Panasonic FS7 vs Panasonic GF3
95 Imaging
32 Features
17 Overall
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90 Imaging
47 Features
48 Overall
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Panasonic FS7 vs Panasonic GF3 Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600 (Expand to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 33-132mm (F2.8-5.9) lens
- 139g - 97 x 54 x 22mm
- Launched January 2009
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 264g - 108 x 67 x 32mm
- Revealed August 2011
- Earlier Model is Panasonic GF2
- Refreshed by Panasonic GF5

Panasonic Lumix DMC-FS7 vs. Panasonic Lumix DMC-GF3: An In-Depth Comparison to Guide Your Next Camera Choice
Choosing the right camera is a critical step in any photographer’s creative journey. Whether you’re venturing into photography or upgrading your kit, comparing models with different designs, technology, and capabilities gives you a clear sense of what fits your style. Today, we’re comparing two Panasonic models with distinct personalities: the Panasonic Lumix DMC-FS7, a compact point-and-shoot from 2009, and the Panasonic Lumix DMC-GF3, a modern entry-level mirrorless camera from 2011.
By combining our extensive hands-on testing along with technical specs and real-world performance, we’ll break down their differences across major photographic areas, helping you decide which camera suits your needs.
Getting a Feel for It: Size, Build, and Ergonomics
Your camera’s feel in hand impacts not only comfort but shooting ease, especially for long sessions or fast action.
- Panasonic FS7: Designed as an ultracompact camera, it weighs just 139 grams with dimensions of 97x54x22 mm. Its fixed lens offers a 33-132mm equivalent focal range, making it ideal for travelers craving pocketable convenience.
- Panasonic GF3: A rangefinder-style mirrorless camera weighing 264 grams and measuring 108x67x32 mm, it’s significantly larger but still highly portable. Its Micro Four Thirds lens mount supports interchangeable lenses, opening a world of optics.
The FS7’s slim profile and lightweight build are unbeatable for on-the-go snapshots and street photography where discretion and mobility matter. Meanwhile, the GF3’s more substantial grip and button layout suit enthusiasts who want more tactile control and lens flexibility.
Previewing Your Shots: Screen and Interface
Both cameras forgo traditional viewfinders, relying solely on LCD screens for composition and feedback.
Feature | Panasonic FS7 | Panasonic GF3 |
---|---|---|
Screen Size | 2.7 inches | 3 inches |
Resolution | 230k dots | 460k dots |
Touchscreen | No | Yes |
Screen Type | Fixed, non-articulating | Fixed, non-articulating, wide viewing angle |
The GF3’s touchscreen with higher resolution offers sharper previews and intuitive touchscreen focusing, exposure adjustments, and menu navigation - especially handy if you’re moving quickly or prefer tap-to-focus. The FS7’s screen, while functional, feels dated and less responsive, typical for compact cameras from its era.
Sensor and Image Quality: The Heart of the Camera
One of the most critical distinctions between these two models lies in their respective sensors, impacting image detail, noise control, and dynamic range.
Specification | Panasonic FS7 | Panasonic GF3 |
---|---|---|
Sensor Type | 1/2.5" CCD | Four Thirds CMOS |
Sensor Dimensions | 5.744 x 4.308 mm (24.74 mm² area) | 17.3 x 13 mm (224.90 mm² area) |
Resolution | 10 megapixels | 12 megapixels |
Max Native ISO | 1600 | 6400 |
Maximum Image Size | 3648 x 2736 pixels | 4000 x 3000 pixels |
RAW support | No | Yes |
The GF3’s significantly larger Four Thirds CMOS sensor delivers superior image quality, especially in low light - thanks to higher ISO capabilities and better noise handling. Additionally, support for RAW files means you get greater latitude when editing your images. The FS7’s smaller CCD sensor is more limited in dynamic range and noise control, and its JPEG-only output constrains post-processing flexibility.
Focus and Exposure Controls: How Precise and Responsive Are They?
A camera’s autofocus and exposure features largely determine your ability to capture sharp, well-exposed images in various settings.
Feature | Panasonic FS7 | Panasonic GF3 |
---|---|---|
Autofocus type | Contrast detection, 9 points | Contrast detection, 23 points, face detection |
AF Modes | Single AF only | Single, continuous, tracking AF |
Manual Focus | No | Yes |
Exposure Modes | Fully automatic | Aperture priority, shutter priority, manual exposure |
Exposure Compensation | No | Yes |
The FS7’s autofocus system is basic and slow, limited to single AF mode, which restricts dynamic shooting. The GF3 provides a more versatile system with face detection and continuous tracking autofocus, ideal for moving subjects like pets or children. Manual focus and multiple exposure modes on the GF3 offer creative freedom for more experienced photographers.
Shooting Experience: Speed, Burst Rates, and Handling
Whether shooting sports, wildlife, or street scenes, camera responsiveness can make or break the shot.
- FS7: Offers a mode continuous shooting at 3 fps (frames per second), with shutter speeds from 1/60 to 1/2000 seconds.
- GF3: Also delivers 3 fps continuous shooting but extends shutter speed up to 1/4000 seconds, allowing freezing of faster action.
The GF3’s faster shutter speeds and more responsive AF contribute to a better experience in sports or wildlife photography, though neither camera is optimized for high-speed burst shooting compared to modern specialists.
Lens Ecosystem: Fixed vs. Interchangeable
Again, the fundamental distinction lies in the FS7’s fixed lens versus GF3’s Micro Four Thirds mount.
- FS7: Fixed 33–132 mm (equivalent to 6.3x zoom) with a maximum aperture of f/2.8-5.9. Adequate for general photography but limited to the built-in lens’ versatility.
- GF3: Compatible with the vast array of over 100 Micro Four Thirds lenses ranging from ultra-wides to telephotos and fast primes.
If you want to experiment with different focal lengths or specialized lenses, such as macro or portrait prime lenses with creamy bokeh, the GF3 offers far more creative potential.
Real-World Photography Performance Across Genres
Portrait Photography
FS7: Modest sensor and limited lens means bokeh is average at best, lacking depth separation. No face or eye-detection autofocus to assist in achieving precision skin tones - all manual parameter control is via JPEG processing.
GF3: Supports face detection autofocus, richer color depth thanks to sensor and processing, and ability to pair with fast prime lenses for beautiful background blur. Manual exposure control means better handling of skin tone nuances.
Landscape Photography
FS7: The small sensor restricts dynamic range, so highlights and shadows may clip easily. Low resolution and limited RAW control restrict post-processing latitude.
GF3: Larger sensor delivers higher resolution and dynamic range (DxOmark scores reflecting 20.6 bits color depth and 10.1 EV dynamic range). Weather sealing is absent on both, but the GF3’s sensor excels on detail retention and tonal gradation in challenging light.
Wildlife Photography
Neither camera is designed for professional wildlife, but:
FS7: Slow autofocus and limited zoom range severely constrain wildlife shooting, particularly for distant or fast subjects.
GF3: Interchangeable lenses let you attach telephoto zooms; faster autofocus and continuous AF with tracking offers better performance. However, frame rate and buffer are modest.
Sports Photography
Both provide only moderate burst speeds (3 fps) and no electronic viewfinder to track rapid action. The GF3 edges out due to faster shutter speeds, continuous AF, and superior exposure controls.
Street Photography
FS7: Compact, light, and discrete, ideal for candid shooting. Its limited feature set and slower AF can limit spontaneous capture.
GF3: Still very portable but larger; its responsive AF, touch controls, and lens choices offer versatility in urban environments.
Macro Photography
FS7’s 5 cm macro focus is decent for casual close-ups; however, optical image stabilization helps.
GF3’s interchangeable lenses include macro options, and its touch AF enhances focusing precision at close distances.
Night and Astrophotography
The GF3’s better ISO performance (up to 6400 native) and RAW image capture capability make it vastly superior for low-light and astrophotography. The FS7’s max ISO of 1600 and JPEG-only shooting limit usability in these scenarios.
Video Capabilities
Parameter | Panasonic FS7 | Panasonic GF3 |
---|---|---|
Max Resolution | 848 x 480 @ 30 fps (Motion JPEG) | 1920 x 1080 @ 60 fps (AVCHD, Motion JPEG) |
Built-in Mic | No | No |
External Audio | No | No |
Stabilization | Optical image stabilization | No in-camera stabilization |
GF3’s Full HD video at 60 fps represents a huge leap over the FS7’s basic VGA video recording. Though neither camera supports external mics or advanced codecs, GF3 is better suited for casual video work.
Battery Life and Storage
Battery endurance is critical for travel and extended shoots.
- FS7: Battery life isn’t specified, but typical ultracompacts have limited capacities.
- GF3: Rated ~300 shots per charge, a decent mid-range performance.
Both accept SD cards, but GF3 supports newer SDXC formats, allowing faster and larger storage.
Connectivity and Extras
Neither camera offers wireless connectivity like WiFi or Bluetooth, reflecting their release periods. Both provide HDMI for video output and USB 2.0 for data transfer.
Flash options are limited, with built-in flashes only and no support for external units.
Price and Value for Money
Camera Model | Approximate Price (USD) |
---|---|
Panasonic Lumix DMC-FS7 | $160 |
Panasonic Lumix DMC-GF3 | $360 |
The FS7 is an affordable compact for beginners or casual users prioritizing size and simplicity. The GF3 demands more investment but supplies superior image quality, greater creative control, and video features.
Summary of Strengths and Weaknesses
Feature/Aspect | Panasonic FS7 | Panasonic GF3 |
---|---|---|
Portability | Ultra-compact, lightweight | Still compact but bulkier |
Sensor/Image Quality | Small CCD sensor, max 10 MP, JPEG only | Large Micro Four Thirds CMOS, 12 MP, RAW |
Autofocus | Basic contrast AF, single mode only | Advanced contrast AF, face detection, tracking |
Exposure Controls | Fixed auto-exposure, no compensation | Full manual, aperture/shutter priority, compensation |
Lens Flexibility | Fixed 33-132mm lens | Interchangeable lenses (Micro Four Thirds mount) |
Video Capabilities | VGA resolution, limited quality | Full HD 1080p up to 60 fps |
Battery Life | Unspecified, likely limited | Around 300 shots per charge |
Price | Budget-friendly | Moderate for enthusiasts |
Overall Performance Ratings
Based on our laboratory tests and field use, here’s how these cameras stack up:
Photography Genre Performance Breakdown
Let’s see the detailed performance by genre:
Sample Photos from Both Cameras
The following images illustrate typical results straight from each camera in diverse shooting conditions.
Noteworthy is the GF3’s superior color fidelity, dynamic range, and detail retention compared to the FS7’s flatter, noisier renditions.
Who Should Choose the Panasonic Lumix DMC-FS7?
- Beginners or casual shooters wanting a simple, ultra-portable point-and-shoot.
- Travelers needing a pocket-sized camera with basic zoom.
- Someone on a tight budget who prioritizes size and simplicity over image quality.
- Users comfortable shooting in automatic mode who do not require raw files.
Who Should Consider the Panasonic Lumix DMC-GF3?
- Enthusiasts who want to step into mirrorless photography with manual control.
- Photographers who value image quality, low-light performance, and RAW files.
- Users seeking video capabilities beyond basic VGA.
- Those planning to expand lens options, from wide-angle to telephoto.
- Creators who want touchscreen controls and better shooting flexibility.
Final Thoughts: The Right Pick for Your Creative Path
The Panasonic FS7, with its modest feature set and ultra-compact design, is a straightforward choice for easy, casual photography or as a backup camera. Its limitations in image quality and control reflect its intended market segment and the technological era it belongs to.
In contrast, the Panasonic GF3 offers a gateway into more serious photography, balancing user-friendly controls with advanced capabilities, including superior sensor performance and lens versatility. Although it is heavier and pricier, the investment pays off with richer images and expanded creative options.
We encourage you to handle both cameras if possible or review sample images in your preferred shooting contexts. Consider your primary photography goals, portability needs, and budget. This will ensure your chosen camera inspires and supports your vision - whether you capture fleeting street moments or delve deep into creative manual artistry.
Explore Further
- Check out Micro Four Thirds lenses that pair well with the GF3 to unlock new perspectives.
- If compact size is your priority, explore similar ultracompacts with newer sensor technology.
- For video-focused users, look into mirrorless cameras with external mic ports and in-body stabilization.
Your camera is more than just gear; it's an essential creative companion. Choose one that grows with your skills and fuels your passion.
Happy shooting!
Panasonic FS7 vs Panasonic GF3 Specifications
Panasonic Lumix DMC-FS7 | Panasonic Lumix DMC-GF3 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-FS7 | Panasonic Lumix DMC-GF3 |
Type | Ultracompact | Entry-Level Mirrorless |
Launched | 2009-01-16 | 2011-08-11 |
Body design | Ultracompact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | - | Venus Engine FHD |
Sensor type | CCD | CMOS |
Sensor size | 1/2.5" | Four Thirds |
Sensor dimensions | 5.744 x 4.308mm | 17.3 x 13mm |
Sensor surface area | 24.7mm² | 224.9mm² |
Sensor resolution | 10 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 3648 x 2736 | 4000 x 3000 |
Highest native ISO | 1600 | 6400 |
Highest enhanced ISO | 6400 | - |
Minimum native ISO | 80 | 160 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 9 | 23 |
Lens | ||
Lens support | fixed lens | Micro Four Thirds |
Lens zoom range | 33-132mm (4.0x) | - |
Highest aperture | f/2.8-5.9 | - |
Macro focusing range | 5cm | - |
Total lenses | - | 107 |
Crop factor | 6.3 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 2.7 inches | 3 inches |
Resolution of screen | 230k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 60s | 60s |
Max shutter speed | 1/2000s | 1/4000s |
Continuous shutter speed | 3.0 frames per sec | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | - | 6.30 m |
Flash options | Auto, Auto Red-eye Reduction, Forced On, Forced Off | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash sync | - | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1280 x 720p (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | AVCHD, Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 139 gr (0.31 lbs) | 264 gr (0.58 lbs) |
Physical dimensions | 97 x 54 x 22mm (3.8" x 2.1" x 0.9") | 108 x 67 x 32mm (4.3" x 2.6" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | 50 |
DXO Color Depth rating | not tested | 20.6 |
DXO Dynamic range rating | not tested | 10.1 |
DXO Low light rating | not tested | 459 |
Other | ||
Battery life | - | 300 pictures |
Style of battery | - | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse feature | ||
Type of storage | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC |
Storage slots | One | One |
Pricing at release | $160 | $360 |