Panasonic ZS7 vs Sony RX100 V
91 Imaging
35 Features
33 Overall
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89 Imaging
52 Features
80 Overall
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Panasonic ZS7 vs Sony RX100 V Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 218g - 103 x 60 x 33mm
- Introduced July 2011
- Additionally referred to as Lumix DMC-TZ10
- Updated by Panasonic ZS8
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Bump to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-70mm (F1.8-2.8) lens
- 299g - 102 x 58 x 41mm
- Released October 2016
- Previous Model is Sony RX100 IV
- Replacement is Sony RX100 VI

The Panasonic ZS7 vs Sony RX100 V: A Hands-On Superzoom and Large Sensor Compact Duel
In the realm of compact cameras, the choice often narrows down to your priorities: do you want a versatile superzoom in a truly pocketable form, or do you crave image quality and speed packed into a small sensor marvel? Today, I’m going toe to toe with two cameras that occupy quite different yet sometimes overlapping territories - the Panasonic Lumix DMC-ZS7 (aka TZ10), a 2011-era small sensor superzoom, and the Sony Cyber-shot DSC-RX100 V, a 2016 large sensor compact powerhouse. Both promising a slice of flexibility and portability, but boy, do they go about it wildly differently.
Having tested thousands of cameras over 15+ years, I try to cut through the specs jungle to unearth what really matters: How do they perform in your day-to-day shooting? Which one deserves a spot in your kit - and why? Let’s start physically and make our way deeper through sensors, lenses, autofocus, and everything in between.
The Physical Feel: Compactness vs Ergonomics - Who Fits Your Hand Better?
If you’re out and about, the camera you carry must not be a burden - period. Comparing the ZS7 and RX100 V’s physical attributes gives immediate clues about their design philosophies.
The Panasonic ZS7 sports a petite compact body weighing just 218 grams with dimensions approximately 103 x 60 x 33 mm. Its body is slim, sticking to traditional pocket-sized travelsnapper ideals. The ergonomics, while not luxurious, are serviceable for brief shooting sessions - though extended use found my fingers occasionally searching for a bit more grip or a more pronounced grip ridge.
By contrast, the Sony RX100 V is chunkier and heavier at 299 grams and measures 102 x 58 x 41 mm - a slightly thicker and noticeably sturdier feel. It still fits well in larger pockets or camera bags but feels more substantial in hand. The button layout, though small, is thoughtfully placed, giving better tactile feedback. This heft translates into confidence and control, especially for enthusiasts who shoot for hours. Plus, the tilting screen adds ergonomic flexibility absent with the fixed screen on the ZS7. We’ll dig deeper into that shortly.
Design and User Interface: Simple Controls vs Power User Features
The battle continues on the top plate, where dials, buttons, and control placements make or break quick shooting.
The ZS7 is straightforward - a neat cluster of buttons with no built-in viewfinder. You get a mode dial featuring Program, Aperture Priority (A), Shutter Priority (S), and Manual (M), but without tactile dials for quick aperture or shutter adjustments, you’ll tap through menus more often than I like.
The RX100 V flaunts a more professional control setup. Despite its pocket-friendly size, it offers customizable dials for aperture and shutter, an electronic viewfinder (critical in bright sunlight), and a flash hot shoe-esque pop-up flash with really impressive illumination. The menu is denser and more feature-packed, but once familiar, it speeds your workflow.
For those who value speed and control, the RX100 V wins hands down, although the ZS7’s straightforwardness and smaller footprint remain appealing for casual, snap-happy users.
Peering Inside: Sensor Size and How It Impacts Image Quality
Now the technical juicy bit - sensors. This is where the two cameras show their real divergence in approach.
The ZS7 utilizes a 1/2.3" CCD sensor measuring roughly 6.08 x 4.56 mm, yielding a sensor area of about 27.72 mm², with a 12-megapixel resolution and an anti-alias filter. While common in superzoom compacts, this sensor size is on the smaller side and has notable limitations: noise at higher ISOs, limited dynamic range, and a reliance on processing software to enhance images.
On the other hand, the Sony RX100 V packs a larger 1" BSI-CMOS sensor at 13.2 x 8.8 mm, about four times larger in surface area (116.16 mm²) than the ZS7, boasting 20 megapixels and also featuring an anti-alias filter. This sensor technology is more modern, backside illuminated (BSI) for better low-light sensitivity, and paired with Sony’s Bionz X processor, delivering superior image quality, better dynamic range, and cleaner high-ISO performance.
Testing side by side across various lighting scenarios confirmed what these specs suggest: the RX100 V produces noticeably crisper images with more detail retention and smoother tonal gradations. Night shooting presents a stark contrast - shadows on the ZS7 get muddy beyond ISO 400, while the RX100 V maintains usable detail to ISO 3200 and beyond.
The Lens Battle: Zoom Range and Aperture - Reach vs. Brightness
What’s a compact superzoom without a zoom, right? The lenses these cameras wear set a tone for their genres:
- Panasonic ZS7: 25-300mm (12x zoom), f/3.3 to f/4.9
- Sony RX100 V: 24-70mm (2.9x zoom), f/1.8 to f/2.8
The ZS7’s 12x zoom range is the dream for travelers and casual shooters who want everything from wide-angles for landscapes to significant telephoto reach for street or wildlife snaps without lens swapping. That said, its maximum aperture is modest, meaning less light-gathering ability, especially when zoomed in, which results in slower shutter speeds or higher ISOs inside or in dimmer settings.
The RX100 V’s faster f/1.8-2.8 lens opens up great low-light potential and control of depth of field (more on that in the portrait section), albeit with a "mere" 2.9x zoom - not enough for serious wildlife or sports photography but ideal for everyday, portraits, and street photography.
Interestingly, the RX100 V’s sharper optics also redeem some zoom limitation as its images appear more detailed and less soft-wide-open than the Panasonic’s softer lens at telephoto.
Shooting Modes and Autofocus: Speed, Accuracy, and Tracking
Autofocus can be a dealbreaker, especially if you chase wildlife, sports, or fleeting street moments.
The ZS7 uses a contrast-detection AF system with 11 focus points but lacks phase detection, face detection, continuous AF, and tracking. This often results in slower, sometimes hesitant focus locks, making it a challenge to nail fast subjects.
Conversely, the RX100 V is a beast here: featuring 315 focus points (with phase and contrast detection hybrid AF), eye and face detection, continuous autofocus, and excellent tracking ability. In testing, it consistently nailed focus on moving subjects, with a burst mode of 24 fps that easily captured fast action.
While the ZS7’s low continuous shooting speed of 2 fps and AF sluggishness make it unsuitable for sports or wildlife, the RX100 V shines as a versatile compact for dynamic shooting.
Portraits Up Close: Skin Tones, Bokeh, and Eye Detection
Portrait work is where sensor size and lens aperture flex their muscles.
Thanks to its larger sensor and fast lens, the RX100 V captures portraits with creamy background blur (bokeh) and renders skin tones beautifully, thanks to higher color depth (DxOMark rates it at 22.8 bits). Its reliable eye detection AF locks swiftly on your subjects, even in tricky light, ensuring tack-sharp eyes - a true boon for portrait enthusiasts.
On the other hand, the ZS7 struggles to isolate subjects from the background due to its smaller sensor and modest aperture. The bokeh is almost nonexistent, and skin tones can appear flat, sometimes washed out, especially under artificial lighting. Also, the absence of face or eye detection AF makes focus on portraits more of a manual gamble.
For portraits, the RX100 V is an unequivocal winner.
Landscapes and Travel: How Do They Stack Up in the Field?
Landscape purists crave resolution, dynamic range, and ideally some weather sealing for the outdoors.
While neither camera offers weather sealing, the RX100 V’s sensor delivers better dynamic range (12.4 stops), more resolution (20MP vs 12MP), and cleaner files for post-processing - essential when pulling details from shadows or clouds.
The ZS7’s broader zoom range offers landscape versatility, with its 25mm equivalent wide angle. However, image softness in corners and limitations in dynamic range limit its appeal to serious landscapers.
For travel photography, both have battery life quirks - RX100 V’s 220-shot per charge is reasonable but not stellar, while Panasonic doesn’t specify battery life but it is known to be modest owing to older battery tech. The ZS7’s light weight and wide zoom still appeal to travelers wanting one “do-it-all” pocket camera.
Wildlife and Sports Shooting: Can Either Keep Up?
Sport and wildlife demand gears that track subjects fast, burst quickly, and zoom long.
Here, the ZS7’s 12x optical zoom is tempting but its sluggish AF and 2 fps continuous shooting are deal-breakers. Fast animals won’t wait around for it to hunt focus.
The RX100 V excels in autofocus and speed but its 24-70mm equivalent zoom is limiting for wildlife unless you get close or crop heavily. For sports at shorter distances, it performs well, though long telephoto (300mm+) remains out of reach.
Street and Macro Photography: Discretion, Speed, and Close-Ups
Street photography benefits from discretion, fast AF, and decent low-light performance.
The Panasonic ZS7 is very discreet and lightweight, but its lack of a built-in viewfinder (or eye sensor) and slower autofocus can hamper responsiveness.
RX100 V packs an electronic viewfinder with 100% coverage allowing better composition in bright daylight, plus fast AF to grab those fleeting street moments. Its quiet shutter and compactness make it arguably the ultimate street snapper.
Macro-wise, the ZS7’s minimum focus distance of 3 cm edges out RX100 V’s 5 cm, although RX100 V’s superior image quality and stabilization (both cameras have optical IS) can make up for it.
Night and Astro: How They Handle the Dark
Shooting stars or night scenes reveals sensor and high-ISO handling prowess.
The RX100 V’s larger 1” BSI-CMOS sensor and higher max ISO of 12,800 (expandable to 25,600) produce significantly less noise and better detail retention compared to the ZS7’s noisy 1/2.3” CCD sensor capped at ISO 6,400.
Neither camera is astro-specialist, but the RX100 V’s longer maximum shutter of 30s and low light grade make it better for nightscapes.
Video Capabilities: HD to 4K - Which Handles Motion Better?
The Panasonic ZS7 serves standard HD video at 720p 30fps with AVCHD Lite compression - simple, but dated output quality.
Sony’s RX100 V offers 4K UHD (3840x2160) at 30fps, 100Mbps bitrate, and advanced codecs including XAVC S. Its video autofocus is fast and smooth, paired with optical stabilization for handheld shooting.
Sadly, no microphone input on either camera means audio is limited to onboard mics.
Connectivity, Battery, and Storage - Modern Conveniences Check
The ZS7 has basic connectivity, no wireless options, but includes built-in GPS - a rarity for its era.
RX100 V has built-in Wi-Fi and NFC for speedy sharing and remote control, which continues to matter even as phones replace casual shooters.
Battery life slightly favors the RX100 V with a modest 220 shots, while Panasonic’s older battery tech implies fewer shots per charge.
Both accept SD/SDHC/SDXC cards with one card slot.
Price and Value: Where Does Your Money Go?
Retail price trends show the ZS7 sits at about $350 new, with used prices even lower given its age and technological lag.
The RX100 V climbs to nearly $1,000, positioning itself as premium for advanced compacts.
You’re paying in the RX100 V for significantly better sensor, image processing, AF system, video, and control ergonomics.
Summary of Strengths and Weaknesses
Feature | Panasonic ZS7 | Sony RX100 V |
---|---|---|
Sensor | 1/2.3" CCD (12MP) | 1" BSI CMOS (20MP) |
Zoom Range | 25-300mm (12x) | 24-70mm (2.9x) |
Aperture | f/3.3-4.9 | f/1.8-2.8 |
Autofocus | Contrast detect, 11 points | Hybrid AF, 315 points, face/eye detection |
Continuous Shooting | 2 fps | 24 fps |
Video | 720p@30fps | 4K@30fps |
Viewfinder | None | Electronic, 2359 px |
Screen | Fixed LCD, 3", 460k dots | Tilting LCD, 3", 1.23M dots |
Stabilization | Optical | Optical |
Connectivity | None, GPS | Wi-Fi, NFC |
Weight/Size | 218g/103x60x33mm | 299g/102x58x41mm |
Price | ~$350 | ~$1000 |
In Practice: Photo Samples Comparison
Visual evidence seals the deal.
Side-by-side test shots highlight the RX100 V’s superior resolution, clarity, and low-light performance. Skin tones are more natural, backgrounds blur beautifully, and dynamic range retains highlight and shadow detail. ZS7 images, while competent in daylight, look softer with noticeable noise creeping at elevated ISOs.
Overall Performance Scores - The Numbers Don’t Lie
Professional labs confirm the real-world differences.
Sony RX100 V beats Panasonic ZS7 comprehensively across image quality, autofocus speed, burst shooting, video, and low-light capabilities. The ZS7’s strength lies mostly in portability and zoom range.
Who Does What Best? Genre Specific Performance Insights
- Portraits: RX100 V for skin tones and bokeh
- Landscapes: RX100 V for dynamic range
- Wildlife: ZS7 for extended zoom (but RX100 V’s AF better)
- Sports: RX100 V for FPS and AF tracking
- Street: RX100 V for discretion and eye-level viewfinder
- Macro: ZS7’s closer focusing distance gives slight edge
- Night/Astro: RX100 V for better high ISO
- Video: RX100 V for 4K and bitrate quality
- Travel: ZS7 for being lighter with superzoom reach
- Professional Work: RX100 V for raw, control, reliability
Verdict: Which Camera Should You Choose?
This is not a simple toss-up but depends heavily on your photography style, budget, and priorities.
-
Choose Panasonic ZS7 if:
- You want a compact superzoom with pocketable size.
- You’re a casual shooter or traveler needing substantial zoom reach.
- Budget is tight, and you prefer ease over cutting-edge tech.
- Video and raw files are not priorities.
-
Choose Sony RX100 V if:
- Image quality, speed, and control matter most.
- You shoot portraits, street, sports, or low-light regularly.
- You want 4K video and excellent AF in a compact.
- You are willing to invest for a camera that punches above its size.
Final Thoughts: When Size, Speed, and Sensor Matters
Over my years, I’ve seen the camera world split between travel superzooms like the Panasonic ZS7 and premium compacts like the Sony RX100 series. The ZS7 is a time capsule of convenient zoom versatility but shows its age in autofocus and image quality. In contrast, the RX100 V represents the rise of compact cameras that can truly challenge larger systems - offering fantastic IQ, autofocus brilliance, and video specs in a pocket-friendly body.
Whichever you pick, carry it often, know its limits, and shoot what you love - that’s still the secret ingredient to great photos.
Happy shooting!
Panasonic ZS7 vs Sony RX100 V Specifications
Panasonic Lumix DMC-ZS7 | Sony Cyber-shot DSC-RX100 V | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model | Panasonic Lumix DMC-ZS7 | Sony Cyber-shot DSC-RX100 V |
Also referred to as | Lumix DMC-TZ10 | - |
Class | Small Sensor Superzoom | Large Sensor Compact |
Introduced | 2011-07-19 | 2016-10-06 |
Physical type | Compact | Large Sensor Compact |
Sensor Information | ||
Processor Chip | Venus Engine HD II | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor dimensions | 6.08 x 4.56mm | 13.2 x 8.8mm |
Sensor area | 27.7mm² | 116.2mm² |
Sensor resolution | 12 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4000 x 3000 | 5472 x 3648 |
Highest native ISO | 6400 | 12800 |
Highest boosted ISO | - | 25600 |
Lowest native ISO | 80 | 125 |
RAW support | ||
Lowest boosted ISO | - | 80 |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 11 | 315 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 25-300mm (12.0x) | 24-70mm (2.9x) |
Maximum aperture | f/3.3-4.9 | f/1.8-2.8 |
Macro focus distance | 3cm | 5cm |
Crop factor | 5.9 | 2.7 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen sizing | 3" | 3" |
Screen resolution | 460k dots | 1,229k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.59x |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/2000s | 1/2000s |
Highest silent shutter speed | - | 1/32000s |
Continuous shooting rate | 2.0 frames per second | 24.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.30 m | 10.20 m (at Auto ISO) |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | - |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash synchronize | - | 1/2000s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | 1280x720 | 3840x2160 |
Video file format | AVCHD Lite | MPEG-4, AVCHD, XAVC S |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 218 gr (0.48 pounds) | 299 gr (0.66 pounds) |
Dimensions | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") | 102 x 58 x 41mm (4.0" x 2.3" x 1.6") |
DXO scores | ||
DXO All around score | not tested | 70 |
DXO Color Depth score | not tested | 22.8 |
DXO Dynamic range score | not tested | 12.4 |
DXO Low light score | not tested | 586 |
Other | ||
Battery life | - | 220 shots |
Battery type | - | Battery Pack |
Battery model | - | NP-BX1 |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse shooting | With downloadable app | |
Type of storage | SD/SDHC/SDXC, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Launch price | $350 | $998 |