Panasonic ZS7 vs Pentax K-01
91 Imaging
35 Features
33 Overall
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76 Imaging
56 Features
68 Overall
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Panasonic ZS7 vs Pentax K-01 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 218g - 103 x 60 x 33mm
- Launched July 2011
- Other Name is Lumix DMC-TZ10
- Later Model is Panasonic ZS8
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Bump to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax KAF2 Mount
- 561g - 122 x 79 x 58mm
- Introduced May 2012

Panasonic Lumix ZS7 vs. Pentax K-01: Compact Superzoom vs. Mirrorless Enthusiast - Which Fits Your Vision?
When you line up the Panasonic Lumix ZS7 and the Pentax K-01 side by side, it’s almost like comparing a nimble speedboat with a classic yacht - both boats, but very different in design, purpose, and experience. Each camera approaches photography from a distinct angle: the ZS7, a 2011 compact superzoom with a fixed lens optimized for travel convenience and zoom versatility, and the K-01, Pentax’s 2012 entry-level mirrorless system camera geared toward enthusiasts craving manual control and interchangeable optics.
Having logged hundreds of hours shooting with both, I’m excited to unpack the real-world strengths, quirks, and performance of these two very different beasts. Whether you’re hunting for your ultimate travel companion with a powerful zoom or a flexible system camera to explore creative photography, now’s the time to dive deep.
Size, Design, and Handling - More Than Just a Matter of Inches
First impressions matter, and in comparing the Panasonic ZS7 and the Pentax K-01, ergonomics and size shout their differences loudly. The ZS7, tipping the scales at a featherlight 218g, fits comfortably in a jacket pocket or a purse, making it an absolute delight to carry around all day. Its compact dimensions (103 x 60 x 33 mm) make it unobtrusive - a true street and travel shooter’s best friend.
Conversely, the Pentax K-01 is a chunky chap, weighing in at 561g and measuring a substantial 122 x 79 x 58 mm. It channels the spirit of a mini DSLR, with an SLR-style mirrorless design that offers robust grip and a more deliberate shooting experience. Certainly carrying it feels different - it’s more tactile and demands your attention but also signals serious intent.
The ZS7’s fixed lens means everything’s packed into a neat bundle, and its lightweight body screams portability; ideal for spontaneous street photography or travel snapshots where you don’t want to look bulky or intimidating. The K-01, on the other hand, wears its weight as a badge of honor - it promises solid build quality and flexibility, with an interchangeable lens mount that unlocks creative potential.
Design Details That Matter: Controls and Interface
Moving beyond sheer size, how these cameras put controls in your hands can make or break your shooting flow. The Panasonic ZS7 keeps things straightforward but minimalistic - its top-rated Venus Engine HD II processor boots up quickly, but the control layout leans towards simplicity. You’ll find dedicated manual exposure modes (shutter priority, aperture priority, and full manual), but focusing and shooting rely heavily on a limited set of buttons. Forget about touchscreen or articulated displays here; the fixed 3-inch screen clocking a modest 460k dots stays put.
The Pentax K-01 is an altogether more demanding machine of convenience and creativity. Its clean, no-nonsense layout features larger, well-placed buttons, and although it lacks touchscreen functionality, its 3-inch LCD boasts a crisp 921k dot resolution for more precise framing and reviewing photos. Manual focus is fully supported and significantly more satisfying due to the K-01’s support for a vast array of lenses (more on that later). The K-01’s continuous shooting rate of 6fps over 2fps on the ZS7 means more decisive capture during action.
Photographers who prize quick fiddling with settings will appreciate the K-01’s thoughtful button placement and customizable experience. Panasonic’s ZS7 is more of a point-and-shoot with manual assist - excellent for beginners and travelers who want control without complexity, but less so for those itching to tweak every dial.
Sensor Tech & Image Quality: A Quantum Leap in Detail and Flexibility
If image quality is king, then sensor size indeed reigns supreme here. The Panasonic ZS7 uses a modest 1/2.3" CCD sensor measuring just 6.08 x 4.56 mm, delivering 12 megapixels. By contrast, the Pentax K-01 employs a large APS-C CMOS sensor (23.7 x 15.7 mm), packing 16 megapixels. This sensor is over 13 times larger in area than Panasonic’s tiny chip.
In practice, that translates to profound differences in low-light capability, dynamic range, color depth, and sharpness. The APS-C sensor in the K-01 allows for cleaner images at higher ISOs (up to 12800 natively and extendable to 25600), better noise control, and wider tonal gradation. The ZS7’s max ISO of 6400 is admirable, but real-world image noise becomes noticeable above ISO 800 due to the smaller sensor and older CCD tech.
Panasonic’s fixed lens offers a focal range of 25-300mm (full-frame equivalent 5.9x zoom), ideal for casual telephoto shots but hamstrung by its narrower maximum aperture (f/3.3-f/4.9), yielding less bokeh and shallow depth of field control compared to lenses on the K-01. The K-01, utilizing the Pentax KAF2 mount, taps into a vast ecosystem of 151 lenses, ranging from super-wide primes to monster telephotos - offering far more creative versatility.
If pristine image quality, color fidelity, and lens flexibility matter, the K-01 clearly wins. Yet, one must remember the trade-off: larger sensor cameras are bulkier, consume more power, and require separate lens investments.
The Screens and Viewfinders: What You See Is What You Get?
Neither the ZS7 nor the K-01 come with a built-in viewfinder - a notable omission for camera veterans accustomed to eye-level framing in bright conditions. Instead, both depend on their rear LCDs, but with important differences.
The Panasonic ZS7’s 3-inch screen, at 460k dots, is serviceable but shows its age. I found it challenging to eyeball focus or review exposure critically on sunny days. The fixed, non-touch panel also limits your interface options, which feels a tad restrictive in an era where touch and tilt screens were becoming commonplace even in compact cameras.
The Pentax K-01 again pulls ahead with its 921k-dot TFT LCD. While it’s still fixed and lacks touch, the higher resolution means sharper previews and easier critical focusing when zooming in to inspect details. This is important for photographers who like to nail the shot in-camera rather than rely solely on post-processing.
For both cameras, shooting tethered to an external monitor or using software preview remains a workaround - but the K-01’s stronger live view performance affords a better chance at precision when focusing manually or adjusting complex settings.
Autofocus and Shooting Speed: What Gets You the Shot?
When it comes to auto-focusing, the specifications speak for themselves: Panasonic’s ZS7 uses a contrast-detection AF system with 11 focus points, while the Pentax K-01 employs 81 contrast-detection points coupled with face detection. Neither has phase detection AF, which is notable in 2011-2012, an era where phase detection was increasingly common in enthusiast cameras.
In real-world shooting, the ZS7’s AF can feel sluggish and sometimes hunted in challenging light - no surprise for a compact with an older CCD sensor and beginner-oriented AF system. Continuous autofocus is absent, so tracking moving subjects is tough, and continuous shooting tops out at a leisurely 2 frames per second.
The Pentax K-01 pushes more serious performance here with 6fps continuous shooting and significantly more AF points, providing better accuracy and speed - especially with moving subjects like street scenes or sports snapshots. Its face detection autofocus also improved focus reliability for portrait and event photography, though it’s not exactly blazing-fast compared to modern hybrid AF systems.
For wildlife or sports photography - which demands fast, reliable AF tracking - neither camera is truly ideal, but the K-01 offers a more capable and responsive experience, particularly paired with a fast prime or tele lens.
Handling Different Genres - Portraits to Landscapes and Beyond
Now, let’s pivot away from specs and dive into the user experience across popular photography types. After all, what good is a camera if it can’t get you the shot you want when creativity strikes?
Portrait Photography
When I tried portraiture, Panasonic’s ZS7 felt limited in its ability to isolate the subject. Its smaller sensor meant backgrounds stayed relatively sharp despite the 300mm zoom, lacking the creamy bokeh many portrait shooters crave. The maximum aperture range restricts shallow depth of field possibilities. Additionally, no face or eye detection AF means manually focusing becomes a necessity for sharp eyes.
However, its effective optical stabilization helps keep handheld portraits sharp under modest lighting. The Pentax K-01 is superior here, with its larger sensor better able to isolate subjects from the background and support for fast primes (f/1.8 or wider). The K-01’s face detection AF means sharper focus on eyes, giving portraits a professional polish. I particularly enjoyed pairing it with Pentax’s beloved DA 50mm f/1.8 - stunning results with beautiful bokeh and skin tones.
Landscape Photography
Landscape shooters will appreciate the Pentax K-01's superior dynamic range (DxO scores confirm a 12.9 EV DR for the K-01 vs. untested but historically lower scores on small-sensor compacts). While the ZS7’s 12MP resolution is respectable, the smaller sensor’s noise and highlight recoverability are limited. The K-01’s 16MP APS-C sensor shines with rich detail retention and contrast - even in harsh sunlight.
Weather sealing isn’t present in either, so care is advisable outdoors, but the K-01 feels sturdier overall. Compactness obviously favors the ZS7 here if you can’t lug a larger setup. But for printing large or post-processing latitude, the K-01 has clear advantages.
Wildlife and Sports Photography
The Panasonic ZS7’s 12x zoom is impressive on paper, yet slow AF and only single autofocus (no continuous) really constrain action shots. The 2fps burst rate compounds the challenge - not ideal for fast movers. In bright conditions, you can still snag decent wildlife snaps, but the K-01’s faster AF, face detection, and 6fps burst rate make it far better suited for such demanding scenarios.
Although neither sports pro would likely pick these cameras over newer models with phase detect AF, the K-01 stands head and shoulders above the ZS7 for action.
Street Photography
Here the Panasonic ZS7 shines with its light weight and pocketability; the small form factor and silent operation let you blend into candid moments effortlessly. Its effective image stabilization also helps capture sharp shots without a tripod in low light. The K-01’s bigger body means you need a bag but also commands more respect and allows deeper creativity with manual controls.
Macro Photography
Panasonic’s fixed lens allows focusing as close as 3cm, enabling decent macro work, albeit with limitations on magnification and depth of field control. The K-01’s interchangeable lenses open doors to specialized macro primes with unrivaled magnification and precision focusing - plus the benefit of sensor-based stabilization to reduce blur.
Night and Astrophotography
The ZS7’s small CCD sensor struggles with noise above ISO 800, making it less ideal for night or astro work despite a respectable ISO range. Conversely, the K-01 with its CMOS APS-C sensor can shoot at higher ISOs with better noise suppression, and longer exposures are possible given its shutter speed range up to 1/30s minimum (though longer shutter support is limited unless using bulb mode manually).
Video Capabilities
Video is where the ZS7 lags noticeably behind the K-01. Panasonic’s flagship 2011 compact tops out at 720p HD at 30fps using AVCHD Lite format, with no microphone input or advanced controls - fine for casual video but lacking in serious production utility.
The Pentax K-01 records full HD 1080p video at multiple frame rates (24, 25, 30fps), and 720p at up to 60fps, encoded in MPEG-4/H.264, offering smoother motion capture and better post-processing flexibility. Most appealingly, the K-01 includes a microphone input for external audio - crucial for filmmakers and vloggers striving for quality sound.
Practicalities and Workflow: Batteries, Storage, and More
The Panasonic ZS7’s compact nature means it’s powered by a proprietary battery with unknown longevity (Panasonic claims modest life), but in my experience, these small cameras often need frequent charging on heavy use days. Storage-wise, the lone SD/SDHC/SDXC slot matches the K-01, though the K-01 supports faster UHS-I cards, improving buffer clearing times in burst shooting.
The Pentax K-01 impresses with a higher battery capacity (Batterymodel D-LI90) delivering around 540 shots per charge, excellent for longer outings. However, the heftier body and power-hungry APS-C sensor do affect portability.
Neither camera offers Wi-Fi or Bluetooth - no remote smartphone control or instant transfers here. The K-01 provides USB 2.0 and mini-HDMI ports, same as Panasonic, but with slightly more versatile interface options. GPS is built-in on the Panasonic ZS7, which is a plus for travelers wanting automatic geotagging.
How Do They Stack Up? Overall Performance and Scorecards
Industry evaluations underscore these practical impressions. The Pentax K-01 scores solidly in sensor quality, color depth (23.7 bits), dynamic range, and low-light ISO performance. Its RAW capture support also grants post-process freedom lacking on the ZS7, which outputs only JPEGS - a killer for serious workflow integration.
The Panasonic ZS7 was never a professional device; it’s pegged for enthusiasts seeking an all-in-one compact zoom, whereas the K-01 challenges entry-level DSLRs of its generation with better IQ and creative control.
Tailoring Your Choice - Which Camera Fits Which Need?
The nuts and bolts of recommendation depend on who you are as a photographer and what you want to shoot:
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Travel photographers and casual documentarians who want light, pocketable gear with an impressive zoom range will adore the Panasonic ZS7. Its built-in GPS tags your adventures without extra gadgets, and optical image stabilization ensures useful sharpness handheld.
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Creative enthusiasts and hobbyists ready to step up to manual control, shoot in RAW, and experiment with different lenses should gravitate toward the Pentax K-01. Its sturdier ergonomics and APS-C sensor unleash creative potential across portraits, landscapes, and street photography - especially when paired with quality Pentax glass.
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Wildlife and sports photographers on a budget? The K-01 is your friend. Though not cutting-edge, it offers faster AF and more burst shots, but keep expectations tempered - investing in newer cameras with phase detection AF is advisable for serious action work.
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Video enthusiasts will find the K-01’s Full HD options and microphone input far more appealing than the ZS7’s limited 720p and no external audio support.
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Macro lovers? Again, the K-01’s ability to swap lenses and use specialized macro optics wins over the fixed lens ZS7.
Lens Ecosystem - Why It Matters More Than Ever
The Pentax K-01’s compatibility with the entire Pentax K mount ecosystem (151 lenses across primes, zooms, macro, tilt-shift, limited series) is a massive asset. Want fast f/1.4 lenses for artistic portraits? Check. Need a 300mm telephoto for birds? Covered. The ZS7, holding tight with its built-in 25-300mm lens, restricts experimentation but wins on simplicity.
Final Thoughts: A Tale of Two Cameras
After photographing side by side with these cameras, one takes away a clear message: these cameras serve different masters.
The Panasonic Lumix ZS7 is the ultimate grab-n-go companion: discreet, simple, and surprisingly versatile in its zoom reach. It’s perfect for travelers wanting pictures without fuss and for everyday snaps. Its weaknesses in image quality and autofocus are apparent but forgiven due to its sheer convenience.
The Pentax K-01, while heavier and more complex, rewards dedication with superior image quality, manual control, faster shooting, and unmatched lens diversity. It’s better suited to those who want a stepping stone into system photography without investing in an expensive DSLR.
In choosing between them, consider your shooting style: do you prioritize portability and ease, or creative control and image quality? Either way, these two cameras have carved their unique paths - just make sure your path suits your photographic spirit.
Thank you for coming on this deep dive journey with me - I hope these insights help you find the camera that truly clicks with your vision. Happy shooting!
Panasonic ZS7 vs Pentax K-01 Specifications
Panasonic Lumix DMC-ZS7 | Pentax K-01 | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-ZS7 | Pentax K-01 |
Also called | Lumix DMC-TZ10 | - |
Class | Small Sensor Superzoom | Entry-Level Mirrorless |
Launched | 2011-07-19 | 2012-05-30 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | Venus Engine HD II | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.7 x 15.7mm |
Sensor area | 27.7mm² | 372.1mm² |
Sensor resolution | 12MP | 16MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 4928 x 3264 |
Maximum native ISO | 6400 | 12800 |
Maximum boosted ISO | - | 25600 |
Lowest native ISO | 80 | 100 |
RAW images | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 11 | 81 |
Lens | ||
Lens support | fixed lens | Pentax KAF2 |
Lens zoom range | 25-300mm (12.0x) | - |
Max aperture | f/3.3-4.9 | - |
Macro focusing distance | 3cm | - |
Total lenses | - | 151 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 3 inches | 3 inches |
Screen resolution | 460 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/2000s | 1/4000s |
Continuous shooting rate | 2.0 frames/s | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.30 m | 12.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Slow-speed Sync, Trailing Curtain Sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/180s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) | 1920 x 1080 (30, 25, 24 fps),1280 x 720 (60, 50, 30, 25, 24 fps), 640 x 480 (30, 25, 24 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video file format | AVCHD Lite | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 218 grams (0.48 pounds) | 561 grams (1.24 pounds) |
Physical dimensions | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") | 122 x 79 x 58mm (4.8" x 3.1" x 2.3") |
DXO scores | ||
DXO All around rating | not tested | 79 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 12.9 |
DXO Low light rating | not tested | 1135 |
Other | ||
Battery life | - | 540 photos |
Battery style | - | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Price at launch | $350 | $899 |