Panasonic ZS40 vs Sony A700
90 Imaging
42 Features
58 Overall
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58 Imaging
50 Features
58 Overall
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Panasonic ZS40 vs Sony A700 Key Specs
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Bump to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 240g - 111 x 64 x 34mm
- Introduced January 2014
- Also referred to as Lumix DMC-TZ60
- Succeeded the Panasonic ZS35
- Updated by Panasonic ZS45
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- No Video
- Sony/Minolta Alpha Mount
- 768g - 142 x 105 x 80mm
- Released December 2007
- Replaced the Konica Minolta 7D
- Replacement is Sony A77
Samsung Releases Faster Versions of EVO MicroSD Cards Comparing the Panasonic Lumix ZS40 and Sony Alpha A700: Which Camera Fits Your Photography Journey?
Choosing a camera often involves balancing various factors: sensor size, lens options, handling, and intended use cases. Today, we dive deep into two distinct cameras that sit at very different points on the spectrum - the Panasonic Lumix DMC-ZS40 (also known as Lumix DMC-TZ60) superzoom compact and the Sony Alpha DSLR-A700 mid-range DSLR. Both have been beloved tools for photographers, but they serve quite different styles and priorities.
In this detailed comparison, we’ll explore every angle - from image quality and autofocus to ergonomics and specialized photography disciplines - helping you make an informed choice regardless of your experience level or photographic goals.

Design and Handling: Compact Portability vs. DSLR Presence
At first glance, the Panasonic ZS40’s compact body measuring 111 × 64 × 34 mm and weighing just 240 g contrasts sharply with the Sony A700’s larger DSLR form factor at 142 × 105 × 80 mm and 768 g. This substantial difference is immediately felt in your hands and impacts your shooting style.
- Panasonic ZS40: Ultra-light and pocketable, ideal for travel, street photography, or situations where bulk isn’t welcome. The fixed 30x zoom lens offers massive reach without swapping lenses, making it versatile for casual and enthusiast shooters on the go.
- Sony A700: Classic DSLR ergonomics with a substantial grip, robust build quality, and weather sealing that appeals to professionals and serious amateurs requiring durability and control in challenging conditions.
This makes the ZS40 a grab-and-go solution while the A700 feels like a dedicated, reliable photographic tool designed for extended sessions and professional workflows.

Controls and User Interface
The A700 offers traditional DSLR controls - dedicated dials for exposure modes, ISO, and aperture, combined with customizable buttons that seasoned photographers expect. Its pentaprism optical viewfinder covers about 95% of the frame, providing a natural view in bright conditions.
The ZS40’s smaller body means reduced physical controls and no touchscreen interface, but it still delivers manual focus and exposure modes. The electronic viewfinder (EVF) with 200k-dot resolution is a useful addition for composing in bright sunlight.
If hands-on tactile control and optical viewfinders are your preferences, the A700 stands out. Conversely, the ZS40’s interface suits casual users comfortable with digital navigation and instant feedback on an LCD or EVF.

Sensor & Image Quality: Compact Sensor vs. APS-C Power
Sensor technology is the foundation of imaging performance.
| Feature | Panasonic ZS40 | Sony A700 |
|---|---|---|
| Sensor type | 1/2.3" CMOS | APS-C CMOS (23.5 × 15.6 mm) |
| Sensor area | 28.07 mm² | 366.6 mm² |
| Resolution | 18 MP | 12 MP |
| Max native ISO | 3200 | 6400 |
| Optical low-pass filter | Yes | Yes |
| RAW support | Yes | Yes |
The Sony A700’s larger APS-C sensor captures significantly more light, enabling better dynamic range, improved color depth, and superior noise control - particularly in low-light situations. Its 12-megapixel resolution is lower than the Panasonic's 18 MP but yields larger pixels that better handle high ISO sensitivity without excessive noise.
In contrast, the Panasonic’s 1/2.3-inch sensor is common in compact superzoom cameras, where sensor size is constrained by lens dimensions. While 18 MP allow for detailed images in good light, you should expect more noise at ISO values over 800 and less flexibility in post-processing.
For landscape, portrait, and professional applications where image quality is paramount, the Sony A700’s sensor has a clear advantage.

Display and Viewfinder: Composing Your Vision
Both cameras sport a 3-inch, 920k-dot fixed LCD, providing the resolution and size standard for this generation. The big difference lies in the viewfinder technology.
- Panasonic ZS40: Electronic viewfinder (EVF) shows a real-time digital preview but with modest resolution (200k-dot). It provides useful shooting information overlays but can feel a touch laggy in fast action scenarios.
- Sony A700: Optical pentaprism viewfinder provides a direct, lag-free view but covers only 95% of the frame, which means you may occasionally see elements outside your final shot.
Neither display supports touch input. The ZS40’s EVF is helpful when the rear LCD is hard to see in bright environments, often encountered on outdoor shoots.
In day-to-day use, the optical viewfinder ensures natural framing, exclusive to the Sony DSLR.
Autofocus and Performance: Tracking, Precision, and Speed
Panasonic ZS40
- AF System: 23 contrast-detection focus points.
- Modes: AF single, AF continuous, AF tracking, face detection.
- Continuous shooting: 10 fps (burst rate is impressive for its class).
- Macro focus range: 3 cm.
Sony A700
- AF System: 11 phase-detection points.
- Modes: AF single, AF continuous, selective AF, multi-area AF.
- Continuous shooting: 5 fps.
- Macro focus range: N/A (dependent on lens).
Phase-detection autofocus in the Sony DSLR enables faster and more accurate focusing, especially in challenging conditions or moving subjects - essential for wildlife and sports photography.
The ZS40’s contrast-detection, while adequate for everyday shooting and stills, can struggle with low-light tracking and rapid subject movement, although its 10 fps burst speed benefits casual action shooting.
Face detection on the ZS40 aids portraiture with better eye focus capability, despite lacking advanced eye or animal eye detection now common on newer models.
Versatility Across Photography Genres
Portrait Photography: Rendering Skin Tones & Bokeh
Portraiture demands smooth skin tones, natural colors, and pleasing background separation.
- The Sony A700, paired with fast prime lenses (such as the 50mm f/1.8), produces beautifully shallow depth of field and smooth bokeh unattainable by the ZS40’s fixed lens maximum aperture of f/3.3-6.4.
- The larger sensor and superior color depth of the A700 also ensure more accurate skin tones and gradations, especially under mixed lighting.
- The Panasonic ZS40 offers face detection autofocus, assisting in crisp focus on your subject’s eyes but cannot compete with the optical softness and subject isolation of DSLR optics.
Recommendation: For portraits with artistic control, the Sony is preferable. For casual portraits and travel snaps, the Panasonic gives good-enough results.
Landscape Photography: Dynamic Range & Resolution
Landscape enthusiasts require edge-to-edge sharpness, wide dynamic range, and high resolution.
- The Sony A700 excels, with a dynamic range rating of 11.9 EV in DXOMark tests, allowing it to preserve shadows and highlights better.
- Its 12 MP sensor might seem modest, but produces cleaner files ready for large prints.
- Weather sealing of the Sony body encourages shooting in adverse environments.
- The Panasonic ZS40’s smaller sensor limits dynamic range and detail. Although 18 MP sounds higher, it's compromised by a smaller sensor area.
The Panasonic’s 30x zoom provides flexibility to capture distant landscapes, which can be helpful when terrain is inaccessible.
Wildlife & Sports: Autofocus Speed and Burst Rates
Both subjects demand fast autofocus and high-speed continuous shooting.
- The ZS40’s 10 fps burst rate and tracking autofocus make it surprisingly competent for casual wildlife photography but limited by fixed lens reach and slower contrast AF speed.
- The Sony A700’s 5 fps is slower, but its phase-detection AF offers better tracking accuracy.
- Lens ecosystem advantage goes to the Sony Alpha mount, with over 140+ lenses ranging from ultrawide to super-telephoto, highly beneficial for sports and wildlife shooters needing specialized glass.
In real-world testing, the A700 will outperform for demanding fast-action shooting, while the ZS40’s zoom lens is handy for unplanned wildlife shots on the trail.
Street Photography: Discretion and Speed
Street shooters often prioritize compactness, silence, and quick responsiveness.
- The Panasonic’s pocketable size and silent operation modes excel here, especially when discretion matters.
- Sony’s DSLR bulk, along with louder shutter noise, might make candid shooting less inconspicuous.
- The fixed zoom lens on the ZS40 covers popular street focal lengths from 24mm to 720mm equivalent, allowing rapid composition changes without lens swaps.
For street photographers, the ZS40 is clearly the more practical tool.
Macro Photography: Magnification and Precision
- Panasonic’s close focusing at 3 cm combined with optical stabilization delivers decent macro shots for casual use.
- Sony relies on compatible macro lenses for true macro performance; prices and sizes vary.
- Neither offers focus stacking or bracketing.
The ZS40 is a convenient option for occasional macro shots, while dedicated macro glass on the Sony A700 fulfills the more demanding macro enthusiast’s needs.
Night and Astro Photography: High ISO and Long Exposure
Shooting in dim conditions tests sensor noise handling and long exposure capabilities.
| Feature | Panasonic ZS40 | Sony A700 |
|---|---|---|
| Max shutter speed | 1/2000 sec | 1/8000 sec |
| Min shutter speed | 4 sec | 30 sec |
| Max ISO | 3200 (6400 boosted) | 6400 |
| Long exposure time-lapse | No | No |
The Sony’s superior sensor size, higher maximum ISO, and longer shutter speed options make it best suited to nightscapes and astrophotography.
The Panasonic’s stabilized lens does help handheld low light, but noise will be more pronounced.
Video Capabilities: 1080p vs. No Video Support
- The Panasonic ZS40 supports Full HD 1080p video recording at 60fps, using both AVCHD and MPEG-4 formats.
- Lacks microphone and headphone jacks; stabilization is optical.
- The Sony A700 offers no video recording features.
If video alongside photography is important, the Panasonic is a clear winner here.
Travel Photography: Versatility, Battery, and Handling
For travel, weight, size, functionality, and battery life matter.
| Specification | Panasonic ZS40 | Sony A700 |
|---|---|---|
| Weight | 240 g | 768 g |
| Dimensions | 111x64x34 mm | 142x105x80 mm |
| Battery life (approx.) | 300 shots | Not officially stated (~500 typical) |
| Storage | SD/SDHC/SDXC (1 slot), internal | Dual slots: CompactFlash + Memory Stick |
| GPS | Integrated | None |
| Wireless | Wi-Fi + NFC | None |
The Panasonic shines as a versatile all-in-one with built-in GPS for geotagging, useful wireless transfer, and massive zoom coverage.
The Sony DSLR, while heavier and more complex, offers greater image quality and lens flexibility - ideal if your travel demands professional-grade image capture and you don’t mind carrying weight.
Real World Image Gallery and Sample Review
Viewing direct samples reveals much:
- The Panasonic ZS40 produces vibrant colors and good detail in daylight, though with some softness creeping in at full zoom and high ISO noise baked into shadows.
- The Sony A700 files show superior shadow recovery, cleaner JPEGs, and better highlight roll-off, particularly in RAW.
Both cameras can create beautiful photos; choice depends on your priorities of image quality vs. convenience.
Technical Features and Connectivity Summary
| Feature | Panasonic ZS40 | Sony A700 |
|---|---|---|
| Image stabilization | Optical lens-based | Sensor-based |
| Built-in Flash | Yes (6.4 m range) | Yes (12 m range) + external flash support |
| Wireless Connectivity | Wi-Fi, NFC | None |
| Ports | USB 2.0, HDMI | USB 2.0, HDMI |
| Memory Cards | SD/SDHC/SDXC | CompactFlash, Memory Stick |
| Environmental Sealing | No | Yes |
Image stabilization methods differ: Panasonic’s lens correction performs very well for hand-held shooting at long zoom, while Sony’s sensor shift provides stabilization across all lenses - an advantage for changing lens systems.
Performance Scores and Value Assessment
While the Panasonic ZS40 lacked independent DXO Mark testing, the Sony A700 scores a respectable 66 overall based on sensor performance, dynamic range, and low light capability for a 2007 model.
- Panasonic benefits budget-conscious users seeking convenience and features.
- Sony, despite its age, still maintains a competitive edge in image quality and build, often found used at attractive prices.
Which Camera Fits Your Photography Style?
| Genre | Panasonic ZS40 | Sony A700 |
|---|---|---|
| Portrait | Casual portraits with face detection | Professional portraits with primes |
| Landscape | Travel snapshots, wide zoom flexibility | Serious landscape with dynamic range |
| Wildlife | Opportunistic wildlife shots | Dedicated wildlife with telephoto lenses |
| Sports | Casual sports with fast burst | More accurate AF for sports |
| Street | Compact, discreet | Less discreet |
| Macro | Easy close-up shots | Dedicated macro lenses |
| Night/Astro | Limited low-light capability | True night photography |
| Video | Full HD 1080p video recording | No video support |
| Travel | Lightweight, GPS, zoom versatility | Rugged, image quality demanding |
| Professional Work | Limited raw control | Robust file workflow support |
Final Thoughts: Matching Tools to Your Photography Journey
Our extensive hands-on testing and analysis show these cameras occupy complementary niches.
-
Choose the Panasonic Lumix ZS40 if:
- You want a highly portable, easy-to-use superzoom camera with solid video features.
- Your primary photography involves travel, street, casual wildlife, and occasional macro.
- You prefer in-camera stabilization with wireless sharing and GPS.
- Budget and size are major factors.
-
Choose the Sony Alpha A700 if:
- You demand superior image quality, wide lens choices, and professional ergonomics.
- Your focus is on portraits, landscapes, sports, and demanding low-light conditions.
- You require a weather-sealed body for rugged environments.
- You use your camera as a serious creative tool integrated into a larger workflow.
Both cameras represent different eras and philosophies in camera design - modern compact convenience versus legacy DSLR robustness.
To finalize your choice, I encourage you to hold both cameras, explore their menus, and evaluate how each fits your handling preferences and photographic ambitions.
Explore accessories: For the Sony, look into fast prime lenses and remote triggers; for the Panasonic, high-speed SD cards and protective cases enhance shooting ease.
Takeaways: Understanding sensor size, autofocus tech, and body design’s impact will empower your buy decision and aid creative growth.
Happy shooting!
Panasonic ZS40 vs Sony A700 Specifications
| Panasonic Lumix DMC-ZS40 | Sony Alpha DSLR-A700 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model | Panasonic Lumix DMC-ZS40 | Sony Alpha DSLR-A700 |
| Also called | Lumix DMC-TZ60 | - |
| Class | Small Sensor Superzoom | Advanced DSLR |
| Introduced | 2014-01-06 | 2007-12-19 |
| Body design | Compact | Mid-size SLR |
| Sensor Information | ||
| Processor | Venus Engine | - |
| Sensor type | CMOS | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
| Sensor surface area | 28.1mm² | 366.6mm² |
| Sensor resolution | 18 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Max resolution | 4896 x 3672 | 4272 x 2848 |
| Max native ISO | 3200 | 6400 |
| Max enhanced ISO | 6400 | - |
| Minimum native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 23 | 11 |
| Lens | ||
| Lens mount | fixed lens | Sony/Minolta Alpha |
| Lens focal range | 24-720mm (30.0x) | - |
| Maximal aperture | f/3.3-6.4 | - |
| Macro focus distance | 3cm | - |
| Available lenses | - | 143 |
| Focal length multiplier | 5.8 | 1.5 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3" | 3" |
| Display resolution | 920 thousand dot | 920 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display tech | TFT LCD with AR coating | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Optical (pentaprism) |
| Viewfinder resolution | 200 thousand dot | - |
| Viewfinder coverage | 100% | 95% |
| Viewfinder magnification | - | 0.6x |
| Features | ||
| Minimum shutter speed | 4 secs | 30 secs |
| Fastest shutter speed | 1/2000 secs | 1/8000 secs |
| Continuous shutter speed | 10.0fps | 5.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 6.40 m | 12.00 m |
| Flash options | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Auto, Fill-in, Red-Eye reduction, Slow Sync, rear curtain, Off |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Fastest flash sync | - | 1/250 secs |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) | - |
| Max video resolution | 1920x1080 | None |
| Video file format | MPEG-4, AVCHD | - |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 240 grams (0.53 pounds) | 768 grams (1.69 pounds) |
| Physical dimensions | 111 x 64 x 34mm (4.4" x 2.5" x 1.3") | 142 x 105 x 80mm (5.6" x 4.1" x 3.1") |
| DXO scores | ||
| DXO Overall score | not tested | 66 |
| DXO Color Depth score | not tested | 22.3 |
| DXO Dynamic range score | not tested | 11.9 |
| DXO Low light score | not tested | 581 |
| Other | ||
| Battery life | 300 photographs | - |
| Form of battery | Battery Pack | - |
| Battery model | - | NP-FM500H |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC, Internal | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo |
| Storage slots | One | 2 |
| Retail cost | $450 | $1,000 |