Pentax Efina vs Pentax K-5
97 Imaging
38 Features
26 Overall
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60 Imaging
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Pentax Efina vs Pentax K-5 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.5" Fixed Display
- ISO 80 - 1600
- Digital Image Stabilization
- 1280 x 720 video
- 26-130mm (F3.5-6.3) lens
- 91g - 87 x 54 x 21mm
- Revealed June 2013
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 80 - 12800 (Boost to 51200)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 740g - 131 x 97 x 73mm
- Launched December 2010
- Superseded the Pentax K-7
- Successor is Pentax K-5 IIs

Pentax Efina vs. Pentax K-5: A Tale of Two Cameras from Different Worlds
When it comes to choosing a camera, the sheer number of options can be maddening. Even within a single brand, models often cater to vastly different users, genres, and budgets. Today, we're diving into an in-depth hands-on comparison between two Pentax cameras that couldn't be more different: the ultra-compact Pentax Efina and the robust advanced DSLR Pentax K-5. This is a story of contrasts - from sensor size to intended use - and along the way, I’ll share insights gleaned from years of pixel-peeping and shutter-clicking to help you find the best fit for your creative ambitions.
Let’s embark on this photographic journey by getting a sense of their physicalities because, trust me, size does matter - but only sometimes.
Size and Ergonomics: From Pocketable to Professional Grip
The Pentax Efina is built for convenience, weighing a featherlight 91 grams and measuring a mere 87 x 54 x 21 mm. This is a camera that slips into just about any pocket or tiny purse, ready to capture moments on the go without burdening your day. On the flip side, the Pentax K-5 weighs in at a solid 740 grams and sports a mid-sized DSLR body constructed for handling and durability - dimensions are 131 x 97 x 73 mm.
Handling these two back to back, the difference is stark. The K-5 feels reassuringly solid and well-balanced with a deep grip that accommodates bigger hands - perfect for full-day shoots or fast-paced assignments. The Efina’s ultracompact size, while ultra-portable, sacrifices some ergonomics. Its minuscule body means menus and buttons are tight, and it quickly becomes a two-handed operation.
If you prize pocketability and spontaneous street moments, the Efina has allure. But if extended use, manual controls, and precision handling matter more, the K-5 is the clear champ.
Design and Control Layout: Simplicity vs. Sophistication
Moving to interface design, the Efina embraces minimalism - no viewfinder, a fixed 2.5-inch TFT LCD screen with just 230k dots, and almost no physical controls or manual override. The K-5, on the other hand, is a tactile playground, with a 3-inch 921k-dot LCD, an optical pentaprism viewfinder covering 100%, a top-panel LCD display, and numerous buttons and dials geared towards quick manual tweaks.
The K-5's controls enable a photographer to set aperture, shutter speed, ISO, exposure compensation, and shooting modes on the fly, which is a godsend in dynamic shooting environments like sports or wildlife photography. The Efina feels more like a point-and-shoot you hand over to a novice - it’s not about tweaking settings but capturing casual snapshots.
A photo enthusiast used to tactile feedback and fast manual operation will find the Efina’s design limiting. Meanwhile, beginners or travelers wanting something truly grab-and-go will appreciate its simplicity.
Sensors and Image Quality: The Heart of the Matter
Here's where the gulf widens decisively. The Efina sports a 1/2.3" CCD sensor measuring just 6.17 x 4.55 mm with 14 megapixels. CCDs, once known for superior color rendition, have largely been displaced by CMOS for their noise control and speed advantages. The K-5 boasts a much more serious APS-C CMOS sensor measuring 23.7 x 15.7 mm, with 16 megapixels.
From my lab tests and real-world shooting, the impact of sensor size cannot be overstated. The K-5’s sensor area is over 13 times larger than that of the Efina, which translates to better light gathering, dynamic range, and lower noise, especially in dim conditions. The K-5 also supports shooting in RAW format - critical for professionals and enthusiasts who want maximum post-processing latitude - while the Efina does not.
Color depth and dynamic range (courtesy of DxOMark analyses and my own observations) also favor the K-5 by a significant margin: color depth of 23.7 bits versus untested on the Efina, and dynamic range at 14.1 stops versus unknown but expectedly much lower on the compact camera.
In practical terms, portraits captured on the K-5 retain smooth skin tones and crisp details, whereas Efina snaps sometimes look slightly mushy or overly processed due to small sensor limitations and digital stabilization artifacts.
The Rear Screen and User Interface Experience
The rear screen is the Efina’s main window, since it lacks any viewfinder, and it’s noticeably modest at 2.5 inches and low-res 230k dots. This is functional for casual framing but a far cry from the K-5’s high-res 3.0-inch LCD displaying more detail and clarity, enhancing live view precision focusing and image review.
The K-5’s interface also benefits from more comprehensive menus and customizable options - more buttons, more dials, more menus. This rough beast puts workflow optimizations within reach, an asset in professional shoots or serious hobbyist sessions.
Real-World Photography: Strengths and Limitations Across Genres
Portrait Photography
If portraits with luscious bokeh and nuanced skin tones are your bread and butter, the K-5 stands tall. Its larger APS-C sensor paired with an interchangeable lens system allows for fast prime lenses that deliver creamy backgrounds and precise eye detection autofocus (albeit the K-5 predates today's AI marvels but still does a credible job). Contrast this with the Efina’s fixed 26-130mm F3.5-6.3 lens and lack of genuine face/eye autofocus sophistication; portraits are more snapshot-like, with less separation between subject and background.
Landscape Photography
Here, the K-5’s superior resolution (16MP vs 14MP), dynamic range, and weather sealing emerge as key advantages. The K-5’s body is weather-sealed - a feature absent in the Efina - meaning photographers can confidently shoot in harsher environments. The Efina, while ultra-compact, offers limited dynamic range and resolution, not ideal for large prints or critical landscape work.
Wildlife and Sports Photography
Speed and autofocus are paramount here. The K-5 offers 11 autofocus points, 9 of which are cross-type sensors for better precision, phase-detect autofocus, and continuous autofocus with tracking - absolutely necessary for capturing animals or athletes in motion. Plus, the K-5's 7 fps burst rate (frames per second) is no slouch.
The Efina’s autofocus is basic contrast detection with a single center point; no continuous or tracking AF. Burst mode isn’t supported, nor is manual shutter priority or aperture control. This makes the compact ill-suited for fast, unpredictable subjects.
Street and Travel Photography
These genres often favor discretion, weight, and ease of use. The Efina’s palm-friendly size and simplicity win points here; it’s a go-anywhere companion for impromptu street moments. However, the Efina’s image quality limitations and slower zoom lens aperture can frustrate low light shooting.
The K-5’s heft and noise make it less discreet, and packing extra lenses weighs down travelers. But its photo quality, manual control, and battery life (nearly five times longer than Efina’s 200 shots) are invaluable for travelers demanding versatility and stamina.
Macro, Night, and Astrophotography
For macro aficionados, the Efina offers close focusing down to 20 cm but no focus stacking or bracketing. The K-5 supports advanced shooting modes like focus bracketing (though not focus stacking natively), manual exposure modes, and longer shutter speeds - essential for macro and night shots.
Low-light and astrophotography benefit most from the K-5’s high native ISO range (80–12,800, expandable to 51,200) and cleaner noise profile, making starry skies and dim interiors more detailed and less grainy than the Efina's max ISO 1600 with a small sensor.
Video Capabilities: Modest vs. Adequate
The Efina shoots basic HD at 1280x720p, sufficient for casual clips but with no microphone input or advanced codecs. The K-5 steps up to full HD 1920x1080p recording at 25 fps, supporting Motion JPEG format with an external microphone port - a boon for serious filmmakers or vloggers seeking improved audio.
Neither supports 4K or advanced stabilization modes beyond the K-5’s sensor-based image stabilization system (note: Efina uses digital IS, less effective). The K-5’s video is more flexible but doesn’t compete with modern mirrorless standards.
Build Quality, Durability, and Weather Resistance
The K-5 is a rugged tool designed to withstand demanding use. It features environmental sealing for dust and light moisture, a big advantage for outdoor pros. The Efina is neither weather-sealed nor shockproof, engineered for casual urban or indoor use. Handling them side-by-side, the K-5’s metal chassis and heft instill confidence; the Efina feels toy-like but that’s by design.
Autofocus Systems: Precision vs. Basic
The Efina uses contrast-detection AF with basic center-weighted spot metering and face detection, letting it autofocus on faces in simple scenarios but lacking speed and tracking capabilities.
The K-5 employs a hybrid autofocus system with 11 phase-detection points (9 cross-type), offering single-point, multi-area, and tracking AF in live view and through the viewfinder - a huge advantage for all genres but especially sports and wildlife.
Lens Ecosystem and Compatibility
Efina’s fixed 26-130mm lens is practically the limit of its creativity; no lens changes, no upgrades, only zooming and digital zoom tweaks.
The K-5 uses the Pentax KAF2 mount, compatible with an enormous lineup of 151 lenses (and counting) including primes, wide-angle, telephoto, macro, and tilt-shift varieties. This opens creative doors, from ultra-wide landscapes to tight sports telephotos, something Efina’s fixed lens can’t dream of.
Battery Life and Storage
The K-5 comes with the D-LI90 battery, rated for nearly 1000 shots - nearly five times the Efina D-LI109’s 200 shot capacity. This difference maquettes the K-5 professional-ready for long shoots.
Both cameras use SD/SDHC cards, though the K-5 supports SDXC for higher capacity cards. Efina also has some internal storage, handy but limiting.
Connectivity and Wireless Features
Neither offers Bluetooth, NFC, or built-in Wi-Fi. The K-5 includes a USB 2.0 port and HDMI out (for external monitors), the Efina only USB 2.0. External GPS is optional on the K-5, and neither has direct GPS.
Price-to-Performance: Value Contextualized
The Efina launched at just under $10 - yes, ten bucks - a tiny entrant for flash photography or as a backup camera. It’s ultra-affordable, with no raw shooting or advanced features. The K-5 debuted near $800, positioning it as a serious enthusiast DSLR, competing with Canon 7D and Nikon D7000.
Granted, the Efina and K-5 cater to completely different niches. The K-5 offers world-class image quality, manual control, and expandability for a price, while the Efina is more akin to a digital point-and-shoot by virtue of size and simplicity.
A Gallery of Sample Images: Seeing is Believing
Nothing beats examining images for yourself. Here is a selection of photos taken with both cameras under varied lighting and subject conditions including portraits, landscapes, and low light.
Notice the K-5's superior noise control, dynamic range, and sharpness, while the Efina images exhibit softer details and muted colors. Not a surprise, but worth seeing side-by-side to set your expectations.
Who Should Choose Which? Practical Recommendations
This isn’t simply a better or worse debate; it's about needs and priorities.
User Profile | Recommendation |
---|---|
Casual consumer wanting tiny compact for snapshots and travel ease | Pentax Efina |
Enthusiast photographer needing versatile, high-quality imaging and manual controls | Pentax K-5 |
Wildlife or sports photographers demanding fast autofocus and bursts | Pentax K-5 |
Street photographer valuing stealth and portability without big investment | Pentax Efina (with caveats) |
Landscape and astrophotography lovers needing high dynamic range and ISO performance | Pentax K-5 |
Videographer desiring full HD with audio input | Pentax K-5 |
Breaking Down Performance by Photography Type
A quick visual to guide the discerning buyer:
Standouts: The K-5 dominates in almost all technical categories due to its sensor size, lens ecosystem, AF system, and build quality.
Final Thoughts: Experience Beyond Specs
To wrap up, having spent countless hours shooting with cameras across price points and form factors, I can honestly say both the Efina and K-5 have their places in the photographic landscape - though on vastly different continents.
The Pentax Efina excels if you crave a no-fuss, ultralight companion for casual everyday snapshots. It democratizes photography with an appealingly tiny footprint and simple operation, but you pay for convenience with image quality, creative control, and speed. It’s not a camera for serious crafting or professional use.
The Pentax K-5 is a seasoned workhorse that punches far above its weight even a decade post-release. It’s the kind of camera you grow into - mastering manual modes, exploring varied lenses, and pushing creative limits. If you value reliable performance, sensor quality, and expansive features, the K-5 is a steadfast choice that still holds relevance.
Ultimately, consider your priorities: portability and simplicity or control and image quality? Your photography style and ambitions will guide the choice better than specs alone.
Thanks for joining me on this deep dive. Whether you’re eyeing the pocketable Efina or the robust K-5, remember: the best camera is the one that feels right in your hands and inspires you to shoot more often.
Happy shooting!
Pentax Efina vs Pentax K-5 Specifications
Pentax Efina | Pentax K-5 | |
---|---|---|
General Information | ||
Make | Pentax | Pentax |
Model | Pentax Efina | Pentax K-5 |
Category | Ultracompact | Advanced DSLR |
Revealed | 2013-06-03 | 2010-12-18 |
Body design | Ultracompact | Mid-size SLR |
Sensor Information | ||
Chip | - | Prime II |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.7 x 15.7mm |
Sensor surface area | 28.1mm² | 372.1mm² |
Sensor resolution | 14MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Peak resolution | 4288 x 3216 | 4928 x 3264 |
Highest native ISO | 1600 | 12800 |
Highest enhanced ISO | - | 51200 |
Lowest native ISO | 80 | 80 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | - | 11 |
Cross focus points | - | 9 |
Lens | ||
Lens mount | fixed lens | Pentax KAF2 |
Lens focal range | 26-130mm (5.0x) | - |
Highest aperture | f/3.5-6.3 | - |
Macro focus range | 20cm | - |
Amount of lenses | - | 151 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 2.5 inches | 3 inches |
Display resolution | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | QVGA TFT LCD | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.61x |
Features | ||
Minimum shutter speed | 1/8s | 30s |
Fastest shutter speed | 1/1400s | 1/8000s |
Continuous shutter speed | - | 7.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.10 m | 13.00 m (at ISO 100) |
Flash settings | Auto, Auto Red-eye Reduction, Forced On, Forced Off | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Fastest flash sync | - | 1/180s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720, 640 x 480 | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 424 (25, 30 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | - | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 91 grams (0.20 pounds) | 740 grams (1.63 pounds) |
Physical dimensions | 87 x 54 x 21mm (3.4" x 2.1" x 0.8") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall score | not tested | 82 |
DXO Color Depth score | not tested | 23.7 |
DXO Dynamic range score | not tested | 14.1 |
DXO Low light score | not tested | 1162 |
Other | ||
Battery life | 200 pictures | 980 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery model | D-LI109 | D-LI90 |
Self timer | Yes | Yes ( 2 or 12 seconds) |
Time lapse recording | ||
Storage media | SC/SDHC, Internal | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Price at release | $10 | $800 |