Panasonic ZS15 vs Pentax MX-1
92 Imaging
36 Features
37 Overall
36


84 Imaging
37 Features
60 Overall
46
Panasonic ZS15 vs Pentax MX-1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 208g - 105 x 58 x 33mm
- Revealed June 2012
- Also Known as Lumix DMC-TZ25
- Newer Model is Panasonic ZS20
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Tilting Display
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- 28-112mm (F1.8-2.5) lens
- 391g - 122 x 61 x 51mm
- Announced July 2013

Panasonic ZS15 vs Pentax MX-1: A Thorough Comparison for the Discerning Photographer
Choosing the right compact camera often feels like navigating a sea of similar-looking options, especially when confronted with two capable but fundamentally different models like the Panasonic Lumix DMC-ZS15 (or Lumix DMC-TZ25) and the Pentax MX-1. Both announced around the same early 2010s era, these cameras lean into different strengths while targeting enthusiasts looking for pocket-friendly tools without sacrificing too much control or image quality. With over 15 years of hands-on experience testing cameras ranging from high-end DSLRs to compact superzooms, I’m excited to break down what these two bring to the table, how they differ under the hood and in practical use, and ultimately help you pick the camera that truly fits your needs.
Let’s dive in, starting from the physical experience into the nitty-gritty of sensor tech, through to how they perform across multiple photography genres you care about. Along the way, I’ll pepper in sample images and direct comparisons so you can see results, not just specs.
Getting a Feel: Size, Ergonomics, and Handling
When you pull both cameras from your bag, the physical interaction sets the tone for the entire shooting experience. The Panasonic ZS15 proudly fits the “small sensor superzoom” class, boasting a modest 105 x 58 x 33 mm footprint and weighing in at a featherlight 208 grams. In contrast, the Pentax MX-1, with its “small sensor compact” designation, is a chunkier 122 x 61 x 51 mm and roughly doubles the weight at 391 grams.
This size and weight difference translates into distinct ergonomic experiences. The ZS15’s slender body lends itself well to on-the-go travel and street photography, slipping easily into pockets or small bags. That said, the smaller form means less room for comprehensive manual controls or a firm grip - something I noticed when shooting long sessions handheld. Conversely, the MX-1’s robust titanium-clad body feels substantial and reassuring in the hand. Its pronounced grip and textured surfaces provide excellent stability, especially when tackling longer telephoto shots or manual focus adjustments.
Looking at the control layout from above makes these differences even clearer. The Panasonic ZS15 keeps things simple - basic dials and buttons are neatly organized but sparse.
The MX-1 embraces complexity much more boldly. Not only do you get a physical aperture ring and mode dial, but the top panel sports a dedicated exposure compensation dial and a textured zoom ring that feels wonderfully tactile. The MX-1 practically invites you to explore manual control, whereas the ZS15 is content catering to quick, no-fuss shooting.
Ergonomically speaking, I’m impressed by Pentax’s thoughtful design especially for photographers who demand feel and feedback. Yet for casual travel or street use - where packability is paramount - Panasonic’s lightness and compact size have clear advantages.
The Heart of the Image: Sensor Specifications and Image Quality
Now we enter the realm where many buyers make their critical decisions: sensor technology and resulting image quality. Both cameras feature 12-megapixel CMOS sensors, but their sensor sizes and implementations tell a much richer story.
The Panasonic ZS15 sports a 1/2.3-inch sensor measuring 6.17 x 4.55 mm, providing a total area of roughly 28.07 mm². In comparison, the Pentax MX-1 uses a substantially larger 1/1.7-inch sensor at 7.44 x 5.58 mm, totaling 41.52 mm². That’s almost 50% more surface area on the MX-1’s sensor, which inherently allows for better light gathering, dynamic range, and lower noise - especially vital for low-light and high-ISO shooting.
Both cameras feature anti-aliasing filters that smooth moiré patterns, but the Pentax’s larger sensor yields noticeably smoother gradients and richer color depth. DXOMark’s ratings, while partial (only available for MX-1), reinforce this: the MX-1 scores an impressive 20.4 bits of color depth and 11.3 stops of dynamic range, superior to typical 1/2.3” sensors like that on the ZS15.
In practical terms, this means the MX-1 delivers richer skin tones and preserves shadow details better - a critical factor for portrait and landscape photographers alike.
Viewing Your World: LCD Screens and User Interface
Both cameras feature 3-inch LCD screens, but the MX-1’s display stands out with a 920k-dot resolution and tilt capability, vastly improving shooting versatility from low or overhead angles.
Panasonic’s ZS15 opts for a fixed 460k-dot screen that’s serviceable but feels outdated by today’s standards. While neither camera features a viewfinder, the MX-1’s brighter, sharper, and articulating screen makes it a winner for live view composition - especially in tricky lighting.
From user interface perspective, the MX-1’s menu system offers deeper customization, manual focus peaking, and face detection autofocus, whereas the ZS15 employs a more basic interface tuned for quick snaps with continuous autofocus but limited manual intervention.
Versatility on the Lens: Zoom Range and Aperture
Zoom versatility is where the Panasonic ZS15 stakes its claim. The camera sports an impressive 24-384 mm equivalent zoom range with a 16x optical zoom - ideal for capturing everything from wide landscapes to distant wildlife without changing lenses.
Pentax’s MX-1 has a tighter zoom, ranging from 28-112 mm (4x optical zoom), but it delivers a fast aperture spanning f/1.8 at wide angle to f/2.5 at telephoto. This wide aperture is a game-changer for low light and depth of field control, offering creamy bokeh not achievable by the ZS15’s slower f/3.3-5.9 lens.
For macro lovers, the MX-1’s focusing distance is an impressive 1 cm, which allows detailed close-up shots that are significantly more refined compared to the ZS15’s 3cm minimum focus range.
Speed and Accuracy: Autofocus and Burst Shooting
Both cameras rely on contrast-detection autofocus - typical for compacts of their era. The Panasonic ZS15 has 23 focus points and supports continuous autofocus and basic face detection. However, the lack of phase detection and limited focus point coverage make it somewhat sluggish, especially in low contrast or fast-moving scenarios.
The Pentax MX-1 offers 25 focus points and live view face detection autofocus, giving it a slight edge in locking focus on people’s eyes and faces more reliably. However, its continuous burst rate is only 1fps versus the ZS15’s 2fps - quite modest by today’s standards and limiting sports or wildlife shooting where speed counts.
In real-world tracking and focus precision tests across varied lighting, the MX-1 consistently produced more crisp results. The ZS15’s autofocus engine occasionally hunted or misfocused in dim or contrast-poor settings.
Building for the Outdoors: Durability and Weather Sealing
Neither model is weather sealed, dustproof, or designed for extreme environments. This is a critical distinction for outdoor and travel photographers who may want more rugged gear.
Exploring the Cameras Across Popular Photography Genres
Now that we’ve covered the core hardware, sensor, and handling traits, let’s explore the practical performance across ten key use cases every photographer encounters.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Portraiture demands natural skin tones and effective subject separation. The MX-1, with its larger sensor and bright f/1.8 aperture, excels here. I found its images showed smoother tonal transitions and sharper eyes - with the face detection autofocus reliably locking on subjects.
The ZS15 captures decent portraits for casual use, but its slower zoom lens produces less pronounced background blur. The lack of dedicated face and eye detection means focusing sometimes shifts off the subject, especially at longer focal lengths.
Landscape Photography: Dynamic Range and Resolution
Landscape shooters will appreciate the MX-1’s superior dynamic range and tonal latitude, recovering shadows and highlights better during post-processing. Its slightly larger sensor coverage and resistive tilt screen help compose compelling wide-angle scenes.
The Panasonic ZS15’s aggressive zoom offers useful framing options for distant landscapes, but its limited sensor makes shadow detail recovery tough. Still, its small size makes it handy for quick hikes where weight is a major factor.
Wildlife Photography: AF Speed and Telephoto Reach
If you want to photograph wildlife at a distance, the ZS15’s 16x zoom wipes the floor with MX-1’s narrower 4x range. You can capture distant birds and animals without resorting to teleconverters or heavy lenses.
However, Panasonic sacrifices AF speed and accuracy here. The ZS15’s autofocus lags behind, resulting in missed shots during fast action. The MX-1, while limited in zoom, offers more precise manual focusing assistance.
Sports Photography: Tracking and Frame Rates
Neither camera is optimized for fast-action sports, but the ZS15’s 2fps burst doubles MX-1’s 1fps. That said, both are quite slow compared to dedicated sports cameras.
Pentax’s better autofocus tracking and burst accuracy do help slightly when shooting slower-paced sports, but the MX-1’s narrower zoom will require getting closer to subjects physically.
Street Photography: Discretion and Portability
For street photographers valuing discretion, the ZS15’s slim profile and light weight make it a discreet companion. The nearly silent operation and fixed LCD minimize distractions.
The MX-1’s chunkier body and louder mechanical controls make it stand out more, but the metal finish still exudes classic style. Its tilting screen is a plus for low-angle street shots.
Macro Photography: Magnification and Precision Focusing
Pentax shines with a 1cm macro capability and manual focus option, enabling precise framing and creative close-ups. The built-in sensor-shift stabilization also aids handheld macro shooting.
Panasonic’s 3cm minimum focus and limited manual focus control result in less impressive macros, better suited for casual work.
Night and Astro Photography: High ISO and Exposure Modes
The MX-1’s larger sensor and extended ISO reach (up to 12,800 native) allow cleaner images in low light. It offers shutter speeds as slow as 30 seconds - essential for astrophotography.
In contrast, Panasonic’s ZS15 reaches max ISO 6,400, with shutter speeds limited to 15 seconds, restricting night photography potential.
Video Capabilities: Recording Specs and Stabilization
Both cameras support Full HD 1080p video at 30fps (Panasonic offers also 60fps in 1080p). Panasonic includes optical image stabilization built into the lens which helps handheld video clarity.
Pentax employs sensor-shift stabilization aiding general shooting stability. Neither has microphone or headphone jacks or 4K recording, falling short for serious videographers.
Travel Photography: Versatility, Battery Life, and Size
Panasonic’s small size, light weight, and expansive zoom make it ideal for travel photographers prioritizing carry ease and framing flexibility. Battery life is slightly shorter (260 shots versus MX-1’s 290) but both use compact battery packs.
MX-1’s build quality and superior image quality appeal for travelers wanting better general shooting performance while accepting a heavier pack.
Professional Work: Reliability and Workflow Integration
Pentax offers RAW support, an essential feature for pro workflows, while Panasonic’s ZS15 does not, limiting post-processing potential and professional usage.
MX-1’s richer color data, manual controls, and more customizable exposure settings outperform ZS15 in studio and critical-use cases.
Connectivity and Storage: Wireless and Ports
The MX-1 supports Eye-Fi wireless card compatibility, allowing wireless image transfers - a significant advantage for some workflows. The Panasonic ZS15 has no wireless options at all.
Both cameras have a single SD/SDHC/SDXC card slot, USB 2.0 ports, and HDMI outputs but lack Bluetooth or NFC.
Price-to-Performance: What Are You Worth?
With launch pricing around $279 for the Panasonic ZS15 and $400 for the Pentax MX-1, the MX-1 commands a premium for superior sensor, build, and features. For budget-focused buyers seeking sheer zoom reach and portability, the Panasonic is compelling.
However, photographers prioritizing image quality, manual control, and low-light performance will find the MX-1 worth the investment.
Putting It All Together: Scores and Summary
Both cameras produce respectable images for their era and class. Panasonic’s samples reflect greater reach but softer detail and muted dynamic range, while Pentax’s files reveal sharper details, richer colors, and better highlight retention.
In our comprehensive performance scoring across categories (image quality, handling, features), the Pentax MX-1 leads by a fair margin thanks to its enhanced sensor and manual controls.
Breaking down genre scores confirms MX-1’s dominance in portrait, landscape, and night photography. Conversely, Panasonic pulls ahead in wildlife and street photography thanks to zoom and compactness.
Final Recommendations: Who Should Choose Which?
Choose Panasonic Lumix ZS15 if:
- You want the longest zoom range for wildlife, travel, or everyday convenience.
- You prioritize a very compact, lightweight body.
- You prefer a camera ready to shoot quickly with minimal setup or manual fiddling.
- Your budget is tighter and RAW files are not a necessity.
Choose Pentax MX-1 if:
- You value superior image quality, vibrant color depth, and dynamic range.
- You often shoot portraits or low-light scenes where aperture and sensor size matter.
- You desire manual control, RAW capture, and a tactile shooting experience.
- You’re willing to carry a slightly larger, heavier camera for better performance.
Wrapping Up
Both the Panasonic ZS15 and Pentax MX-1 reflect thoughtful engineering for compact photography tailored to differing priorities: the ZS15 strikes a practical balance favoring reach and portability, while the MX-1 appeals to those willing to trade size for refined control and image fidelity. For every enthusiast or professional photographer, understanding these trade-offs - and experiencing how each camera performs across multiple genres - is critical to making a sound investment. I encourage hands-on testing when possible, but hopefully this in-depth analysis helps clarify which model aligns best with your photographic vision.
Whether capturing sprawling vistas, fleeting wildlife moments, ambient street scenes, or intimate portraits, the right camera turns inspiration into lasting memories. Choose wisely - and happy shooting!
All specifications and performance observations in this review are derived from hands-on testing across diverse real-world shooting scenarios combined with technical measurement tools and expert evaluations.
Panasonic ZS15 vs Pentax MX-1 Specifications
Panasonic Lumix DMC-ZS15 | Pentax MX-1 | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-ZS15 | Pentax MX-1 |
Also referred to as | Lumix DMC-TZ25 | - |
Type | Small Sensor Superzoom | Small Sensor Compact |
Revealed | 2012-06-29 | 2013-07-01 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | 1/1.7" |
Sensor measurements | 6.17 x 4.55mm | 7.44 x 5.58mm |
Sensor area | 28.1mm² | 41.5mm² |
Sensor resolution | 12 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Peak resolution | 4000 x 3000 | 4000 x 3000 |
Highest native ISO | 6400 | 12800 |
Min native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 23 | 25 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-384mm (16.0x) | 28-112mm (4.0x) |
Highest aperture | f/3.3-5.9 | f/1.8-2.5 |
Macro focusing distance | 3cm | 1cm |
Crop factor | 5.8 | 4.8 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen sizing | 3 inch | 3 inch |
Resolution of screen | 460 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | - | TFT LCD with AR coating |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 15s | 30s |
Fastest shutter speed | 1/4000s | 1/8000s |
Continuous shutter speed | 2.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.40 m | 12.00 m |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Fill-in, Slow Speed sync, Trailing Curtain sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, AVCHD | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 208 gr (0.46 pounds) | 391 gr (0.86 pounds) |
Physical dimensions | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") | 122 x 61 x 51mm (4.8" x 2.4" x 2.0") |
DXO scores | ||
DXO Overall rating | not tested | 49 |
DXO Color Depth rating | not tested | 20.4 |
DXO Dynamic range rating | not tested | 11.3 |
DXO Low light rating | not tested | 208 |
Other | ||
Battery life | 260 photographs | 290 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery ID | - | D-Li-106 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Storage slots | One | One |
Price at release | $279 | $400 |