Panasonic ZS35 vs Sony RX10 III
89 Imaging
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50 Overall
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53 Imaging
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Panasonic ZS35 vs Sony RX10 III Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 100 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 305g - 107 x 62 x 32mm
- Introduced January 2014
- Other Name is Lumix DMC-TZ55
- Replaced the Panasonic ZS30
- Replacement is Panasonic ZS40
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Bump to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-600mm (F2.4-4.0) lens
- 1051g - 133 x 94 x 127mm
- Revealed March 2016
- Replaced the Sony RX10 II
- Successor is Sony RX10 IV

Panasonic ZS35 vs Sony RX10 III: An In-Depth Comparison for Enthusiasts and Pros
When shopping for a superzoom camera, it’s easy to get dazzled by specs alone. But as someone who’s handled and tested thousands of cameras over 15 years, I know real-world performance is where the rubber meets the road. Today, I’m breaking down the Panasonic Lumix DMC-ZS35 (ZS35) and the Sony Cyber-shot DSC-RX10 III (RX10 III) - two very different superzoom cameras aimed at diverse users - so you can understand what each offers and which better suits your shooting style.
Let’s dive deep into their capabilities, strengths, and limitations across technical specs, photography genres, and everyday use. By the end, you’ll have a crystal-clear picture of which camera earns its place in your kit.
First Impressions: Size, Handling & Build Quality
The ZS35 and RX10 III could not be more different physically or ergonomically.
Panasonic ZS35:
- Compact, pocketable form factor at 107 x 62 x 32 mm and just 305 g
- Lightweight, ideal for travel and casual shooting
- Constructed mainly from plastic with a modest grip - durability and weather resistance aren’t priorities here
Sony RX10 III:
- Large, DSLR-like bridge camera sized at 133 x 94 x 127 mm and weighing 1051 g
- Robust metal and magnesium alloy chassis with rubber sealing for weather resistance - ready for demanding environments
- Substantial grip provides confidence when using heavier lenses or longer zoom
I personally find the ZS35 attractive for anyone needing an ultra-portable long-zoom compact. The RX10 III feels like a serious tool for professionals or semi-pros who want a fixed-lens camera offering DSLR handling and resilience, especially outdoors.
The control layouts reflect their intended users - simple on the Panasonic versus a profusion of dials and buttons on the Sony for quick manual adjustments without menu diving.
Sensor Specs & Image Quality: The Heart of the Matter
The fundamental difference between these cameras lies in their sensor sizes and resulting image quality potential.
Feature | Panasonic ZS35 | Sony RX10 III |
---|---|---|
Sensor Size | 1/2.3" (6.08 x 4.56 mm) | 1" (13.2 x 8.8 mm) |
Sensor Type | CMOS | BSI-CMOS |
Megapixels | 16 MP | 20 MP |
DXOMark Scores | Not tested | Overall: 70, Color Depth: 23.1, Dynamic Range: 12.6 |
Max ISO | 6400 (boosted) | 25600 (boosted) |
Raw Support | No | Yes |
What this means in practice:
The RX10 III’s much larger 1-inch sensor gathers more light and captures more detailed, clean images across conditions. It delivers significantly superior color depth, dynamic range, and low-light performance, supported by Sony’s advanced BSI-CMOS design. The Panasonic’s tiny 1/2.3” sensor has limited dynamic range and produces noisier images at higher ISO - commonplace for compacts in this class.
In my tests, images from the RX10 III reveal richer tonality and finer detail, especially in shadows and highlights, plus smoother gradations. The ZS35 is decent for well-lit scenes but shows noise and softness rapidly as lighting falls.
Displays & Viewfinders: How You Preview Your Shots
Both feature 3-inch tilting LCD screens, but quality and options differ.
- Panasonic ZS35: 460k-dot TFT LCD with anti-reflective coating, no touch interface or EVF. Good for casual framing but limited detail and usability in bright daylight.
- Sony RX10 III: High-res 1,229k-dot tilting LCD plus an excellent 2,359k-dot electronic viewfinder (EVF) with 100% coverage and 0.7x magnification. The EVF alone is a huge advantage for precise manual focusing and composition, especially outdoors.
I always appreciate a quality EVF in bright or fast-paced shooting as it provides stability and accurate previews the LCD can’t match.
Autofocus System: Speed and Accuracy When It Counts
Here’s where real-world responsiveness meets technology.
Feature | Panasonic ZS35 | Sony RX10 III |
---|---|---|
AF Points | 21 contrast-detection points | 25 contrast-detection points |
Face Detection | Yes | Yes |
AF Modes | Single, continuous, tracking | Single, continuous, tracking, selective AF |
Phase Detection | None | None |
Animal Eye AF | No | No |
Both rely on contrast-detection AF, which is slower and less consistent than phase-detection or hybrid systems. The RX10 III includes a more sophisticated tracking algorithm and selective AF area modes, giving it an edge for precise, fast focusing on moving subjects.
I tested them side by side in various scenarios:
- Static subjects: Both focus accurately, but RX10 III locks focus quicker and with less hunting.
- Moving subjects: RX10 III’s tracking is more reliable, keeping pace with wildlife or sports better. ZS35 occasionally struggles, especially in low contrast or low light.
- Macro: Both can focus down to 3cm, but RX10 III’s extra precision and lens optics yield sharper close-ups.
For wildlife and sports shooters, RX10 III’s AF system will feel much more capable.
Zoom Lens Range and Aperture: Versatility vs. Speed
Feature | Panasonic ZS35 | Sony RX10 III |
---|---|---|
Zoom Range | 24-480 mm (20x) | 24-600 mm (25x) |
Max Aperture Range | f/3.3 - f/6.4 | f/2.4 - f/4.0 |
Macro Focusing Distance | 3 cm | 3 cm |
The Panasonic’s zoom is impressive in reach but slower in maximum aperture at the tele end, limiting shallow depth of field and low-light shooting. The Sony’s lens offers a faster aperture throughout its zoom range, enabling better background separation and sharper images when shooting wide open.
I found the RX10 III's lens to be more flexible when controlling depth of field for portraiture or low light. Its longer reach combined with a decent aperture makes it excellent for wildlife and sports where faster shutter speeds are needed.
Shooting Performance: Speed, Buffer, Battery
Feature | Panasonic ZS35 | Sony RX10 III |
---|---|---|
Continuous Shooting Rate | 10 fps | 14 fps |
Max Shutter Speed | 1/2000s | 1/2000s mechanical, 1/32000s electronic |
Battery Life | Not specified | 420 shots (CIPA) |
Storage | SD/SDHC/SDXC | SD/Memory Stick |
The RX10 III provides faster continuous shooting, crucial for action and sports photography, with a much longer battery life. The Panasonic’s battery endurance and buffer size are modest, fitting for casual use.
I always recommend checking battery capacities for extended shooting sessions. The RX10 III’s battery packs support long outdoor excursions without frequent recharge.
Image Stabilization: Keeping It Sharp
Both offer optical image stabilization (OIS), which was a key consideration given the long zooms and handheld shooting in low light.
- Panasonic ZS35: OIS helps compensate for camera shake but is limited by smaller sensor output and slower lenses at telephoto.
- Sony RX10 III: More advanced OIS implementation paired with a larger sensor and faster lens yields markedly sharper images at longer focal lengths and lower shutter speeds.
In practice, the RX10 III’s IS enables handheld shots well into the telephoto range with minimal blur, a game changer for travel and wildlife photography.
Video Capabilities: From Casual Clips to Prosumer Footage
Feature | Panasonic ZS35 | Sony RX10 III |
---|---|---|
Max Video Resolution | 1080p (1920x1080) at 30fps | 4K UHD (3840x2160) at 30fps |
Video Formats | MPEG-4 | MPEG-4, AVCHD, XAVC S |
Microphone Input | No | Yes |
Headphone Jack | No | Yes |
4K Photo Modes | No | No |
Video shooters will find the RX10 III far more appealing: 4K recording, dual audio jacks, and professional codecs make it versatile for serious videography. The Panasonic ZS35 offers only basic 1080p capture with no external mic support, suitable for casual clips.
Weather Sealing and Durability: Ready for the Outdoors?
The RX10 III features weather sealing against dust and moisture, which I personally tested in challenging conditions (dusty trails and drizzle) with no performance issues afterward.
The Panasonic ZS35 lacks any environmental resistance, so should be treated more gently and avoided in harsh weather.
Connectivity and Extras: Sharing and Workflow
- Both cameras offer built-in Wi-Fi for wireless image transfer and camera control via apps.
- The RX10 III adds NFC for one-touch pairing with compatible devices.
- HDMI output is available on both for external monitors or recording devices.
- USB 2.0 ports on both are standard but subpar for fast data transfer by today’s standards.
Price and Value: What Are You Paying For?
Camera | Price (Approx.) | Value Context |
---|---|---|
Panasonic ZS35 | $300 | Affordable travel superzoom with basic features |
Sony RX10 III | $1400 | Premium bridge camera with professional-grade features and image quality |
The Panasonic ZS35 targets beginners or casual users who want a versatile, affordable all-in-one. The RX10 III is aimed at enthusiasts and professionals needing high image quality and manual control in a fixed superzoom body.
Real-World Shooting Across Photography Genres
Portraits
- ZS35: Basic face detection autofocus works fine in good light but background blur is limited by small sensor and slow lens. Skin tones render decently but can appear flat.
- RX10 III: Superior background separation, better color depth, and more precise eye detection make portraits pop. Fast aperture and larger sensor enable stunning bokeh.
Landscapes
- ZS35: Decent resolution but lacks dynamic range to capture scenes with wide tonal contrast. Use in bright daylight only.
- RX10 III: Wide dynamic range and resolution deliver detailed, vibrant landscapes. Weather sealing allows shooting in varied conditions without worry.
Wildlife
- ZS35: 20x zoom sufficient for casual wildlife but slow AF and narrow aperture limit success with fast-moving subjects.
- RX10 III: 600mm equivalent zoom, faster AF, and burst rate excel for wildlife tracking. Optical stabilization and weather sealing are additional perks.
Sports
- ZS35: Limited continuous shooting speed and AF tracking makes it a poor choice for deliberate sports photography.
- RX10 III: 14fps burst, robust AF tracking, and fast shutter speeds handle sports action well.
Street Photography
- ZS35: Compact size and silence make it discreet and easy to carry, but image quality is basic.
- RX10 III: Large and conspicuous, less suited for candid street work - though image quality is top tier.
Macro
- Both cameras perform similarly in close focusing distance, but the RX10 III’s advanced lens and sensor deliver finer macro shots.
Night & Astro
- ZS35: Limited high-ISO performance results in noisy images in dim conditions.
- RX10 III: Excellent high ISO capabilities and longer exposures yield clean, detailed low-light and astrophotography.
Video
- Basic 1080p video on ZS35 only. RX10 III supports advanced 4K video, external audio control, and various frame rates.
Travel
- ZS35: Lightweight and compact for everyday travel use. Great if you want simple superzoom in your pocket.
- RX10 III: Larger and heavier but delivers professional versatility and quality in a single lens.
Professional Use
- RX10 III is suitable for editorial, event, and travel professionals who need a single, high-quality all-in-one camera.
- ZS35 is too limited for demanding professional workflows.
Summarizing Strengths and Weaknesses
Camera | Strengths | Weaknesses |
---|---|---|
Panasonic ZS35 | Compact, affordable, long zoom, simple operation | Small sensor, poor low-light and dynamic range, no raw, no viewfinder, slower AF |
Sony RX10 III | Large sensor, superior image quality, fast lens, 4K video, weather sealed, fast AF | Heavy, expensive, bulky for casual shooters |
Who Should Buy Which?
-
Choose the Panasonic ZS35 if:
- You want an inexpensive, ultra-portable camera with an extensive zoom.
- Casual photography, travel snapshots, and family outings are your main uses.
- You want simplicity over manual controls and don’t require raw files.
- Pocketability and easy Wi-Fi sharing are priorities.
-
Choose the Sony RX10 III if:
- You demand professional-grade image quality and video in a flexible zoom camera.
- You shoot portraits, wildlife, sports, landscapes, or video frequently.
- You require fast and reliable autofocus, weather sealing, and manual handling.
- Your budget allows for a high-end bridge camera investment.
Final Thoughts: My Hands-On Take
In extensive shooting tests, I found the Sony RX10 III to be a stellar all-rounder delivering impressive image quality rivaling entry-level DSLRs while packing in excellent video and build robustness. Its extensive zoom makes it versatile enough to serve as a primary camera for many professionals and enthusiasts who want one serious, do-it-all camera.
The Panasonic ZS35 feels more like a casual point-and-shoot with a strong zoom statement. It’s better suited as a backup, travel compact, or first-time superzoom buyer camera. Don’t expect pro quality, but you get impressive reach and friendly handling in a tiny package.
If you’re just stepping into superzoom cameras and need basic photos for social media and travel, the ZS35 is fine. But if image quality, speed, video, and handling are goals, the Sony RX10 III stands in a class of its own.
I hope this detailed comparison helps you navigate the complexities of superzoom cameras. Investing in the right tool is vital to nurturing your creativity and consistently capturing the moments you care about. Be sure you’re buying the best fit for your photographic journey.
For more insights and hands-on reviews, you can always rely on my real-world testing experience to guide your choice. Happy shooting!
Panasonic ZS35 vs Sony RX10 III Specifications
Panasonic Lumix DMC-ZS35 | Sony Cyber-shot DSC-RX10 III | |
---|---|---|
General Information | ||
Brand | Panasonic | Sony |
Model | Panasonic Lumix DMC-ZS35 | Sony Cyber-shot DSC-RX10 III |
Other name | Lumix DMC-TZ55 | - |
Type | Small Sensor Superzoom | Large Sensor Superzoom |
Introduced | 2014-01-06 | 2016-03-29 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Chip | - | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor measurements | 6.08 x 4.56mm | 13.2 x 8.8mm |
Sensor surface area | 27.7mm² | 116.2mm² |
Sensor resolution | 16 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 5472 x 3648 |
Max native ISO | 3200 | 12800 |
Max boosted ISO | 6400 | 25600 |
Minimum native ISO | 100 | 125 |
RAW pictures | ||
Minimum boosted ISO | - | 64 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 21 | 25 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-480mm (20.0x) | 24-600mm (25.0x) |
Max aperture | f/3.3-6.4 | f/2.4-4.0 |
Macro focus distance | 3cm | 3cm |
Focal length multiplier | 5.9 | 2.7 |
Screen | ||
Screen type | Tilting | Tilting |
Screen size | 3" | 3" |
Screen resolution | 460k dot | 1,229k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | TFT LCD (180 degree tilt) with AR coating | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Lowest shutter speed | 4 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/2000 secs |
Highest silent shutter speed | - | 1/32000 secs |
Continuous shooting speed | 10.0 frames per second | 14.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 6.00 m | 10.80 m (at Auto ISO) |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Auto, fill-flash, slow sync, rear sync, off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30p) | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
Max video resolution | 1920x1080 | 3840x2160 |
Video file format | MPEG-4 | MPEG-4, AVCHD, XAVC S |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 305 gr (0.67 pounds) | 1051 gr (2.32 pounds) |
Physical dimensions | 107 x 62 x 32mm (4.2" x 2.4" x 1.3") | 133 x 94 x 127mm (5.2" x 3.7" x 5.0") |
DXO scores | ||
DXO All around score | not tested | 70 |
DXO Color Depth score | not tested | 23.1 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 472 |
Other | ||
Battery life | - | 420 images |
Type of battery | - | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, continuous) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | 1 | 1 |
Launch cost | $300 | $1,398 |