Panasonic ZS40 vs Sony A99
90 Imaging
42 Features
58 Overall
48


57 Imaging
69 Features
88 Overall
76
Panasonic ZS40 vs Sony A99 Key Specs
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 240g - 111 x 64 x 34mm
- Revealed January 2014
- Alternative Name is Lumix DMC-TZ60
- Old Model is Panasonic ZS35
- Replacement is Panasonic ZS45
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 812g - 147 x 111 x 78mm
- Released December 2012
- Superseded the Sony A900
- Renewed by Sony A99 II

Panasonic ZS40 vs Sony A99: A Deep-Dive Comparison for Discerning Photographers in 2024
Choosing between cameras as divergent as the Panasonic Lumix DMC-ZS40 (ZS40) and the Sony SLT-A99 (A99) may initially seem like comparing apples and oranges, given their very different sensor sizes, target audiences, and key capabilities. Yet, with over 15 years photographing and rigorously testing cameras spanning compact superzooms to professional DSLRs, I find that such contrasts highlight fundamental decisions any serious photographer must make regarding image quality, versatility, and workflow needs. This article offers meticulous, experience-driven insights into these two machines, empowering you to select the device that best suits your photographic passions and professional ambitions.
They’re Worlds Apart - But Why?
The Panasonic ZS40, launched in early 2014, is a compact, small-sensor superzoom designed to provide an affordable gateway to versatility and travel convenience without sacrificing too much on everyday usability. Its 1/2.3-inch CMOS sensor (18MP resolution) is typical of advanced compacts aimed at casual enthusiasts and travelers needing an all-in-one solution.
In stark contrast, the Sony A99, a 2012 introduction, represents a full-frame, semi-professional DSLR with an SLT (Single Lens Translucent) mirror design leveraging phase-detection autofocus on the sensor plane itself. This camera boasts a robust 24MP full-frame sensor, 19 AF points (11 cross-type), extensive manual control options, and durable weather-sealed construction.
Both cameras target profoundly different user profiles - the ZS40 favors compact convenience and long reach in a pocketable size, while the A99 is geared toward demanding photographers who value ultimate image quality, lens interchangeability, and advanced autofocus capabilities. The enormous disparity in price (around $450 vs. $2,000) crystallizes these market segmentations though performance trade-offs abound.
Size, Ergonomics, and Design: Handling Matters Whether or Not You Are a Pro
Handling and control layout immensely affect user experience, especially under pressure. The ZS40 weighs a mere 240 grams with a body footprint of 111x64x34 mm, lending extraordinary portability - ideal for travel or casual street photography where discretion and minimal bulk are paramount. However, its compact design sacrifices extensive physical controls and a robust grip, limiting tactile responsiveness when shooting in manual exposure modes or changing settings mid-session.
Conversely, the Sony A99, at 812 grams and with a larger mid-size SLR form factor at 147x111x78 mm, features a deep, ergonomic grip and numerous physical dials and buttons thoughtfully placed for quick adjustments. The large body fosters stability, especially with heavier lenses, and the top-deck LCD panel and secondary screens offer comprehensive shooting information at a glance.
For serious photographers accustomed to nuanced handling, the A99’s design enables faster, more intuitive workflow control - especially important in high-speed shooting environments such as sports or wildlife photography. The ZS40’s fixed lens and limited physical controls make it less suited to pro-directed manual shooting but excellent for casual walkers or travelers.
Sensor Technology: Size, Resolution, and Image Quality Fundamentals
Sensor size is often the most consequential factor influencing image quality, dynamic range, and depth of field control. The ZS40’s 1/2.3-inch sensor measures just 6.17 x 4.55 mm with an area of 28.07 mm², housing 18 million photosites. The zoom lens's enormous 30x reach (24-720mm equivalent) enables unparalleled versatility at the sacrifice of potential noise performance, dynamic range, and background separation due to sensor limitations. Its maximum native ISO is 3200 with a boosted 6400 option, though noise impairs image quality at higher ISOs.
In contrast, the A99 features a full-frame sensor measuring 35.8 x 23.8 mm (852.04 mm²), offering roughly 30x larger sensor surface area. This translates into vastly superior image quality critical for large prints, cropping flexibility, and low-light shooting. Its higher 24MP resolution allows immense detail reproduction at 6000x4000 pixels. The ISO range extends up to 25600, providing more usable performance in dim conditions with lower noise.
The clear winner in image quality metrics is the A99, supported by DxOMark scores of 89 overall, 25.0 color depth, 14.0 dynamic range, and ISO 1555 low-light sensitivity. While the ZS40 lacks DxOMark data, its small sensor inherently cannot compete at this level. Yet for casual shooting with good light, the ZS40 delivers surprisingly impressive results, especially when JPEG output is optimized by its Venus Engine processor.
User Interface and Viewfinder: From Compact Screens to Professional Displays
The ZS40 sports a fixed 3-inch TFT LCD with 920k-dot resolution featuring anti-reflective coating, adequate for composing and reviewing shots in daylight but limiting for detailed manual focusing or critical image evaluation. Its 200k-dot electronic viewfinder - modest in resolution but helpful for bright light framing - cannot compare to the A99's advanced viewfinder.
Sony’s A99 incorporates a 3-inch, fully articulated TFT Xtra Fine LCD with 1,229k dots and top-panel LCD, plus a large, bright electronic viewfinder boasting 2,359k-dot resolution with 100% coverage and 0.71x magnification. This design supports precise manual focusing, critical in studio or macro work, and flexible angle shooting. While neither features touchscreen capabilities - a downside in 2024 - they remain highly functional through tactile controls.
Autofocus Systems and Shooting Speed: Contrast in Precision and Tracking
Autofocus defines a camera’s ability to capture sharp images, especially in dynamic conditions like sports or wildlife.
The Panasonic ZS40 employs a 23-point contrast-detection AF system with face detection and tracking functionality. Contrast detection, while accurate under stable conditions, tends to be slower and less reliable in tracking fast-moving subjects compared to phase detection. The ZS40’s continuous shooting speed hits 10 fps, quite swift for a compact but often bottlenecked by focus acquisition speed during tracking.
In contrast, the Sony A99 features 19 phase-detection AF points, 11 of which are cross-type sensors, offering robust and fast subject acquisition and tracking capabilities, especially in continuous AF mode. Its SLT design allows autofocus during continuous live view and video recording. Shooting speed also maxes at 10 fps, but with superior autofocus precision, ensuring sharper frames in burst shooting.
The A99 additionally supports selective AF area modes, center-weighted, and face detection AF, enhancing creative flexibility absent in the ZS40, which predominantly offers center and multi-area focus with face only.
Lens Ecosystem and Optical Reach: Fixed Lens Versus Full Interchangeability
The ZS40’s single fixed lens has a staggering 30x optical zoom spanning 24-720 mm equivalent at f/3.3-6.4 aperture. This range allows supreme flexibility for travel, wildlife at a distance, and wide-angle landscapes without additional lenses - a significant advantage for portability and instant readiness. The downside lies in optical compromises inherent in such extreme zoom ranges, including distortion, chromatic aberrations, and diminished sharpness at extremes, albeit well-controlled for class.
Sony’s A99, utilizing the Sony/Minolta Alpha mount, supports a vast array of over 140 lenses, from ultra-wide angles to fast primes and super-telephotos, many with superior build and optical quality plus native image stabilization. This flexibility is crucial for specialized pro disciplines like portraiture, macro, wildlife, and sports photography, where prime lenses with wide apertures or specific focal lengths significantly affect results.
Build Quality and Weather Sealing: Durability for Challenging Conditions
Compact cameras, including the Panasonic ZS40, typically lack comprehensive weather sealing or durable construction. As expected, this camera is not weatherproof, dustproof, shockproof, or freezeproof, making it less suited for harsh environments.
The Sony A99 sports a weather-sealed magnesium alloy chassis rated against dust and moisture ingress. Such ruggedness assures reliability in professional outdoor shooting situations where exposure to elements is common, making the camera a trustworthy choice for landscape, wildlife, and event photographers who shoot rain or dust.
Battery Longevity and Storage Options: Efficiency Matters on The Field
Battery life is a critical consideration for long shoots or travel.
The ZS40 offers around 300 shots per charge, typical for compact cameras relying on smaller batteries to maintain lightweight design. It stores images on SD/SDHC/SDXC cards with a single card slot.
The A99 delivers approximately 500 shots per battery charge (using its NP-FM500H battery), which is respectable for professional DSLRs though still requiring spares for extended sessions. It features dual card slots supporting SD and Memory Stick PRO Duo, an important feature for professional workflows requiring instant backups during critical assignments.
Connectivity and Extras: Modern Convenience Versus Professional Standards
Connectivity on the ZS40 includes built-in wireless with NFC for easy pairing with smartphones or tablets and GPS for geo-tagging. HDMI and USB 2.0 are standard for image transfer and tethered shooting support.
The Sony A99 does not provide wireless or Bluetooth connectivity, reflecting its pre-2014 design, instead relying on wired connections via HDMI and USB.
Neither camera offers touchscreen operation, and only the A99 features microphone and headphone jacks for pro-level audio capture during video recording, underscoring Sony’s focus on multipurpose professional usage.
Video Performance: Beyond Stills
Both cameras record Full HD video but differ in capabilities.
The ZS40 shoots 1080p at up to 60 frames per second, using MPEG-4 and AVCHD codecs, suitable for casual video capture and travel logs but lacking advanced manual video controls or external audio inputs.
The A99 delivers 1080p video at 60 and 24 fps with MPEG-4, AVCHD, and H.264 formats, along with microphone and headphone ports for monitoring and high-quality audio input - features accommodating semi-pro video projects.
Neither camera supports 4K recording, unsurprising due to their release dates but a limitation for future-proofing.
Real-World Usage: Portraits to Wildlife and Beyond
Portrait Photography
The Sony A99’s full-frame sensor creates exquisitely smooth bokeh and accurate skin tones due to superior color depth and dynamic range. Its fast lenses, such as the 85mm f/1.4, combined with precise eye detection AF (though no animal eye AF), make it ideal for portrait specialists.
The ZS40’s smaller sensor and slower zoom lens produce limited bokeh separation, but face detection aids casual portraits. Its long zoom helps capture candid expressions from a distance.
Landscape Photography
The A99’s dynamic range and resolution excel in landscapes, capturing rich shadows and highlights with minimal noise. Weather sealing supports outdoor reliability.
The ZS40, while limited in resolution and sensor size, is capable for casual landscapes in good light, offering wide to super-telephoto coverage for creative compositions but restricted in post-processing leeway.
Wildlife and Sports
The A99’s faster, phase-detection autofocus with tracking and faster shutter speeds outperform the ZS40’s contrast-detection AF, essential for unpredictable subjects.
The ZS40’s 30x zoom lens is a major plus for distant wildlife but slower AF impedes consistent tracking.
Street and Travel
The ZS40’s compact size and zoom lens make it discreet and versatile for street photography and travel, with built-in GPS supporting location-based archiving.
The A99, while heavier, offers faster responsiveness and interchangeable lenses but requires extra equipment and care for travel.
Macro and Night/Astro
The ZS40 supports macro focusing at just 3cm but with modest sensor limitations affecting detail.
The A99’s interchangeable lenses allow specialized macro optics, while high ISO performance benefits night or astrophotography, a realm where the ZS40’s small sensor struggles.
Scoring the Performance: Numbers Don’t Lie
When quantifying performance across key metrics, the A99 clearly leads with an overall DxOMark score of 89 reflecting superior image quality, dynamic range, and low-light capability. Battery life, build quality, and autofocus also favor the A99 for demanding users.
The ZS40’s score is not formally tested by DxOMark but based on sensor technology and performance, it is a competent compact offering good value if portability and zoom range are prioritized.
Specialization Analysis by Genre: Which Camera Excels Where?
Photography Genre | Panasonic ZS40 | Sony A99 | Recommendation |
---|---|---|---|
Portrait | Good casual portraits, limited bokeh | Excellent bokeh, color accuracy | Choose A99 for professional portraiture |
Landscape | Versatile zoom, limited dynamics | Excellent DR, weather-sealed | A99 for image fidelity; ZS40 for travel landscapes |
Wildlife | Long zoom, slow AF | Fast AF, telephoto lenses | A99 better for action; ZS40 for casual zoom reach |
Sports | Limited AF tracking | Fast and precise AF | A99 essential for sports |
Street | Compact, discreet | Larger, more conspicuous | ZS40 favored for street photography |
Macro | Moderate close-focusing | Specialized lenses available | A99 for dedicated macro work |
Night/Astro | Noisy images at high ISO | Good ISO performance | A99 clearly superior |
Video | Full HD, no audio inputs | Full HD with audio control | A99 helps for prosumers video |
Travel | Lightweight, GPS, zoom | Bulkier but versatile | ZS40 recommended for travel ease |
Professional Work | Limited pro use | Robust, reliable, full-frame | A99 required for professional workflows |
Final Verdict: Who Should Choose Which Camera?
The Panasonic Lumix ZS40 is a compelling proposition for enthusiasts who desire a lightweight, versatile camera capable of capturing a wide variety of everyday subjects with ease, good zoom range, and respectable image quality at an exceptionally accessible price of around $450. It’s especially suited for travelers, street photographers, and casual hobbyists who prioritize portability and convenience over ultimate image fidelity and professional features.
On the other hand, the Sony A99 caters to serious photographers and semi-professionals demanding uncompromising image quality, advanced autofocus with phase detection, robust build quality, and extensive lens choices, willing to invest around $2,000 for a camera that excels in diverse photography disciplines including portraiture, sports, wildlife, landscapes, and even professional video production. Its full-frame sensor and durable design make it a reliable companion for extended professional usage, studio environments, and rugged outdoor work.
Selecting between these distinct cameras hinges not only on budget but critically on intended photographic use, ergonomic preferences, and the importance of sensor size to your creative output. Both cameras hold enduring value in 2024, the ZS40 as a user-friendly superzoom companion, and the A99 as powerful, versatile DSLR workhorse - your photography ambitions will dictate which one earns a place in your kit.
About the Author
With over 15 years of hands-on camera testing ranging from compact point-and-shoots to flagship DSLRs and mirrorless models, I synthesize technical expertise with practical field experience to deliver honest, authoritative reviews that empower photographers to make the best-informed gear decisions possible.
Your next camera choice is personal. I hope this comprehensive analysis brings clarity amid an ever-expanding photographic gear landscape. For further questions or detailed tests of lenses and accessories compatible with these cameras, feel free to reach out. Happy shooting!
Panasonic ZS40 vs Sony A99 Specifications
Panasonic Lumix DMC-ZS40 | Sony SLT-A99 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Sony |
Model | Panasonic Lumix DMC-ZS40 | Sony SLT-A99 |
Also called as | Lumix DMC-TZ60 | - |
Class | Small Sensor Superzoom | Advanced DSLR |
Revealed | 2014-01-06 | 2012-12-12 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Chip | Venus Engine | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.8 x 23.8mm |
Sensor area | 28.1mm² | 852.0mm² |
Sensor resolution | 18 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 4896 x 3672 | 6000 x 4000 |
Maximum native ISO | 3200 | 25600 |
Maximum enhanced ISO | 6400 | - |
Minimum native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 23 | 19 |
Cross focus points | - | 11 |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | 24-720mm (30.0x) | - |
Highest aperture | f/3.3-6.4 | - |
Macro focus distance | 3cm | - |
Amount of lenses | - | 143 |
Crop factor | 5.8 | 1 |
Screen | ||
Range of display | Fixed Type | Fully Articulated |
Display size | 3 inch | 3 inch |
Resolution of display | 920k dot | 1,229k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | TFT LCD with AR coating | TFT Xtra Fine color LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 200k dot | 2,359k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | - | 0.71x |
Features | ||
Minimum shutter speed | 4s | 30s |
Fastest shutter speed | 1/2000s | 1/8000s |
Continuous shutter speed | 10.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.40 m | no built-in flash |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Fastest flash sync | - | 1/250s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | MPEG-4, AVCHD, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | BuiltIn |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 240 gr (0.53 lb) | 812 gr (1.79 lb) |
Dimensions | 111 x 64 x 34mm (4.4" x 2.5" x 1.3") | 147 x 111 x 78mm (5.8" x 4.4" x 3.1") |
DXO scores | ||
DXO Overall score | not tested | 89 |
DXO Color Depth score | not tested | 25.0 |
DXO Dynamic range score | not tested | 14.0 |
DXO Low light score | not tested | 1555 |
Other | ||
Battery life | 300 images | 500 images |
Battery form | Battery Pack | Battery Pack |
Battery model | - | NP-FM500H |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | Memory Stick PRO Duo/Pro-HG Duo; SD, SDHC and SDXC |
Storage slots | 1 | 2 |
Price at release | $450 | $1,998 |