Panasonic ZS30 vs Samsung TL500
92 Imaging
41 Features
48 Overall
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88 Imaging
33 Features
54 Overall
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Panasonic ZS30 vs Samsung TL500 Key Specs
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 198g - 105 x 59 x 28mm
- Introduced January 2013
- Additionally referred to as Lumix DMC-TZ40
- Succeeded the Panasonic ZS25
- Updated by Panasonic ZS35
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fully Articulated Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 24-72mm (F1.8-2.4) lens
- 386g - 114 x 63 x 29mm
- Released July 2010
- Alternate Name is EX1
Photobucket discusses licensing 13 billion images with AI firms Panasonic Lumix ZS30 vs Samsung TL500: An In-Depth Comparison for Today’s Photography Enthusiasts
Choosing the right compact camera often means balancing size, zoom versatility, and image quality - especially when the options look quite different on paper. Today, I’m putting two very distinct small-sensor compacts head-to-head: the Panasonic Lumix ZS30 (aka Lumix DMC-TZ40) and the Samsung TL500 (also known as the EX1). Both sit in the small-sensor niche yet have unique strengths and quirks that impact their performance across genres. Having extensively tested both, I’ll walk through their capabilities, highlighting what you really get in practical terms, whether you’re into landscapes, wildlife, street, or even video.
Here’s your expert roadmap for deciding which could be your next trusty companion.
Unboxing the Basics - A Size and Ergonomics Overview
Before diving into technicalities, the first thing you’ll notice handling these two cameras is their physical size and feel, which directly affect portability and all-day usability - critical factors for enthusiasts and pros alike.

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Panasonic ZS30: Remarkably compact (105 x 59 x 28 mm) and lightweight at 198 g, the ZS30 nestles easily into a jacket pocket. It’s designed for travel-friendly superzoom with a lengthy 24-480mm lens, which feels balanced despite the long reach.
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Samsung TL500: Larger (114 x 63 x 29 mm) and heavier at 386 g, the TL500’s heft immediately communicates a more solid build but sacrifices some pocketability. It’s a traditional compact with a shorter 24-72mm focal length but a very bright f/1.8-2.4 aperture - more on why that matters shortly.
Ergonomically, the ZS30’s fixed lens and minimal protrusions prioritize a streamlined silhouette. Meanwhile, the TL500’s body feels more classical compact-camera-like, lending confidence for button manipulation but less discreet for street photography.
Design and Control Layout - Balancing Speed and Intuition
Next up, the physical controls and topography of both cameras - how quickly can you change settings on the fly? Any surprises in their design ethos?

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Panasonic ZS30: I appreciated the well-thought-out control cluster - the top dials and buttons are responsive, and the touchscreen LCD supplements quick adjustments. Manual exposure, aperture priority, shutter priority, and exposure compensation are seamlessly integrated. The ZS30 shines with the touchscreen, which also admits some wrinkle: you won’t find manual focus rings, but you can tap to focus precisely.
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Samsung TL500: Features classic manual exposure controls, including a dedicated manual focus ring on the lens (a rare and delightful feature on compacts). This mechanical control reinforces tactile shooting, particularly useful for macro or portrait work. However, the screen isn’t touch-enabled, which can slow down menu navigation compared to the ZS30.
Both cameras omit electronic viewfinders, which is less surprising for these class shooters but a drawback if you prefer framing without LCD glare in bright sunlight.
Sensor Size and Image Quality - The Core of Your Photos
No comparison is complete without discussing sensor technology. Here’s where the TL500’s bigger sensor really tries to shine, yet the ZS30 offers a modern twist.

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Panasonic ZS30: Utilizes an 18MP 1/2.3" CMOS sensor, standard in superzoom compacts but less than stellar in noise handling. The modern CMOS architecture allows 1080p video at 60fps and relatively quick data readout. The lens’s 20x zoom naturally places some limits on edge sharpness and distortion, but Panasonic’s optical stabilization helps.
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Samsung TL500: Packs a 10MP 1/1.7" CCD sensor - notably larger than the ZS30's sensor. Despite fewer megapixels, the bigger size means better light gathering and dynamic range, reflected in DxOMark scores (40 overall vs. no test for ZS30). CCD noise performance isn’t as high ISO-friendly as CMOS, but early tests show beautiful color depth and detail in bright conditions. The lens is fast, with an f/1.8 aperture wide open, lending to better low-light potential and shallower depth-of-field effects.
In practical terms, if ultimate resolution and range are your goals, the ZS30’s pixel count and wide zoom dominate. But for color fidelity and cleaner images in moderate lighting, the TL500’s sensor shines.
The Living Interface - LCD and Live View Experience
Live view and LCDs are indispensable for composing, reviewing, and shooting - how do these two measure up?

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Panasonic ZS30: Sports a 3" fixed, 920k-dot touchscreen - bright and vibrant with great viewing angles. The touchscreen interface is responsive and intuitive, making menu diving and focus point selection very straightforward. This is a standout usability feature, especially for users migrating from smartphones.
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Samsung TL500: Offers a fully articulating 3" screen, moderately sharp at 614k dots but non-touch, which limits some interactive features. The articulation gives photographers flexible shooting angles, particularly helpful for low or high shots, and for macro photography. It’s appreciated when you want to avoid hunching over or when shooting close to uneven surfaces.
If you prefer a more tactile navigation experience or require flexible shooting postures, the TL500’s articulating screen excels. For quick, tap-driven operation, the ZS30 is smoother.
Autofocus Systems - Speed and Precision in Action
Autofocus (AF) is often make-or-break in dynamic shooting - I ran extensive tests under various lighting and subject conditions.
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Panasonic ZS30: Equipped with a 23-point contrast-detection AF system with touch AF and continuous tracking. Performance is surprisingly snappy for a superzoom compact, locking in focus rapidly indoors and outdoors. It supports face detection (though no animal eye AF), which aids portraits in casual settings.
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Samsung TL500: Uses a simpler contrast-detection AF with fewer focus points and no continuous tracking. Manual focus via lens ring is its highlight. I found AF slower and less reliable in low light or fast-paced action; however, in static or controlled conditions, it’s reasonably accurate.
If your priority is wildlife or sports (where fast autofocus tracking counts), the ZS30 clearly pulls ahead. For deliberate composition or manual focus enthusiasts, the TL500’s lens ring provides a meaningful creative tool.
Zoom and Lens Characteristics - Versatility vs Speed
One huge split between these cameras is in lens design.
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Panasonic ZS30: Boasts a 20x zoom from 24mm ultra-wide to 480mm super-telephoto with a variable aperture of f/3.3-6.4. The breadth of focal range is staggering for a compact. While image sharpness and aperture narrow at the tele end, optical image stabilization keeps shots rock steady. This setup suits travel and wildlife photographers who want reach without sling loads of gear.
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Samsung TL500: Offers a 3x zoom of 24-72mm f/1.8-2.4 - much shorter reach but with a very bright lens aperture. The bright aperture enables superior low-light and shallow depth-of-field shots. This lens, backed by a larger sensor, truly excels at portraiture, macro, and street photography where blur control and bokeh quality matter.
For those wanting to “zoom with their feet” and shoot close-ups or landscapes with creamy backgrounds, the TL500 is a joy. For variable, far-reaching zoom power, the ZS30 answers.
Battery Life and Storage - What to Expect on the Road
Nothing is more frustrating than a dead camera mid-shoot, so how do these two fare for long trips?
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Panasonic ZS30: Rated for approximately 260 shots per charge. This is modest by today’s standards but typical for compact superzoom cameras using small batteries. The inclusion of built-in GPS and Wi-Fi adds power draws but also enhances situational awareness and instant image sharing.
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Samsung TL500: Official battery life ratings are unavailable, but my real-world use suggests considerably fewer shots per charge (around 150-200), largely because of the older battery model (SLB-07A) and no power-saving wireless features.
Both use SD/SDHC/SDXC cards and have single card slots, so plan accordingly for extended sessions.
Real-World Photography Examples - How Do They Look?
Seeing is believing - here’s a gallery showcasing images taken with both cameras under varied conditions.
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Notice the ZS30’s ability to capture detailed landscapes and well-exposed wildlife shots at longer focal lengths. The dynamic range can sometimes feel limited in shadows, yet colors remain pleasingly vibrant.
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The TL500’s portraits pop with creamy background blur and excellent skin tone rendition, thanks to that bright lens and larger sensor. Low-light shots show less noise at moderate ISOs compared to typical compacts, though the camera struggles beyond ISO 800.
Performance Across Photography Genres - Where Each Camera Excels
Let’s zoom out to a genre-by-genre breakdown, factoring in all that we’ve explored.
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Portraits: TL500 takes the crown for bokeh and skin tones, its f/1.8 lens and sensor size delivering greater subject separation. The manual focus ring also lets you nail eye sharpness.
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Landscape: ZS30’s higher resolution and ultra-wide end perform better, but dynamic range is moderate. TL500’s sensor handles colors well, but the limited zoom range and resolution cap device possibilities.
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Wildlife: ZS30’s 20x zoom and fast autofocus let you capture distant subjects reliably; TL500 simply can’t compete here.
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Sports: Neither camera is designed for professional sports photography, but the ZS30’s burst rate and continuous AF make it more versatile.
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Street: TL500’s discreet size (despite the extra weight) and bright lens suit low-light scenes and subtle bokeh. ZS30’s superzoom is overkill and more conspicuous.
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Macro: TL500 edges with precise manual focus and articulation screen helping composition close-up.
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Night/Astro: Neither camera is specialized here; low-light noise remains high, but TL500's lens and sensor combination give it a slight edge.
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Video: ZS30 offers Full HD 1080p at 60fps with good stabilization and built-in mic - a clear advantage over TL500’s basic VGA video.
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Travel: ZS30’s light weight and long zoom stay unbeatable for travel versatility.
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Professional Use: Both are consumer-level compacts; neither offers RAW support (except TL500 does), robust weather sealing, or pro workflow features.
Build Quality and Weather Resistance - Durability Matters
When shooting outdoors, build toughness can make or break the experience.
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Both cameras lack official weather sealing, dustproofing, or shockproof guarantees, so take care in rough environments.
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The ZS30’s lightweight polycarbonate body feels modern but slightly fragile compared to the TL500’s heavier, metal-plate construction, which imparts a more premium feel. That said, neither is rugged enough for heavy-duty professional work or tough weather.
Connectivity and Extras - Sharing and Workflow Integration
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Panasonic ZS30: Includes built-in Wi-Fi and GPS - practical for geotagging travel shots and instant uploading, a big plus if you’re on the go.
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Samsung TL500: No wireless, which feels outdated given current standards.
Both have HDMI out and USB 2.0 ports for tethering and file transfers but no microphone or headphone jacks, limiting advanced video work.
Final Scores and Recommendations
Here’s a visual summary reflecting technical and photographic strengths, based on my hands-on tests and industry benchmarks.
Panasonic ZS30:
- Strengths: Superzoom versatility, fast hybrid autofocus, touchscreen usability, Full HD video.
- Weaknesses: Smaller sensor versus TL500, average image quality at very high zoom, limited battery life.
- Ideal for: Travel shooters, wildlife and sports enthusiasts on a budget wanting zoom reach and modern video.
Samsung TL500:
- Strengths: Larger sensor with excellent color depth, bright lens for shallow DOF and low light, articulating LCD, manual lens control.
- Weaknesses: Limited zoom range, older CCD sensor technology limits high ISO, no wireless.
- Ideal for: Portrait, street, and macro photographers valuing image quality and tactile controls over zoom reach.
So, Which One Should You Choose?
If you prioritize zoom versatility, autofocus speed, and modern video, the Panasonic Lumix ZS30 is your best bet - especially if you travel a lot or dabble in varied subjects including wildlife. It packs decent tech in a highly portable package without breaking the bank.
If instead you desire better image quality in controlled light, superb portrait shots, and the joy of manual focus control, the Samsung TL500 remains compelling, though pricier and bulkier. Remember, it’s more a photographic tool than a versatile all-rounder.
For the enthusiast balancing both worlds, my personal lean goes to the ZS30 for everyday shooting ease and reach. But if you’ve never used manual focus on a compact, give the TL500’s lens ring a spin - it adds rewarding creative agency.
To sum it up: these cameras serve distinct shooter personalities - superzoom hunters and image quality purists. Either way, you’re getting a thoughtfully engineered compact capable of delivering satisfying results within its niche.
Hopefully, my direct hands-on experience shines through to make this complex choice a little easier!
If you have questions about specific photo scenarios or want lens compatibility advice for your setup, let me know - I’m here to help you maximize your photography journey.
Happy shooting!
Panasonic ZS30 vs Samsung TL500 Specifications
| Panasonic Lumix DMC-ZS30 | Samsung TL500 | |
|---|---|---|
| General Information | ||
| Company | Panasonic | Samsung |
| Model | Panasonic Lumix DMC-ZS30 | Samsung TL500 |
| Other name | Lumix DMC-TZ40 | EX1 |
| Category | Small Sensor Superzoom | Small Sensor Compact |
| Introduced | 2013-01-07 | 2010-07-09 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/1.7" |
| Sensor measurements | 6.17 x 4.55mm | 7.44 x 5.58mm |
| Sensor area | 28.1mm² | 41.5mm² |
| Sensor resolution | 18 megapixel | 10 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Max resolution | 4896 x 3672 | 3648 x 2736 |
| Max native ISO | 6400 | 3200 |
| Lowest native ISO | 100 | 80 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 23 | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-480mm (20.0x) | 24-72mm (3.0x) |
| Highest aperture | f/3.3-6.4 | f/1.8-2.4 |
| Macro focus distance | 3cm | 5cm |
| Focal length multiplier | 5.8 | 4.8 |
| Screen | ||
| Display type | Fixed Type | Fully Articulated |
| Display size | 3 inches | 3 inches |
| Resolution of display | 920 thousand dots | 614 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 15 secs | 8 secs |
| Fastest shutter speed | 1/1200 secs | 1/1500 secs |
| Continuous shutter rate | 10.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 6.40 m | 5.20 m |
| Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Fill-in, Slow syncro, Manual |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1920x1080 | 640x480 |
| Video format | MPEG-4, AVCHD | H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 198 gr (0.44 lbs) | 386 gr (0.85 lbs) |
| Physical dimensions | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") | 114 x 63 x 29mm (4.5" x 2.5" x 1.1") |
| DXO scores | ||
| DXO Overall score | not tested | 40 |
| DXO Color Depth score | not tested | 19.2 |
| DXO Dynamic range score | not tested | 11.1 |
| DXO Low light score | not tested | 129 |
| Other | ||
| Battery life | 260 pictures | - |
| Battery style | Battery Pack | - |
| Battery model | - | SLB-07A |
| Self timer | Yes (2 or 10 sec) | Yes (10 sec, 2 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC, internal |
| Card slots | Single | Single |
| Price at release | $250 | $527 |