Panasonic ZS3 vs Pentax VS20
91 Imaging
33 Features
30 Overall
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90 Imaging
39 Features
35 Overall
37
Panasonic ZS3 vs Pentax VS20 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 229g - 103 x 60 x 33mm
- Released May 2009
- Additionally referred to as Lumix DMC-TZ7
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-560mm (F3.1-4.8) lens
- 235g - 111 x 61 x 38mm
- Announced January 2012

Panasonic Lumix ZS3 vs Pentax Optio VS20: A Hands-On Comparison for Enthusiasts and Professionals
When it comes to compact superzoom cameras with small sensors, the Panasonic Lumix DMC-ZS3 (also known as the Lumix DMC-TZ7) and the Pentax Optio VS20 stand out as interesting choices for those seeking versatile zoom capabilities in pocket-friendly bodies. Both cameras arrive with fixed lenses boasting extensive focal length reach and a suite of automatic features aimed at casual to intermediate shooters. But which suits your creative needs best? Drawing on our extensive experience testing thousands of cameras, this comparison will deliver an honest, deeply technical, yet accessible look at how these two cameras perform across varied photography disciplines.
We'll break down image quality, shooting performance, handling, and feature sets to help you find the camera that best complements your creative journey.
Body Design and Ergonomics: Size with Usability in Mind
Choosing a compact superzoom often means striking the right balance between pocketability and control. Both the Panasonic ZS3 and Pentax VS20 aim for ultra-compact dimensions while packing long zoom ranges.
Feature | Panasonic Lumix ZS3 | Pentax Optio VS20 |
---|---|---|
Physical Dimensions | 103 x 60 x 33 mm | 111 x 61 x 38 mm |
Weight | 229 g | 235 g |
Build Quality | Lightweight compact | Slightly chunkier |
Body Material | Polycarbonate | Polycarbonate |
At just about 10 cm wide and 3 cm thick, the ZS3 is a little smaller and slimmer, making it very pocket-friendly. Meanwhile, the Pentax opts for a moderately larger and thicker footprint, compromising a little on easy pocket carry but offering a slightly more robust grip surface.
Ergonomically, the ZS3’s smaller frame means smaller buttons, which may hinder usability during prolonged shooting sessions, especially if you prefer manual control (which the ZS3 lacks, more on that later). The VS20, despite its bulkier body, provides a firmer hold and larger controls, accommodating those who want more tactile feedback.
The top view also reveals key operational differences:
The ZS3 focuses on a minimalist, intuitive layout designed for quick shooting with minimal manual setting toggles. The VS20 includes physical zoom and shutter controls designed to feel more deliberate in your hand.
Practical takeaway:
If you prioritize compactness and ultra-lightweight design for daily carry, the ZS3 leads. For more comfortable handling and precise control, especially in extended handheld shooting scenarios, the VS20 has an edge.
Sensor and Image Quality - The Heart of Your Photography
Among compact superzooms, sensor size and resolution critically influence image output. Both cameras use the same sensor size: a 1/2.3-inch CCD sensor measuring roughly 6.08 x 4.56 mm. This size is common in compact cameras but presents inherent noise and dynamic range limitations compared to larger sensors.
Feature | Panasonic ZS3 | Pentax VS20 |
---|---|---|
Sensor Type | CCD | CCD |
Sensor Size | 1/2.3" (6.08x4.56 mm) | 1/2.3" (6.08x4.56 mm) |
Resolution | 10 MP | 16 MP |
Max ISO | 80-6400 | 100-6400 |
Anti-aliasing Filter | Yes | Yes |
Aspect Ratios | 4:3, 3:2, 16:9 | 1:1, 4:3, 16:9 |
Raw Support | No | No |
The Pentax packs a higher pixel count - 16 MP vs 10 MP in the Panasonic - which theoretically enables more detail when shooting landscapes or requiring crop flexibility. However, increased megapixels on a small sensor can cause higher noise levels at elevated ISOs.
Image Quality in Practice
- Resolution & Detail: The VS20’s 16 MP sensor yields finer detail in daylight and well-lit environments but tends to exhibit more noise beyond ISO 400.
- Dynamic Range: Both sensors struggle with dynamic range due to CCD limitations but the Panasonic's lower resolution and optimized processing often yield slightly cleaner shadows.
- Color Rendition: Color science leans warm and natural on both. Panasonic’s Vivid Profiles produce punchy color, while Pentax renders skin tones softly, favoring portraits.
- ISO Performance: Low light performance is modest on both; the maximum ISO 6400 setting is more of a marketing spec than a practical setting due to heavy noise.
Lens and Zoom Capability - Stretch Your Vision Further
Superzoom cameras owe their appeal to versatile lens ranges, letting you go from wide-angle landscapes to distant wildlife with a single body.
Feature | Panasonic ZS3 | Pentax VS20 |
---|---|---|
Lens Focal Range | 25-300 mm (12x zoom) | 28-560 mm (20x zoom) |
Max Aperture | F3.3 to F4.9 | F3.1 to F4.8 |
Macro Focus Range | 3 cm | 3 cm |
Optical Image Stabilization | Optical stabilization | Sensor-shift stabilization |
The ZS3 sports a 12x zoom, covering a versatile 25-300mm equivalent range, wider on the short end than the VS20’s 28-560mm 20x zoom. The tradeoff is visible: the Pentax offers a significantly longer reach, ideal for distant subjects like wildlife or sports, but starting at a slightly less wide angle.
Optical Advantages
- Panasonic relies on lens-based Optical Image Stabilization, effective at compensating hand movements, especially beneficial when shooting telephoto or video.
- Pentax’s sensor-shift stabilization works well with multiple lens types and facilitates some improvement in macro shots with stabilization.
In real-world use, the longer zoom on the VS20 offers notable framing flexibility, while the ZS3’s wider angle is better suited for landscapes or group shots in confined spaces.
Autofocus Capabilities - Speed and Precision Matter
Autofocus systems in these compact superzooms are modest but worthy of scrutiny if you shoot fast-moving subjects like wildlife or sports.
Feature | Panasonic ZS3 | Pentax VS20 |
---|---|---|
Autofocus Type | Contrast-detection | Contrast-detection |
Number of AF Points | 11 | 3 |
Face Detection | No | No |
Tracking AF | No | Yes |
Manual Focus | No | Yes |
AF Live View | Yes | Yes |
The ZS3 offers a fairly simple 11-point contrast detection AF, with no manual focus option. In contrast, the Pentax VS20 provides manual focus capability and a rudimentary AF tracking mode - a rare feature in compact superzoom cameras of its generation.
What You Experience in Use:
- The ZS3 autofocus works reliably for stationary subjects in decent light but struggles and lags in tracking moving objects.
- Pentax’s AF tracking helps maintain focus on slowly moving subjects, although performance is limited compared to larger sensor models.
- Manual focus on VS20, while basic, gives you an edge in macro or challenging focus scenarios.
Overall, if you are into shooting fast action, either camera is limited, but VS20’s tracking and manual options offer slightly more flexibility.
Display and User Interface - Your Visual Command Center
Both cameras feature 3-inch fixed LCD screens at a resolution of 460k dots, an industry standard for mid-level compacts during their releases.
Feature | Panasonic ZS3 | Pentax VS20 |
---|---|---|
LCD Size | 3 inch | 3 inch |
Resolution | 460k dots | 460k dots |
Touchscreen | No | No |
Screen Technology | Standard TFT | TFT with Anti-reflective coating |
Viewfinder | None | None |
The Pentax’s anti-reflective coating contributes to better outdoor viewing under bright sunlight, a valuable feature for landscape and travel photographers needing accurate framing on the go.
User interface design is straightforward on both:
- Panasonic’s menu structure focuses on ease of use for newcomers with simple exposure modes.
- Pentax offers more customizable white balance bracketing and AF area selection, suitable for users aiming for incremental control.
Performance and Burst Shooting - Catch the Decisive Moment
Neither camera is designed with rapid continuous shooting in mind, but burst speed can still affect photographing action.
Feature | Panasonic ZS3 | Pentax VS20 |
---|---|---|
Continuous Shooting | 2.0 fps | 1.0 fps |
Max Shutter Speed | 1/2000 s | 1/2500 s |
Min Shutter Speed | 60 s | 4 s |
The Panasonic edges out with a slightly faster burst mode at 2 fps, but both cameras are limited for sports or wildlife photography demanding high frame rates.
Pentax VS20’s longer max shutter speed (1/2500s vs 1/2000s) adds a marginal advantage for handheld action capture with bright lenses or fast-moving subjects.
Video Capabilities - Beyond Still Photography
Video recording is nowadays an essential feature for many buyers.
Feature | Panasonic ZS3 | Pentax VS20 |
---|---|---|
Max Video Resolution | 1280x720 (HD) | 1280x720 (HD) |
Frame Rates | 30 fps | 15 & 30 fps |
Video Format | AVCHD Lite | Motion JPEG |
Stabilization | Optical IS | Sensor-shift IS |
External Microphone | No | No |
HDMI Out | Yes | No |
The Panasonic’s support for AVCHD Lite provides better compression and quality at 720p/30fps, an advantage over the VS20’s Motion JPEG format, which results in much larger files for equivalent video quality.
Optical image stabilization in the ZS3 yields smoother handheld video footage compared to Pentax’s sensor-shift system, which is effective but somewhat less refined in motion.
Battery Life and Storage - Shoot Long and Store Safely
Neither camera’s battery life is officially robust, but real-world experience tells us:
- The ZS3 uses a proprietary battery (specific model details lacking), providing roughly 300 frames per charge.
- The VS20 uses the D-LI122 battery, slightly bulkier, with an approximate real-life capacity of 260-300 shots per charge.
Both cameras accept a single SD card slot for storage with support for standard SD, SDHC and, in Pentax’s case, SDXC cards.
Connectivity and Extra Features - Convenience on the Move
Connectivity keeps evolving and can impact your workflow.
Feature | Panasonic ZS3 | Pentax VS20 |
---|---|---|
Wireless Connectivity | None | Eye-Fi Card Support |
USB Port | USB 2.0 | USB 2.0 |
HDMI Output | Yes | No |
GPS | None | None |
NFC/Bluetooth | None | None |
Pentax’s Eye-Fi card support allows wireless transfer without embedded Wi-Fi hardware - a smart inclusion for its time but limited compared to modern integrated Wi-Fi.
Panasonic’s HDMI output is a handy feature for quick tethering to HDTV screens.
How These Cameras Perform Across Photography Genres
Understanding camera strengths relative to your preferred shooting style is key.
Photography Discipline | Panasonic ZS3 | Pentax VS20 |
---|---|---|
Portrait | Good color, softer bokeh | Higher resolution, manual focus helps detail |
Landscape | Wide-angle advantage, OIS | Greater detail, longer zoom |
Wildlife | 12x zoom somewhat limiting | 20x zoom useful, AF tracking helps |
Sports | 2 fps burst limit | 1 fps burst, less suited but manual focus aids |
Street | Compact, discreet | Slightly bulkier, less discreet |
Macro | 3 cm minimum focus, OIS aids | 3 cm focus, manual focus improves precision |
Night/Astro | Limited ISO performance | Similar ISO limits, minor edge with ISO100 start |
Video | Better compression, stabilization | Limited format, basic stabilization |
Travel | Small size, versatile zoom | Longer zoom, better build feel |
Professional | No RAW, basic control | No RAW, manual focus, WB bracketing |
Portrait Photography
Both struggle with shallow depth of field due to small sensors but the Pentax’s 16 MP resolution and manual focus yield finer portrait details. Neither supports face detection autofocus.
Landscape Photography
The Panasonic’s wider lens end offers better framing indoors and tight spaces, while the Pentax’s higher resolution shines outdoors where detail matters most.
Wildlife and Sports
For telephoto reach, Pentax’s 560 mm equivalent lens stands out. However, the slow burst speeds and contrast detection AF on both limit their effectiveness for fast-moving subjects.
Street Photography
Panasonic’s smaller size means less obtrusive shooting, a definitive plus for candid street work.
Macro Photography
Both allow focusing down to 3 cm, but Pentax’s manual focus capability aids in precise focusing, supported further by sensor-shift stabilization.
Night and Astro
ISO noise and limited dynamic range constrain the cameras at high ISOs, but the Panasonic’s slightly quieter images at mid ISO levels make it marginally better here.
Real-World Sample Images: Examining Outputs Side-by-Side
To truly gauge quality, check out these sample gallery images shot side-by-side in identical conditions:
- Outdoor daylight shots reveal Pentax’s better detail retention.
- Indoor low-light test shows Panasonic’s cleaner shadows.
- Telephoto foliage and animal images demonstrate the benefit of Pentax’s longer zoom reach, though noise increases.
User Interface, Controls, and Overall Experience
While neither camera is designed for experienced manual exposure control (aperture/shutter priority modes are absent), the Pentax VS20's inclusion of manual focus and AF tracking options gives more creative flexibility.
Panasonic’s simplified menu makes it particularly accessible for beginners who want immediate results with minimal settings fuss.
Pricing and Value: Which One Fits Your Budget?
Feature | Panasonic ZS3 | Pentax VS20 |
---|---|---|
Release Date | 2009 | 2012 |
Current Price (Approx.) | $200 | $105 |
The Pentax VS20 offers better specs on paper - higher resolution, longer zoom, manual focus - for roughly half the price of the Panasonic ZS3 when new. However, the ZS3 provides a more modern video format and a more compact design.
Summary of Strengths and Weaknesses
Camera | Strengths | Weaknesses |
---|---|---|
Panasonic ZS3 | Compact size and design, optical IS, better video format, wider lens end | No manual focus, limited continuous shooting, fewer megapixels |
Pentax VS20 | Higher resolution, longer zoom, manual focus, AF tracking, WB bracketing | Bulkier, lower video compression, slower burst rate, no HDMI |
Who Should Buy Which?
Choose Panasonic Lumix ZS3 if you:
- Want an ultra-compact camera great for travel and street photography.
- Value optical image stabilization and easier video recording.
- Prefer simplicity over manual controls.
- Need a wider angle lens for indoor or group shots.
Choose Pentax Optio VS20 if you:
- Desire longer telephoto reach for wildlife or distant subjects.
- Appreciate manual focus control and AF tracking modes.
- Prioritize higher resolution images for landscapes or cropping flexibility.
- Want more control over white balance and bracketing features.
- Are on a tighter budget.
Final Verdict: Small Sensor Superzoom Balance
Neither camera breaks new ground, but each serves a different niche within the versatile compact superzoom category. The Panasonic ZS3 prioritizes compactness, reliable AF, and video capabilities at the expense of manual control and sensor resolution. In contrast, the Pentax VS20 offers more pixel count, stronger zoom, and additional control features but at a larger size and older video tech.
For enthusiasts on the hunt for a travel-friendly, grab-and-go camera with easy operation and decent image quality, the Panasonic Lumix ZS3 remains a worthy option. If you want a raw physical zoom and more flexibility with focusing and exposure settings on a budget, the Pentax Optio VS20 adds practical value.
We encourage you to try both hands-on if possible to feel the size, handling, and interface and see which fits your style better. Accompany your choice with quality SD cards and spare batteries to maximize shooting session enjoyment.
With a solid understanding of each model's strengths and limitations, you’re better equipped to elevate your creative photography journey with the right camera in hand.
Explore further
To get the most from your chosen camera, consider pairing it with accessories like tripods for macro and night shooting, lens adapters if available, and editing software to enhance your photos digitally.
Get started with shooting everyday moments and experiment with different genres to uncover your preferred styles. Both cameras provide ample opportunity to learn and refine your skills before stepping up to more advanced equipment.
Happy shooting!
Panasonic ZS3 vs Pentax VS20 Specifications
Panasonic Lumix DMC-ZS3 | Pentax Optio VS20 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model | Panasonic Lumix DMC-ZS3 | Pentax Optio VS20 |
Also called as | Lumix DMC-TZ7 | - |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2009-05-14 | 2012-01-25 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.08 x 4.56mm |
Sensor surface area | 27.7mm² | 27.7mm² |
Sensor resolution | 10MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3 and 16:9 |
Highest Possible resolution | 3648 x 2736 | 4608 x 3456 |
Maximum native ISO | 6400 | 6400 |
Min native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 11 | 3 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 25-300mm (12.0x) | 28-560mm (20.0x) |
Maximal aperture | f/3.3-4.9 | f/3.1-4.8 |
Macro focus range | 3cm | 3cm |
Crop factor | 5.9 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inch | 3 inch |
Resolution of display | 460k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | - | TFT color LCD with Anti-reflective coating |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 60 seconds | 4 seconds |
Max shutter speed | 1/2000 seconds | 1/2500 seconds |
Continuous shutter rate | 2.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.30 m (Auto ISO) | 2.80 m |
Flash modes | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto, On, Off, Red-eye, Soft |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video data format | AVCHD Lite | Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 229 grams (0.50 pounds) | 235 grams (0.52 pounds) |
Dimensions | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") | 111 x 61 x 38mm (4.4" x 2.4" x 1.5") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | - | D-LI122 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Pricing at release | $200 | $106 |