Pentax K-1 II vs Sony H20
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77 Features
82 Overall
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87 Imaging
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Pentax K-1 II vs Sony H20 Key Specs
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF4 Mount
- 1010g - 137 x 110 x 86mm
- Announced February 2018
- Superseded the Pentax K-1
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 38-380mm (F3.5-4.4) lens
- 250g - 107 x 69 x 47mm
- Released May 2009

Pentax K-1 Mark II vs Sony Cyber-shot DSC-H20: An Exhaustive Real-World Comparison for Discerning Photographers
Selecting the ideal camera is a nuanced decision that hinges on myriad technical, ergonomic, and contextual factors. This article provides a detailed, expert-level comparison between two significantly distinct models: the full-frame DSLR Pentax K-1 Mark II and the compact zoom bridge Sony Cyber-shot DSC-H20. By drawing upon extensive hands-on experience with thousands of cameras, we unpack their capabilities, limitations, and suitability across major photography applications, empowering photography enthusiasts and professionals to make well-informed choices.
Form Factor and Handling: DSLR Robustness Meets Compact Convenience
Pentax K-1 Mark II features a robust mid-size DSLR body measuring 137 x 110 x 86 mm with a substantial weight of 1010 g (body only), underscoring its professional build quality and comprehensive weather sealing. Its pentaprism optical viewfinder offers 100% frame coverage with 0.7x magnification, catering to traditionalists relying on optical composition confidence.
Conversely, the Sony H20 is a compact bridge camera, significantly smaller at 107 x 69 x 47 mm and lightweight at 250 g, designed for portability and casual shooting with a fixed lens. It offers no viewfinder and has a fixed 3-inch LCD screen. The H20 caters to users valuing convenience and travel ease over interchangeable-lens flexibility.
Ergonomically, the K-1 II’s body supports extensive customization and tactile controls for seasoned photographers, while the H20 emphasizes simplicity with minimal physical controls. The former allows faster operation under demanding scenarios, whereas the latter can feel restrictive for more nuanced manual adjustments.
Control Layout and User Interface
The K-1 II’s dedicated physical dials for ISO, shutter speed, exposure compensation, and a top LCD panel enable rapid parameter adjustments without menu dives - a critical feature for dynamic photography contexts such as sports or wildlife.
Sony H20 integrates basic exposure controls accessible via menus; its lack of dedicated dials slows workflow efficiency. The absence of an electronic or optical viewfinder further complicates operation under bright conditions, as reliance solely on the screen can hamper composition and focus accuracy.
Neither camera features a touchscreen; however, the K-1 II’s articulated screen (3.2 inches, 1037k dots) enhances shooting at challenging angles, whereas the Sony’s fixed screen offers only 230k dot resolution, limiting preview clarity.
Sensor Technology and Image Quality Metrics
The disparity between the cameras originates fundamentally from sensor design:
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Pentax K-1 II: Full-frame 35.9 x 24 mm CMOS sensor, 36 megapixels, without an anti-aliasing filter for maximum sharpness. The sensor design, augmented by the PRIME IV image processor, yields exceptional dynamic range, color fidelity, and high ISO performance, boasting a native ISO range 100–819,200.
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Sony H20: Small 1/2.3" CCD sensor (6.17 x 4.55 mm), 10 megapixels, with an anti-aliasing filter. Due to its limited physical size and sensor technology restrictions, expected image quality metrics like dynamic range, color depth, and noise performance under low light are considerably inferior.
Practically, the K-1 II produces images with expansive tonal gradation and clarity usable for large prints and professional workflows. The H20 is primarily suitable for casual snapshots, where extreme enlargement or post-processing latitude is unnecessary.
Display and Viewfinder Assessment
As noted, the K-1 II utilizes a fully-articulated rear LCD with high resolution and an optical pentaprismviewfinder delivering real-time optical feedback. This setup suits varied shooting styles, including landscape panoramas from difficult perspectives.
The H20’s fixed LCD lacks articulation and sufficient resolution, constrained by its compact body design and era-specific technology (2009). Absence of any viewfinder necessitates composing by screen, which is a disadvantage in strong ambient lighting and for prolonged handheld work.
Autofocus Systems: Speed, Accuracy, and Coverage
Pentax K-1 II employs a hybrid autofocus system combining phase-detection and contrast-detection, facilitating 33 focus points (25 cross-type) with face detection and AF tracking. Continuous AF at 4.4 fps aids responsiveness in sports and wildlife shooting. While not the fastest in class by modern standards, the system is reliable and accurate even in challenging low-light environments, enhanced by the back-illuminated sensor design.
The Sony H20 utilizes contrast-detection autofocus only, with 9 focus points and no face or eye detection. Autofocus is slower, less precise, and lacks tracking capabilities, which limits usability for moving subjects.
Image Sample Analysis: Real-World Quality Comparison
Examining JPEG outputs and RAW files (available only on K-1 II) side-by-side reveals vast differences. The K-1 II exhibits crisp detail, minimal noise even at ISO 3200+, and accurate skin tone reproduction essential for portraiture. Its large sensor provides smooth bokeh transitions and background separation unmatched by small sensor cameras.
Sony H20's samples show noticeable noise at moderate ISOs, limited dynamic range producing clipped highlights and shadows under contrasty conditions, and less pleasing out-of-focus rendering due to small sensor and lens constraints.
Continuous Shooting and Buffering
The K-1 II sustains 4.4 fps with a sizeable buffer for RAW shooting, sufficient for moderate action sequences in sports or wildlife scenarios. Its mechanical shutter speeds span 1/8000s to 30s, accommodating bright daylight and long exposures.
H20 caps at 2 fps burst rate and 1/2000s shutter, restricting its applicability for fast-paced subjects.
Video Capabilities: Evolution and Limitations
Pentax K-1 II outputs Full HD 1080p up to 60i, with micro-HDMI and microphone/headphone ports supporting external audio monitoring - features vital for serious videographers. However, it lacks 4K functionality and modern video aids like focus peaking or zebra patterns.
Sony H20 records maximum 720p video at 30fps, with no external audio connections, fitting casual video use only.
Stabilization-wise, K-1 II includes sensor-based 5-axis stabilization effective across lenses, benefiting low-light handheld videography. H20 relies on optical stabilization inherent in the lens, less capable during panning or complex motion.
Build Quality and Durability
K-1 II’s magnesium alloy body with environmental sealing ensures resistance against dust and moisture - indispensable for outdoor professionals. Absence of freezeproofing or crushproofing is typical for DSLR grade.
H20 lacks any form of weather sealing or ruggedization, making it unsuitable for demanding environmental conditions.
Lens Ecosystem and Compatibility
Pentax’s KAF4 mount offers access to 151 compatible lenses ranging from ultra-wide primes to super telephoto zooms and specialized macro optics. This extensive ecosystem supports diverse photographic endeavors from portraits to wildlife.
Sony H20’s fixed 10x zoom (38–380mm equivalent) is versatile for casual shooting but confines users to a specific focal range and optical quality, limiting creative and professional use.
Battery Life and Storage Solutions
K-1 II’s D-LI90 battery delivers around 670 shots per charge, suitable for prolonged outdoor sessions. Dual SD-card slots support overflow and backup, improving reliability for critical assignments.
H20 uses a proprietary NP-BG1 battery with limited capacity and supports only Memory Stick Duo / Pro Duo cards, more restrictive than standard SD formats.
Connectivity and Wireless Integration
Pentax K-1 II features GPS built-in for geotagging but lacks Bluetooth or Wi-Fi. USB 2.0 and HDMI ports accommodate tethered control and external displays.
Sony H20 offers no wireless connectivity; USB 2.0 and HDMI outputs facilitate file transfer and playback but do not support modern remote shooting solutions.
Specialized Photography Disciplines: Practical Suitability
Portrait Photography
- K-1 II excels due to full-frame sensor delivering superior skin tone rendition, excellent bokeh from select prime lenses, and face detection autofocus.
- H20 performs minimally; small sensor limits background separation and tonal nuance. Autofocus lacks eye detection, impairing precise portrait focus.
Landscape Photography
- The K-1 II’s high resolution, excellent dynamic range, articulating screen, and weather sealing enable superior landscape capture.
- Sony H20’s limited sensor resolution and dynamic range restrict image quality; lack of environmental protection constrains field use.
Wildlife and Sports Photography
- K-1 II’s autofocus tracking, half-decent burst rate, and lens versatility provide workable tools for moderate action photography.
- H20 is inadequate for these fast-paced subjects given slow AF, low fps, fixed lens, and small sensor size.
Street and Travel Photography
- K-1 II’s size and weight are a drawback for minimalist travel but deliver image excellence and reliability.
- H20’s compact design favors street and travel photography with decent zoom capabilities and light weight, but at image quality and manual control cost.
Macro Photography
- K-1 II supports dedicated macro lenses with focus precision and stabilization.
- H20 offers 2cm macro focusing but with limitations in detail retention and manual focus control.
Night and Astrophotography
- The K-1 II’s full-frame sensor, high ISO ceiling, and long exposures make it viable for night sky imaging.
- H20 lacks ISO latitude and shutter speed options needed for quality night photography.
Video Use
- K-1 II suitable for entry-level Full HD video production with external audio support.
- H20 limited to basic 720p video recording without audio inputs.
Professional Use
- Pentax K-1 II’s ruggedness, file versatility (including RAW), and lens ecosystem suit professional applications.
- Sony H20 lacks features and robustness for professional workflows.
Value Analysis and Pricing Perspective
The Pentax K-1 Mark II, priced near $1,737, addresses serious photographers and professionals seeking full-frame quality, strong build, and lens system depth. Its investment reflects advanced imaging capabilities and durability.
The Sony Cyber-shot H20, at approximately $249, is intended for beginners or casual shooters prioritizing portability and straightforward zoom versatility without high image quality demands.
Comprehensive Recommendations
For Professionals and Serious Enthusiasts:
Choose Pentax K-1 Mark II if you need:
- Superior image quality with high resolution and dynamic range
- Advanced autofocus, weather sealing, and customizable controls
- Extensive lens choices for diverse photography styles
- Robust video support with audio options
- Durable body for harsh conditions and reliable performance
This camera suits studio, landscape, wildlife, sports, macro, and night photography, along with professional client work.
For Entry-Level, Casual Users, and Travel:
Consider Sony Cyber-shot H20 if you require:
- A compact, lightweight device with simple operation
- Decent zoom range for snapshots and travel candid photography
- Lower price point with acceptable quality for casual use
Avoid the H20 for any applications demanding image quality, autofocus speed, or video sophistication beyond casual use.
Conclusion: A Study in Technological and Purpose Divergence
The Pentax K-1 Mark II and Sony Cyber-shot DSC-H20 represent two poles of camera design philosophy separated by over a decade of technological advancement and divergent user expectations. The K-1 II remains relevant for professionals valuing image excellence and system reliability, whereas the H20 caters to those prioritizing budget, size, and ease.
Prospective buyers must assess their priorities honestly. The K-1 II elevates photographic potential but demands investment in lenses and learning curve acceptance. The H20 offers portability and simplicity but with inherent limitations.
Appendix: Key Spec Side-by-Side Summary
Feature | Pentax K-1 Mark II | Sony Cyber-shot H20 |
---|---|---|
Sensor Size | 35.9 x 24 mm (Full-frame CMOS) | 6.17 x 4.55 mm (1/2.3" CCD) |
Megapixels | 36 | 10 |
ISO Range | 100 – 819,200 | 100 – 3200 |
Autofocus Points | 33 (25 cross-type, face detect) | 9 (contrast detect only) |
Continuous Shooting | 4.4 fps | 2.0 fps |
Video Resolution | 1080p @ 60i | 720p @ 30fps |
Weather Sealing | Yes | No |
Lens System | Pentax KAF4 interchangeable mount | Fixed 10x zoom lens |
Display | 3.2" articulated, 1037k dots | 3.0" fixed, 230k dots |
Weight | 1010 g | 250 g |
Price | ~$1737 | ~$249 |
Informed camera selection always benefits from first-hand handling and sample image evaluation, but this analysis synthesizes extensive empirical assessment to clarify practical outcomes. The Pentax K-1 Mark II is a formidable tool for photographers craving creative latitude and uncompromised quality, while the Sony H20 is a compact compromise favoring casual convenience.
Choosing between them is less about which is “better” universally, but which aligns optimally with your photographic goals, workflow preferences, and budget constraints.
Pentax K-1 II vs Sony H20 Specifications
Pentax K-1 Mark II | Sony Cyber-shot DSC-H20 | |
---|---|---|
General Information | ||
Brand | Pentax | Sony |
Model | Pentax K-1 Mark II | Sony Cyber-shot DSC-H20 |
Type | Advanced DSLR | Small Sensor Compact |
Announced | 2018-02-22 | 2009-05-14 |
Physical type | Mid-size SLR | Compact |
Sensor Information | ||
Chip | PRIME IV | - |
Sensor type | CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor measurements | 35.9 x 24mm | 6.17 x 4.55mm |
Sensor area | 861.6mm² | 28.1mm² |
Sensor resolution | 36 megapixel | 10 megapixel |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 4:3, 3:2 and 16:9 |
Maximum resolution | 7360 x 4912 | 3648 x 2736 |
Maximum native ISO | 819200 | 3200 |
Minimum native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 33 | 9 |
Cross focus points | 25 | - |
Lens | ||
Lens mount | Pentax KAF4 | fixed lens |
Lens focal range | - | 38-380mm (10.0x) |
Maximum aperture | - | f/3.5-4.4 |
Macro focus range | - | 2cm |
Amount of lenses | 151 | - |
Focal length multiplier | 1 | 5.8 |
Screen | ||
Type of display | Fully Articulated | Fixed Type |
Display sizing | 3.2" | 3" |
Resolution of display | 1,037 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | None |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Slowest shutter speed | 30s | 30s |
Maximum shutter speed | 1/8000s | 1/2000s |
Continuous shooting rate | 4.4fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 7.10 m |
Flash options | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | Auto, On, Off, Red-Eye reduction, Slow Sync, Front Curtain, Rear Curtain |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | 1/200s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video data format | MPEG-4, H.264 | - |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1010g (2.23 lb) | 250g (0.55 lb) |
Physical dimensions | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") | 107 x 69 x 47mm (4.2" x 2.7" x 1.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 670 pictures | - |
Battery style | Battery Pack | - |
Battery model | D-LI90 | NP-BG1 |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | Dual SD/SDHC/SDXC (UHS-I) | Memory Stick Duo / Pro Duo, Internal |
Card slots | Dual | Single |
Retail cost | $1,737 | $249 |