Panasonic ZS45 vs Pentax K-3 II
91 Imaging
40 Features
55 Overall
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59 Imaging
65 Features
84 Overall
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Panasonic ZS45 vs Pentax K-3 II Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 249g - 108 x 60 x 32mm
- Introduced January 2015
- Other Name is Lumix DMC-TZ57
- Previous Model is Panasonic ZS40
- Replacement is Panasonic ZS50
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Display
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Released April 2015
- Old Model is Pentax K-3

Panasonic ZS45 vs. Pentax K-3 II: The Ultimate Camera Showdown for Enthusiasts and Pros
When it comes to buying a camera, the sheer variety on offer can be downright bewildering. Today, I’m putting under the microscope two wildly different beasts - the compact, travel-friendly Panasonic Lumix DMC-ZS45 (a.k.a. ZS45) and the rugged, advanced DSLR powerhouse Pentax K-3 II. At first glance, these cameras couldn’t be more different. The ZS45 is a petite superzoom aimed at everyday snappers and travelers looking for versatility in a pocket-sized package. The K-3 II, on the other hand, is a full-fledged semi-pro DSLR designed for photographers who demand precision, customization, and robust performance.
Over my years of reviewing cameras, comparing models from vastly different classes has often yielded surprising insights - sometimes, a compact camera solves a problem a DSLR can’t. So how do these two models stack up across the board? Let’s dive deeply into their strengths, quirks, and best-use scenarios.
Size, Ergonomics, and Physical Feel: Pocket Rocket vs. Handheld Tank
First impressions matter, right? The Panasonic ZS45 is about as compact as it gets for a travel zoom, measuring a nimble 108x60x32 mm and weighing just 249 grams. Its small frame means it easily slips into a jacket pocket or a day bag - perfect for those spontaneous photo outings or travel days when you want to travel light.
Contrast this with the Pentax K-3 II, which is a solid, 131x100x77 mm, 800-gram DSLR. It fits like a glove for those who like a heavier, more substantial feel in hand - a quality many professional or enthusiast photographers appreciate for stable shooting.
The trade-off is obvious: the ZS45 scores for portability, while the K-3 II feels like it’s built to withstand longer shooting sessions and harsher conditions.
Ergonomically, the K-3 II boasts weather sealing - a key feature if you’re shooting landscapes in a drizzle or wildlife in dusty environments - while the ZS45 offers no such protection, making it more vulnerable if you’re rough on gear or shooting in tough outdoor conditions.
Body Design: Controls and Usability Faceoff
Nimbleness is great, but so is control. The K-3 II nods to the classic DSLR design with a robust top plate peppered with buttons, dials, and a top display for quick status checks. The ZS45 skips the viewfinder and extensive buttons in favor of a minimalist compact camera approach with a tilting LCD screen and a more straightforward control layout.
The ZS45’s 3-inch, 1040k-dot tilting screen is bright and flexible, but it’s not touch-enabled - something that feels like a missed opportunity in 2015 and later. The K-3 II’s screen is slightly larger (3.2-inch, 1037k dots) but fixed - not tilting or articulating, so you’ll rely heavily on its pentaprism optical viewfinder for composition.
Speaking of viewfinders, the absence of one on the Panasonic ZS45 makes it less appealing for bright daylight shooting or precise manual framing, while the K-3 II’s 100% coverage optical finder with 0.64x magnification is a critical tool for serious photographers.
Sensor Technology and Image Quality: Tiny Sensor vs. APS-C Workhorse
Here’s where the gap widens dramatically, and not just in size. The ZS45 features a 1/2.3-inch, 16MP CMOS sensor measuring about 6.08×4.56 mm - compact and with limited light-gathering ability. The Pentax K-3 II, on the other hand, wields a significantly larger APS-C CMOS sensor (23.5×15.6 mm) with 24MP resolution and no anti-aliasing filter.
This size difference means the K-3 II handles dynamic range, noise, and color depth far better than the ZS45. Also important, Pentax’s sensor sees a DxO Mark overall score of 80, with impressive 23.6 bits color depth and 13.6 EV of dynamic range, alongside good low-light sensitivity up to ISO 1106 (measured).
In contrast, the ZS45 lacks DxO testing data but, in practice, can produce decent snapshots when lighting is good but struggles as soon as the ISO climbs above 800. The small sensor leads to noisier images and less detail in shadows and highlights, limiting its usefulness for professional applications or large prints.
Autofocus and Shooting Experience: Speed, Accuracy, and Flexibility
Autofocus is where the K-3 II reasserts its superiority for critical work. It employs a hybrid system - phase detect autofocus with 27 focus points, 25 of which are cross-type sensors, translating to fast, accurate focusing, excellent subject tracking, and predictive performance. It supports continuous autofocus, face detection, and selective focus area modes, offering versatility for sports, wildlife, and event shooters.
The ZS45’s autofocus relies on contrast detection only, with 21 focus points and face detection but lacks phase detection or advanced tracking features. It’s perfectly fine for casual use but shows latency and hunt issues under complex lighting or fast action.
Both cameras offer continuous shooting: the ZS45 up to 10 frames per second, albeit with focus locking, and the K-3 II topping out at 8.3 fps with full autofocus tracking - a meaningful distinction for sports or wildlife photography.
Lens Choices and Zoom Capability: Fixed Zoom vs. Interchangeables
One of the defining features of the Panasonic ZS45 is its fixed 24-480 mm (20x optical zoom) Leica-branded lens with max aperture F3.3-6.4, making it an all-in-one travel companion. It can dive close for macro shots at 3 cm, and the optical stabilizer assists in long focal lengths. This flexibility lets you frame tight wildlife shots or sprawling landscapes without hauling extra glass.
Conversely, the Pentax K-3 II uses the Pentax KAF2 mount, compatible with a rich ecosystem of 151 lenses ranging from ultra-wide primes to super-telephoto zooms - a playground for those who want ultimate creative control. Your lens choice here determines bokeh quality, macro ability, and specialized uses.
Granted, that flexibility comes with added weight and expense, but for serious photographers, the ability to customize optics is a decisive advantage.
Handling in Various Photography Disciplines
Portrait Photography
Portrait shooters crave pleasing skin tones, smooth bokeh, and reliable eye detection - areas where sensor size and lens quality profoundly affect results.
The K-3 II, with its APS-C sensor and vast lens options, produces stunning skin tones and smooth subject isolation. Its lack of an anti-aliasing filter boosts sharpness, and with selective AF modes, you get confident eye-focus capability (though animal eye focus is absent). The ZS45 cannot match this - it relies on its tiny sensor and slower contrast-detect AF for face-tracking, and the small sensor limits depth of field control, making bokeh shallow at best.
Landscape Photography
Landscape photography demands dynamic range, resolution, weather sealing, and ideally high-quality wide-angle lenses.
The K-3 II excels: 24MP resolution, impressive dynamic range, and a tough, sealed body for foul weather. You can mount pentax primes or zooms with minimal distortion and shoot handheld confidently with in-body stabilization.
The ZS45’s tiny sensor inherently restricts dynamic range; however, the 24mm wide-end and long telephoto reach make it a versatile compact for casual landscapes. Just don’t expect mighty prints or seamless highlight recovery.
Wildlife Photography
Speed and reach are king here. The ZS45’s 480mm zoom and 10 fps burst are attractive for casual wildlife snaps, but autofocus hunting and noise at long focal lengths limit usefulness.
The K-3 II’s extensive lens options, faster AF with phase detection, and solid buffer managing continuous 8.3 fps make it well suited for more serious wildlife shooting. Coupled with weather sealing, it’s ready for the field.
Sports Photography
Sports demands tracking accuracy, fast shutter speeds, and low-light performance.
The K-3 II provides shutter speeds up to 1/8000s and robust autofocus tracking, making it suitable for fast action even indoors or under stadium lights (native ISO max 51200). Its ruggedness plus external flash support make it a pro-friendly choice.
The ZS45 caps shutter speeds at 1/2000s, falls short in autofocus precision at speed, and performs poorly in low light.
Street Photography
Weight, portability, and discretion influence street photogs.
The ZS45’s compact size, silent shooting, and flash availability fit low-profile candid shooting. It’s suited for casual photographers hitting urban walks.
The K-3 II is bulkier and more conspicuous, though the rugged build and crisp optical viewfinder suit deliberate compositions.
Macro Photography
Close focusing distance and stabilization are vital.
Panasonic’s ZS45 can focus down to 3cm, which is commendable in its class. Optical stabilization helps reduce blur in tight shots.
Pentax K-3 II depends on the lens; with macro lenses available, it affords true macro capability at higher magnifications and better focus precision.
Night and Astrophotography
This is a domain where sensor size and noise control shine.
The K-3 II’s large sensor and native ISO range taper shooting in low light to sharp, usable noise levels. Sensor-based stabilization helps with longer exposures.
The ZS45 doesn’t have the high ISO headroom nor exposure modes necessary for compelling nightscape or astro shots.
Video Capabilities
The Panasonic ZS45 offers straightforward 1080p at 30fps with MPEG-4 encoding, which is okay for sharing memories online but lacks 4K or external microphone support.
The K-3 II tops that with 1080p at up to 60i (interlaced) or 30p progressive, supports H.264, and has microphone and headphone jacks for audio monitoring. It’s more versatile for amateur filmmakers or event shooters.
Travel Photography
If you travel light, the ZS45’s compact size and zoom range are compelling. Quick startup, tilting LCD, image stabilization, and solid battery life of around 350 shots add to its appeal.
The K-3 II demands more space and weight in your bag but rewards with ruggedness, better image quality, and GPS tagging for organizing travel shots. Its 720-shot battery life is among the best for DSLRs.
Professional Work: Reliability and Workflow
The K-3 II stands out for workflow integration: it supports RAW capture (vital for professional retouching), dual SD slots for on-the-fly backups, and extensive bracketing options. Its USB 3.0 connectivity and built-in GPS streamline workflow efficiency.
The ZS45, while able to shoot RAW, lacks dual slots and has slower USB 2.0. Its limited bracketing and no RAW video limit professional uses.
Connectivity and Storage
The ZS45 has built-in wireless for easy image transfer, but no GPS or modern Bluetooth/NFC. The K-3 II offers built-in GPS and optional Wi-Fi via accessories.
Dual card slots in the K-3 II provide peace of mind for critical shoots; the ZS45 relies on a single card.
Battery Life and Practicalities
The K-3 II comes ahead with approximately 720 shots per charge versus the ZS45’s 350 - a significant difference for event or travel shoots.
Pricing and Value Analysis
Price-wise, the ZS45 is an accessible $300 compact superzoom, ideal for casual photographers on a budget. The K-3 II retails around $830, reflecting its professional-grade features and build quality.
Is the price gap justified? For enthusiasts and semi-pros requiring image quality, flexibility, and durability, absolutely yes. For casual users valuing convenience and zoom range over professional performance, the ZS45 covers the essentials admirably.
In-Depth Image Samples and Performance Scoring
Let’s look at them side by side in action with sample galleries and scoring panels:
In terms of pure numbers and overall ratings:
Breaking down performance by photography genre:
The Final Word: Which Camera Fits Your Shooting Style?
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If you’re a traveler, casual snapper, or street shooter looking for a lightweight point-and-shoot with an impressive zoom range - it’s hard to beat the Panasonic ZS45’s portability and value. Just temper expectations on image quality and low light.
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If you’re an enthusiast or professional seeking superior image quality, flexibility through lenses, and a rugged system for demanding conditions, the Pentax K-3 II remains an excellent choice even years after release. It’s especially strong for landscapes, portraits, wildlife, and all-around serious photography.
Wrapping Up
To me, these cameras are like apples and oranges - each excelling in distinct realms. The ZS45 is the small, versatile pocket camera you grab without thinking. The K-3 II is the deliberate workhorse you plan with and carry knowing it’s ready for tough assignments.
Ultimately, your choice hinges on your priorities: portability vs. quality, convenience vs. control, casual shooting vs. professional craft. Both have their charm - and my advice is to match the tool to the task rather than chasing specs alone.
Whatever you pick, testing these cameras yourself in real shooting scenarios remains invaluable. And remember - great photos come not just from gear, but from your eye, patience, and creativity.
Happy shooting!
Panasonic ZS45 vs Pentax K-3 II Specifications
Panasonic Lumix DMC-ZS45 | Pentax K-3 II | |
---|---|---|
General Information | ||
Company | Panasonic | Pentax |
Model | Panasonic Lumix DMC-ZS45 | Pentax K-3 II |
Also called | Lumix DMC-TZ57 | - |
Class | Small Sensor Superzoom | Advanced DSLR |
Introduced | 2015-01-06 | 2015-04-23 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Chip | - | Prime III |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor area | 27.7mm² | 366.6mm² |
Sensor resolution | 16 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Highest Possible resolution | 4608 x 3456 | 6016 x 4000 |
Maximum native ISO | 6400 | 51200 |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 21 | 27 |
Cross focus points | - | 25 |
Lens | ||
Lens mount | fixed lens | Pentax KAF2 |
Lens focal range | 24-480mm (20.0x) | - |
Max aperture | f/3.3-6.4 | - |
Macro focus distance | 3cm | - |
Amount of lenses | - | 151 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen sizing | 3 inches | 3.2 inches |
Resolution of screen | 1,040k dot | 1,037k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.64x |
Features | ||
Minimum shutter speed | 4s | 30s |
Fastest shutter speed | 1/2000s | 1/8000s |
Continuous shutter speed | 10.0 frames/s | 8.3 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.00 m | no built-in flash |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync (available with dedicated external flash) |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash sync | - | 1/180s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30p) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Optional |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 249 grams (0.55 pounds) | 800 grams (1.76 pounds) |
Physical dimensions | 108 x 60 x 32mm (4.3" x 2.4" x 1.3") | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO Overall score | not tested | 80 |
DXO Color Depth score | not tested | 23.6 |
DXO Dynamic range score | not tested | 13.6 |
DXO Low light score | not tested | 1106 |
Other | ||
Battery life | 350 pictures | 720 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery model | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC, Internal | Dual SD/SDHC/SDXC |
Storage slots | 1 | 2 |
Price at release | $300 | $829 |