Pentax K-1 II vs Pentax E70
55 Imaging
77 Features
82 Overall
79


94 Imaging
32 Features
11 Overall
23
Pentax K-1 II vs Pentax E70 Key Specs
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF4 Mount
- 1010g - 137 x 110 x 86mm
- Introduced February 2018
- Previous Model is Pentax K-1
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.4" Fixed Screen
- ISO 64 - 6400
- 1280 x 720 video
- 35-105mm (F3.1-5.9) lens
- 175g - 94 x 61 x 26mm
- Launched January 2009

Pentax K-1 Mark II vs. Pentax Optio E70: A Deep Dive into Vintage Simplicity vs. Advanced DSLR Craftsmanship
In the realm of photography gear, few comparisons present as stark a contrast as pitting a high-end, full-frame advanced DSLR against a humble compact point-and-shoot. Today, we’re putting Pentax’s venerable K-1 Mark II side-by-side with the much more modest Optio E70, released nearly a decade earlier and positioned for entirely different user needs. The intent here isn’t to crown an outright winner - these cameras serve vastly different photographers - but rather to unpack the technical nuances, real-world usability, and imaging capabilities each offers. We’ll guide you to informed conclusions grounded in hands-on testing and deep knowledge of camera systems.
Let’s jump in.
Setting the Stage: Two Cameras from Different Worlds
Before diving into specifics, a glance at their physical and ergonomic designs tells their own story.
The Pentax K-1 II, a mid-size SLR, packs a robust, weather-sealed magnesium alloy body weighing just over one kilogram. In contrast, the Optio E70 is a delightfully lightweight, pocket-friendly compact - mere 175 grams with fixed lens and basic controls. If handling comfort, weather resistance, and battery endurance are factors weighing on you, the difference couldn't be clearer.
Handling and Control: Ergonomics That Match Ambitions
Let’s talk usability first because no matter how great a sensor or lens is, it needs to be in the right hands comfortable enough to let creativity flow.
On the K-1 Mark II, the top-plate layout is a photographer’s dream with dedicated dials for ISO, shutter speed, and exposure compensation. There’s a well-sized grip, a fully articulated 3.2-inch LCD with 1.03 million dots, and a bright optical pentaprism viewfinder covering 100% of the frame at 0.7x magnification. The button placement is logical, though no touchscreen here.
The Optio E70 is vastly simpler, lacking any physical dials and with a modest 2.4-inch fixed LCD screen. No viewfinder, no articulated screen, and limited external control options. Its body is optimized for point-and-shoot spontaneity but at the cost of a less tactile experience.
Users seeking refined manual control with direct access to exposure settings and focusing modes will feel immediately at home with the K-1 II. Those wanting grab-and-go simplicity, especially complete beginners or casual snappers, might find the E70 adequate.
Sensor and Image Quality: The Heart of the Matter
The most consequential difference comes down to sensor technology and image capture.
-
K-1 Mark II: 36.4MP full-frame (35.9 x 24 mm) CMOS sensor without an anti-aliasing filter, designed for maximum detail resolution. The sensor area, at roughly 861 mm², is about 31 times larger than the E70’s 1/2.3-inch CCD sensor (27.7 mm²). ISO sensitivity ranges from 100-819,200 (boosted), and it features in-body 5-axis sensor-shift image stabilization (SR).
-
Optio E70: 10MP 1/2.3-inch CCD sensor, which by today’s standards is tiny and considerably more prone to noise in low light. ISO tops out at 6400, but realistically the cleanest images peak around ISO 400-800. No stabilization system is present.
What does this mean in practice?
Shooting stills with the K-1 II gives you outstanding resolution, superb dynamic range that rivals some medium-format cameras, and excellent high-ISO performance with controlled noise levels. Skin tones render naturally, and the absence of an AA filter results in sharper images, especially when paired with high-quality Pentax K-mount lenses.
In contrast, the E70 produces images suitable for casual everyday use and social media sharing. However, expect limited tonal gradation, lower detail resolution, and significant image degradation in dim environments. The tiny sensor simply cannot compete with the full-frame powerhouse on any technical merit.
Autofocus, Speed, and Responsiveness: Keeping Up with the Moment
Autofocus systems are critical for capturing fleeting moments, and here the gap is again considerable.
-
K-1 II features a 33-point autofocus system with 25 cross-type sensors, phase detection for rapid and accurate focusing, and options including face detection and tracking. Continuous autofocus and tracking modes mean it performs well on moving subjects, especially when paired with high-quality lenses. Burst shooting tops out at 4.4 fps, modest but sufficient given the large 36MP files.
-
Optio E70 relies on contrast detection autofocus with only 9 focus points. No tracking, no face detection, and no burst mode to speak of. Shutter lag and focus acquisition times are noticeably slower.
For wildlife, sports, or action photography, the K-1 II is a far superior tool. The E70’s AF is best suited for relatively static subjects, casual portraits, or snapshots where speed is less crucial.
Lens Ecosystem: From Fixed to Fully Interchangeable
The difference in lens systems parallels the sensor gap.
The Pentax K-1 II enjoys compatibility with the Pentax KAF4 mount, embracing over 150 lenses - including modern autofocus options and vintage manual focus classics. From ultra-wide primes ideal for dramatic landscapes to fast telephoto zooms perfect for wildlife, its system is vast and versatile.
Conversely, the Optio E70 is equipped with a fixed 35-105mm (equivalent) zoom lens with a variable aperture starting at f/3.1. This lens offers acceptable framing for everyday subjects but is limited in low light and depth-of-field control.
If you value creative flexibility and optical performance, the K-1 II’s lens ecosystem is a decisive advantage.
Image Stabilization: Steady Shots with Finesse
The K-1 Mark II includes five-axis sensor-shift stabilization, an advanced feature enabling sharper images handheld at slower shutter speeds and smoother video capture.
The E70 lacks any image stabilization. At its sensor size and focal length, stability matters less for casual use, but the absence means you’re more reliant on faster shutter speeds or a tripod.
For handheld macro, landscape, or low-light shooting, the K-1 II’s in-body stabilization is a clear boon.
Build Quality and Durability: Rugged vs. Delicate
One of Pentax’s long-standing strengths is exceptional weather sealing, and the K-1 II exemplifies this. Its body is environmentally sealed against dust and moisture, designed for professional fieldwork in harsh conditions.
The Optio E70, being a compact camera from 2009, lacks any weather sealing or ruggedization features. It’s better suited for casual travel or indoor use and won’t withstand rough handling or adverse weather reliably.
Battery Life and Storage: Going the Distance
Battery endurance is crucial for prolonged shoots.
-
The K-1 II uses a rechargeable lithium-ion battery rated for approximately 670 shots per charge - a solid figure permitting full-day outings without frequent swaps, supplemented by dual SD card slots for ample storage redundancy.
-
The E70 runs on two AA batteries - a convenient option where rechargeables aren’t available, but their life is generally shorter, especially under continuous use. It stores images on a single SD/SDHC card.
Dual card slots and impressive battery longevity give the K-1 II an edge for demanding professional or enthusiast sessions.
Connectivity and Extras: Modern Conveniences or Basic Features?
Connectivity-wise, the K-1 II has built-in GPS, HDMI output, and USB 2.0 connectivity. However, no Bluetooth or Wi-Fi support limits wireless transfer options. It features microphone and headphone jacks for video creators who demand sound monitoring - a rarity in DSLRs of its era.
The E70 has none of these modern amenities, relying solely on USB 2.0 and no wireless transfer capability.
Video Capabilities: Solid HD vs. Modest HD
While neither camera is a videographer’s dream, the Pentax K-1 II offers Full HD 1080p recording at up to 60i, including external microphone/headphone ports, HDMI output, and sensor-shift stabilization for smoother video.
In contrast, the E70 records only HD 720p at 30fps in a simple Motion JPEG format with no audio input options or stabilization.
For stills-focused photographers who occasionally shoot video, the K-1 II is a versatile hybrid.
Real-World Use Across Photography Genres
How do these cameras stack up in different types of photography? Let’s break this down:
Portrait Photography
The K-1 II shines with superb skin tone reproduction, shallow depth-of-field options enabled by full-frame sensors and fast lenses, and a competent Eye AF system. The 33-point AF array combined with face detection ensures sharp subject focus.
The E70, with a small sensor and fixed lens, offers limited control over background blur or color gradation, suitable only for casual portraits under good light.
Landscape Photography
With its 36MP sensor, dynamic range, and weather sealing, the K-1 II is a landscape photographer’s reliable companion. The ability to use ultra-wide-angle lenses and capture RAW files adds immense creative freedom.
The E70’s 10MP sensor and limited dynamic range restrict detail and tonal subtlety. It’s a casual snapshotper’s tool here.
Wildlife and Sports Photography
Fast and accurate autofocus, decent burst speed, and a large buffer make the K-1 II suitable for photographing wildlife and sports, albeit with a relatively modest 4.4fps frame rate. Its compatibility with telephoto lenses bolsters this.
The E70 lacks burst capability and AF tracking, making it unsuitable for fast action.
Street Photography
Surprisingly, the compact E70 is more discreet and portable for street shooting, albeit with compromises in image quality and control.
The K-1 II, being larger and louder, is less subtle but offers superior image quality and creative options.
Macro Photography
The K-1 II’s image stabilization and lens variety enable excellent macro results, while the E70’s fixed lens has a limited 10cm focusing range, suitable for casual macro attempts but not precision work.
Night and Astro Photography
The low-light prowess of the K-1 II with its high ISO capability and lack of AA filter make it an excellent choice for nightscapes and astrophotography.
The E70’s sensor noise and restricted shutter speeds limit its utility here.
Travel Photography
Here, size and weight matter. The E70’s compact dimensions and light weight make it easy to carry. Battery type (AA) is convenient for travel without charging access.
The K-1 II, though bulkier and heavier, offers unparalleled versatility and reliability but demands more from the traveler’s kit.
Scoring the Cameras Across Key Metrics
Our detailed testing across image quality, autofocus performance, handling, features, and value place the K-1 II firmly in the advanced DSLR pro/amateur enthusiast segment, scoring high on image fidelity, build quality, and feature set.
The E70 scores respectably for entry-level compact camera simplicity and ease of use but obviously lags on modern standards.
How Each Camera Excels Within Specific Genres
- Portrait, landscape, macro, and astro: K-1 II dominates due to sensor size and system flexibility.
- Street and casual travel photography: E70 fares better in portability but loses on image quality.
- Sports and wildlife: Again, K-1 II’s AF system and lens options provide a clear advantage.
- Video: K-1 II offers better specs but remains a secondary video tool.
Sample Images: Seeing Is Believing
To illustrate the technical findings, here are sample images from both cameras, shot side-by-side under controlled conditions.
Note the K-1 II’s detailed textures, richer colors, and overall clarity. The E70’s output appears more muted and less defined, especially when magnified.
Final Verdict: Which Camera Fits Your Photography Journey?
Pentax K-1 Mark II Pros:
- Outstanding image quality with 36MP full-frame sensor
- Comprehensive manual controls and rugged build
- Advanced autofocus system with face detection and tracking
- In-body stabilization for sharper handheld shots
- Extensive lens ecosystem for creative flexibility
- Weather sealing and durability for professional use
- Good battery life and dual card slots
- Useful features for stills and video
Cons:
- Large, heavy body less suited for casual travel or street shooting
- No touchscreen or Wi-Fi connectivity
Pentax Optio E70 Pros:
- Compact, lightweight, and pocketable design
- Simple to operate for casual photography
- Uses accessible AA batteries, convenient for vacations
- Decent zoom range for a compact (35-105mm equivalent)
- Affordable price point for starters or collectors
Cons:
- Tiny sensor struggles in low light and dynamic range
- No RAW support or advanced controls
- Slow autofocus and limited speed
- No image stabilization or modern connectivity
Recommendations for Different User Profiles
-
Professional or serious enthusiasts: The Pentax K-1 Mark II is the only viable choice here. Its image quality, durability, and control meet demanding standards across genres.
-
Casual shooters or beginners on a low budget: The Optio E70 offers an easy entry into digital photography, especially for users prioritizing simplicity and pocketability.
-
Travelers desiring lightweight gear: The E70’s small size and battery convenience make it a worthy travel companion, though you sacrifice image quality.
-
Street photographers seeking discretion: The compact E70 is less obtrusive but at a cost. If image quality is paramount, invest in a smaller mirrorless model rather than the K-1 II or E70.
-
Video hobbyists: Neither camera will satisfy serious video needs, but the K-1 II offers basic HD with audio inputs.
Conclusion: Bridging Generations Through Pentax Lenses
It’s fascinating to pit these two Pentax cameras that embody wholly different photographic philosophies: the K-1 Mark II as a state-of-the-art tool designed to empower creativity in all professional and enthusiast contexts, and the Optio E70 as a trusty, no-frills point-and-shoot from an era when camera phones hadn’t yet taken over casual photography.
Each has its place. If you want precision, power, and professional results, the K-1 II remains a compelling choice even years after its release. If you want something simple for snapshots, freedom from recharge constraints, or a nostalgic compact to carry in your pocket, the E70 fits the bill.
In the end, your choice depends on your priorities: uncompromising photographic quality and control, or lightweight, fuss-free convenience.
Thank you for joining this deep dive. May your next camera serve your vision brilliantly, whether that’s a full-frame beast or a humble compact companion.
Pentax K-1 II vs Pentax E70 Specifications
Pentax K-1 Mark II | Pentax Optio E70 | |
---|---|---|
General Information | ||
Company | Pentax | Pentax |
Model | Pentax K-1 Mark II | Pentax Optio E70 |
Category | Advanced DSLR | Small Sensor Compact |
Introduced | 2018-02-22 | 2009-01-05 |
Physical type | Mid-size SLR | Compact |
Sensor Information | ||
Processor Chip | PRIME IV | - |
Sensor type | CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor measurements | 35.9 x 24mm | 6.08 x 4.56mm |
Sensor area | 861.6mm² | 27.7mm² |
Sensor resolution | 36MP | 10MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 4:3 and 16:9 |
Maximum resolution | 7360 x 4912 | 3648 x 2736 |
Maximum native ISO | 819200 | 6400 |
Min native ISO | 100 | 64 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 33 | 9 |
Cross focus points | 25 | - |
Lens | ||
Lens mount | Pentax KAF4 | fixed lens |
Lens focal range | - | 35-105mm (3.0x) |
Maximum aperture | - | f/3.1-5.9 |
Macro focus range | - | 10cm |
Total lenses | 151 | - |
Crop factor | 1 | 5.9 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display diagonal | 3.2 inch | 2.4 inch |
Display resolution | 1,037k dots | 112k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | None |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Lowest shutter speed | 30 secs | 4 secs |
Highest shutter speed | 1/8000 secs | 1/2000 secs |
Continuous shooting rate | 4.4 frames/s | - |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 3.50 m |
Flash options | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | - |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/200 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4, H.264 | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1010 grams (2.23 lbs) | 175 grams (0.39 lbs) |
Dimensions | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") | 94 x 61 x 26mm (3.7" x 2.4" x 1.0") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 670 photographs | - |
Battery style | Battery Pack | - |
Battery model | D-LI90 | 2 x AA |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | Dual SD/SDHC/SDXC (UHS-I) | SD/SDHC, Internal |
Card slots | Two | One |
Cost at launch | $1,737 | $140 |