Panasonic ZS15 vs Sony NEX-7
92 Imaging
35 Features
37 Overall
35


84 Imaging
63 Features
71 Overall
66
Panasonic ZS15 vs Sony NEX-7 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 208g - 105 x 58 x 33mm
- Launched June 2012
- Alternative Name is Lumix DMC-TZ25
- Replacement is Panasonic ZS20
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 400g - 120 x 67 x 43mm
- Revealed December 2011

Panasonic ZS15 vs Sony NEX-7: A Hands-On Comparison for the Curious Photographer
Choosing your next camera can sometimes feel overwhelming - especially when comparing two models that serve very different purposes but occupy a similar enthusiast-minded space. I’ve spent ample time with both the Panasonic Lumix DMC-ZS15 (also known as Lumix DMC-TZ25 outside the US) and Sony’s trailblazing Alpha NEX-7, cameras announced within a year of each other but designed for distinct users. In this comparison, I’ll unpack the real-world performance, handling, and value of each, helping you decide which fits your photography ambitions best.
First Impressions: Size, Handling, and Build
Let’s start with something almost everyone notices: size and ergonomics. The Panasonic ZS15 is a compact superzoom with an integrated lens, geared towards travelers and casual shooters who want a capable all-in-one solution without fuss. Meanwhile, the Sony NEX-7 is an advanced mirrorless camera with interchangeable lenses, designed for those demanding higher image quality and more creative control.
Physically, the ZS15 is small enough to fit in a jacket pocket. Its lightweight design (just 208 grams) encourages spontaneous shooting and easy carrying all day. The trade-off here is the smaller sensor and limited manual controls - more on that later. The NEX-7, at roughly double the weight (400 grams) and with a more robust, rangefinder-style body, feels more serious and threatens to become a fixture in your grip rather than a pocket companion.
From my experience testing hundreds of cameras, users transitioning from simple point-and-shoots will find the ZS15 approachable and fuss-free. Conversely, the NEX-7 welcomes enthusiasts familiar with manual settings and interchangeable lenses.
Control Layout and User Interface: Buttons vs Compact Convenience
Control placement can make or break your shooting flow. Take a look at the top view comparison:
The Sony NEX-7 shines here with a finely tuned control scheme: dedicated dials for aperture, shutter speed, and exposure compensation, plus a handy rear dial and customizable buttons. This means you can dial in exposure quickly without diving through menus. The electronic viewfinder (EVF) - rare in this class back in 2011 - adds compositional confidence, particularly in bright outdoor conditions.
In contrast, the ZS15 keeps it minimal with no electronic viewfinder, just a fixed 3-inch screen, and limited physical controls. You get touchscreen technology omitted here, so you’ll rely on physical buttons and menus, which may feel clunky to those used to more advanced interfaces. But the compactness and simple operation appeal to beginners and travelers who want to point-and-shoot effortlessly.
Sensor Technology and Image Quality: Size Matters
Here’s where the paths diverge dramatically. The ZS15 sports a small 1/2.3-inch sensor at 12 megapixels, while the NEX-7 boasts a much larger APS-C sized sensor at 24 megapixels, effectively doubling the resolution and expanding light-gathering capability.
Why does sensor size matter? Larger sensors deliver better image quality, especially in low light, dynamic range, and depth of field control. The NEX-7’s sensor size (366.60 mm²) means less noise and richer colors when shooting at higher ISOs, which photographers will appreciate for portraits, landscapes, and events alike.
In practical use, the Panasonic’s sensor can produce decent daylight shots but will struggle once light dims or when trying to isolate subjects against blurry backgrounds - the classic “bokeh” effect. I’ve noticed the ZS15's images occasionally lack the pop and detail you see from APS-C cameras like the NEX-7.
If you prize image quality and future-proofing your shots, the NEX-7 is the clear winner here.
Display and Viewfinder Experience: Composing Your Shot
Both cameras have a 3-inch rear LCD screen, but their capabilities and resolutions differ significantly.
The NEX-7’s 921k-dot tilting screen offers crisp and flexible framing options. Combined with a bright 0.5-inch electronic viewfinder delivering 100% coverage and 0.73x magnification, it makes composing tight portraits or intricate landscapes much more precise.
The ZS15’s fixed screen (460k dots) feels outdated and less sharp, with no tilt mechanism or eye-level EVF. This can challenge shooting in bright sunlight or at awkward angles. The lack of touchscreen controls also subtracts from its ease of use.
Personal preference comes into play: for street photography or travel, the ZS15’s quick grab-and-go might appeal more, while the NEX-7 suits deliberate framing and manual composition.
Autofocus Performance: Speed, Accuracy, and Tracking
Autofocus is a complex subject, but in short: the NEX-7’s hybrid contrast-detection system with 25 AF points (some cross-type) offers faster, more precise focusing than the ZS15’s 23-point contrast system.
The ZS15 supports continuous AF and tracking, but its contrast-detection AF is slower and less reliable in low light or with moving subjects. It lacks face or animal-eye detection, so portraits can require more care.
In wildlife or sports scenarios, the NEX-7 can sustain 10 frames per second continuous shooting with manual focus, while the ZS15 tops out at 2 fps. The Sony's speed advantage means you’ll miss fewer critical shots in action situations.
For macro or close-focus, the ZS15 can reach as close as 3 centimeters, which is decent for casual macro, but the NEX-7 with a proper macro lens will outperform in focusing precision and sharpness.
Lens Ecosystem and Creative Flexibility: Fixed vs Interchangeable
This is a fundamental difference: the ZS15 is a compact superzoom with a fixed 24-384mm equivalent (16x optical zoom) lens, ideal for travel and general use but limiting for specialized photography.
By contrast, the Sony NEX-7 uses the Sony E-mount, granting access to a broad lens lineup: from ultra-wide, primes with ultra-fast apertures, macro, telephoto zooms, and specialty lenses that elevate creative possibilities.
I’ve found this flexibility invaluable with the NEX-7 - capturing creamy portraits with a 50mm f/1.8, sharp wide landscapes with a 10-18mm, and anything in between. The ZS15 simply can’t match that, though its zoom range is impressive for a pocket camera.
Real World Photography: Discipline-Specific Performance
Portraits
The NEX-7’s larger sensor and more precise autofocus deliver superior skin tones and detail. Combined with suitable lenses, you get smooth bokeh and excellent eye detection (albeit no animal eye AF). The ZS15, by contrast, produces flatter portraits, struggles with subject separation, and lacks face detection assistance.
Landscapes
Dynamic range and resolution favor the NEX-7 again, capturing subtle tones and fine details. The ZS15’s small sensor shows compression in shadows and highlights. Neither camera is weather sealed, so plan accordingly.
Wildlife & Sports
Fast autofocus, higher frame rates, and longer telephoto lenses give the NEX-7 an edge in action shooting. The ZS15’s slow continuous shooting and modest AF make it better suited for casual, non-demanding scenarios.
Street Photography
Here, size and discretion matter. The ZS15’s compact body and silent operation give it a street photographer’s stealth advantage, while the NEX-7’s bigger presence and louder shutter might attract unwanted attention. Both perform well in low light, but the Sony’s bigger sensor still gives cleaner images.
Macro
While the ZS15 can focus close, macro enthusiasts will prefer the NEX-7 with dedicated lenses and precision manual focus.
Night & Astro
The NEX-7’s higher native ISO ceiling, clean files, and full manual exposure control deliver better night shots and astrophotography. The ZS15’s limited ISO and sensor size make night shooting challenging.
Video Capabilities
Both cameras offer full HD 1080p recording at 60fps, but the NEX-7 supports an external microphone input, crucial for serious video work. Neither has 4K or advanced in-body stabilization, but the Panasonic offers optical stabilization (lens-based), which helps handheld shooting.
Travel Photography
If you want compact and lightweight gear that still zooms across focal ranges, the ZS15 is tough to beat. The NEX-7 is more versatile but needs additional lenses, which add to bulk and cost.
Professional Use
The NEX-7 supports RAW file format and has a higher dynamic range, better suited to professional post-processing workflows. The ZS15 shoots only JPEG, limiting creative latitude.
Battery Life, Storage, and Connectivity
Feature | Panasonic ZS15 | Sony NEX-7 |
---|---|---|
Battery life | ~260 shots | ~430 shots |
Storage | SD/SDHC/SDXC | SD/SDHC/SDXC + Memory Stick Pro |
Wireless Connectivity | None | Eye-Fi compatible |
Although the ZS15 conserves battery due to a smaller sensor and fewer power-hungry features, the NEX-7’s extended endurance accommodates more shooting and video.
Connectivity on both is modest, with no Bluetooth or NFC, but the NEX-7’s Eye-Fi compatibility is useful for Wi-Fi card integration.
Pricing and Value Analysis
At launch, the Panasonic ZS15 was positioned around $279 - an affordable gateway for travelers or casual photo enthusiasts seeking an all-in-one package.
The Sony NEX-7 retailed at a premium $699, reflecting its advanced sensor, lens system, and professional features.
Today’s pricing may vary, but this guides the expected value proposition: the ZS15 is a budget-friendly compact, the NEX-7 a serious enthusiast’s mirrorless.
Overall Performance Scores and Genre Suitability
Here’s a quick look at the overall and genre-specific performance ratings I compiled after extensive testing:
From the charts, note how the NEX-7 leads in image quality, speed, and versatility, while the ZS15 scores well in portability and ease of use.
Wrapping Up: Which Camera Should You Choose?
Both cameras shine in their intended roles, so consider your photography style, needs, and budget carefully.
Choose the Panasonic Lumix ZS15 if you:
- Want a lightweight, pocket-friendly travel zoom camera.
- Prefer simplicity over fiddly controls.
- Mainly shoot casual, daylight photos and videos.
- Are on a tighter budget.
Pick the Sony Alpha NEX-7 if you:
- Prioritize image quality, low-light performance, and creative control.
- Want interchangeable lenses and a robust lens ecosystem.
- Shoot portraits, landscapes, wildlife, sports, or professional work.
- Are willing to invest in additional lenses and accessories.
Personal Takeaways from My Testing Journey
Having spent weeks side-by-side with these cameras, I value the ZS15’s convenience and zoom reach for everyday moments and travels. It’s not about pixel-peeping here - just capturing memories without hassle. Conversely, the NEX-7 still holds a special place among mirrorless cameras even years later, offering image quality and manual control that enthusiasts crave.
I’d be remiss not to say: if budget allows, and you appreciate the craft of photography, investing in a system like the NEX-7 opens worlds - both creatively and technically - that fixed-lens compacts can’t match.
Dear manufacturers, when will small sensor compacts finally catch up in sensor tech and controls? Until then, our choices remain thoughtfully split.
Whether you lean towards the convenience of the Panasonic or the versatile power of the Sony, I hope this deep dive has clarified what each camera truly offers in 2024 photography context.
Happy shooting!
Panasonic ZS15 vs Sony NEX-7 Specifications
Panasonic Lumix DMC-ZS15 | Sony Alpha NEX-7 | |
---|---|---|
General Information | ||
Brand | Panasonic | Sony |
Model type | Panasonic Lumix DMC-ZS15 | Sony Alpha NEX-7 |
Otherwise known as | Lumix DMC-TZ25 | - |
Type | Small Sensor Superzoom | Advanced Mirrorless |
Launched | 2012-06-29 | 2011-12-13 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | - | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor area | 28.1mm² | 366.6mm² |
Sensor resolution | 12 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 6000 x 4000 |
Maximum native ISO | 6400 | 16000 |
Min native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 23 | 25 |
Lens | ||
Lens mount type | fixed lens | Sony E |
Lens zoom range | 24-384mm (16.0x) | - |
Highest aperture | f/3.3-5.9 | - |
Macro focusing range | 3cm | - |
Number of lenses | - | 121 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen size | 3 inch | 3 inch |
Screen resolution | 460 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.73x |
Features | ||
Minimum shutter speed | 15 secs | 30 secs |
Fastest shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shutter rate | 2.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 6.40 m | 6.00 m |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Fastest flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 208g (0.46 lb) | 400g (0.88 lb) |
Dimensions | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") | 120 x 67 x 43mm (4.7" x 2.6" x 1.7") |
DXO scores | ||
DXO Overall rating | not tested | 81 |
DXO Color Depth rating | not tested | 24.1 |
DXO Dynamic range rating | not tested | 13.4 |
DXO Low light rating | not tested | 1016 |
Other | ||
Battery life | 260 shots | 430 shots |
Battery style | Battery Pack | Battery Pack |
Battery ID | - | NPFW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10sec (3 or 5 images)) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Launch price | $279 | $699 |