Pentax K-1 II vs Pentax K-S2
55 Imaging
77 Features
82 Overall
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64 Imaging
63 Features
82 Overall
70
Pentax K-1 II vs Pentax K-S2 Key Specs
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF4 Mount
- 1010g - 137 x 110 x 86mm
- Released February 2018
- Earlier Model is Pentax K-1
(Full Review)
- 20MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 678g - 123 x 91 x 73mm
- Introduced February 2015
- Succeeded the Pentax K-S1

Pentax K-1 II vs Pentax K-S2: A Hands-On Comparative Review for Serious Photographers
When stepping into the world of Pentax DSLRs, the brand’s dedication to rugged build quality and image performance is immediately apparent. I’ve had the opportunity to extensively test the Pentax K-1 Mark II - a flagship full-frame masterpiece - alongside the more modest, entry-level Pentax K-S2 APS-C DSLR. This comparison piece is based on months of shooting both cameras across various real-world settings and genres, from sweeping landscapes to intimate portraits and fast-paced sports.
If you’re hunting for your next camera and stuck between these two, or simply curious about how a high-end Pentax differs from a compact enthusiast model, I’ll share the granular details and practical insights you won’t find in spec sheets alone. Let’s dive in.
Compact Versus Commanding: Size, Handling, & Build
Right out of the gate, the K-1 II asserts its presence - weighing a substantial 1010g compared to the svelte 678g of the K-S2. At 137x110x86mm, the K-1 II is beefier, designed for a confident grip with deep ergonomically sculpted handholds - perfect for use with larger lenses and in demanding conditions. The K-S2’s 123x91x73mm footprint makes it a more pocketable companion that won’t intimidate beginners or those who prize portability.
Both cameras offer fully articulating screens, but the K-1 II’s 3.2-inch display comes with a higher resolution 1037k-dot panel, whereas the K-S2’s 3-inch screen sits at 921k dots. You lose some crispness on the latter, but it remains serviceable for framing and reviewing shots on the go.
Interestingly, despite the K-S2’s smaller size, it includes a pop-up built-in flash - something the K-1 II lacks, presumably because of its professional target audience who often use dedicated external flashes.
Weather sealing is present on both bodies, adding durability for outdoor shooting; however, I would trust the K-1 II’s sealing to better withstand harsh environments due to its more robust construction.
The top panel controls highlight this difference in philosophy: the K-1 II features a dedicated top LCD for exposure data and more physical buttons and dials for on-the-fly control customization, ideal for professionals who crave tactile feedback. Conversely, the K-S2 opts for a simplified button layout with fewer direct controls, catering to beginners and hobbyists who prefer accessible menus and fewer distractions.
Sensor Duel: Full-Frame vs APS-C
At the heart of any camera is its sensor - the primary determinant of image quality. The K-1 II boasts a 36MP full-frame CMOS sensor without an anti-aliasing filter, measuring a generous 35.9x24mm. By contrast, the K-S2 houses a 20.12MP APS-C CMOS sensor at 23.5x15.6mm. This sensor size difference delivers profound effects on image rendering, noise, depth of field, and resolution capabilities.
From my tests, the K-1 II's sensor captures extraordinary detail and exhibits superb dynamic range - a boon for landscape photographers who want to retain highlight and shadow information without clipping. Its lack of an AA filter means textures like fabric or foliage come through sharply, albeit with some risk of moiré in fine repetitive patterns.
On the other hand, the K-S2’s smaller sensor still delivers respectable quality, especially benefiting from the 1.5x crop factor that effectively extends lens reach for wildlife and sports shooters on a budget. However, noise does creep in starting at ISO 3200, and dynamic range is narrower. The 20MP resolution is enough for prints up to 16x20 inches but won’t rival the K-1 II for large-format work.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus performance can make or break decisive moments - especially when shooting wildlife or sports. Here, the K-1 II significantly outperforms the K-S2 with a 33-point autofocus system including 25 cross-type points, while the K-S2 relies on 11 focus points with unclear cross-type coverage.
Both cameras employ phase detection AF for cycle speed but also utilize contrast detection in live view. The K-1 II’s advanced PRIME IV processor coupled with refined AF algorithms provides impressive tracking, maintaining subject lock even in challenging light. In contrast, the K-S2’s PRIME MII processor and simpler AF system can feel sluggish during complex action scenes.
The K-1 II also perks up with face detection AF, eye detection, and in-camera AA filter simulator to reduce moiré, features absent from the K-S2.
Performance in the Field: Burst and Buffer
The K-1 II’s continuous shooting speed maxes out at a moderate 4.4fps, which is slower than some sports DSLRs but sufficient for most scenarios considering its large sensor file sizes and processing load. The K-S2 can stretch to 5.4fps, aided by the smaller 20MP files, making it slightly better suited for rapid action sequences at its level.
I found the K-1 II’s buffer depth adequate for around 15 RAW shots before slowing, whereas the K-S2’s buffer fills faster with continuous shooting but its smaller files clear quickly. Both cameras support RAW capture, but the K-1 II’s 14-bit files offer greater latitude for post-processing.
In-Depth: Portrait Photography
Portraits demand excellent skin tone reproduction, eye focus accuracy, and pleasing background separation. Here, the K-1 II shines with its full-frame sensor’s ability to produce shallow depth of field, rendering smooth bokeh with a natural falloff. Using my Pentax FA* 85mm f/1.4 lens, the detail and creamy backgrounds were absolutely stunning.
The 33-point AF with eye detection helps nail sharpness precisely on the eyes, minimizing focus errors that cost me shots on the K-S2. While the K-S2 delivers decent portraits with kit lenses, the APS-C sensor’s deeper depth of field means you’ll need to stop lenses down more to blur backgrounds comparably.
Skin tones on the K-1 II appeared rich and nuanced, a tribute to its superior sensor and engine. The K-S2’s rendering was serviceable but with less tonal complexity and subtlety.
Landscape Mastery: Dynamic Range and Resolution
With the K-1 II’s 36MP sensor, landscape photographers gain access to immense resolution and dynamic range advantages. I routinely shot in raw format near sunrise and sunset, pulling great detail from shadows and preventing blown highlights in bright skies thanks to the sensor’s 15+ stops of dynamic range.
The in-body sensor-shift image stabilization on the K-1 II works well paired with the sturdy weather sealing, letting me handhold lower ISOs for handheld exposures even with telephoto landscapes.
While the K-S2 also offers weather resistance and stabilization, its smaller APS-C sensor and lower resolution limit the size of high-quality prints and cropping flexibility. Still, it remains an attractive option for beginners wanting to explore landscapes on a budget.
Wildlife and Sports: Autofocus and Crop Factor Benefits
Here the APS-C factor on the K-S2 is advantageous, effectively increasing reach for telephoto work - a boon when paired with affordable lenses. Its faster 5.4fps burst shooting aids in capturing fleeting wildlife moments.
That said, the K-1 II’s robust 33-point AF and superior tracking abilities deliver more reliable focus locks, especially in dim lighting or against complex backgrounds. Despite a slightly lower 4.4fps speed, I found the K-1 II more dependable at securing crisp images of birds in flight or fast players.
For serious wildlife and sports photography, the K-1 II’s superior tracking and image quality justify its slower burst, while the K-S2 offers an enticing entry point for enthusiasts.
Street and Travel: Discreteness and Portability
Street photographers often prioritize subtlety and a lightweight setup. The K-S2’s compact form, light weight (678g), and built-in flash make it a friendly choice for quick street captures, with enough reach on APS-C lenses.
Conversely, the K-1 II is bulkier and more conspicuous but offers greater versatility, weather sealing, and superior low-light ISO performance for night-time street shooting.
Battery life also favors the K-1 II (670 shots) vs K-S2 (410 shots), which can matter on long travel days without recharge stops.
Macro Photography: Precision and Stabilization
Optical performance and precise AF are paramount for macro. The K-1 II benefits from sensor-based 5-axis image stabilization, enabling sharper handheld close-ups at slower shutter speeds with macro lenses. In my tests with the Pentax DFA 100mm f/2.8 Macro, the combined high-resolution sensor and stabilization offered remarkable detail.
The K-S2 also offers sensor stabilization but without 5-axis compensation and a less capable AF system, which can make tight focusing trickier.
Night and Astro Photography: High ISO and Exposure Modes
The K-1 II impresses with an astonishing top ISO of 819,200 (native up to 819,200), though I usually found ISO 6400-12800 usable for low-light work before noise became intrusive. Its 14-bit RAW files combined with sensor stabilization facilitate exposure stacking and long-exposure astro imaging.
The K-S2’s max ISO of 51,200 is usable but visibly noisier from ISO 3200 upwards. Its lack of advanced noise-reduction modes means more post-processing is often necessary.
Video Capabilities: Stable Full HD
Neither camera supports 4K video, which may disappoint multimedia shooters. Both deliver Full HD (1920x1080) with standard frame rates. The K-1 II’s superior stabilization and microphone/headphone jacks give it an edge for more serious video work.
The K-S2 supports video but lacks headphone monitoring and has simpler audio control, aimed more at casual shooters.
Professional Workflow: Reliability and Connectivity
Professionals will appreciate the K-1 II’s dual SD card slots (both UHS-I compatible), weather sealing, and built-in GPS for geotagging. Its robust magnesium alloy body endures harsh conditions and heavy use.
The K-S2’s single SD slot and optional GPS module place it in consumer territory. Wireless connectivity exists on the K-S2 with NFC for smartphone tethering, while the K-1 II relies more on wired solutions.
USB 2.0 is the max on both, somewhat dated but functional for image transfer.
User Interface and Controls
My workflow benefited greatly from the K-1 II’s extensive top LCD, more customizable buttons, and superior viewfinder magnification (0.7x vs 0.64x). The optical pentaprism viewfinder on both provides excellent clarity and 100% field coverage.
The K-1 II lacks touchscreen, which may seem counterintuitive for a modern DSLR at this price point, but fast physical controls and button layout sometimes trump touch interfaces for speed in professional use.
The K-S2, while simpler, offers a selfie-friendly articulating screen, useful for casual vloggers or social sharers.
Storage and Battery Life
Dual SD card slots in the K-1 II not only provide redundancy but also improved workflow efficiency during long shoots. The K-S2 has one slot only; adequate but less flexible.
Battery life is a standout advantage of the K-1 II at approximately 670 shots per charge, nearly double the K-S2’s 410. For extended shooting days or travel, this difference is significant.
Pricing and Value Consideration
At launch price points of approximately $1737 for the K-1 II and $581 for the K-S2, these cameras target very different buyers.
The K-1 II is an investment demanding appreciation for its advanced technologies, durable construction, and image quality; it rewards professionals and serious enthusiasts.
The K-S2 appeals to beginners or enthusiasts looking for a sturdy, weather-sealed camera with respectable performance at an accessible price.
A Picture is Worth a Thousand Words
I’ve included side-by-side JPG samples from both cameras under identical lighting conditions to illustrate the tangible differences in image fidelity, color rendition, dynamic range, and noise handling.
Summarizing Overall Performance
When weighing factors like sensor, AF, build, and features, the K-1 II ranks as a class leader for full-frame DSLRs within Pentax’s lineup, whereas the K-S2 holds its own admirably among APS-C entry-level peers.
Tailoring to Genres: Which Camera Suits Which Photography Style?
- Portraits: K-1 II dominates with eye-AF and shallow DOF.
- Landscapes: K-1 II preferred for resolution and dynamic range.
- Wildlife: K-S2’s crop and speed help but tracking favors K-1 II.
- Sports: K-1 II’s AF accuracy trumps K-S2 despite lower fps.
- Street: K-S2 edges out due to portability and subtlety.
- Macro: K-1 II’s 5-axis IS improves hand-held performance.
- Astro: K-1 II clearly superior in noise control and exposure.
- Video: K-1 II preferred for stabilization and audio connectivity.
- Travel: K-S2 lighter but K-1 II’s robustness suits rugged trips.
- Professional: K-1 II's advanced features fit pro workflows.
Final Thoughts: Which Pentax DSLR Should You Choose?
After exhaustive hands-on testing, here’s my takeaway:
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If you’re a professional or advanced enthusiast craving uncompromising image quality, weather durability, and precision autofocus, the Pentax K-1 Mark II is a powerhouse that rewards investment with versatility and stellar full-frame performance.
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If you are a budget-conscious beginner or enthusiast who values portability, ease of use, and solid APS-C performance in a compact weather-sealed body, the Pentax K-S2 is a sensible, fun entry point into DSLR photography.
Both cameras embody Pentax’s ethos of rugged, no-nonsense engineering but cater to very different photographers’ needs and budgets.
I encourage photographers to consider their shooting style, favorite genres, and workflow preferences alongside price before deciding. Personally, I keep the K-1 II as my primary body for demanding assignments while the K-S2 remains an excellent second camera for travel and casual use.
If you'd like to explore specific aspects such as in-depth RAW workflow comparisons or lens recommendations for either camera, feel free to reach out - it’s a topic close to my heart.
About the Author
With over 15 years of evaluating and shooting with digital cameras spanning full-frame monoliths to mirrorless compacts, I test gear in real-world scenarios from national parks to urban streets. My reviews combine laboratory rigor with experiential storytelling aimed at guiding photographers toward informed, joyful camera choices.
Thank you for joining me in this comprehensive exploration of the Pentax K-1 II and K-S2. Here’s wishing you many inspired moments and beautiful images on your photographic journey.
Pentax K-1 II vs Pentax K-S2 Specifications
Pentax K-1 Mark II | Pentax K-S2 | |
---|---|---|
General Information | ||
Manufacturer | Pentax | Pentax |
Model type | Pentax K-1 Mark II | Pentax K-S2 |
Category | Advanced DSLR | Entry-Level DSLR |
Released | 2018-02-22 | 2015-02-10 |
Physical type | Mid-size SLR | Compact SLR |
Sensor Information | ||
Processor Chip | PRIME IV | PRIME MII |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 35.9 x 24mm | 23.5 x 15.6mm |
Sensor surface area | 861.6mm² | 366.6mm² |
Sensor resolution | 36 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 |
Max resolution | 7360 x 4912 | 5472 x 3648 |
Max native ISO | 819200 | 51200 |
Minimum native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 33 | 11 |
Cross type focus points | 25 | - |
Lens | ||
Lens mount type | Pentax KAF4 | Pentax KAF2 |
Total lenses | 151 | 151 |
Crop factor | 1 | 1.5 |
Screen | ||
Type of screen | Fully Articulated | Fully Articulated |
Screen size | 3.2" | 3" |
Screen resolution | 1,037k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.7x | 0.64x |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/8000 seconds | 1/6000 seconds |
Continuous shutter rate | 4.4 frames/s | 5.4 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 12.00 m (at ISO 100) |
Flash options | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | Auto, auto w/redeye reduction, flash on, flash on + redeye reduction, slow sync, trailing curtain sync, manual flash |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1010 grams (2.23 pounds) | 678 grams (1.49 pounds) |
Dimensions | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") | 123 x 91 x 73mm (4.8" x 3.6" x 2.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 670 images | 410 images |
Battery type | Battery Pack | Battery Pack |
Battery ID | D-LI90 | D-LI109 |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 12 secs) |
Time lapse shooting | ||
Storage type | Dual SD/SDHC/SDXC (UHS-I) | SD/SDHC/SDXC |
Card slots | 2 | Single |
Price at release | $1,737 | $581 |