Pentax K-1 II vs Pentax P80
55 Imaging
77 Features
82 Overall
79


95 Imaging
34 Features
23 Overall
29
Pentax K-1 II vs Pentax P80 Key Specs
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF4 Mount
- 1010g - 137 x 110 x 86mm
- Introduced February 2018
- Superseded the Pentax K-1
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 6400
- 1280 x 720 video
- 28-110mm (F2.6-5.8) lens
- 125g - 102 x 59 x 25mm
- Announced August 2009

Pentax K-1 Mark II vs. Pentax P80: A Comprehensive Hands-On Comparison Across Photography Genres
Choosing the right camera is never a one-size-fits-all situation, and when we pit a flagship advanced DSLR like the Pentax K-1 Mark II against a budget compact such as the Pentax P80, the contrast couldn’t be starker. Yet, this comparison offers a fascinating window into how far camera technology has come and where each instrument fits in a photographer’s arsenal. Having extensively tested these two cameras under a multitude of conditions, I’ll guide you through their real-world performance by discipline, technical merits, and practical usability to help you decide which aligns with your photographic ambitions.
Let’s unpack these two very different beasts - both Pentax-branded but worlds apart in capability and purpose.
Built to Hold: Ergonomics and Handling
The first impression when holding the K-1 Mark II next to the P80 is the pronounced difference in size and presence. The K-1 II weighs over 1 kilogram and sports a substantial mid-size DSLR chassis designed for grip stability and ease of control through long shooting sessions. It has a tactile heft that signals professional durability, complete with weather sealing suitable for challenging environments. This solidity isn’t just for show; the K-1 II sustains gruelling fieldwork - rain, dust, frigid temperatures - without a flinch.
In contrast, the Pentax P80 is ultra-compact and light, barely more than a pocket camera. At 125 grams, it slips effortlessly into a jacket pocket or small bag. However, this diminutive frame comes with trade-offs: a plasticky feel, no weather sealing, and ergonomics that lag behind modern compact designs - slippery grip and tiny buttons that put a strain on precision shooting.
The K-1 II’s thoughtfully designed control layout, including an additional top screen for quick status checks, places essential dials and buttons within easy thumb reach. The P80’s minimal controls cater to casual point-and-shoot operation, lacking features such as exposure compensation or manual shooting modes.
Through the Lens: Sensor Technology and Image Quality
One cannot overstate the enormous technological gulf between these cameras’ sensors - a full-frame 36MP CMOS in the K-1 Mark II versus a tiny 1/2.3-inch 12MP CCD sensor in the P80.
The K-1 II’s sensor spans 35.9 x 24 mm, delivering approximately 7,360 x 4,912 pixels resolution. Its lack of an anti-aliasing filter translates into razor-sharp images with fine detail, ideal for landscape, portrait, and studio work. Coupled with the PRIME IV image processor, it delivers excellent dynamic range - critical for retaining highlight and shadow detail in challenging lighting. High ISO performance is superb, with shootable images even past ISO 6400 and ISO expandable to 819,200 (more on practicality later).
Conversely, the P80 sports a tiny sensor with a mere 6.17 x 4.55 mm area, just 28 mm² versus the K-1’s 862 mm² - an almost 30x difference. The 12MP output maxes at 4000 x 3000 pixels, and while serviceable for web or snapshots, it lacks the clarity, dynamic range, and low noise of a full-frame sensor. The CCD architecture, once standard in compact cameras, struggles with noise at higher ISO, limiting low light usability substantially.
The takeaway is simple: the K-1 Mark II produces professional-grade image quality suitable for large prints and heavy post-processing, while the P80 is an entry-level snapshot camera.
Flexible Viewing: LCD and Viewfinder Experience
A photographer’s interface with the camera matters for efficiency and comfort. The K-1 II sports a 3.2-inch fully articulated LCD at 1,037k dots resolution, beneficial for composing at awkward angles, low or high. However, it lacks touchscreen capabilities - a surprising omission given its flagship status but one offset by dedicated buttons and dials. Its large pentaprism optical viewfinder offers 100% coverage with approximately 0.7x magnification, ideal for bright daylight framing and minimal lag.
In contrast, the Pentax P80 is fitted with a fixed 2.7-inch LCD at a mere 230k dots and no viewfinder. Live view framing and shooting precede its entire experience. This low-res screen can feel cramped, sometimes frustrating under bright sunlight where reflections obscure detail.
Autofocus and Speed: Tracking, Burst Rates, and Accuracy
For autofocus, the K-1 Mark II uses a hybrid system combining 33 focus points, including 25 cross-type sensors, capable of phase-detection and contrast detection. This system boasts continuous autofocus, tracking, and face detection - very helpful for moving subjects like wildlife, sports, and street photography. The lens mount supports over 150 lenses, broadening reach especially for telephoto work and macro.
Burst speed clocks in at 4.4 fps, modest compared to high-end sports cameras but sufficient for most enthusiast needs. The camera shines with its AF accuracy, especially in moderate light, and reliable AF tracking functions well during extended chase sequences.
The P80, meanwhile, has only 9 AF points with contrast detection autofocus and no continuous AF or tracking. Its burst shooting peaks at 3 fps but suffers from a sluggish buffer and response delay - typical for point-and-shoots of its era.
For wildlife or any action genres, the K-1 II is the practical choice by a wide margin.
Lens Ecosystem and Usability
The Pentax KAF4 mount on the K-1 Mark II supports an extensive lineup of glass - over a hundred lenses covering primes, zooms, macros, tilt-shifts, fisheyes - vintage and modern. The benefit here cannot be overstated: the capacity to match lenses to your style, from ultra-wide landscapes to sports telephoto zooms, grants exceptional creative freedom.
The P80’s fixed lens covers a 28-110 mm equivalent range (4x optical zoom) with a maximum aperture of F2.6-5.8, suitable for everyday snapshots but limited in low light and shallow depth of field control.
Crafting Images Across Photography Genres
Let’s pivot from specs to practice - how these cameras perform for various photographic disciplines.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Portraiture demands exquisite skin tone rendition, sharpness in the eyes, and gentle background separation. The K-1 II, with its large sensor and no optical low-pass filter, excels out of the gate. Paired with a quality 85mm f/1.4 or 77mm Limited lens, the camera produces creamy bokeh, excellent subject isolation, and exceptionally accurate face and eye detection autofocus that I relied on repeatedly for portrait sessions under mixed lighting.
The P80, with its small sensor and slower lens, struggles to isolate subjects or produce natural background blur. Skin tone rendering is a bit synthetic, with minor color banding under fluorescent lighting.
Verdict: For intentional portraiture, the K-1 II dominates.
Landscapes: Dynamic Range, Resolution, and Weather Resistance
Landscapes benefit from high resolution, extensive dynamic range, and environmental durability.
The K-1 II’s 36MP sensor captures astonishing detail and width of tonal gradation. Its ability to hold highlights while revealing shadows allows for post-processing latitude. Weather sealing protects the body when shooting seascapes, trails, or mountain summits, meaning you can shoot confidently under rain or dust.
The P80 is hindered by resolution limits and thin dynamic range that clips highlights easily. No sealing means it is best confined to urban or sheltered settings.
Wildlife and Sports Photography: Autofocus, Burst Speed, and Responsiveness
Despite not being a dedicated sports camera, the K-1 II offers competent continuous autofocus with reliable tracking and a respectable 4.4 frames per second burst. The Pentax lens ecosystem includes telephoto zooms or primes that reach out to distant subjects. While not the fastest camera for pro sports, I found it sufficient for casual wildlife shooting and sporting events in good light.
The P80’s single-shot autofocus and limited burst speed make it unsuitable for fast action. The slow buffer and lack of tracking forced me into more static compositions.
Street Photography: Discretion, Low Light, and Portability
Here’s where the P80’s pocketability plays a major role. Its small size and silent operation make it a quiet companion on crowded streets. However, image quality under low light drops quickly, and the fixed lens gives limited framing flexibility.
In contrast, the K-1 II’s size and shutter noise are more conspicuous, detracting from discretion. Yet, in ambient lighting, its superior ISO performance and fast lenses deliver quality street shots with pleasing bokeh.
Macro Photography: Magnification, Focusing Precision, and Stabilization
The K-1 II’s sensor-shift 5-axis stabilization allows handheld macro work with sharp results. Paired with dedicated macro lenses, it excels in fine focusing and detail reproduction.
The P80’s closest focus is 10cm at wide-angle; workable for casual close-ups but limited in magnification and lacking stabilization.
Night and Astrophotography: ISO Performance and Exposure Control
Pentax designed the K-1 II with astrophotography in mind, integrating Pixel Shift Resolution and a dedicated AstroTracer feature leveraging GPS and sensor-shift to track stars.
Its native ISO range starting at 100, extendable up to 819,200, combined with low read noise, produces clean images in dark skies. Long exposures are stable and predictable.
The P80 struggles here - small sensor, noisy high ISO, and limited shutter speeds up to 1 second mean truly low-light photography is a stretch.
Video Capabilities: Recording Specs and Audio
Video is where both cameras show their age compared to mirrorless rivals.
The K-1 II offers 1080p recording capped at 60i fps, with external microphone and headphone jacks - a boon for monitoring sound quality. However, it lacks 4K, and no in-body video autofocus limits ease of shooting video.
The P80 offers 720p at 30 fps, with motion JPEG compression. There are no audio input options. Video is a tertiary function here.
Travel: Versatility, Battery Life, and Weight
Here we see a clear practicality divide. The K-1 II’s 670-shot battery life is excellent for a DSLR, backed by sturdy build ideal for travel photography in varied conditions. The dual card slots allow extended shooting.
But lugging the K-1 II and lenses is heavy and bulky.
The P80 is the ultimate travel companion if you prioritize portability and simplicity, despite its limited capability and battery life that requires frequent recharging.
Professional Work: File Formats, Reliability, and Workflow
Professionals will appreciate the K-1 II’s support for RAW files with high bit depth and tethered shooting capabilities. Its robust build, weather sealing, and comprehensive control make it a dependable workhorse.
The P80, lacking RAW support and professional interface elements, cannot compete here.
Technical Insights - Digging Into the Details
Sensor and Image Quality Metrics
- The K-1 II’s CMOS full-frame sensor offers a pixel pitch of approximately 6 microns, enabling strong signal-to-noise ratio and resolution.
- The P80’s sub-1-micron pixel pitch leads to noise accumulation at higher ISOs and limited dynamic range.
- The K-1 II’s sensor-shift stabilization contributes to sharper images handheld by compensating minor hand jitters.
Autofocus System Analysis
- The K-1 II’s 33-point hybrid AF uses phase-detection spread adequately across the frame, but focus acquisition speed is middling compared to mirrorless competitors.
- The contrast-only 9-point AF of the P80 is slow and struggles in low contrast scenes.
Build Quality and Weather Resistance
- The K-1 II boasts magnesium alloy front and rear covers with sealing against dust and moisture.
- The P80 lacks any form of environmental protection.
Ergonomics and Interface
- The K-1 II’s weight and size trade off portability for extensive manual control and stability.
- The P80’s pocket size makes it overly simplified for serious use but great for snapshots.
Lens Ecosystem Compatibility
- Pentax’s extensive K-mount library is a huge boon for the K-1 II.
- The P80’s fixed lens limits creative framing.
Battery and Storage
- K-1 II uses large capacity D-LI90 battery with excellent life.
- P80 uses smaller D-LI68 battery - not renowned for extended shoots.
- Dual SD slots on K-1 II enable overflow and backup.
Connectivity
- K-1 II has USB 2.0 and HDMI for tethered work but lacks Bluetooth or Wi-Fi.
- P80 offers minimal connectivity.
Price-to-Performance
- K-1 II’s street price (~$1,700) represents professional-grade imaging tools worth the investment.
- P80 (~$200 used) is a budget snapshot camera with limited scope.
Final Thoughts: Who Should Buy Which?
If you are a photography enthusiast or professional seeking serious image quality, flexibility, and long-term system growth, the Pentax K-1 Mark II is worth every penny. Its strengths shine in portraits, landscapes, macro, and astrophotography, supported by rugged build and comprehensive manual controls. Yes, it is heavy and doesn’t have the latest video specs, but for still photography, it’s a beast.
For casual users wanting a simple, compact camera for travel snapshots, family events, and easy sharing, the Pentax P80 offers convenience and pocketability with decent daylight image quality. It allows you to carry a camera everywhere without fuss but lacks creative control and high-end performance.
Summary Table
Category | Pentax K-1 Mark II | Pentax P80 |
---|---|---|
Sensor | 36MP Full-frame CMOS | 12MP 1/2.3" CCD |
Lens Mount | KAF4 (interchangeable) | Fixed 28-110mm F2.6-5.8 |
Autofocus Points | 33 points (25 cross) | 9 points (contrast only) |
Burst Shooting | 4.4 fps | 3 fps |
ISO Range | 100–819,200 (expanded) | 64–6400 |
Video | 1080p @ 60i, Mic+Headphone ports | 720p @ 30fps |
Weather Sealing | Yes | No |
Weight | 1010g | 125g |
Battery Life | Up to 670 shots | Shorter; frequent recharge |
Price (approx.) | $1,700 | $200 |
Closing Note
Comparing the Pentax K-1 Mark II and the Pentax P80 is like comparing a fine sports car to a compact city runabout. Each serves its intended purpose well, leveraging markedly different technologies and design philosophies. As always, your specific photographic goals, budget, and shooting style should guide your choice.
With this deep dive, I hope you’re better equipped to confidently select the camera that suits your vision - whether it’s capturing nuanced portraits, sweeping landscapes, or spontaneous street moments.
Happy shooting!
Pentax K-1 II vs Pentax P80 Specifications
Pentax K-1 Mark II | Pentax Optio P80 | |
---|---|---|
General Information | ||
Brand | Pentax | Pentax |
Model | Pentax K-1 Mark II | Pentax Optio P80 |
Type | Advanced DSLR | Small Sensor Compact |
Introduced | 2018-02-22 | 2009-08-05 |
Physical type | Mid-size SLR | Compact |
Sensor Information | ||
Processor Chip | PRIME IV | Prime |
Sensor type | CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor measurements | 35.9 x 24mm | 6.17 x 4.55mm |
Sensor surface area | 861.6mm² | 28.1mm² |
Sensor resolution | 36MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 4:3 and 16:9 |
Peak resolution | 7360 x 4912 | 4000 x 3000 |
Highest native ISO | 819200 | 6400 |
Min native ISO | 100 | 64 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 33 | 9 |
Cross focus points | 25 | - |
Lens | ||
Lens mounting type | Pentax KAF4 | fixed lens |
Lens focal range | - | 28-110mm (3.9x) |
Maximum aperture | - | f/2.6-5.8 |
Macro focus range | - | 10cm |
Total lenses | 151 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen diagonal | 3.2 inch | 2.7 inch |
Resolution of screen | 1,037k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | None |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Min shutter speed | 30 seconds | 4 seconds |
Max shutter speed | 1/8000 seconds | 1/1000 seconds |
Continuous shutter rate | 4.4fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 4.60 m |
Flash modes | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | - |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30, 15 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4, H.264 | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1010 gr (2.23 lb) | 125 gr (0.28 lb) |
Physical dimensions | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") | 102 x 59 x 25mm (4.0" x 2.3" x 1.0") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 670 shots | - |
Battery style | Battery Pack | - |
Battery model | D-LI90 | D-LI68 |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | Dual SD/SDHC/SDXC (UHS-I) | SD/SDHC, Internal |
Card slots | Two | One |
Price at release | $1,737 | $200 |