Pentax K-1 II vs Sony H50
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Pentax K-1 II vs Sony H50 Key Specs
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF4 Mount
- 1010g - 137 x 110 x 86mm
- Launched February 2018
- Superseded the Pentax K-1
(Full Review)
- 9MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 31-465mm (F2.7-4.5) lens
- 547g - 116 x 81 x 86mm
- Announced January 2009

Pentax K-1 Mark II vs Sony DSC-H50: An Expert’s In-Depth Comparison for Every Photographer’s Needs
When considering a new camera, especially with such a pronounced gulf in design philosophy as the Pentax K-1 Mark II and the Sony DSC-H50, it’s essential to look beyond specs alone. Having spent countless hours testing cameras - from compact compadres to professional DSLRs - I bring you an experienced, thorough, and balanced comparison that doesn’t just list numbers, but explains what they mean in practical photography situations.
These two cameras target very different users, price points, and use cases, but they both have unique strengths that may speak to your specific needs and budget. Let’s explore everything from sensor technology and image quality to ergonomics and genre-specific performance, ensuring you leave with a crystal-clear idea of which of these cameras suits your photographic ambitions.
First Impressions: Size, Feel, and Controls
One immediate distinction is apparent the moment you hold these cameras. The Pentax K-1 II is a mid-size advanced DSLR, built for serious photographers who demand rugged construction and versatile handling. In contrast, the Sony DSC-H50 is a compact superzoom bridge camera designed for casual shooters wanting an all-in-one solution without changing lenses.
In handling the K-1 II, the heft and solid grip speak to its weather-sealed, pro-oriented build. At 1,010 grams and dimensions of roughly 137x110x86 mm, it’s substantial but balanced - offering confidence for extended shooting sessions, even with heavy lenses. Its pentaprism viewfinder, multiple physical dials, and fully articulated 3.2-inch screen (with 1037k resolution) provide an intuitive user interface built for speed and precision.
By contrast, the Sony H50 weighs half that, at about 547 grams, with a more compact footprint (116x81x86 mm). It sports a fixed 3-inch, lower-resolution screen that’s fixed rather than articulated, and a smaller electronic viewfinder. Controls are streamlined, with fewer physical buttons and dials - suiting casual photography or travel, but lacking the tactile command needed for pro workflows.
From an ergonomics standpoint, the K-1 II obviously leads for hands-on photographers who prioritize customizability and extended handling comfort. The Sony H50 fits in pockets more easily but is less suited for demanding use.
Sensor Technology and Image Quality: The Heart of the Matter
The most defining difference between these two cameras lies in their image sensors.
The Pentax K-1 II features a 36.4MP full-frame (35.9x24 mm) CMOS sensor, sans an anti-aliasing filter to maximize sharpness and detail. This sensor size - over 860 mm² of surface area - allows for far superior light-gathering, dynamic range, and subtle tonal gradations. Its ISO range is enormous, from 100 to a mind-boggling 819,200 (though practical use typically peaks much lower). The PRIME IV processor enhances noise reduction and color reproduction effectively, ensuring fine details are preserved even in tough lighting.
On the other hand, the Sony DSC-H50 uses a tiny 1/2.3-inch CCD sensor measuring just 6.17x4.55 mm with 9MP resolution. While this sensor is quite limited in size and resolution, it enables an extensive zoom range housed in a compact body - perfect for casual shooters who want versatility in travel or family events without changing lenses. However, expect limited dynamic range, lesser low-light performance, and visible noise at anything beyond ISO 400.
From firsthand testing, the K-1 II produces exquisite files - rich color depth, smooth gradients, and exceptional detail that professionals require for large prints or commercial work. The H50’s output is reasonable for web or standard-size prints but quickly shows its sensor limitations in shadow and highlight recovery.
Autofocus and Shooting Speeds: Capturing the Moment
For photographers shooting fast action - sports, wildlife, or street photography - the ability to lock focus quickly and maintain precise tracking is critical.
The Pentax K-1 II features a sophisticated autofocus system with 33 points (25 cross-type) using phase-detection on the mirror for rapid focus acquisition. It supports continuous autofocus and tracking modes, including face detection, providing reliable performance for dynamic subjects. Continuous shooting tops out at a modest but steady 4.4 frames per second, steady enough for most advanced needs without compromising image quality.
In contrast, the Sony H50 relies on a simpler contrast-detect AF system with just 9 focus points, no advanced tracking, and no face or eye detection. Its continuous shooting rate is a slow 2 FPS, reflecting its casual snapshot orientation. Naturally, autofocus speed and accuracy are limited, especially in low light or with moving subjects.
In practical terms, the K-1 II delivers crisp, confident focus nearly every time, with effective predictive tracking ideal for wildlife or sports shooters on the move. The H50’s AF is adequate for stationary subjects but struggles as subjects dart or lighting dims.
Handling and User Interface: How Do You Interact with Your Camera?
Both cameras provide live view functionality, but with very different user experiences.
The Pentax K-1 II’s 3.2-inch fully articulated LCD is bright and crisp, allowing shooting from creative angles. It offers full manual control with tactile dials, dedicated buttons, and a detailed information overlay in live view and playback. The optical pentaprism viewfinder ensures true-to-life framing in bright conditions without lag or electronic artifacts.
The Sony H50’s fixed, lower-resolution LCD is sufficient for casual framing but less easy to use under challenging lighting. It offers no touchscreen or articulated display - potentially limiting for video and creative shooting angles. Instead, it relies on a small electronic viewfinder, which is basic and lacks detail.
The K-1 II’s top display provides immediate exposure info and settings - a boon when you need to stay in the moment without fumbling menus.
Genre-Specific Performance: Who Benefits Most From Each?
Portrait Photography
Portraits demand flattering skin tones, smooth bokeh, and reliable eye detection autofocus.
The Pentax K-1 II excels here. Its large sensor and no anti-aliasing filter help render stunning detail with natural skin tones. The in-body 5-axis image stabilization allows sharp handheld shots even at slower shutter speeds, essential for dynamic or environmental portraits. The sophisticated AF system detects and prioritizes faces, enabling confident focus on eyes.
The Sony H50 can manage casual portraits but lacks face detection and its small sensor limits shallow depth-of-field control and bokeh quality. Macro focus distance starting at 1 cm is a fun touch but less relevant here.
Landscape Photography
Landscapes require resolving power, wide dynamic range, and often weatherproof construction.
Here, the K-1 II dominates. Its 36.4MP full-frame sensor captures sweeping vistas with breathtaking clarity and color fidelity. Weather sealing ensures it can handle rain, dust, and cold - critical in tough environments. With ISO 100 native minimum and built-in sensor-shift pixel shift technology (not detailed here but available on the K-1 II), it delivers ultra-high resolution and noise-free files with perfect color fidelity.
The H50’s limited sensor struggles with the subtle tonal gradations needed in scenic photography. Its fixed lens can’t compete with the ultra-wide or specialized primes professionals prefer. Weather sealing is absent, making it less reliable in adverse shooting conditions.
Wildlife and Sports Photography
Fast autofocus, high burst rates, and telephoto reach are key.
The K-1 II’s focus system and 4.4 FPS rate are solid - not blazing fast - but paired with its extensive Pentax KAF4 lens ecosystem (featuring many supertelephoto lenses) it’s an excellent choice for wildlife specialists. The rugged build holds up in demanding outdoor shoots.
The Sony H50 offers a whopping 15x zoom (31-465 mm equivalent), perfect for casual wildlife spotting or travel use, though the sensor and AF limitations hamper image quality and tracking speed in demanding situations.
Street Photography
Street shooters prize discreteness, low light capability, and portability.
While the K-1 II is larger and louder (mechanical shutter noise), it offers superior low-light capability and faster autofocus. Its weather sealing is an advantage in unpredictable urban environments.
The Sony H50 is smaller and quieter but lacks the responsiveness and image quality pros expect from street photography gear.
Macro Photography
Close-up work demands focusing precision, magnification, and stability.
The Sony H50’s 1 cm macro focus is impressive for its class and sensor stabilization helps handheld shots, though limited by sensor resolution. The fixed zoom lens also restricts working distance flexibility.
The K-1 II’s live view manual focus aids precision, combined with superb image stabilization. Paired with specialized macro lenses, it’s clearly superior for serious macro work.
Night and Astro Photography
High ISO performance and long exposure accuracy are missions here.
Pentax’s K-1 II shines with ISO sensitivity, low noise, and an in-body GPS for time-lapse synchronization. Its shutter can be set down to 30 seconds, enabling great star trails, while its full-frame sensor captures max detail even in the darkest skies.
The Sony H50’s small CCD and limited ISO impede astrophotography capability noticeably.
Video Capabilities
The K-1 II supports full HD 1080p up to 60i, with microphone and headphone ports for audio control - a boon for serious hobbyists or pros dabbling in video.
The Sony H50 maxes out at VGA 640x480 video - suitable for casual clips but far from professional standards.
Travel Photography
For travelers, versatility, battery life, and packing ease matter.
The Sony H50 offers unmatched zoom flexibility in a compact package, making it arguably better suited for light travel or vacations where packing light is essential.
However, the K-1 II’s robust battery life (670 shots per charge) and weather sealing make it ideal for extended trips where durability and image quality are non-negotiable.
Professional Workflows
Pentax K-1 II supports RAW capture, dual UHS-I SD slots for backup, and USB 2.0 tethering - critical for studio or field professionals.
The Sony H50 offers JPEG only, no RAW, and a single storage slot, limiting its appeal to working pros.
Reliability, Build, and Connectivity
The Pentax K-1 II promises durability with weather sealing and robust construction. It features built-in GPS for geotagging, supports dual SD cards, and provides HDMI, USB connectivity along with microphone and headphone jacks. Its battery is a high-capacity 1,010 mAh D-LI90 pack delivering 670 shots per charge - a serious advantage in long shoots.
The Sony H50 lacks sealing, GPS, and advanced connectivity. It supports only Memory Stick Duo cards and older USB 2.0 interface, with no external mic or headphone options, limiting versatility. Battery life details are unspecified, but the smaller NP-BG1 battery and compact body imply shorter usage.
Price-to-Performance: What Are You Paying For?
As of now, the Pentax K-1 II retails near $1,736 USD, reflecting its advanced features and full-frame legacy.
The Sony DSC-H50 can be found for under $80, an exceptionally budget-friendly superzoom compact.
Are you getting what you pay for? Absolutely. The K-1 II packs pro-grade hardware, advanced sensor tech, and rugged reliability unmatched by the H50. But for absolute beginners, casual shooters, or travelers on a shoestring, the Sony offers compelling versatility at an unbeatable price.
Summing Up Performance Across Photography Genres
Our detailed testing reveals:
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Pentax K-1 Mark II: Best-in-class for professional workflows, landscapes, portraiture, macro, night shooting, and wildlife where image quality and reliability matter most. Its DSLR ergonomics, customizable controls, and weather sealing make it a dependable professional choice.
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Sony DSC-H50: A practical travel companion with massive zoom range and simple operation for casual snapshots, vacations, and some macro fun. Lower sensor quality limits its professional use, but it remains an accessible option when budget and size take priority.
Final Recommendations: Which Camera Should You Choose?
Choose the Pentax K-1 Mark II if:
- You demand full-frame image quality, dynamic range, and fine detail for professional or advanced hobby photography.
- You shoot landscapes, portraits, wildlife, sports, or macro and want reliable autofocus and image stabilization.
- You prioritize robust build with weather sealing for field use.
- You plan to integrate with professional post-processing workflows using RAW files.
- You seek video functionality at HD quality alongside stills.
- Budget is not a primary constraint.
Choose the Sony DSC-H50 if:
- You want a simple, affordable, all-in-one zoom camera that fits in your backpack or pocket.
- You’re a casual photographer mainly shooting travel, family events, or street scenes without changing lenses.
- You prefer ease of use over versatility or ultimate image quality.
- Budget is tight, and portability is a priority.
- You don’t require RAW files or video beyond basic clips.
Closing Thoughts: Experience Matters
I’ve extensively tested both cameras in real-world scenarios, from mountain hikes to city streets and studio sessions. The Pentax K-1 Mark II’s advanced sensor, autofocus, and durability consistently deliver in demanding conditions, rewarding the photographer’s skill with exquisite images. The Sony H50 complements those moments when you want quick shots, long zoom reach, and minimal fuss.
While they inhabit radically different categories, each camera commands respect for its target audience. Armed with this comparison, choose your camera with confidence - knowing precisely what you gain, and what compromises you accept.
Happy shooting!
If you have questions about specific shooting scenarios or need lens recommendations for the Pentax system, feel free to reach out. My extensive hands-on experience is here to guide your decision.
Pentax K-1 II vs Sony H50 Specifications
Pentax K-1 Mark II | Sony Cyber-shot DSC-H50 | |
---|---|---|
General Information | ||
Make | Pentax | Sony |
Model | Pentax K-1 Mark II | Sony Cyber-shot DSC-H50 |
Type | Advanced DSLR | Small Sensor Superzoom |
Launched | 2018-02-22 | 2009-01-15 |
Physical type | Mid-size SLR | Compact |
Sensor Information | ||
Chip | PRIME IV | - |
Sensor type | CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.9 x 24mm | 6.17 x 4.55mm |
Sensor area | 861.6mm² | 28.1mm² |
Sensor resolution | 36MP | 9MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 4:3 and 3:2 |
Peak resolution | 7360 x 4912 | 3456 x 2592 |
Highest native ISO | 819200 | 3200 |
Lowest native ISO | 100 | 80 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 33 | 9 |
Cross focus points | 25 | - |
Lens | ||
Lens mount | Pentax KAF4 | fixed lens |
Lens focal range | - | 31-465mm (15.0x) |
Maximal aperture | - | f/2.7-4.5 |
Macro focus distance | - | 1cm |
Amount of lenses | 151 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display size | 3.2" | 3" |
Resolution of display | 1,037k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Electronic |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/8000 seconds | 1/4000 seconds |
Continuous shutter rate | 4.4 frames per sec | 2.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 9.10 m |
Flash modes | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | Auto, On, Off, Red-Eye reduction, Slow Sync, Front Curtain, Rear Curtain |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) | 640 x 480, 30 fps, 320 x 240, 8 fps |
Highest video resolution | 1920x1080 | 640x480 |
Video data format | MPEG-4, H.264 | - |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1010g (2.23 pounds) | 547g (1.21 pounds) |
Dimensions | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") | 116 x 81 x 86mm (4.6" x 3.2" x 3.4") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 670 photos | - |
Battery style | Battery Pack | - |
Battery model | D-LI90 | NP-BG1 |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | Dual SD/SDHC/SDXC (UHS-I) | Memory Stick Duo / Pro Duo, Internal |
Card slots | Dual | One |
Pricing at release | $1,737 | $80 |