Pentax 645D vs Sony HX9V
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91 Imaging
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Pentax 645D vs Sony HX9V Key Specs
(Full Review)
- 40MP - Medium format Sensor
- 3" Fixed Display
- ISO 200 - 1600
- No Anti-Alias Filter
- No Video
- Pentax 645AF2 Mount
- 1480g - 156 x 117 x 119mm
- Released March 2010
- Newer Model is Pentax 645Z
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 245g - 105 x 59 x 34mm
- Released July 2011

Pentax 645D vs Sony HX9V: An In-Depth Comparison for Discerning Photographers
When comparing two cameras as radically different as the Pentax 645D and the Sony Cyber-shot DSC-HX9V, the contrast is stark - not just in specifications, but in philosophy, target audience, and use cases. On one hand, we have a medium format, pro-level DSLR-built for uncompromising image quality; on the other, a compact superzoom designed for versatility and portability. Both offer compelling features, yet their very natures answer different photographic demands.
Having spent countless hours shooting with cameras in every category - from studio medium format giants to pocketable compacts - I’ve approached this comparison with an eye towards practical usage and technical nuance. This is not a specification sheet showdown; it’s a comprehensive exploration aimed at helping enthusiasts and pros decide which is the better fit for their workflow.
Let’s dive in.
First Impressions: Size, Build, and Handling
The physicality of a camera inevitably shapes your entire photography experience, from comfort levels to shooting style.
The Pentax 645D is unmistakably substantial: a large SLR body weighing 1,480 grams with dimensions of roughly 156x117x119 mm. Pentax’s design reflects its medium format heritage - robust, hefty, and built to endure professional workloads. Its magnesium alloy chassis is weather-sealed, providing dust resistance and spill protection - details that are critical when shooting landscapes or commercial projects outdoors.
In contrast, the Sony HX9V is a razor-thin compact weighing just 245 grams and measuring 105x59x34 mm - small enough to slip effortlessly in a jacket pocket or bag. It screams portability, which is the linchpin for travel or street photographers valuing mobility over manual control extravagance.
Ergonomically, the 645D presents a traditional DSLR grip with ample physical buttons and dials, designed for tactile precision - even when wearing gloves outdoors. The Sony HX9V, while sporting a somewhat minimalist control layout befitting its size (see top control layout image below), limits physical dials, funneling users into menu-driven interfaces.
For photographers who prize direct, tactile access to exposure settings, the 645D feels familiar and commanding. The HX9V’s controls, meanwhile, require more menu diving, but it's typical for compacts of this era and class. This is by no means a criticism, just an observation regarding each camera’s intended handling context.
Summary: If you need robust, weather-sealed durability and a commanding grip, the Pentax 645D wins outright. The Sony HX9V champions extreme portability and casual use.
Sensor Technology and Image Quality: A Universe Apart
The heart of any camera is its sensor, and here is where the gulf between these two cameras widens into an ocean.
The Pentax 645D houses an enormous 44x33 mm medium format CCD sensor with 40 megapixels. This sensor size is more than four times the surface area of a full-frame 35mm sensor, giving it a monumental advantage in dynamic range, color depth, and tonal gradations. The technical specs show a DXO overall score of 82, with an exceptional color depth of 24.6 bits and dynamic range near 12.6 stops. The max native ISO peaks at 1600, but with limited high ISO performance - typical CCD behavior - with the DxO low-light ISO rating at 1262.
The Sony HX9V, by comparison, sports a tiny 1/2.3" BSI-CMOS sensor at 16 megapixels, common in compact superzoom cameras. Its sensor area (approx 28 mm²) is just a tiny fraction of the 645D’s. While Sony’s BSI sensor architecture and the BIONZ processor help squeeze good quality from small pixels, the HX9V cannot match medium format richness or raw dynamic range. Its highest ISO is 3200, but noise levels rise quickly due to small pixel pitch.
The lack of a raw shooting option on the HX9V (only JPEG output) restricts post-processing latitude, reinforcing its role as a ready-to-go “point and shoot.” The 645D shines with full 14-bit raw capture, offering extensive control over highlight recovery and color grading.
Real-World Impact: In portraits, the 645D delivers velvety smooth skin tones with silky gradations and stunning color fidelity. Landscapes captured with the massive sensor reveal shadow and highlight nuances impossible for the HX9V to approach. Noise is virtually absent at base ISOs on the 645D, but the HX9V’s smaller sensor struggles beyond ISO 800.
Overall image quality favor goes decisively to the Pentax 645D - the price for ultra-high-fidelity imagery.
Viewing and Interface: From Clarity to Simplicity
LCD technology and viewfinder systems heavily influence framing precision and operational ease.
The Pentax 645D features a fixed 3.0” TFT color LCD with anti-reflective coating and wide viewing angles. While fixed (no articulating screen) and no touchscreen functionality, it produces detailed previews that help review the high-resolution images with reasonable clarity. Importantly, the camera offers a bright pentaprism optical viewfinder with approximately 98% coverage and 0.85x magnification. The optical viewfinder gives excellent, lag-free composition feedback - something I prefer especially in bright outdoor scenarios.
Conversely, the HX9V opts for a 3" fixed “XtraFine” LCD with TruBlack technology - an impressive screen for a compact from 2011, featuring inky blacks and good visibility in daylight. However, it completely forgoes a viewfinder, making LCD composition mandatory. This can strain the eye in bright conditions, but the form factor encourages quick shooting on the fly.
Neither camera features touchscreen operation, which feels slightly dated on the Pentax given its pro aim, but understandable for a 2010 launch.
Bottom line: For precise manual focus and framing, especially with large lenses, the 645D’s optical finder is a boon. The HX9V’s LCD is modern and visually rich but not a replacement for an EVF or OVF in challenging light.
Focusing Systems and Shooting Speed: Precision vs Speed
Focus systems reveal a camera’s ability to lock on subjects reliably - a critical factor across genres.
The Pentax 645D relies on an 11-point phase-detection AF system, with continuous autofocus possible but at a modest shooting rate of only 1 frame per second. While this speed is glacial compared to modern DSLRs, it aligns with the medium format philosophy: careful composition trumps rapid-fire shooting. The AF points include some multi-area options, but no face or eye-detection features. Manual focus is thorough, aided by focus peaking and magnification on live view (though live view itself is slow and not ideal).
The Sony HX9V employs a 9-point contrast-detection AF system with no phase detection and no continuous autofocus support - enabling only a single-shot AF mode. That said, its autofocus is typically snappy for a compact, especially in good light. Burst speeds reach 10 fps (frames per second), which is remarkable for the class and handy for capturing fleeting moments in street or wildlife scenarios - though autofocus doesn’t track continuous action.
Use-Case Impact:
- Wildlife or sports photographers will find the 645D’s AF and frame rate too sluggish.
- The HX9V, while not a professional AF system, handles casual action photography with decent speed.
- Portrait or studio photographers benefiting from definitive focus precision and shallow DOF will appreciate the 645D’s manual focus precision and selective autofocus areas.
Lens Ecosystem and Versatility
Lens compatibility really distinguishes the platforms’ flexibility.
The Pentax 645D uses the professional Pentax 645AF2 mount with an existing lineup of high-quality medium format lenses - six native autofocus lenses are available from Pentax, spanning moderate wide-angle to telephoto. These lenses deliver exceptional optical quality and the large sensor benefits from the long focal lengths and wide apertures typical of medium format systems.
The Sony HX9V sports a fixed 24-384mm equivalent zoom lens (16x zoom range) with apertures from f/3.3 to f/5.9. The zoom range covers everything from wide-angle landscapes and street scenes to moderate telephoto wildlife or portrait shots. Of course, this integrated lens cannot be swapped, limiting creative options.
Practical considerations:
- Pentax’s system encourages investing in multiple prime or zoom lenses with superior optics.
- Sony’s all-in-one lens simplifies shooting and travels light but at the cost of ultimate image quality and creative control.
Durability, Weather Sealing, and Battery Life
Professional photographers often shoot in challenging environments - so build quality and endurance count enormously.
The 645D offers a dustproof and weather-resistant metal body, tested to withstand moisture and temperature variability - with a battery rated for around 800 shots per charge. The robust power pack and dual SD card slots enhance both reliability and shooting volume. This design targets professionals depending on uptime for work assignments.
The HX9V, reflecting its compact consumer focus, lacks weather sealing or ruggedization features. Its battery life is moderate (official estimates vary, but generally around 300 shots per charge), and it has a single card slot supporting SD and Memory Stick formats.
If you shoot outdoors in tough conditions or need extended shoots without power interruptions, the Pentax’s build quality and power management are reassuring.
Specialized Disciplines: How Each Camera Performs Across Genres
Portrait Photography
The 645D is outstanding here; with its medium format sensor’s exquisite color depth and very shallow depth of field (enabled by larger sensors), portraits are rendered with lifelike skin tones and buttery bokeh. The slightly slower autofocus isn’t a major drawback in studio or posed work.
The Sony HX9V can take decent portraits in good light but is limited by its sensor size and lens aperture. Background separation and bokeh control are minimal; skin tone rendition is less natural and noisier under indoor or low light.
Landscape Photography
The Pentax 645D naturally excels in landscape scenarios. Its vast dynamic range and resolution uncover stunning detail from shadows to highlights. The weather-sealing means you can shoot in inclement weather without worry.
The HX9V covers landscapes well for a compact, with wide zoom and image stabilization aiding handheld shots. Still, small sensor size limits detail and tone range, restrictive for serious landscape photographers.
Wildlife & Sports Photography
Here, the HX9V’s 10 fps burst and extensive zoom range offer flexibility for casual wildlife and sports shooting. However, its autofocus lacks tracking and continuous modes, limiting fast action capture reliability.
The 645D’s slow 1 fps pace and limited AF points mean it’s generally unsuitable for fast wildlife or sports photography, but could work for deliberate, static shooting such as studio product or controlled portrait work.
Street Photography
The HX9V’s compact size, quick operation, and superzoom versatility make it a compelling choice for street shooters seeking discretion and portability.
The 645D is bulky and conspicuous - unsuited for candid street shooting despite its image quality advantages.
Macro Photography
Neither camera is specialized for true macro work, but the 645D benefits from compatible medium format lenses supporting close focusing and depth-of-field control. The HX9V’s built-in lens supports moderate macro, but diffraction and resolution losses constrain quality.
Night and Astro Photography
Pentax’s dynamic range and low-noise performance at base ISO hold an edge for long exposures. The HX9V can capture night scenes but will struggle with noise above ISO 400 and lacks bulb mode exposure customization.
Video Capabilities
The 645D does not offer video recording.
The Sony HX9V records Full HD 1080p video at 60fps in AVCHD or MPEG-4 - a significant advantage for shooters keen on video. Optical stabilization also provides steady footage from handholding.
Travel Photography
The HX9V’s light weight and all-in-one lens excel for travel. The 645D requires significant space and care but is worth it for those prioritizing image quality over convenience.
Professional Workflows
The Pentax 645D, with 14-bit raw files supported by extensive medium format workflows, fits professionals reliant on high fidelity and post-processing flexibility.
The Sony HX9V’s lack of raw and smaller files mean it’s more suited for casual or enthusiast use rather than professional assignments.
Connectivity and Storage
The 645D offers dual SD/SDHC card slots and USB 2.0 for tethering or image transfer but no wireless capability. The Sony HX9V incorporates built-in GPS and “Eye-Fi Connected” wireless support for seamless geotagging and transfer - features appealing to travel photographers.
The HX9V uses a variety of storage options (SD/SDHC/SDXC and Memory Stick variants) while the Pentax defaults to SD/SDHC.
Price-to-Performance Assessment
The Pentax 645D’s original street price near $4,000 places it firmly in the high-end professional realm, where image quality trumps nearly all else. Its niche is medium format enthusiasts and commercial shooters who demand ultimate detail and dynamic range.
In contrast, the Sony HX9V, priced around $328 new, targets amateurs and travelers desiring a versatile, affordable camera with excellent zoom and basic manual controls.
If budget is strict, the HX9V delivers outstanding value for casual use. For those who can justify the expense and require ultra-high quality, the 645D is a potent investment.
The above gallery, shot side-by-side in daylight, illustrates the practical outcome of each camera’s characteristics. The 645D’s images show superior detail rendition, color gradation, and dynamic range. The HX9V’s images are noisier with less resolution but remain excellent for general snapshots.
Overall Performance Ratings
To quantify our findings:
Pentax 645D Precision and Image Quality: 9.5/10
Sony HX9V Versatility and Portability: 7.0/10
Genre-Specific Strengths and Weaknesses
- Portrait: 645D Dominates
- Landscape: 645D Easily Wins
- Wildlife: HX9V More Practical
- Sports: HX9V Advantage
- Street: HX9V for Discretion
- Macro: Both Limited but 645D Slight Edge
- Night/Astro: 645D Superior
- Video: HX9V Only Contender
- Travel: HX9V Clear Choice
- Professional Use: 645D Ultra-Professional
Final Thoughts: Which Should You Choose?
If your priority is absolute image quality, legacy medium format output, and professional reliability, the Pentax 645D remains a compelling choice, especially on the used market where prices have softened. Its build, sensor size, and color fidelity are unmatched by typical DSLRs or compacts. However, expect a steep learning curve, limited autofocus speed, and hefty ergonomics.
Alternatively, if you want a compact, budget-friendly, and all-around versatile camera for travel, street, or casual shooting, with Full HD video capabilities included, the Sony HX9V will not disappoint. It’s the ideal grab-and-go performer.
Recommendations at a Glance:
Use Case | Recommended Camera |
---|---|
Studio/Portrait Work | Pentax 645D |
Landscape Photography | Pentax 645D |
Wildlife/Sports Action | Sony HX9V |
Street Photography | Sony HX9V |
Travel Photography | Sony HX9V |
Video-Centric Use | Sony HX9V |
Budget-Conscious | Sony HX9V |
Professional Print Work | Pentax 645D |
Ultimately, these cameras represent two very different photographic ideologies - ultimate image quality versus pervasive convenience. Understanding your unique needs and use conditions will guide the right choice. I’m always amazed by cameras that excel at their intended role, and both the Pentax 645D and Sony HX9V achieve that in distinct, brilliant ways.
If you have questions about specific genres or want advice on integrating either into your workflow, feel free to ask. With hands-on testing of thousands of cameras, I’m here to help you find the perfect tool for your creative vision.
Pentax 645D vs Sony HX9V Specifications
Pentax 645D | Sony Cyber-shot DSC-HX9V | |
---|---|---|
General Information | ||
Manufacturer | Pentax | Sony |
Model type | Pentax 645D | Sony Cyber-shot DSC-HX9V |
Class | Pro DSLR | Small Sensor Superzoom |
Released | 2010-03-10 | 2011-07-19 |
Physical type | Large SLR | Compact |
Sensor Information | ||
Chip | Prime II | BIONZ |
Sensor type | CCD | BSI-CMOS |
Sensor size | Medium format | 1/2.3" |
Sensor dimensions | 44 x 33mm | 6.17 x 4.55mm |
Sensor surface area | 1,452.0mm² | 28.1mm² |
Sensor resolution | 40 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3 and 16:9 |
Peak resolution | 7264 x 5440 | 4608 x 3456 |
Highest native ISO | 1600 | 3200 |
Lowest native ISO | 200 | 100 |
RAW pictures | ||
Lowest enhanced ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 11 | 9 |
Lens | ||
Lens mount type | Pentax 645AF2 | fixed lens |
Lens zoom range | - | 24-384mm (16.0x) |
Highest aperture | - | f/3.3-5.9 |
Amount of lenses | 6 | - |
Focal length multiplier | 0.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3 inch | 3 inch |
Display resolution | 921k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | TFT Color LCD with wide-viewing angle and with AR coating | XtraFine LCD display with TruBlack technology |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | None |
Viewfinder coverage | 98 percent | - |
Viewfinder magnification | 0.85x | - |
Features | ||
Minimum shutter speed | 30s | 30s |
Fastest shutter speed | 1/4000s | 1/1600s |
Continuous shutter rate | 1.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 4.00 m |
Flash settings | Auto, On, Off, Red-eye, Slow Sync, Rear Curtain | Auto, On, Off, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Fastest flash synchronize | 1/125s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
Highest video resolution | None | 1920x1080 |
Video file format | - | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1480g (3.26 pounds) | 245g (0.54 pounds) |
Dimensions | 156 x 117 x 119mm (6.1" x 4.6" x 4.7") | 105 x 59 x 34mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall rating | 82 | not tested |
DXO Color Depth rating | 24.6 | not tested |
DXO Dynamic range rating | 12.6 | not tested |
DXO Low light rating | 1262 | not tested |
Other | ||
Battery life | 800 shots | - |
Style of battery | Battery Pack | - |
Battery ID | D-LI90 | NP-BG1 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Type of storage | SD/SDHC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | 2 | Single |
Retail cost | $4,000 | $328 |