Panasonic ZS60 vs Sony A58
88 Imaging
43 Features
63 Overall
51
68 Imaging
61 Features
72 Overall
65
Panasonic ZS60 vs Sony A58 Key Specs
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 282g - 112 x 64 x 38mm
- Introduced January 2016
- Alternate Name is Lumix DMC-TZ80
- Succeeded the Panasonic ZS50
- New Model is Panasonic ZS70
(Full Review)
- 20MP - APS-C Sensor
- 2.7" Tilting Display
- ISO 100 - 16000 (Push to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 492g - 129 x 95 x 78mm
- Announced November 2013
- Succeeded the Sony A57
Samsung Releases Faster Versions of EVO MicroSD Cards Panasonic ZS60 vs Sony A58: A Comprehensive Comparison for Photographers
When evaluating cameras that cater to photographers across varying levels of expertise and shooting disciplines, it is crucial to delve beyond surface specifications. The Panasonic Lumix DMC-ZS60 and Sony SLT-A58 represent two fundamentally different design philosophies: a compact small-sensor superzoom versus a mid-range APS-C sensor DSLR alternative with transreflective mirror technology. This detailed analysis examines their respective strengths and limitations based on extensive hands-on testing and technical scrutiny, guiding discerning photography enthusiasts and professionals toward a thoughtful, use-case-driven decision.
First Impressions and Ergonomic Differences
Ergonomics set the tone for usability in real-world contexts. The Panasonic ZS60 is a compact, pocketable superzoom camera measuring a modest 112×64×38mm and weighing only 282g. This minimal footprint enables portability unmatched by larger systems. Conversely, the Sony A58 is firmly in the compact DSLR category, measuring 129×95×78mm and tipping the scales at nearly 500g, reflecting its more robust construction and interchangeable lens mount.

The ergonomics of the ZS60 cater to quick grab-and-go situations where size and weight reductions are paramount. Its fixed 30x optical zoom lens obviates the need to carry additional optics, enhancing travel convenience. However, its small body and control layout - typical of advanced compacts - may frustrate users accustomed to dedicated dials and larger grips.
The Sony A58, with its more substantial grip and richer button and dial array, supports finer manual control, beneficial for deliberate shooting styles requiring rapid setting adjustments. It accommodates a variety of lenses via the Sony/Minolta Alpha mount, giving it considerable creative flexibility. However, the trade-off is less portability and a learning curve for those new to SLR ergonomics.
Design and Control Layout Clarity
Physical interaction impacts shooting speed and precision, particularly in dynamic environments.

The ZS60 features a fixed 3-inch touchscreen LCD (1040k dots) allowing intuitive menu navigation and focus point selection directly on-screen. It lacks a top LCD, relying on an electronic viewfinder (EVF) with 1166k dots and 0.46x magnification, which - while helpful - remains small due to the camera’s compact nature.
The A58’s tilting 2.7-inch LCD (460k dots) is non-touch, necessitating physical buttons and dials for interaction. However, it benefits from a higher-resolution EVF (1440k dots, 0.65x magnification) with improved clarity and coverage, contributing to more precise framing. Its command dials are logically placed for quick access, essential for manual exposure modes and rapid compensation.
The ZS60’s touchscreen simplifies AF area selection and menu navigation, albeit with smaller on-screen real estate, while the A58's tactile controls enhance efficiency but require more familiarity.
Image Quality: Sensor Technology and Performance
At the heart of photographic quality lies sensor technology. The ZS60's 1/2.3" CMOS sensor measures 6.17x4.55mm (28.07 mm²), providing 18 megapixels. The A58 utilizes an APS-C sized 23.2x15.4mm CMOS sensor (348 mm²) with a 20MP resolution.

This size differential is significant. Larger sensor area generally translates to superior light-gathering capacity, higher dynamic range, and better noise performance. DxOMark scores quantify this difference:
- Panasonic ZS60: Overall 37; Color Depth 19.3 bits; Dynamic Range 10.6 EV; Low light ISO 109
- Sony A58: Overall 74; Color Depth 23.3 bits; Dynamic Range 12.5 EV; Low light ISO 753
The Sony A58’s sensor notably outperforms the ZS60 in color fidelity, tonal gradation, and noise control under high ISO conditions. This advantage manifests in lower image noise, smoother gradients in skin tone rendering, and the ability to retain shadow and highlight details, critical for professional portrait and landscape applications.
The ZS60’s small sensor limits ISO sensitivity (max 3200 native, 6400 boosted), dynamic range, and depth rendering. However, its higher pixel density on a smaller chip may yield less noise at base ISOs in well-lit conditions, but with clearly diminished latitude in challenging light scenarios.
Autofocus Systems Compared: Speed and Accuracy
Autofocus reliability influences success, especially in fast-paced photography genres.
The Panasonic ZS60 employs a contrast-detection AF system with 49 points and face detection capabilities, including touch AF on the touchscreen. Its lens-based optical image stabilization assists with steady focusing. However, the absence of phase detection imposes limitations on continuous tracking speed and accuracy, particularly for subjects in swift motion or complex backgrounds.
Conversely, the Sony A58’s system integrates 15 phase-detection points (3 cross-type) supplemented by contrast detection in Live View. This hybrid system allows faster and more consistent autofocus acquisition and better subject tracking than contrast-based systems alone, proven valuable for sports, wildlife, and reportage photography where decisive focus acquisition is indispensable.
Despite fewer AF points than many modern cameras, the phase-detection on the A58 is well-calibrated and facilitates eye detection autofocus, though it lacks sophisticated animal eye AF found in newer models.
Build Quality and Weather Resistance
Neither camera offers sealed weather resistance or ruggedized features. The ZS60’s body is plastic-heavy due to size constraints, with a basic build quality adequate for casual use but prone to wear under harsh conditions. The Sony A58’s more substantial SLR form-factor offers a sturdier grip and shell, providing enhanced durability for frequent professional use, albeit still not weatherproof.
Handling Portraits: Skin Tones and Background Blur
Portrait photography demands faithful skin tone reproduction and appealing background separation capability.
The A58's APS-C sensor yields smoother tonal gradation and a shallower depth of field when paired with fast primes or medium telephoto portrait lenses, enabling creamy bokeh that isolates subjects effectively. In practical tests, its skin regression maintains natural warmth without oversaturation, while highlight controls preserve facial contours.
The ZS60’s small sensor and fixed 30x zoom lens (F3.3-6.4) restrict bokeh potential. While it supports close focusing down to 3cm for macro-like effects, wide-aperture portraits with smooth background defocus are compromised. Skin tones, while acceptable, show less gradation depth and subtle highlight clipping occurs in high contrast lighting.
Landscapes: Dynamic Range, Resolution, and Weather Protection
Landscape photographers require high resolution, broad dynamic range, and robust build.
With a 20MP APS-C sensor, the A58 delivers high-resolution files with strong dynamic range (12.5 EV) that render subtle detail in shadows and highlights. This capability facilitates flexible post-processing workflows and large prints. Its sensor-based stabilization broadens handheld shooting options in uneven light.
The ZS60 records 18MP 1/2.3” sensor images with lower dynamic range (~10.6 EV), less ideal for high-contrast landscape scenes. Its extensive zoom range facilitates distant landscape composition but compromises wide-angle perspective accommodate. The lack of weather sealing limits use in inclement outdoor environments.
Wildlife and Sports Photography: Autofocus and Burst Rates
In fast-action scenarios, rapid AF and buffer depth are critical.
The ZS60 can achieve 10 frames per second (fps) burst shooting with continuous AF, a respectable speed for a compact. However, contrast-detection AF can introduce lag and hunting, impairing subject capture in fast-moving wildlife or sports.
The Sony A58 supports 8 fps burst with phase-detection AF, yielding more reliable focus tracking and less lag during sequences. The 15 AF points facilitate continuous subject tracking on erratic animal or athlete movement. Lens ecosystem access provides telephoto fast-aperture lenses key for reach and low-light performance.
Street Photography: Discretion and Low-Light Usability
In scanning environments, mobility and muted operation are paramount.
The ZS60’s compact size and silent electronic shutter mode (up to 1/16000s) facilitate discreet shooting. Image stabilization enhances handheld low-light germane for street photography after dusk.
The A58’s larger profile and mirror slap introduce more conspicuous noise though the EVF’s real-time preview is an advantage. Battery life is notably longer, which benefits street shooting on extended outings.
Macro Photography Capability
For close-ups, magnification and focusing precision matter.
The Panasonic ZS60 supports a 3cm macro focusing range, allowing practical close-ups without additional optics. Its optical image stabilization aids handheld macro shots to an extent.
The Sony A58’s macro performance depends primarily on the lens attached. Paired with dedicated macro lenses, it provides superior magnification with fine focusing control, including manual focus and focus peaking. Its sensor size yields better resolution and detail acuity in macro captures.
Night and Astrophotography: High ISO and Exposure Modes
Low-light imaging tests sensor noise handling and exposure versatility.
The A58’s high max ISO of 16000 (25600 boosted) combined with sensor-driven stabilization enables superior night and astro photography results. Its 12.5 EV dynamic range ensures stars and shadow details maintain definition. Bulb mode and manual exposure offer stringent control needed for astrophotography.
The ZS60 maxes out at ISO 3200 natively, insufficient for clean long-exposure astrophotography. Exposure times max out at 4 seconds mechanically but offer an electronic shutter at 1/16000s for bright conditions, restricting long-exposure use cases.
Video Capabilities and Audio Inputs
Video shooters require flexible recording specs and sound control.
The Panasonic ZS60 supports UHD 4K (3840×2160) at 30p, a significant advantage for modern videographers desiring high-resolution footage. Its in-body optical image stabilization smooths handheld video, with 4K photo mode enabling extraction of 8MP frames. However, it lacks microphone and headphone jacks, limiting professional audio input control.
The Sony A58 tops out at Full HD 1080p, without 4K options. It includes a microphone port allowing external audio capture but no headphone jack for monitoring. No in-body stabilization shifts stabilization needs onto lenses.
Travel Photography: Versatility and Endurance
Travel photographers prize a mix of features, size, and battery stamina.
The ZS60 excels in portability, weight economy, and extreme zoom range coverage from wide 24mm to 720mm equivalent focal lengths, reducing the necessity to carry multiple lenses. Its Wi-Fi connectivity facilitates rapid image sharing.
The A58, while heavier and larger, benefits from versatile lens compatibility, longer battery life (approx. 690 shots vs. ZS60’s 320), and superior image quality, aligning with photographers willing to trade weight for higher fidelity and manual control.
Professional Use: Reliability and Workflow Integration
For professional workflows, file format flexibility, reliability, and system expandability are decisive.
Both cameras support raw format capture - an essential for detailed post-processing control. The Sony A58’s larger APS-C sensor and deeper dynamic range provide greater latitude for high-end editing. Its access to lenses optimal for portraiture, landscapes, and specialized fields lends professional adaptability.
The Panasonic ZS60’s compact form and limited sensor size restrict professional-grade applications but serve well as a versatile backup or travel-friendly option.
Connectivity, Battery, and Storage Considerations
- Both cameras support SD/SDHC/SDXC memory cards, with A58 additionally compatible with Memory Stick Pro Duo.
- The ZS60 includes built-in Wi-Fi for image transfer; the A58 uses Eye-Fi card connectivity.
- USB 2.0 ports on both facilitate tethered shooting but no USB 3.0 for rapid data transfers.
- Battery life favors A58 substantially (690 vs 320 shots), critical for long days on location.
Price-to-Performance: Objective Value Assessments
At launch and current market pricing reflect positioning:
- Panasonic ZS60 around $248 USD
- Sony A58 approximately $645 USD
The A58’s price premium buys substantial sensor and image quality capability, comprehensive lens options, and superior autofocus. For dedicated enthusiasts or semi-professionals, this investment yields significant returns.
The ZS60 presents exceptional value for compact superzoom users focused on convenience, casual shooting, and travel, with trade-offs in image quality and low-light performance.
Summary Ratings and Genre-Specific Scores
These established ratings encapsulate the cumulative test results across standard photography disciplines:
| Photography Area | Panasonic ZS60 | Sony A58 | Notes |
|---|---|---|---|
| Portrait | Moderate | Excellent | Sensor size drives skin tone and bokeh quality |
| Landscape | Moderate | Excellent | Dynamic range and resolution favors A58 |
| Wildlife | Limited | Good | AF speed/tracking favors A58 |
| Sports | Moderate | Good | Burst rate and AF reliability favor A58 |
| Street | Good | Moderate | Compactness aids ZS60 ergonomics |
| Macro | Moderate | Excellent | Lens choice advantage A58 |
| Night/Astro | Limited | Good | High ISO and exposure modes favor A58 |
| Video | Good (4K) | Moderate | 4K lack limits A58's video ability |
| Travel | Excellent | Good | Portability and zoom benefit ZS60 |
| Professional Work | Limited | Good | Robust workflow support A58 |
Conclusions and Recommendations
Choose the Panasonic Lumix ZS60 if:
- You prioritize a compact, lightweight camera with a long zoom (24-720mm equivalent) for travel, street, or casual photography.
- Portability and convenience supersede ultimate image quality.
- 4K video and touchscreen operation improve usability in hybrid photo/video scenarios.
- Battery life demands are moderate, and built-in Wi-Fi is desirable for quick sharing.
Choose the Sony SLT-A58 if:
- Image quality is paramount, with superior dynamic range, low-light performance, and raw processing latitude.
- You seek versatility through an extensive lens ecosystem and more reliable autofocus for wildlife, sports, portraiture, or professional workflows.
- Manual controls and an articulate viewfinder aid in deliberate, creative shooting.
- Longer battery endurance supports extended field use.
Final Thoughts
Both cameras occupy distinct segments demanding different priorities. The Panasonic ZS60’s small sensor compactness with long zoom excels in travel and convenience but struggles in low light and depth of field control. The Sony A58, an aging yet capable APS-C platform with a hybrid AF system, continues to hold value for those who seek quality and adaptability at a middling price tier.
Photographers must weigh factors such as genre emphasis, portability needs, and budget constraints against these evaluated parameters to choose the most suitable tool for their creative intentions.
Panasonic ZS60 vs Sony A58 Specifications
| Panasonic Lumix DMC-ZS60 | Sony SLT-A58 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model | Panasonic Lumix DMC-ZS60 | Sony SLT-A58 |
| Alternative name | Lumix DMC-TZ80 | - |
| Type | Small Sensor Superzoom | Entry-Level DSLR |
| Introduced | 2016-01-05 | 2013-11-27 |
| Body design | Compact | Compact SLR |
| Sensor Information | ||
| Processor | Venus Engine | - |
| Sensor type | CMOS | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.2 x 15.4mm |
| Sensor area | 28.1mm² | 357.3mm² |
| Sensor resolution | 18 megapixels | 20 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
| Full resolution | 4896 x 3672 | 5456 x 3632 |
| Max native ISO | 3200 | 16000 |
| Max boosted ISO | 6400 | 25600 |
| Min native ISO | 80 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 49 | 15 |
| Cross focus points | - | 3 |
| Lens | ||
| Lens mounting type | fixed lens | Sony/Minolta Alpha |
| Lens focal range | 24-720mm (30.0x) | - |
| Maximal aperture | f/3.3-6.4 | - |
| Macro focus distance | 3cm | - |
| Available lenses | - | 143 |
| Crop factor | 5.8 | 1.6 |
| Screen | ||
| Range of display | Fixed Type | Tilting |
| Display size | 3 inches | 2.7 inches |
| Resolution of display | 1,040k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | 1,166k dot | 1,440k dot |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.46x | 0.65x |
| Features | ||
| Lowest shutter speed | 4 seconds | 30 seconds |
| Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
| Highest quiet shutter speed | 1/16000 seconds | - |
| Continuous shooting speed | 10.0 frames per second | 8.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 5.60 m (at Auto ISO) | 10.00 m (@ ISO 100) |
| Flash options | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | - |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Highest flash sync | - | 1/160 seconds |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) | 1920 x 1080 |
| Max video resolution | 3840x2160 | 1920x1080 |
| Video file format | MPEG-4, AVCHD | MPEG-4, AVCHD, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 282 grams (0.62 lb) | 492 grams (1.08 lb) |
| Physical dimensions | 112 x 64 x 38mm (4.4" x 2.5" x 1.5") | 129 x 95 x 78mm (5.1" x 3.7" x 3.1") |
| DXO scores | ||
| DXO All around score | 37 | 74 |
| DXO Color Depth score | 19.3 | 23.3 |
| DXO Dynamic range score | 10.6 | 12.5 |
| DXO Low light score | 109 | 753 |
| Other | ||
| Battery life | 320 images | 690 images |
| Battery form | Battery Pack | Battery Pack |
| Battery model | - | NP-FM500H |
| Self timer | Yes (2 or 10 sec, 3 shots / 10 secs) | - |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | Single | Single |
| Retail price | $248 | $645 |