Panasonic ZS45 vs Sony NEX-3N
91 Imaging
40 Features
55 Overall
46


89 Imaging
57 Features
52 Overall
55
Panasonic ZS45 vs Sony NEX-3N Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 249g - 108 x 60 x 32mm
- Introduced January 2015
- Other Name is Lumix DMC-TZ57
- Old Model is Panasonic ZS40
- Updated by Panasonic ZS50
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 16000
- 1920 x 1080 video
- Sony E Mount
- 269g - 110 x 62 x 35mm
- Announced February 2013
- Superseded the Sony NEX-F3
- Successor is Sony a5000

Panasonic ZS45 vs Sony NEX-3N: A Deep Dive Comparison for Thoughtful Photographers
In an era where cameras range from pocketable compacts to sophisticated mirrorless systems, choosing the right one for your photography needs demands careful consideration - not just of specs, but of real-world usability and image quality. The Panasonic Lumix DMC-ZS45 (known as the ZS45) and Sony Alpha NEX-3N (hereafter NEX-3N) stand as examples of compact zoom versatility and mirrorless entry-level innovation, respectively. Both models have been praised for their accessibility and value, yet they span distinct categories with different strengths and limitations.
Drawing from extensive hands-on testing experience across thousands of cameras, this exhaustive comparison explores these two contenders in detail - covering sensor technology, autofocus, ergonomics, image quality, video capabilities, and more. Whether you prioritize travel flexibility, portrait finesse, or astrophotography potential, this review aims to provide you with fact-based insights to make a confident purchase.
First Impressions: Size, Build, and Handling
When you first pick up the ZS45 and NEX-3N, the contrast in form factor and build philosophy is immediately apparent. Both cameras weigh under 300 grams and feature compact dimensions conducive to portability (Panasonic at 108x60x32mm, Sony at 110x62x35mm), but their handling characteristics diverge owing to their category differences.
The ZS45 is a classic compact camera with a fixed 20x superzoom lens covering 24–480mm equivalent focal length, engineered for grab-and-go convenience. It boasts a sleek, rounded body that emphasizes simplicity over manual controls. The ergonomics, while comfortable for casual use, offer limited physical dials and buttons - a trade-off for its ultra-compact profile.
In contrast, the NEX-3N, a mirrorless system camera, adopts a slightly heftier and more angular “rangefinder-style” body, designed to accommodate interchangeable Sony E-mount lenses. This configuration inherently provides better control options and a more substantial grip, favoring photographers who desire manual exposure adjustments and greater tactile feedback.
Both feature tilting 3-inch LCDs, though Panasonic’s screen offers a higher resolution of 1040k dots compared to Sony’s 460k dots, delivering crisper live views and playback.
Controls and Interface: Hands-On Usability
The ZS45 controls revolve around simplicity. It includes basic shooting modes such as aperture priority, shutter priority, and manual exposure alongside intelligent auto modes, but the lack of a manual focus ring and limited button customization restrict creative control. The integrated optical image stabilization compensates for handshake during long zoom shots, while the tilting screen allows for flexible compositions in challenging angles.
The NEX-3N shines in offering more tactile control options, including a mode dial and the ability to attach a wide variety of lenses, allowing for precise aperture and focus adjustments. Its 25-point autofocus system (contrast-detection based) supports AF single, AF continuous, and selective focus area modes, critical for nuanced composition. However, the lack of in-body stabilization requires lenses with OSS (Optical SteadyShot) or a tripod for consistent sharpness in low light.
Notably, despite the more advanced control scheme, neither camera offers touchscreen functionality - a consideration for those desiring modern, interactive interfaces.
Image Quality: The Sensor Battle
One of the most impactful differentiators between these two cameras lies in their sensor size. The ZS45 employs a modest 1/2.3” CMOS sensor measuring just 6.08 x 4.56 mm, with a 16MP resolution yielding a total sensor area of roughly 27.7mm². This small sensor restricts dynamic range and low-light performance due to its limited light-gathering capability, but facilitates compact optics and a super-telephoto zoom range.
The NEX-3N houses a significantly larger APS-C sensor at 23.5 x 15.6 mm, also 16MP but with a sensor surface about 13 times larger at 366.6mm². This size advantage results in improved image quality - enhanced dynamic range, superior color depth, and notably better noise control at high ISO levels. DxOMark tests report the NEX-3N’s ‘overall’ sensor score at 74, with an impressive color depth of 22.8 bits and dynamic range at 12.5 EVs, outperforming many fixed-lens compacts in the same era.
This disparity manifests in practical shooting: in well-lit conditions, both cameras produce images with good detail, but Sony’s larger sensor reveals nuanced tonal gradations and retains highlight and shadow detail better. At ISO 1600 and above, Sony images maintain usable detail, whereas Panasonic struggles with noise and loss of color fidelity beyond ISO 800.
Autofocus and Speed: Catching the Moment
Autofocus systems define a camera’s versatility; in this respect, the ZS45 and NEX-3N reflect their different design priorities.
Panasonic’s ZS45 offers a 21-point contrast-detection AF system with face detection and center prioritization. It captures up to 10 frames per second in continuous shooting mode - a commendable performance for a superzoom compact, allowing it to track moving subjects reasonably well over short bursts. However, it lacks advanced tracking modes or phase-detection AF, which limits continuous focus accuracy and speed on fast-moving or erratic subjects.
On the other hand, the Sony NEX-3N utilizes a 25-point contrast detection AF system without face or eye detection, and no dedicated tracking. Continuous shooting is capped at 4 fps - half that of the Panasonic - making it less suitable for action photography demanding fast bursts. However, thanks to manual focus capability and a wealth of lens options with focusing motors, it remains flexible for deliberate focus control.
Neither camera supports animal eye AF or phase-detection, which are features increasingly available on newer models for faster, more precise AF tracking.
Photography Use Case Analysis
Understanding how these cameras perform across distinct photographic disciplines can guide your choice effectively. Here, we break down their practical strengths and weaknesses.
Portrait Photography
Portrait work relies heavily on pleasing skin tones, shallow depth of field, eye detection autofocus, and bokeh quality. Here, the NEX-3N’s APS-C sensor and interchangeable lenses (including fast primes) offer clear advantages. Larger sensor size means smoother tonal transitions and better low-light facial rendering. You can achieve creamy bokeh and selective focus effects unavailable to the fixed lens on the ZS45.
The ZS45, with maximum aperture of f/3.3-6.4, is constrained in producing blurred backgrounds, especially at long zoom ranges, where aperture narrows significantly. Face detection autofocus improves framing but lacks eye autofocus, reducing precision on subjects’ eyes.
Landscape Photography
Landscape images benefit from high resolution, dynamic range, and weather sealing for use in varied environments. Here, the NEX-3N shows its superiority in sensor performance (greater dynamic range and color fidelity), although it lacks weather sealing.
The ZS45, while portable, suffers from a small sensor that limits detail and shadow recovery. Furthermore, neither camera features environmental sealing, so extra care is needed outdoors.
Wildlife and Sports Photography
For wildlife and sports, autofocus speed, continuous shooting, and telephoto reach are crucial. The ZS45 wins on zoom range with a 24-480mm equivalent lens and high-speed 10fps burst mode, allowing flexibility when you need to capture distant action quickly. Its optical image stabilization assists handheld shooting at long focal lengths.
By contrast, the NEX-3N requires additional telephoto lenses to match reach, increasing weight and cost. Its 4fps burst rate may prove inadequate for intense sports sequences, and no tracking AF makes following rapid subjects more difficult.
Street Photography and Travel
Discreetness, portability, and low-light performance define good street and travel cameras. The ZS45, with its compact fixed zoom body and lightweight design (249g), excels in portability and ease of use - a clear advantage for casual shooters who want all-in-one versatility without gear changes.
However, limited image quality at higher ISO and slower lenses somewhat hamper performance after sundown.
The NEX-3N, slightly heavier but still pocketable for a mirrorless, shines with superior low-light image quality and the option to opt for small, fast prime lenses for street shooting. Lack of in-body stabilization requires lens OSS or steady hands.
Macro and Close-Up Photography
The ZS45 enables close focusing down to 3 cm, allowing decent macro shots without additional gear. The integrated optical stabilization helps in hand-held macro scenarios.
The NEX-3N, reliant on lens selection, can achieve better magnification with specialized macro lenses, although at extra expense and bulk. Manual focus and focus peaking (available via menu mods or firmware) aid precision.
Night and Astrophotography
When it comes to night sky or low-light landscape displays, sensor size and noise characteristics dominate. Here, the NEX-3N’s APS-C sensor outperforms the ZS45 by a wide margin, delivering cleaner images at high ISO settings (up to 16000 ISO supported) and better dynamic range to capture stars without excessive noise.
The ZS45 suffers heavy noise beyond ISO 800, rendering it less suited for astrophotography.
Video: Moving Images Review
Both cameras record Full HD 1080p video at 30fps but differ in codec support and audio features.
The ZS45 outputs MPEG-4 video and includes optical image stabilization - a major asset for handheld filming - helping smooth camera shake during zoomed shots. However, no microphone input or headphone jack limits audio recording flexibility.
The NEX-3N offers both MPEG-4 and AVCHD formats, favoring higher quality compression among professionals. Image stabilization, however, is lens-dependent, so handheld footage steadiness varies. Like the Panasonic, it lacks dedicated audio ports.
Neither supports 4K recording, slow-motion capture, or advanced video features increasingly common in newer cameras.
Ergonomics and User Experience
We’ve noted the difference in control layout earlier, but screen clarity and interface contribute heavily to daily shooting satisfaction.
The ZS45’s 3” 1040k-dot screen delivers vibrant, sharp previews that aid composition and review - even in bright daylight. Tilting capability allows low or high angle creativity easily.
The NEX-3N’s 460k-dot panel is less crisp but still usable, also tilting for versatility. Menu navigation benefits from Sony’s well-regarded interface, though lack of touchscreen makes settings tweaking slower than on modern rivals.
Neither camera offers an electronic viewfinder, which some users might miss in bright environments.
Technical Features Recap: Reliability and Connectivity
Feature | Panasonic ZS45 | Sony NEX-3N |
---|---|---|
Sensor | 1/2.3" CMOS, 16MP | APS-C CMOS, 16MP |
Lens | Fixed 24-480mm (20x zoom) | Interchangeable Sony E-mount |
Max ISO | 6400 | 16000 |
Continuous Shooting | 10 fps | 4 fps |
Image Stabilization | Optical (Lens-based) | None in body |
Viewfinder | None | None |
Video | 1080p 30fps, MPEG-4 | 1080p 30fps, MPEG-4/AVCHD |
Battery Life | 350 shots | 480 shots |
Wireless Connectivity | Built-In WiFi | None |
Weight | 249g | 269g |
Price (at launch) | $299.99 | $399.00 |
Neither camera boasts rugged build with weather sealing, demanding caution in challenging environments.
Lens Ecosystem and Expandability
The ZS45’s fixed lens limits versatility but eliminates the need for extra expense or gear fuss - appealing for casual, all-in-one photographers. Its 20x zoom covers a wide range of scenes from wide-angle landscapes to distant wildlife.
Conversely, the NEX-3N, as a Sony E-mount mirrorless body, benefits immensely from a vast array of native and third-party lenses (over 120 options), including primes for portraits, macro, and fast telephotos. This adaptability supports growth and specialization but increases upfront investment and complexity.
Who Should Choose Which? Tailoring Recommendations
-
Casual and Travel Photographers Seeking Compact All-in-Oneness: The Panasonic ZS45 is the clear choice due to its lightweight, powerful zoom, image stabilization, and straightforward shooting modes. Ideal if you want a hassle-free camera that fits pocketably and delivers decent images across scenarios with minimal fuss.
-
Photography Enthusiasts and Entry-Level Creatives Wanting Image Quality and Flexibility: Opt for the Sony NEX-3N, which pairs a large APS-C sensor with interchangeable lenses. Its superior image quality, manual control, and lens ecosystem suit portrait, landscape, macro, and low-light photography. If video is secondary but you want solid stills with artistic control, this is the better choice.
-
Sports and Wildlife Shooters on a Budget: The ZS45’s faster burst rate and extreme zoom overshadow the NEX-3N for capturing fast action without investing in additional telephoto optics.
-
Video-Focused Shooters: Neither camera excels in advanced video features today, but Panasonic’s built-in stabilization tips the scale slightly toward the ZS45 for handheld casual video.
Final Verdict: Balancing Convenience and Quality
Selecting between the Panasonic Lumix ZS45 and the Sony NEX-3N ultimately depends on your priorities: whether you value technical image quality and system expandability or prefer a versatile, pocketable solution all in one sleek package.
The ZS45 is a triumph of compact engineering - zoom-centric, easy to use, and always ready to travel light. However, the compromises of a small sensor and limited control hamper its appeal to discerning photographers.
The NEX-3N delivers image quality miles ahead thanks to its APS-C sensor and lenses but demands more photographer involvement, extra glass investment, and sacrifices portability.
Both models, no longer cutting-edge, still offer remarkably capable platforms at entry-level prices for beginners and hobbyists testing creative waters.
In the end, your decision should weigh which shortcomings you can tolerate and which features you cannot live without - supported by this detailed, experience-tested comparison that brings industry knowledge and practical wisdom to your fingertips. Your next camera awaits its perfect match.
Appendix: Summary Table of Key Strengths and Weaknesses
Feature | Panasonic ZS45 | Sony NEX-3N |
---|---|---|
Strengths | Extensive zoom, optical stabilization, 10fps burst | Large APS-C sensor, lens flexibility, better low-light IQ |
Weaknesses | Small sensor limits IQ, no raw support, no manual focus ring | No image stabilization in body, slower burst, no wifi |
Best For | Travel, casual wildlife, quick snapshots | Portraits, creative photography, landscapes, macro |
Value | Excellent for compact superzoom class, affordable | Strong value as an entry-level mirrorless system |
This concludes our comprehensive review of the Panasonic ZS45 and Sony NEX-3N, providing you with grounded, actionable insight backed by thorough experience and technical analysis. Should you have any specific use cases or questions, feel free to reach out for personalized advice.
Panasonic ZS45 vs Sony NEX-3N Specifications
Panasonic Lumix DMC-ZS45 | Sony Alpha NEX-3N | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model | Panasonic Lumix DMC-ZS45 | Sony Alpha NEX-3N |
Otherwise known as | Lumix DMC-TZ57 | - |
Type | Small Sensor Superzoom | Entry-Level Mirrorless |
Introduced | 2015-01-06 | 2013-02-25 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | - | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor area | 27.7mm² | 366.6mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 4912 x 3264 |
Highest native ISO | 6400 | 16000 |
Min native ISO | 100 | 200 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 21 | 25 |
Lens | ||
Lens mounting type | fixed lens | Sony E |
Lens focal range | 24-480mm (20.0x) | - |
Maximum aperture | f/3.3-6.4 | - |
Macro focus distance | 3cm | - |
Amount of lenses | - | 121 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Display type | Tilting | Tilting |
Display diagonal | 3 inches | 3 inches |
Resolution of display | 1,040 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 4s | 30s |
Highest shutter speed | 1/2000s | 1/4000s |
Continuous shooting rate | 10.0 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 6.00 m | - |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | - |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/160s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30p) | 1920 x 1080 |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4 | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 249 grams (0.55 pounds) | 269 grams (0.59 pounds) |
Physical dimensions | 108 x 60 x 32mm (4.3" x 2.4" x 1.3") | 110 x 62 x 35mm (4.3" x 2.4" x 1.4") |
DXO scores | ||
DXO All around score | not tested | 74 |
DXO Color Depth score | not tested | 22.8 |
DXO Dynamic range score | not tested | 12.5 |
DXO Low light score | not tested | 1067 |
Other | ||
Battery life | 350 images | 480 images |
Battery style | Battery Pack | Battery Pack |
Battery model | - | NPFW50 |
Self timer | Yes (2 or 10 sec) | - |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Retail pricing | $300 | $399 |