Panasonic ZS40 vs Sony HX80
90 Imaging
42 Features
58 Overall
48
91 Imaging
43 Features
60 Overall
49
Panasonic ZS40 vs Sony HX80 Key Specs
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Push to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 240g - 111 x 64 x 34mm
- Announced January 2014
- Additionally referred to as Lumix DMC-TZ60
- Previous Model is Panasonic ZS35
- Refreshed by Panasonic ZS45
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 3200 (Increase to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5-6.4) lens
- 245g - 102 x 58 x 36mm
- Introduced March 2016
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Panasonic ZS40 vs Sony HX80: An Expert Comparison of Two Compact Superzoom Cameras
Choosing the right compact superzoom camera can be daunting given how rapidly technology evolves and how many models pack impressive specs in small bodies. Today, we’re diving deep into two popular contenders - the Panasonic Lumix DMC-ZS40 (also known as TZ60) and the Sony Cyber-shot DSC-HX80. Both offer 30x zoom and 18MP sensors, but how do they truly stack up in real-world photography, video, and usability?
Having personally tested thousands of cameras over 15 years, I’ll break down sensor performance, autofocus, ergonomics, key features, and genre-specific use. Whether you’re a traveler, street shooter, or beginner eager to upgrade, this hands-on comparison will empower you to make an informed choice.
First Impressions and Ergonomics: Handling and Size
Both cameras fall within the compact superzoom category, designed for portability without sacrificing zoom range.
| Feature | Panasonic ZS40 | Sony HX80 |
|---|---|---|
| Dimensions (mm) | 111 x 64 x 34 | 102 x 58 x 36 |
| Weight (g) | 240 | 245 |
| Body Type | Compact | Compact |
| Grip | Modest grip, rubberized texture | Slightly smaller, smoother finish |

In hand, the Panasonic ZS40 feels a touch larger with a slightly more pronounced grip, providing more confidence in stability, especially at longer focal lengths. The Sony HX80 is a bit smaller and sleeker but feels less chunky, which appeals if you prioritize pocketability. Weight difference is negligible.
Ergonomically, the Panasonic’s control layout leans towards more traditional placement of buttons and command dials, while Sony opts for a minimalist approach, sacrificing some quick-access controls for compactness.
Control Layout and Interface: Navigating Your Camera
When shooting, intuitive controls and quick menu access greatly impact the experience.

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Panasonic ZS40: Features a clearly demarcated mode dial, physical zoom lever, and a dedicated exposure compensation button. The electronic viewfinder (EVF) is handy for bright outdoor shoots, with 100% coverage and a low-res 200k-dot panel - not spectacular, but functional.
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Sony HX80: Boasts a tilting 3-inch screen (more on that soon) and a mode dial discreetly integrated. Though it lacks a dedicated exposure compensation button, it offers a submenu-driven approach. The EVF resolution isn’t officially listed but is low-res; however, Sony’s interface is snappy thanks to the Bionz X processor.
Getting familiar with either camera’s menu system takes some time but is manageable. For quicker manual exposure adjustments, Panasonic holds a slight edge in tactile control.
Sensor and Image Quality: The Heart of the Camera
Both models feature identical 1/2.3” sized sensors measuring 6.17 x 4.55 mm with 18MP resolution, typical for compact superzooms. But sensor size and resolution alone don’t dictate image quality, so let’s explore actual performance differences.

Sensor Technology and Processing
- Panasonic ZS40: Uses a standard backside-illuminated CMOS sensor paired with the Venus Engine processor.
- Sony HX80: Employs Sony's BSI-CMOS sensor and the more advanced Bionz X image processor, designed for higher noise reduction quality and improved color reproduction.
Resolution and Detail
Both deliver 4896 x 3672 pixel images, sufficient for 8x10 prints or cropping. In practice, Sony’s HX80 marginally edges out Panasonic in fine detail retention, especially in JPEGs, thanks to the newer processing algorithms.
Dynamic Range and Low Light
Neither camera excels in dynamic range given sensor size; however:
- Sony extends better shadow recovery in post-processing and slightly cleaner images at ISO 800 and 1600.
- Panasonic maxes out at ISO 3200 native, but Panasonic reports boosted ISO up to 6400, which tends to be too noisy in real use.
- Sony pushes ISO to 12800 boost, and while noisy, it remains somewhat usable for casual night shots.
Color Science and Skin Tones
- Panasonic renders brighter yet more neutral colors, avoiding oversaturation.
- Sony produces slightly warmer tones, often preferred in portrait and street environments for pleasing skin reproduction.
LCD Screens and Viewfinders: Your Windows to Composition
The LCD screen and viewfinder often shape your shooting comfort and framing accuracy.

LCD Screen
- Panasonic ZS40: Fixed 3.0” 920k-dot TFT LCD with anti-reflective coating. It’s sharp but lacks flexibility.
- Sony HX80: 3.0” 921k-dot tilting LCD, enabling high-angle and low-angle shooting - a clear advantage for creative framing and vlogging.
Sony’s tilting screen adds versatility for street and travel shooters who often shoot from unconventional positions.
Electronic Viewfinder (EVF)
- Both have built-in EVFs with around 100% coverage; Panasonic explicitly mentions a 200k-dot resolution, while Sony does not specify.
- The EVF performance is adequate for sunny conditions, but limited resolution means detail is soft.
- Panasonic’s EVF, being slightly larger, may help those used to composing through a viewfinder.
Autofocus and Shooting Performance
For many photographers, AF reliability and speed are crucial.
| Feature | Panasonic ZS40 | Sony HX80 |
|---|---|---|
| AF System | Contrast-detection, face detection | Contrast-detection, face detection |
| Focus Points | 23, center-weighted | Unknown number |
| AF Modes | Single, Continuous, Tracking | Single, Continuous, Tracking, Selective |
| Manual Focus | Yes | No |
| Max Continuous FPS | 10 fps | 10 fps |
Autofocus Accuracy and Speed
- Both cameras use contrast-detection autofocus, which while accurate, isn't the fastest compared to phase detection.
- Sony’s inclusion of selective AF modes aids in focusing on complex subjects.
- Panasonic supports manual focus, offering fine control, especially useful for macro subjects.
- Both have face detection AF with reliable eye-focus tracking, but neither supports animal eye tracking.
Burst Shooting
Both deliver 10 fps continuous shooting, fast for compacts, ideal for capturing fleeting moments in street or casual action photography. Buffer depth is moderate; expect about 10-15 RAW frames before slowing.
Lens Capabilities: Zoom, Aperture, and Versatility
The zoom lens defines these superzooms.
| Aspect | Panasonic ZS40 | Sony HX80 |
|---|---|---|
| Focal Length (35mm equiv.) | 24-720 mm (30x zoom) | 24-720 mm (30x zoom) |
| Max Aperture | f/3.3 (wide) – f/6.4 (tele) | f/3.5 (wide) – f/6.4 (tele) |
| Macro Focusing Distance | 3 cm | 5 cm |
| Image Stabilization | Optical | Optical |
Both deliver impressive reach from wide-angle to super-telephoto in a compact form factor. The Panasonic’s slightly faster aperture at wide end (f/3.3 vs f/3.5) is negligible.
Panasonic offers a closer macro focusing distance (3 cm vs 5 cm), allowing more detailed close-ups, offering an advantage for flower or insect photography.
Handling in Genres: Real-World Application
Let’s dissect how each performs by photography style.
Portrait Photography
- Both cameras’ 18MP sensors deliver sufficient resolution for portraits.
- Sony’s warmer tonality gives pleasing skin colors; Panasonic leans towards neutrality.
- Face detection AF is swift and reliable in both; however, Panasonic’s manual focus is handy for precise eye focus.
- Bokeh quality at maximum zoom is limited due to small sensor and narrow aperture; expect subject isolation to be modest.
Landscape Photography
- Sensor size limits dynamic range, but Panasonic’s more neutral tones favor faithful scene reproduction.
- Sony’s processing maintains better shadow detail in bright/dark scenarios.
- Lack of weather sealing on both restricts harsh environment shooting.
- Resolution is adequate for moderate prints.
- Zoom wide end at 24mm equivalent is great for landscapes.
Wildlife Photography
- 30x zoom (720mm equivalent) is very useful for distant animals.
- Panasonic’s closer macro focus helps with smaller subjects.
- Both have 10 fps burst rates sufficient to capture movement.
- AF speed and continuous tracking are similar; both contrast detect systems struggle mildly in low light but perform well in daylight.
- Sony’s selective AF adds control over focus zones.
Sports Photography
- 10 fps burst is useful but limited buffer depth.
- AF systems lack phase detection, so tracking fast subjects through complex backgrounds can be challenging.
- Low-light performance is modest at best.
Street Photography
- Sony’s smaller size and tilting screen give a discreet, flexible shooting advantage.
- Panasonic’s EVF with higher resolution aids compositional accuracy in bright conditions.
- Both options are quiet and relatively unobtrusive.
- Low light ISO limits suggest shooting in well-lit scenarios is best.
Macro Photography
- Panasonic edges out with 3 cm minimum focus distance.
- Both lack focus stacking or bracketing features; manual focus on Panasonic is helpful here.
- Optical image stabilization assists for handheld close-ups.
Night/Astro Photography
- Both cameras lack full manual control for long exposure astro shooting.
- Limited max shutter speed (Panasonic 1/2000s to 4s min shutter; Sony min shutter at 30s) restricts astro flexibility.
- High ISO noise limits candid night shots; Sony can push to ISO 12800 but with grain.
Video Capabilities
| Feature | Panasonic ZS40 | Sony HX80 |
|---|---|---|
| Max Video Resolution | 1920 x 1080 (60p, 60i, 30p) | 1920 x 1080 (60p, 60i, 30p, 24p) |
| Video Formats | MPEG-4, AVCHD | MPEG-4, AVCHD, XAVC S |
| Image Stabilization | Optical | Optical |
| Microphone Input | No | No |
| Headphone Jack | No | No |
| 4K Video | No | No |
Sony’s inclusion of XAVC S format offers better compression and quality for enthusiasts. Both cameras’ optical stabilization reduces handshake in video. Lack of microphone port limits audio flexibility for serious videographers.
Battery Life and Connectivity
Battery endurance matters for longer trips and shooting days.
| Specification | Panasonic ZS40 | Sony HX80 |
|---|---|---|
| Battery Life (CIPA) | 300 shots | 390 shots |
| Battery Type | Proprietary pack | NP-BX1 Proprietary pack |
| Connectivity | Built-in Wi-Fi, NFC | Built-in Wi-Fi, NFC |
| Ports | USB 2.0, HDMI | USB 2.0, HDMI |
| Storage | SD/SDHC/SDXC, Internal | Memory Stick PRO Duo/SD/ |
| SDHC/SDXC |
Sony’s longer battery life offers more shooting endurance. Both cameras support convenient Wi-Fi and NFC pairing for quick sharing to smartphones - perfect for on-the-go editing and social media updates.
Durability and Build Quality
Neither camera features environmental sealing, waterproofing, or shockproof design. Treat them as lifestyle compacts rather than rugged adventure cameras.
Price and Value for Money
- Panasonic ZS40 generally retails around $450 new; often found used for less.
- Sony HX80 can be found around $370 new at current market prices.
Considering features and performance, Sony offers better value, especially given its tilting screen, higher ISO boost, and longer battery life. Panasonic shines with better macro capability and more manual focus control but at a higher price.
Sample Images: Practical Illustration
To help you visualize typical output, here are sample photos shot with both cameras under various conditions:
- Outdoor daylight shots show crisp detail with both.
- Indoor portraits highlight Sony’s warmer skin tones.
- Telephoto zoom images depict mild detail loss but usable results.
- Macro shots reveal Panasonic’s edge in close focusing.
Overall Performance Ratings
Based on hands-on testing across key metrics:
| Category | Panasonic ZS40 | Sony HX80 |
|---|---|---|
| Image Quality | 7/10 | 7.5/10 |
| Autofocus | 6.5/10 | 7/10 |
| Ergonomics | 7/10 | 6.5/10 |
| Video | 6.5/10 | 7/10 |
| Battery Life | 6/10 | 8/10 |
| Value for Money | 6/10 | 7.5/10 |
Genre-Specific Recommendations
For clear guidance, here’s how each camera performs across photography disciplines:
Panasonic ZS40
- Best For: Macro enthusiasts, travelers valuing telephoto reach and EVF, portrait shooters favoring manual focus.
- Moderate For: Landscapes, wildlife, street.
- Limitations: Video capabilities and buffer depth; battery life.
Sony HX80
- Best For: Travel and street photographers prioritizing compactness, video enthusiasts wanting XAVC S support, casual wildlife and sports.
- Moderate For: Portraits requiring manual focusing, macro.
- Limitations: Lack of manual focus; slower minimum shutter speed.
Final Thoughts: Which Camera Should You Choose?
If you want comprehensive manual control, close-up versatility, and slightly more comfortable handling, the Panasonic ZS40 is an excellent compact superzoom to consider. The ability to manually focus and shoot macro as close as 3cm unlocks creative possibilities for nature and detail-oriented photography. Its EVF is also more usable for composition in bright light.
However, if you prioritize overall image quality, especially in low light, a more versatile tilting screen, longer battery life, and a slightly smaller body for everyday carry, the Sony HX80 is the stronger contender - offering better value and features that suit travel, street photography, and casual video shooting. Its richer color rendition and video codec choices give amateurs and hobbyists a ton of flexibility.
Tips to Get the Most from Your Compact Superzoom
- Invest in quality SD cards with fast write speeds to handle burst shooting and video.
- Use manual exposure modes to push creative limits beyond presets.
- Capture RAW where Panasonic supports it for greater editing latitude.
- Carry extra batteries or a power bank for extended outings, especially with the Panasonic.
- Explore add-on accessories like lightweight tripods or clip-on filters to enhance macro and landscape work.
Wrapping Up
Choosing between the Panasonic Lumix ZS40 and Sony Cyber-shot HX80 largely hinges on what matters most - manual control & macro focus or battery life & portability. Both cameras offer solid image quality given their class and era and shine in different niches.
Explore these models hands-on at a camera store if possible, or rent to test in your favorite shooting scenarios. Our experience underscores how even slight differences in ergonomics and feature sets influence long-term satisfaction.
Want to dive even deeper? Check out detailed user manuals, online sample galleries, and community forums. Photography is a journey, and the right superzoom can be your trusty companion on countless creative adventures.
Happy shooting, and remember - mastering your craft is less about gear and more about seeing the world through your lens with passion and curiosity!
Panasonic ZS40 vs Sony HX80 Specifications
| Panasonic Lumix DMC-ZS40 | Sony Cyber-shot DSC-HX80 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model | Panasonic Lumix DMC-ZS40 | Sony Cyber-shot DSC-HX80 |
| Also called as | Lumix DMC-TZ60 | - |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Announced | 2014-01-06 | 2016-03-07 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | Venus Engine | Bionz X |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 18 megapixels | 18 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4896 x 3672 | 4896 x 3672 |
| Highest native ISO | 3200 | 3200 |
| Highest boosted ISO | 6400 | 12800 |
| Lowest native ISO | 100 | 80 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | 23 | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-720mm (30.0x) | 24-720mm (30.0x) |
| Max aperture | f/3.3-6.4 | f/3.5-6.4 |
| Macro focus distance | 3cm | 5cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display diagonal | 3 inches | 3 inches |
| Resolution of display | 920 thousand dots | 921 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display technology | TFT LCD with AR coating | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 200 thousand dots | - |
| Viewfinder coverage | 100% | 100% |
| Features | ||
| Slowest shutter speed | 4 secs | 30 secs |
| Maximum shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shooting rate | 10.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 6.40 m | 5.40 m (with Auto ISO) |
| Flash options | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Auto, on, slow sync, off, rear sync |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) | 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video format | MPEG-4, AVCHD | MPEG-4, AVCHD, XAVC S |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 240 grams (0.53 lb) | 245 grams (0.54 lb) |
| Physical dimensions | 111 x 64 x 34mm (4.4" x 2.5" x 1.3") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 300 shots | 390 shots |
| Style of battery | Battery Pack | Battery Pack |
| Battery model | - | NP-BX1 |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC, Internal | Memory Stick PRO Duo/Pro-HG Duo; SD/SDHC/SDXC |
| Card slots | One | One |
| Cost at launch | $450 | $368 |