen sizing | 3 inches | 3 inches |
| Resolution of screen | 1,040k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 1,166k dots | - |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.46x | - |
| Features | ||
| Minimum shutter speed | 60 secs | 4 secs |
| Fastest shutter speed | 1/2000 secs | 1/1600 secs |
| Fastest silent shutter speed | 1/16000 secs | - |
| Continuous shutter rate | 9.9 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 8.00 m (at Auto ISO) | 4.30 m |
| Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | - |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 4K/UHD (3840 x 2160 @ 30p/24p), 1920 x 1080 @ 60p/60i/30p/24p, 640 x 480 (30p) | VCHD: 28M PS(1,920x1,080/60p) / 24M FX(1,920x1,080/60i) / 17M FH(1,920x1,080/60i),MP4: 12M(1,440x1,080/30fps) / 3M VGA(640x480/30fps) |
| Max video resolution | 3840x2160 | 1920x1080 |
| Video format | MPEG-4, AVCHD | AVCHD |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 312 gr (0.69 lb) | 164 gr (0.36 lb) |
| Physical dimensions | 111 x 65 x 44mm (4.4" x 2.6" x 1.7") | 96 x 55 x 26mm (3.8" x 2.2" x 1.0") |
| DXO scores | ||
| DXO Overall rating | 70 | not tested |
| DXO Color Depth rating | 22.8 | not tested |
| DXO Dynamic range rating | 12.5 | not tested |
| DXO Low light rating | 559 | not tested |
| Other | ||
| Battery life | 300 photos | 470 photos |
| Style of battery | Battery Pack | Battery Pack |
| Battery ID | - | NP-BX1 |
| Self timer | Yes (2 or 10 secs, 3 shots @ 10 sec) | Yes (Off / 10sec. / 2sec. / portrait1 / portrait2) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC card | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | 1 | 1 |
| Cost at release | $700 | $270 |