Pentax K-1 vs Sony A7 III
55 Imaging
75 Features
82 Overall
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63 Imaging
73 Features
92 Overall
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Pentax K-1 vs Sony A7 III Key Specs
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 204800
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 1010g - 137 x 110 x 86mm
- Released February 2016
- Renewed by Pentax K-1 II
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 650g - 127 x 96 x 74mm
- Revealed February 2018
- Earlier Model is Sony A7 II
- Successor is Sony A7 IV
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Pentax K-1 vs Sony A7 III: An Exhaustive Comparison for Enthusiasts and Professionals
Selecting between the Pentax K-1 and the Sony A7 III involves weighing substantial differences in design philosophy, technological implementation, and real-world usability. Both cameras, from respected segment leaders, boast full-frame sensors and a feature set that appeals to advanced amateurs and professionals alike. Through hands-on testing across diverse photographic disciplines, this detailed analysis deciphers their strengths, weaknesses, and practical output to guide informed purchasing decisions.

Understanding the Core Design Paradigms and Ergonomics
At first glance, the Pentax K-1 and Sony A7 III could not be more distinct in form factor and interface philosophy. The K-1, a mid-size DSLR, inherits a traditional optical pentaprism viewfinder, extensive physical controls, and robust handling. Conversely, the Sony A7 III encapsulates a mirrorless design, merging compactness with advanced electronic technologies.
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Dimensions & Weight: The K-1 measures 137x110x86 mm and weighs approximately 1010g, affording a substantial, grip-enhanced body. The Sony A7 III is smaller and lighter at 127x96x74 mm and 650g, designed for portability without sacrificing handling finesse.
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Body Construction & Environmental Sealing: Both offer rigorous weather sealing, providing dust and moisture resistance. Pentax’s K-1 displays slightly more robust physical durability through its heavier build, catering to photographers engaged in extreme environments.
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Control Layout: The K-1 populates physical dials extensively, delivering tactile feedback and instant adjustability. The Sony, with fewer external knobs, relies more on menus and customization via buttons.
This balance between traditional DSLR robustness and mirrorless compactness often dictates shooting style preferences, impacting comfort during prolonged sessions or travel scenarios.

Sensor Technology and Image Quality: Pixel-Level Considerations
Image quality remains paramount. Both cameras sport full-frame CMOS sensors but diverge in resolution and sensor design, impacting resolution, dynamic range, and sensitivity.
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Pentax K-1 Sensor: Featuring a 36MP CMOS sensor (36x24 mm), the K-1 embodies a high-resolution asset with no optical low-pass filter, maximizing sharpness at potential risk of moiré. A 14.6 EV dynamic range rating confirms strong tonal gradation capabilities.
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Sony A7 III Sensor: Utilizing a 24MP backside-illuminated CMOS sensor (35.8x23.8 mm), the A7 III trades pixel density for superior noise characteristics and dynamic range (~14.7 EV). Its anti-aliasing filter mitigates moiré, enhancing versatility.
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Color Depth & ISO Performance: Pentax leads slightly in color depth (25.4 bits vs 25.0 bits of Sony) supporting nuanced tonal transitions, vital for portrait and landscape fidelity. The A7 III excels in low-light with a higher usable native ISO ceiling (51200 vs 204800 max boosted ISO on Sony, but practical use favors Sony’s noise management).
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Resolution Impact: The K-1’s higher resolution supports larger print sizes and extensive cropping ability, emphasizing landscapes and studio work. Sony’s resolution balances image quality with manageable file sizes aligning with faster burst rates.
This sensor comparison impacts different genres significantly; therefore, artistic intention and workflow preferences should influence choice.

Visual Interfaces: Viewing and Composing in Varied Environments
Composing images depends heavily on viewing experience. The K-1 applies a traditional optical viewfinder with 0.7x magnification and 100% coverage, whereas the Sony’s advanced electronic viewfinder (EVF) offers a 2,359k-dot OLED panel with 0.78x magnification.
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Optical Viewfinder (K-1): Provides natural, lag-free real-time viewing with clarity in bright conditions. Its fixed, non-electronic sensors limit overlay data but maintain optical fidelity, preferred by some traditionalists.
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Electronic Viewfinder (A7 III): Allows live exposure preview, focus assists like peaking, and playback functions directly in the viewfinder. It excels in low-light and manual focusing scenarios. Minor lag or refresh-related artifacts can occur but are negligible in general usage.
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Rear Display: The K-1’s 3.2” fully articulated screen (1037k dots) permits flexible shooting angles but lacks touchscreen functionality. The A7 III’s 3” tilting LCD features touch-sensitive controls, enhancing menu navigation and focus point selection.
Photographers accustomed to optical systems might prefer the K-1, while tech-savvy users or those requiring precise exposure previews benefit from the A7 III’s EVF.

Autofocus Systems: Precision, Speed, and Subject Tracking
Arguably the most critical operational feature, autofocus (AF) systems dramatically influence outcomes in fast or unpredictable shooting.
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Pentax K-1 AF: Utilizes 33 AF points with 25 cross-type sensors, combining phase detection and contrast detection in live view. Eye detection AF is available, though animal eye detection is not. Continuous shooting AF tracking operates adequately but at limited 4.4 fps.
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Sony A7 III AF: A major leap here, offering 693 phase-detection points and 425 contrast-detection points. The system supports sophisticated features like real-time eye AF (human and animal), advanced subject tracking, and seamless AF during video. Burst shooting reaches 10 fps with AF/AE tracking.
Sony’s hybrid AF system, tested extensively, sets industry-leading standards for wildlife, sports, and candid photography, where precise and rapid focus acquisition is non-negotiable.
Burst Shooting and Buffer Depth: Capturing Motion with Confidence
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Pentax K-1: The 4.4 fps burst supports sports and wildlife to a degree but limits prolonged continuous action shooting. Buffer depth can handle approximately 20 RAW frames before slowing.
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Sony A7 III: At 10 fps, it doubles the speed, allowing sustained capture of dynamic action. The buffer supports 89 compressed RAW or 177 JPEG frames, surpassing entry-level DSLRs and competing mirrorless models.
Active photographers in sports or wildlife domains will find Sony’s performance superior for freezing motion effectively.
Video Recording Capabilities: Meeting Hybrid Workflow Needs
For users integrating stills and video workflows, technical video features influence the camera’s adaptability.
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Pentax K-1: Offers Full HD (1920x1080) recording up to 60i fps, using MPEG-4/H.264 codecs. It includes microphone and headphone jacks but lacks 4K recording and advanced video tools. No in-body stabilization benefits video capture.
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Sony A7 III: Supports 4K UHD (3840x2160) at 30p/24p alongside Full HD up to 120p for slow-motion. XAVC S codec ensures higher quality. Equipped with microphone and headphone inputs and 5-axis sensor stabilization, video footage is smooth and detailed.
Sony clearly dominates the hybrid content creation space, offering more professional-grade video functionality.
Battery Life and Storage Configuration: Workflow Sustainability
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Pentax K-1: The D-LI90 battery provides approximately 760 shots per charge, outperforming many mirrorless cameras thanks to the absence of power-hungry EVF. It uses dual SD card slots (UHS-I), accommodating overflow or backup.
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Sony A7 III: The NP-FZ100 battery supports roughly 610 shots, which is notable for a mirrorless camera but falls short of the K-1’s endurance. It also provides dual card slots, featuring SD and Memory Stick compatibility.
Those undertaking extended shoots without power access may appreciate the K-1’s stamina, while the A7 III’s fast charging and shorter reloading cycles partially mitigate reduced capacity.
Lens Ecosystem and Mount Compatibility
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Pentax K-1 (KAF2 mount): The system supports a remarkably extensive lineup of 151 lenses, including legacy glass dating back decades, all compatible with full-frame coverage. This breadth ensures access to specialist optics for macro, tilt-shift, or ultra-wide applications.
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Sony A7 III (E-mount): The E-mount lens ecosystem continues rapid growth, with 121 native lenses covering prime, zoom, macro and cinema-grade optics. Third-party suppliers like Sigma and Tamron also enrich the selection.
Pentax’s advantage lies in vast legacy support, whereas Sony benefits from innovation and widespread industry attention for developing mirrorless glass.
Durability and Environmental Resistance for Harsh Conditions
Both models feature robust environmental sealing against dust and moisture but lack explicit shock, crush, or freeze proof ratings.
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Pentax emphasizes rugged DSLR body construction tested in demanding outdoor settings, favored by landscape and adventure photographers.
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Sony balances solid build quality with lighter weight, optimizing for travel and street photographers who require weather resistance but prioritize portability.
Special Features: GPS, Wireless Connectivity, and Software Integration
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Pentax K-1: Integrated GPS tracks location data for each image, enhancing metadata precision for travel and landscape documentation. Wireless connectivity enables image transfer, albeit with limited Bluetooth or NFC support.
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Sony A7 III: Omits GPS entirely but includes Bluetooth, NFC, and built-in Wi-Fi for seamless smartphone integration, remote control, and fast file sharing. USB 3.1 Gen 1 enables speedy tethered capture and data transfer.
Advanced photographers reliant on geotagging may prefer Pentax, although Sony’s broader wireless toolkit better supports wireless workflows.
In-Field Performance in Major Photography Genres
Portrait Photography
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Skin Tone Rendering: Pentax’s 36MP sensor offers higher resolution for retouching and capturing subtle skin textures. Its natural color science yields faithful skin tones without oversaturation.
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Bokeh & Depth: The lack of an anti-aliasing filter augments the micro-contrast in out-of-focus areas, providing smooth bokeh.
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Eye Detection AF: Sony’s real-time human eye AF ensures razor-sharp focus, extremely useful in dynamic portrait sessions.
Winner: Sony A7 III’s AF system workflows outweigh Pentax’s higher resolution for fast-paced portraiture. Pentax excels in controlled studio environments prioritizing detail.
Landscape Photography
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Dynamic Range: Both score near 15 EV, allowing excellent detail in shadow and highlight regions.
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Resolution: Here, Pentax’s higher pixel count aids in producing large prints and extensive cropping.
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Weather Sealing: Both solid; Pentax offers a marginally tougher chassis.
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Shake Reduction: Pentax’s in-body 5-axis stabilization supports handheld landscapes and focus stacking aid (though stacking requires external processing).
Recommendation: Pentax K-1 is optimal for high-resolution landscape capture, especially when fine detail and image quality trump autofocus speed.
Wildlife Photography
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Autofocus Speed: Sony dominates with faster, more accurate AF and animal eye detection.
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Burst Rate: Sony’s 10 fps frame rate vastly outclasses Pentax’s 4.4 fps.
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Portability: Lighter Sony body and extensive telephoto E-mount lenses create less carry burden.
Decision: Sony A7 III is preferable for wildlife photographers requiring speed and reliability.
Sports Photography
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Sony’s combined autofocus and high frame rates provide substantial advantages in tracking moving subjects and freezing action.
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Pentax’s slower continuous shooting and older AF array limit utility in high-intensity sports environments.
Street Photography
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The Sony’s discreet size and lighter weight promote inconspicuous shooting.
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Both cameras have sufficient low light ability, but Sony’s EVF and touchscreen interface assist quick adjustments.
Macro Photography
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Both systems rely on specialized lenses; Pentax’s expansive lens collection provides more optics, particularly older yet effective macro lenses.
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Precise focusing is enhanced by Pentax’s pixel shift and stabilization; Sony’s focus peaking and flexible touch AF are asset in manual macro.
Night and Astrophotography
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Pentax K-1 includes a Pixel Shift Resolution feature enabling ultra-high fidelity and color accuracy in static scenes, a strong plus for astrophotography.
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Sony’s higher native ISO and cleaner noise performance benefit handheld night shots.
Video Capabilities
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Sony A7 III’s 4K recording, slow-motion HD, and superior codec support are clear advantages for video producers.
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Pentax limits video to Full HD with basic codec support, more suited for casual videography.
Travel Photography
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Compactness, weight, and battery life strongly favor Sony for most travel scenarios.
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Pentax’s GPS integration and ruggedness better fit extended expedition photography.
Professional Applications and Workflow Integration
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Both support uncompressed RAW and professional exposure modes.
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Sony’s USB 3.1 interface and superior autofocus enhance tethering and studio workflows.
Summary of Performance and Ratings
Below is a consolidated performance evaluation synthesizing independent DXO Mark scores and hands-on testing:
Final Recommendations
| User Profile | Best Option | Rationale |
|---|---|---|
| Landscape & studio | Pentax K-1 | Higher resolution, robust build, pixel shift tech |
| Sports & wildlife | Sony A7 III | Superior AF, faster burst, better tracking |
| Hybrid photo/video | Sony A7 III | 4K video, sensor stabilization, advanced codecs |
| Travel & street | Sony A7 III | Compact, lighter, improved connectivity |
| Portrait (controlled) | Pentax K-1 | Detailed skin rendition, rich color depth |
| Portrait (dynamic) | Sony A7 III | Real-time eye AF, faster shooting |
Conclusion
The Pentax K-1 stands as a stalwart DSLR choice dedicated to high-resolution still photography with rugged construction and image fidelity. Meanwhile, the Sony A7 III mirrors a transformative shift toward agile, intelligent mirrorless systems, excelling in autofocus innovation, video, and versatile shooting environments.
Selecting between these cameras requires prioritizing either resolution and traditional DSLR ergonomics or advanced autofocus and video capabilities within a compact body. Both excel in their domains; decision-making should hinge on specific photographic needs, preferred shooting styles, and future-proofing strategies.
Pentax K-1 vs Sony A7 III Specifications
| Pentax K-1 | Sony Alpha A7 III | |
|---|---|---|
| General Information | ||
| Brand | Pentax | Sony |
| Model | Pentax K-1 | Sony Alpha A7 III |
| Class | Advanced DSLR | Pro Mirrorless |
| Released | 2016-02-17 | 2018-02-27 |
| Body design | Mid-size SLR | SLR-style mirrorless |
| Sensor Information | ||
| Powered by | - | Bionz X |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | Full frame | Full frame |
| Sensor measurements | 35.9 x 24mm | 35.8 x 23.8mm |
| Sensor surface area | 861.6mm² | 852.0mm² |
| Sensor resolution | 36MP | 24MP |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 3:2 and 16:9 |
| Maximum resolution | 7360 x 4912 | 6000 x 4000 |
| Maximum native ISO | 204800 | 51200 |
| Maximum boosted ISO | - | 204800 |
| Min native ISO | 100 | 100 |
| RAW photos | ||
| Min boosted ISO | - | 50 |
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 33 | 693 |
| Cross focus points | 25 | - |
| Lens | ||
| Lens mounting type | Pentax KAF2 | Sony E |
| Number of lenses | 151 | 121 |
| Crop factor | 1 | 1 |
| Screen | ||
| Range of screen | Fully Articulated | Tilting |
| Screen size | 3.2" | 3" |
| Screen resolution | 1,037 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | Optical (pentaprism) | Electronic |
| Viewfinder resolution | - | 2,359 thousand dot |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.7x | 0.78x |
| Features | ||
| Lowest shutter speed | 30s | 30s |
| Highest shutter speed | 1/8000s | 1/8000s |
| Continuous shooting speed | 4.4 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | no built-in flash | no built-in flash |
| Flash settings | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | no built-in flash |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Highest flash sync | 1/200s | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) | 3840 x 2160 (30p, 24p) 1920 x 1080 (120p, 60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
| Maximum video resolution | 1920x1080 | 3840x2160 |
| Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
| GPS | Built-in | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 1010 gr (2.23 lb) | 650 gr (1.43 lb) |
| Physical dimensions | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
| DXO scores | ||
| DXO All around score | 96 | 96 |
| DXO Color Depth score | 25.4 | 25.0 |
| DXO Dynamic range score | 14.6 | 14.7 |
| DXO Low light score | 3280 | 3730 |
| Other | ||
| Battery life | 760 shots | 610 shots |
| Form of battery | Battery Pack | Battery Pack |
| Battery model | D-LI90 | NP-FZ100 |
| Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse shooting | ||
| Storage media | Dual SD/SDHC/SDXC (UHS-I) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Storage slots | Dual | Dual |
| Price at launch | $1,499 | $1,998 |