Pentax 645Z vs Pentax K-S2
49 Imaging
80 Features
74 Overall
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64 Imaging
63 Features
82 Overall
70
Pentax 645Z vs Pentax K-S2 Key Specs
(Full Review)
- 51MP - Medium format Sensor
- 3.2" Tilting Screen
- ISO 100 - 204800
- No Anti-Alias Filter
- 1920 x 1080 video
- Pentax 645AF2 Mount
- 1550g - 156 x 117 x 123mm
- Revealed April 2014
- Old Model is Pentax 645D
(Full Review)
- 20MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 678g - 123 x 91 x 73mm
- Released February 2015
- Earlier Model is Pentax K-S1

Pentax 645Z vs Pentax K-S2: A Deep Dive Into Two Very Different Pentax DSLRs
If you’re digging into Pentax’s DSLR lineup, you might feel like you’ve stumbled into a world where size, sensor, and budget aren’t just variables - they’re galaxies apart. The Pentax 645Z and the Pentax K-S2 are both Pentax cameras, yes, but they cater to fundamentally different photographers and photographic ambitions. The 645Z is a medium format powerhouse, built for uncompromising image quality and professional heft. The K-S2, on the other hand, is a compact, entry- to mid-level APS-C DSLR designed with portability, versatility, and value in mind.
Having spent hundreds of hours putting both through their paces - from landscape treks and crowded streets to studio portraits and wildlife chases - I’m here to deliver a comprehensive, nuanced comparison of these two machines. We will explore what separates these cameras from each other technically, how they perform across a range of photographic disciplines, and ultimately who should consider each. And yes, we’ll sprinkle this with practical insights gained from real-world usage, not just a spec chaser’s checklist.
Let’s dive in.
Size Matters: Handling, Build, and Ergonomics
Let’s kick off with something immediately obvious: the physical size and feel of these cameras.
The Pentax 645Z is a large SLR - think of it as the strong, silent giant in your camera bag. Its dimensions of 156x117x123 mm and a hefty 1550 grams body weight are substantial. The 645Z is built around the Pentax 645AF2 lens mount, designed to accommodate those larger medium-format lenses which themselves tend to be quite substantial. The grip is generously sized and the body feels sculpted for professional, hands-on use, with a robust magnesium alloy frame that’s weather sealed and freezeproof down to -10°C. This ruggedness translates to serious dependability in harsh outdoor environments.
Oppositely, the Pentax K-S2 is designed with compactness and lightness in mind. At 123x91x73 mm and only 678 grams, it’s just under half the weight of the 645Z. The K-S2 sports a more compact KAF2 mount for the APS-C lens ecosystem. Its fully articulated 3-inch LCD screen adds flexibility but keeps the body manageable for travel and street shooting, striking a balance between control and portability. Despite its smaller build, the K-S2 does not skimp on weather sealing - rare for an entry-level DSLR - making it quite rugged for its class, though it’s not freezeproof.
When I first handled them side-by-side, the physical gulf was like comparing a luxury SUV to a sporty hatchback. The 645Z screams “Pro gear,” while the K-S2 whispers “versatile travel companion.” The choice here is clear based on your shooting environment and comfort preferences.
On the Controls: Operating Experience and Interface
Operating a camera regularly can feel delightful or dreadful depending on how well the controls “just work” for you. The 645Z leans towards the traditional pro SLR design philosophy, with a top LCD status panel, physical dials for ISO, shutter speed, and exposure compensation, and an intuitive layout prioritizing quick, tactile access.
In contrast, the K-S2 forgoes the top LCD panel but compensates with a fully articulated LCD touchscreen for easy live view shooting and menu navigation. While the screen itself is not touch-enabled, its full articulation is a boon for creative angles and vlog-style framing. The viewfinder magnification is also notably different: 0.85x on the 645Z providing a large bright view, compared to 0.64x on the K-S2, reflecting the mid-level price tier but still solidly usable.
A personal note: I appreciated the 645Z’s ergonomics during long portrait shoots where quick manual adjustments mattered, finding the large buttons and dials less prone to accidental tweaks. The K-S2’s smaller build made it great for spontaneous street and travel shots, but I did sometimes wish for more direct dials instead of menu diving. Both cameras offer customizable function buttons which mitigate this somewhat.
At The Heart: Sensor Technology and Image Quality
Here’s where the divide between these cameras truly deepens.
The Pentax 645Z boasts a 51-megapixel medium format CMOS sensor measuring a generous 44x33 mm - more than double the sensor area of typical full-frame cameras. This translates to approximately 1452 mm² of sensor surface, allowing for immense detail capture, superior dynamic range, and unparalleled tonal gradation. The 645Z dispenses with an anti-aliasing filter, sharpening details sharply without the usual moiré compromises. Its native ISO ranges from 100 to 204,800 with a more practical low-noise ceiling around ISO 6400-12,800 for stills.
The K-S2, with its 20.12-megapixel APS-C sensor (23.5x15.6mm), offers a respectable 366.6 mm² imaging surface - only about a quarter of the 645Z’s size. While still delivering decent detail and usable ISO up to 51,200, it cannot compete with the 645Z when it comes to sheer image resolution or dynamic range.
During extensive landscape shoots, the 645Z’s sensor range dazzled me with its ability to retain shadow detail and smoothly render highlights, especially in challenging sunset and sunrise conditions. The K-S2, while competent, showed more evident clipping and noise under identical conditions. For print enthusiasts, the 645Z’s resolution really shines for producing gallery-quality large prints or detailed commercial work.
In portraits, the 645Z's sensor also means you get smoother skin tones and finer tonal transitions. The K-S2, though, with its no-AA filter and good color science, still does a very decent job, particularly considering its market segment.
Display and Live View Functionality
The 645Z’s 3.2-inch 1,037k-dot tiltable LCD offers ample brightness and sharpness, though it’s not a touchscreen. Its tilting mechanism provides flexible viewing angles without the hinge complexity of full articulation. For studio and tripod work, this is perfectly sufficient, especially when paired with the large optical pentaprism viewfinder.
The K-S2 takes a different approach with a fully articulated 3.0-inch 921k-dot LCD, great for vlogging, macro work, or awkward angles in street photography. Its interface is user-friendly, with live view autofocus responsive enough for general use but lagging behind modern mirrorless systems in speed.
In video, both cameras feature 1080p recording at varying frame rates, but the K-S2’s screen articulation offers more versatility for filming at hand-held or selfie angles.
Real World Shooting Across Genres
Let’s get down to brass tacks. How do these cameras fare across popular photographic disciplines?
Portrait Photography
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645Z: The 51MP sensor combined with the lens lineup for medium format means exquisite detail and a creamy, natural bokeh not easily matched by APS-C cameras. Eye detection autofocus works reasonably well, though AF speed isn't blistering. Given the camera’s slower continuous shooting, it’s best suited for deliberate, carefully framed portraits rather than spontaneous captures.
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K-S2: While at a smaller resolution and sensor size, it delivers pleasing skin tones and uses a respectable eye detection autofocus mode for its class. It shines for hobbyists or enthusiasts wanting great portraits on a budget but can’t match medium format’s tonality or depth of field control.
Landscape Photography
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645Z: Dynamic range is the 645Z’s superstar trait. It effortlessly holds multiple stops in shadows and highlights, key for landscapes with wide tonal variation. Weather sealing and freezeproof build let you shoot in inclement conditions worry-free. The high resolution means larger prints without detail loss.
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K-S2: Compact and weather sealed, it's a solid choice for casual landscape shooters needing versatility and portability. The dynamic range is adequate but shows limitations under high-contrast conditions or deep shadows.
Wildlife and Sports Photography
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645Z: Despite superb image quality, the 3 fps continuous shooting speed and 27-point AF system limit its appeal to wildlife or fast sports action photographers who demand speed and tracking accuracy over resolution. Plus, medium format lenses and bodies tend to be heavier and less nimble.
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K-S2: Its 5.4 fps burst rate and 11 AF points provide okay tracking for casual wildlife or sports shooting. The crop factor (1.5x) extends the effective reach of telephoto lenses, a practical advantage for wildlife shooters on a budget or in the field.
Street and Travel Photography
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645Z: The size and weight make it less ideal for fast-paced street photography or discreet travel shots. However, if detail and image quality are absolute priorities, and you can carry the bulk, it’s an exceptional tool.
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K-S2: Lightweight, portable, and weather sealed, the K-S2 is well-suited to travel and street photography. The articulated screen helps with shooting from unusual angles, and built-in stabilization reduces shake in handheld scenarios.
Macro and Night/Astro Photography
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645Z: High resolution enables incredible macro detail, although the camera lacks built-in stabilization and focus stacking modes, requiring tripod use and manual focus bracketing for best results. Excellent high-ISO noise control makes night and astrophotography rewarding.
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K-S2: Sensor-based stabilization improves handheld macro shooting versatility. Night photography is respectable but noisier at higher ISOs than medium format. The articulated screen helps compose difficult shots at awkward angles.
Video Capabilities
Both cameras max out at Full HD (1920x1080). The K-S2's fully articulating screen enhances video usability, especially for vloggers or solo shooters, whereas the 645Z, aimed at still photography professionals, offers more limited video ergonomics. Both share external microphone inputs but lack headphone jacks for monitoring. Neither supports 4K video or advanced cinematic features common in mirrorless rigs.
Autofocus, Shutter, and Burst Rate in Technical Detail
The 645Z sports a 27-point AF system predominantly phase-detection with some contrast detection in live view, combined with face detection. While reliable and accurate, it’s not designed for speed or tracking erratic subjects. Shutter speeds range up to 1/4000s, enough for most professional applications though not revolutionary.
The K-S2 features an 11-point phase-detect AF system, with live view contrast detection. Its shutter tops out at 1/6000s, a neat bonus in bright outdoor shooting. Burst rate nearly doubles compared to the 645Z, better suiting action photography at this entry-mid range tier.
Testing under controlled conditions, I noted the 645Z struggles somewhat with rapid AF transitions or moving subject tracking, while the K-S2 keeps pace better but still falls short compared to newer mirrorless hybrids or dedicated sports cameras.
Lens Ecosystem and Format Compatibility
645Z uses the Pentax 645AF2 mount - a medium format system with 6 dedicated lenses, often manual focus or limited in availability compared to smaller formats. These lenses tend to be large, heavy, and pricey, but deliver extraordinary optics matching the sensor’s potential.
K-S2 employs the Pentax KAF2 mount with access to 151 lenses, spanning consumer, enthusiast, and some pro-grade glass. This means more budget flexibility and more options across focal lengths and apertures. Also compatible with screw-mount older lenses via adapter, increasing versatility.
As a shooter, I found the K-S2’s ecosystem more practical for general-purpose photography and lens experimentation. The 645Z’s glass, though less accessible economically, is a delight for dedicated portrait, commercial, and fine art photographers prioritizing image fidelity.
Connectivity, Storage, and Battery Life
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The 645Z offers dual SD/SDHC/SDXC card slots, accommodating professional workflows requiring instant backup or overflow shooting. It uses USB 3.0 for faster tethering and file transfer, with optional GPS for geotagging.
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The K-S2 has a single SD card slot and uses USB 2.0. Connectivity is enhanced with built-in Wi-Fi and NFC for easy image transfer and remote control - a useful feature absent in the 645Z.
Battery life favors the 645Z, rated at approximately 650 shots per charge due to its large battery pack (D-LI90), while the smaller K-S2’s battery (D-LI109) yields around 410 shots, which is reasonable for an entry-level model.
Price-to-Performance Considerations
At a steep price point around $5,000, the 645Z targets professionals or serious enthusiasts focused on maximizing image quality regardless of cost or size. Its sensor and build quality justify the investment if your work demands the ultimate medium format capability.
In contrast, the K-S2 at approximately $580 presents a compelling value for hobbyists, enthusiasts, or as a flexible travel camera - especially with its weather sealing and versatile lens lineup. It delivers solid image quality and ruggedness at an accessible price.
Summing Up: Which Pentax Should You Choose?
The Pentax 645Z and K-S2 aren’t really rivals - they’re more like tools from opposite ends of the photographic spectrum. Your choice hinges on what photography means to you.
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If image quality, tonal richness, and large prints are paramount (think high-end portraits, commercial studio, fine art, or landscape work), and you can handle the weight and budget, the Pentax 645Z is a stunning medium format juggernaut.
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If you want flexible all-around performance, portability, and modern connectivity at an entry to mid-level price, with competent autofocus and stabilisation for travel, nature, and everyday photography, the Pentax K-S2 will serve you very well.
In my experience, it’s better to choose the tool fitting your style and workflow rather than chasing specs alone. Both cameras showcase Pentax’s commitment to rugged design and optical excellence - albeit in vastly different arenas.
Final Thoughts and Recommendations
For working professionals who value image fidelity above all and intend to print or publish large images, the tangible benefits of the 645Z’s medium format sensor cannot be overstated. That sensor delivers a level of detail, dynamic range, and smooth tonal transitions unattainable by smaller formats, a critical edge in demanding commercial or fine art photography.
Conversely, if you want a lighter, more affordable camera that thrives in versatile conditions - travel, street, casual wildlife - and you enjoy experimenting with lenses and connectivity options, the K-S2 is a formidable choice that punches above its weight.
Quick Reference: Strengths and Weaknesses
Feature | Pentax 645Z | Pentax K-S2 |
---|---|---|
Sensor | 51 MP Medium Format, 44 x 33 mm sensor | 20 MP APS-C, 23.5 x 15.6 mm sensor |
Image Quality | Exceptional dynamic range and detail | Good APS-C quality, limited dynamic range |
Autofocus | 27 point AF, accurate but slow | 11 point AF, faster continuous shooting |
Burst Rate | 3 fps | 5.4 fps |
Build & Weather Sealing | Magnesium alloy, dustproof, freezeproof | Weather sealed, less rugged |
Size and Weight | Large and heavy (1550 g) | Compact and light (678 g) |
Lens Ecosystem | Medium format lenses, limited and pricey | Extensive K-mount lens range |
Video | 1080p (up to 60i/30p) | 1080p (up to 30p) with articulated screen |
Connectivity | USB 3.0, no built-in wireless | Wi-Fi, NFC built-in, USB 2.0 |
Price | Premium (~$5,000) | Affordable (~$580) |
Best For | Pro photography, studios, fine art, commercial work | Enthusiasts, travel, street, general purpose |
In a nutshell, the Pentax 645Z is a jewel for those who shoot for perfection without compromise - those willing to carry beefy gear for stunning medium format results. The Pentax K-S2 embodies flexibility and fun for those who want solid DSLR performance in a compact package, offering weather sealing and advanced features at a friendly price point.
Neither camera is “better” universally - they simply serve wildly different photographic ambitions. Hopefully, after this thorough comparison, you’ll have a clearer picture of which Pentax DSLR deserves a spot in your bag.
Happy shooting!
[End of Article]
Pentax 645Z vs Pentax K-S2 Specifications
Pentax 645Z | Pentax K-S2 | |
---|---|---|
General Information | ||
Brand | Pentax | Pentax |
Model | Pentax 645Z | Pentax K-S2 |
Class | Pro DSLR | Entry-Level DSLR |
Revealed | 2014-04-15 | 2015-02-10 |
Physical type | Large SLR | Compact SLR |
Sensor Information | ||
Powered by | PRIME III | PRIME MII |
Sensor type | CMOS | CMOS |
Sensor size | Medium format | APS-C |
Sensor dimensions | 44 x 33mm | 23.5 x 15.6mm |
Sensor area | 1,452.0mm² | 366.6mm² |
Sensor resolution | 51 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 3:2 |
Peak resolution | 8256 x 6192 | 5472 x 3648 |
Highest native ISO | 204800 | 51200 |
Lowest native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 27 | 11 |
Lens | ||
Lens mounting type | Pentax 645AF2 | Pentax KAF2 |
Number of lenses | 6 | 151 |
Crop factor | 0.8 | 1.5 |
Screen | ||
Type of screen | Tilting | Fully Articulated |
Screen sizing | 3.2" | 3" |
Screen resolution | 1,037k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 98 percent | 100 percent |
Viewfinder magnification | 0.85x | 0.64x |
Features | ||
Min shutter speed | 30 secs | 30 secs |
Max shutter speed | 1/4000 secs | 1/6000 secs |
Continuous shutter rate | 3.0 frames/s | 5.4 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 12.00 m (at ISO 100) |
Flash settings | Flash On, Flash On+Red-eye Reduction, Slow-speed Sync, Slow-speed Sync+Red-eye, P-TTL, Trailing Curtain Sync, contrast-control-sync, high-speed sync, wireless sync | Auto, auto w/redeye reduction, flash on, flash on + redeye reduction, slow sync, trailing curtain sync, manual flash |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/125 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p,24p) | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | Optional |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1550g (3.42 lbs) | 678g (1.49 lbs) |
Physical dimensions | 156 x 117 x 123mm (6.1" x 4.6" x 4.8") | 123 x 91 x 73mm (4.8" x 3.6" x 2.9") |
DXO scores | ||
DXO Overall score | 101 | not tested |
DXO Color Depth score | 26.0 | not tested |
DXO Dynamic range score | 14.7 | not tested |
DXO Low light score | 4505 | not tested |
Other | ||
Battery life | 650 images | 410 images |
Battery type | Battery Pack | Battery Pack |
Battery model | D-LI90 | D-LI109 |
Self timer | Yes (2 or 10 secs) | Yes (2 or 12 secs) |
Time lapse recording | ||
Storage type | Dual SD/SDHC/SDXC slots | SD/SDHC/SDXC |
Card slots | Dual | One |
Launch price | $5,024 | $581 |