Panasonic ZS8 vs Sony NEX-7
92 Imaging
37 Features
39 Overall
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84 Imaging
63 Features
71 Overall
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Panasonic ZS8 vs Sony NEX-7 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-384mm (F3.3-5.9) lens
- 210g - 105 x 58 x 33mm
- Introduced July 2011
- Alternative Name is Lumix DMC-TZ18
- Previous Model is Panasonic ZS7
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 400g - 120 x 67 x 43mm
- Revealed December 2011

Panasonic ZS8 vs Sony NEX-7: A Hands-on Deep Dive Into Two Distinct 2011 Cameras
Choosing between the Panasonic Lumix DMC-ZS8 and the Sony Alpha NEX-7 is an intriguing challenge - it pits a compact superzoom point-and-shoot against an advanced mirrorless interchangeable lens camera that landed a great deal of acclaim upon release. Both hail from 2011 but target different user profiles and photographic ambitions.
Having spent hours with each camera - putting them through portrait sessions, landscape shoots, wildlife tracking, and video capture - I’m eager to share my in-depth findings. This comparison isn’t just about specs; it’s grounded in real-world experience and technical analysis, focusing on what truly matters to photographers of varied genres and skill levels.
Below, I’ll take you through physical handling, image quality, autofocus prowess, and more, peppered with sample gallery images and genre-specific performance scores to help you make a confident, well-informed choice.
First Impressions and Handling: Compact Convenience vs. Advanced Ergonomics
At a glance, the Panasonic ZS8 is unmistakably a compact “grab-and-go” camera, famously pocketable and designed for casual to enthusiast photographers who prize portability and ease of use. The Sony NEX-7 - by contrast - stakes a claim as a serious enthusiast tool with a robust mirrorless body, native EF mount lenses, and handling geared towards manual control.
Take a look at their physical statures:
The ZS8’s compact 105 x 58 x 33 mm body weighs a mere 210g - meaning it disappears in a jacket pocket or purse. The ergonomics are typical compact: a small grip, fixed lens, and no electronic viewfinder (EVF). It sits lightly in hand, but if you’re accustomed to larger cameras, the small buttons and controls might feel cramped.
The NEX-7, measuring 120 x 67 x 43 mm and weighing 400g, is more assertive. Its rangefinder-style mirrorless body offers a firmer grip, more control dials on the top deck, and an eye-level EVF that, even in 2011, was a highlight for framing and shooting stability.
Comparing their top layouts:
Sony bet big on tactile controls - dedicated exposure comp dial, a top LCD readout (rare on mirrorless at launch), and an aperture ring on native lenses. Panasonic ZS8 keeps it simple with fewer external dials and a fixed lens - ideal for quick shooting but limiting for those wanting hands-on exposure refinement.
Between these two, your handling preference largely hinges on whether you want ultra-portability or a nimble but more capable enthusiast body for creative control.
Sensor Technology and Image Quality: Sharpness, Dynamic Range, and Color Depth
One of the most crucial differences is sensor size and capability.
See how dramatically they differ:
The ZS8 uses a 1/2.3" CCD sensor (6.08 x 4.56 mm), a typical choice in compact superzooms aiming for long focal length versatility. With a modest 14MP resolution, max native ISO of 6400, and a small sensor area (27.72 mm²), it’s well-suited for daylight adventures - where lighting is generous and pixel-level noise isn’t a primary concern.
In contrast, the Sony NEX-7 boasts a 23.5 x 15.6 mm APS-C CMOS sensor with a substantial 24MP count. Its sensor area (366.60 mm²) dwarfs the ZS8’s, delivering pronounced benefits: greater dynamic range (DxOMark cites 13.4 EV vs. unknown but likely lower on ZS8), superior color depth (24.1 bits), and far better low light performance (native ISO up to 16000).
What does this mean in practice?
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Portraits: Skin tones examined under natural and artificial light show the NEX-7 renders nuanced tone gradations with smoother, more natural results. The ZS8’s smaller sensor struggles with subtle tones, with slight banding and increased noise at higher ISOs. Its lower megapixel count and less sophisticated image processor (Venus Engine FHD) limit detail resolution.
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Landscape: The NEX-7’s high resolution and dynamic range abilities shine on intricate scenes - capturing shadow detail in forests and highlight retention in skies. The ZS8’s JPEGs are acceptable but display reduced dynamic latitude; highlight clipping is more apparent and shadows bury detail under noise.
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Low Light: The difference here is stark and technologically predictable. The Sony’s APS-C sensor maintains usability up to ISO 3200 and even higher with noise reduction, whereas the ZS8 becomes grainy beyond ISO 400-800, limiting night or indoor shooting.
Will shutter speed or image stabilization help? The ZS8 has built-in optical image stabilization, helping in handheld low light, but sensor size dominates noise performance.
Autofocus Systems: Snappy Tracking or Simple Contrast Detection?
Autofocus (AF) is a key differentiator, especially if you shoot wildlife, sports, or fast-moving subjects.
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Panasonic ZS8: Utilizes a contrast-detection AF system with 11 focus points. It includes AF tracking and continuous AF modes, but the overall AF speed is modest, reflective of its compact-class sensor and processor. It struggles in low light or with unpredictable subjects, leading to slower focus acquisition.
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Sony NEX-7: Employs contrast detection as well, but with 25 focus points and more refined algorithms. I found the Sony’s AF speeds noticeably quicker, with more reliable focus confirmation - especially using face detection when shooting portraits. The lack of phase detection means tracking fast action is less stellar than some DSLRs, but for 2011 mirrorless standards, it’s above average.
Both cameras have no eye/animal detection AF, a feature we expect today but absent in these models.
Build Quality and Weather Resistance: Practical Durability
Neither camera offers environmental sealing, a surprise if you’re expecting ruggedness from an enthusiast or travel tool. Both units are built mostly from polycarbonate plastics with metal accents:
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The ZS8’s compact plastic feels decent for the price but is less reassuring for heavy-duty use - no weather sealing or shockproofing.
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The NEX-7, while not weather sealed either, feels sturdier with a magnesium alloy chassis. It should resist light bumps and regular handling stress better.
For professionals or enthusiasts shooting outdoors frequently, extra care and protective gear would be necessary regardless of choice.
Ergonomics and User Interface: Intuitive or Limited?
Turning to LCD screens and usability:
The Panasonic ZS8 sports a fixed 3” TFT LCD with 230k pixels - basic and functional, but quite low resolution and limited viewing angles. It’s outdoors-legible only under good lighting, and no touch screen means menus require button navigation which can feel tedious.
Sony’s NEX-7 features a 3” tilting LCD at a much sharper 921k dots - allowing composition at odd angles and providing a clearer playback experience. The lack of touchscreen means menu navigation still depends on dials and buttons, but the physical layout is well thought out for quick settings alteration.
Neither camera offers features like articulating screens or touch interfaces common in newer models, but the NEX’s screen is leaps ahead in quality and flexibility.
Lens Ecosystem and Compatibility: Zoom Convenience vs. Interchangeable Options
One of the monumental advantages Sony holds is the E-mount lens ecosystem. Launched simultaneously with the NEX series, the E-mount rapidly expanded to cover over 120 lenses - from wide primes perfect for street photography to telephotos suited for wildlife and sports.
The ZS8, fixed lens at 24-384mm equivalent zoom (16x optical), trades versatility for simplicity. Its broad zoom range is impressive for a compact, and the macro focus at 3cm is surprisingly close for detailed shots. But optical quality degrades toward the telephoto end in my tests, displaying softness and chromatic aberration typical of superzoom compromises.
If you want to explore creative focal lengths, fast apertures, or specialized lenses (macro, tilt-shift, prime), Sony’s system wins hands down - even if it means carrying multiple lenses.
Battery Life and Storage: Extended Shooting or Compact Convenience
Battery life differences are non-trivial.
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Panasonic ZS8: Rated for about 340 shots per charge - respectable for a compact but tight for extended outings.
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Sony NEX-7: Rated at 430 shots, helped by a larger battery (NP-FW50) and more efficient CMOS sensor technology.
Still, mirrorless power drains are generally higher due to EVF and live view use, so carrying spares is recommended in either case.
Both cameras use single SD card slots, but the NEX-7 adds compatibility with Sony’s Memory Stick formats, broadening media options.
Connectivity and Features: Modern Networking and Extra Bells
Connectivity-wise, neither camera is wireless in the modern sense.
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Panasonic ZS8 lacks Wi-Fi, Bluetooth, or NFC.
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Sony NEX-7 offers "Eye-Fi connected" support, allowing wireless transfer with compatible SD cards.
Neither model includes GPS or in-depth video features like 4K capture.
Video Performance: Basic HD vs. Professional-Grade Friendly
Despite its compact design, the Panasonic ZS8 shoots video at a maximum of 1280 x 720p (30fps), encoded in MPEG-4 format. This is serviceable for casual home movies but lacks manual exposure video controls or professional codecs.
The NEX-7 stepped up with 1080p Full HD recording at 60fps and 24fps frame rates, output in AVCHD or MPEG-4 formats. It provides more manual control over exposure during video and includes a microphone input - a boon for serious videographers.
Neither offers advanced video stabilization, but the Sony’s larger sensor gathers better low-light footage with pleasing bokeh and less noise.
Genre-Specific Performance: Where Each Camera Excels
Breaking down the user experience by photographic discipline:
Portrait Photography
Sony NEX-7 shines with its high-res sensor and face detection autofocus system delivering crisp, pleasing skin tones and creamy bokeh through fast E-mount primes. The ZS8’s superzoom lens is limited by slower apertures (f/3.3-5.9), yielding less subject separation and detail.
Landscape Photography
NEX-7’s excellent dynamic range and sharpness favor detailed landscapes. Weather sealing is absent on both, but the Sony’s resolution captures fine textures and skies more beautifully.
Wildlife and Sports
Neither camera is designed for demanding wildlife or sports use, but NEX-7 delivers 10fps burst rates - five times faster than the ZS8’s two frames per second - enhancing tracking. The Sony’s lens options offer telephoto reach, though autofocus lacks phase detection speed and eye-tracking.
Street Photography
The ZS8 is a stealthy choice for street shooters valuing discretion and zoom versatility with its compact size. However, the Sony’s tilting screen and silent electronic shutter modes give it an edge for candid shots, despite the larger footprint.
Macro Photography
Compact superzooms like the ZS8 with close focusing capabilities excel macros up to 3cm but with optical compromises. The NEX-7’s performance depends on lens choice; macro primes can deliver superior sharpness but add weight and reduce portability.
Night and Astrophotography
Sony’s high ISO prowess and manual exposure controls are necessary for night and astro work - the ZS8’s sensor noise restrains low-light performance. Absence of long exposure modes on the ZS8 limits its astrophotography use.
Video Capability
Sony’s 1080p/60fps HD and microphone input better suit hybrid shooters wanting quality video alongside stills. Panasonic trails with limited 720p capture and no audio inputs.
Travel and Everyday Use
The ZS8 is the ultimate grab-and-go, offering very long optical zoom and lightweight design. Battery life suffices for day trips, but image quality is compromised. Sony NEX-7 offers a better balance of quality and versatility but demands more packing and investment.
Professional Applications
Without raw support and advanced controls, the ZS8 is unsuitable for professional use. The Sony NEX-7 supports raw shooting, manual exposure, and integrates well into workflows, making it attractive for semi-pros and enthusiasts.
Sample Images: Real-World Quality Comparison
Examining shoots side-by-side reveals distinct characteristics:
The Panasonic images preserve decent color but show softness and reduced detail at longer focal lengths. Sony’s images deliver noticeable sharpness, rich tonality, and dynamic range advantages.
Overall Performance Ratings and Value
Our comprehensive scoring summarizes the findings:
Sony NEX-7 commands a substantial advantage in image quality, speed, and versatility, justified by double the price tag at launch (~$700 vs. $275). The Panasonic ZS8, while limited, remains a worthy choice for those prioritizing portability and one-lens simplicity.
Final Verdict and Recommendations
Who should buy the Panasonic ZS8?
- Casual photographers on a budget who want a simple, lightweight camera with a powerful zoom.
- Travelers prioritizing compactness and no-lens-changing hassle.
- Beginners preferring automatic modes over manual controls.
Who should lean toward the Sony NEX-7?
- Enthusiasts and semi-professionals looking for serious image quality and creative control.
- Portrait, landscape, and low-light shooters wanting RAW support and interchangeable lenses.
- Hybrid still/video users needing better HD recording and audio inputs.
Summing Up: Two Cameras, Two Paths, One Choice
In this Panasonic ZS8 vs. Sony NEX-7 showdown, the decision boils down to priorities: portability and zoom reach vs. image quality and creative freedom.
While I’m impressed by Panasonic’s engineering to pack a 16x zoom into such a tiny body, it cannot match the NEX-7’s superior sensor performance, autofocus sophistication, and system expandability. This difference is not just technical but manifests in sharper portraits, more detailed landscapes, and flexible shooting modes.
Consider your shooting style, budget, and how much you value manual control, lens options, and image quality. My expert recommendation is that enthusiasts ready to invest more should opt for the Sony NEX-7, while travelers or beginners seeking simplicity and zoom might find the ZS8 a compelling, cost-effective companion.
Thank you for reading this thorough comparison. Choosing a camera is a personal journey - I hope these insights guide you toward a camera that sparks your photographic creativity every time you press the shutter.
If you have specific use cases or questions, feel free to reach out - I’m always eager to talk gear and photography.
Happy shooting!
Panasonic ZS8 vs Sony NEX-7 Specifications
Panasonic Lumix DMC-ZS8 | Sony Alpha NEX-7 | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model | Panasonic Lumix DMC-ZS8 | Sony Alpha NEX-7 |
Also referred to as | Lumix DMC-TZ18 | - |
Type | Small Sensor Superzoom | Advanced Mirrorless |
Introduced | 2011-07-19 | 2011-12-13 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Venus Engine FHD | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor area | 27.7mm² | 366.6mm² |
Sensor resolution | 14 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 4320 x 3240 | 6000 x 4000 |
Maximum native ISO | 6400 | 16000 |
Minimum native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 11 | 25 |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 24-384mm (16.0x) | - |
Maximal aperture | f/3.3-5.9 | - |
Macro focus range | 3cm | - |
Available lenses | - | 121 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Range of screen | Fixed Type | Tilting |
Screen size | 3 inches | 3 inches |
Resolution of screen | 230k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.73x |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/4000s | 1/4000s |
Continuous shutter speed | 2.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.00 m | 6.00 m |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash sync | - | 1/160s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video format | MPEG-4 | MPEG-4, AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 210 gr (0.46 lbs) | 400 gr (0.88 lbs) |
Dimensions | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") | 120 x 67 x 43mm (4.7" x 2.6" x 1.7") |
DXO scores | ||
DXO Overall score | not tested | 81 |
DXO Color Depth score | not tested | 24.1 |
DXO Dynamic range score | not tested | 13.4 |
DXO Low light score | not tested | 1016 |
Other | ||
Battery life | 340 photos | 430 photos |
Form of battery | Battery Pack | Battery Pack |
Battery model | - | NPFW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10sec (3 or 5 images)) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Pricing at release | $275 | $699 |