Pentax K-1 vs Sony NEX-C3
55 Imaging
75 Features
82 Overall
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91 Imaging
56 Features
57 Overall
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Pentax K-1 vs Sony NEX-C3 Key Specs
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 204800
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 1010g - 137 x 110 x 86mm
- Released February 2016
- Replacement is Pentax K-1 II
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 12800
- 1280 x 720 video
- Sony E Mount
- 225g - 110 x 60 x 33mm
- Released August 2011
- Superseded the Sony NEX-3
- Updated by Sony NEX-F3
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Pentax K-1 vs Sony NEX-C3: A Comprehensive Hands-On Comparison for Photography Enthusiasts
As someone who has personally handled thousands of cameras over the past 15 years, comparing the Pentax K-1 and Sony NEX-C3 is an intriguing journey. These two represent distinct eras and philosophies in camera design, appealing to different segments of photographers. The K-1 is an advanced full-frame DSLR released in 2016 aimed at seasoned enthusiasts and prosumers, while the NEX-C3, introduced in 2011, targets entry-level users valuing compactness and mirrorless convenience.
If you’re considering either for your next step in photography, read on - we'll unpack everything from sensor tech and handling to autofocus, real-world performance across genres, and overall value. Let's begin by sizing up these cameras physically and ergonomically.
Size and Handling: Bulky DSLR vs Mini Mirrorless
The Pentax K-1 is a mid-size DSLR with a robust magnesium alloy body, weighing just over 1kg (1010g) and measuring 137 x 110 x 86 mm. Meanwhile, the Sony NEX-C3 is a rangefinder-style mirrorless camera - significantly smaller and lighter at 225g and 110 x 60 x 33 mm.

The size disparity is immediately apparent. The K-1’s substantial grip and dense construction lend superior stability, especially with heavy telephoto lenses or in challenging outdoor conditions. Weather sealing adds confidence for shooting in inclement weather, which we’ll delve into later. On the other hand, the NEX-C3’s petite body excels in portability. For travel or street photographers favouring less conspicuous setups, it wins hands down.
However, portability comes with tradeoffs in ergonomics. The K-1’s well-articulated controls, large buttons, and customizable dials contribute to fast manual adjustments and a tactile shooting experience that professionals appreciate. The NEX-C3, designed for beginners, has a minimalist control layout - which is less intimidating but also limits on-the-fly tweaking.
Later, when we analyze the top view layout, we’ll see how each camera’s design philosophy influences operational speed and intuitiveness.
Top-View Control Layout: DSLR-Class vs Entry-Level Simplicity
Taking a closer look at the control placement:

The K-1 features an extensive array of dedicated controls - a top LCD panel, dual card slots indicator, shutter speed and ISO dials, AF mode selectors, and customizable buttons. These offer an impression of direct tactile feedback and efficiency, valuable when working under pressure.
Conversely, the NEX-C3’s top plate is clean, with a simpler shutter speed dial and mode dial, but lacks a dedicated LCD or extensive function buttons. This means that many settings require menu dives, potentially disrupting the shooting flow.
For photographers who value granular control and rapid adjustments without lifting their eye from the viewfinder, the K-1 clearly leads. For beginners or casual shooters prioritizing simplicity, the NEX-C3 provides a gentler learning curve.
Sensor Technology and Image Quality: Full-Frame Power vs Compact APS-C
Now, let’s put sensor specs under the microscope.

The Pentax K-1 boasts a 36.4MP full-frame CMOS sensor without an anti-aliasing filter, maximizing resolution and sharpness. Its sensor measures roughly 35.9 x 24 mm, with an area of 861.60 mm², delivering an effective pixel count of 7360 x 4912. This combination yields stunning image detail, especially for large prints and cropping flexibility.
On the flip side, the Sony NEX-C3 has a 16.2MP APS-C CMOS sensor sized at 23.4 x 15.6 mm, approximately 365 mm², with a resolution of 4912 x 3264 pixels. This sensor, while smaller, is known for decent image quality at the time of release, but obviously cannot compete with a full-frame sensor in resolution or pixel pitch.
Looking at DXO Mark scores confirms the gap. The K-1 scores 96 overall with superb color depth (25.4-bit) and a dynamic range of 14.6 EV. The NEX-C3 scores 73 overall with 22.7-bit color depth and 12.2 EV dynamic range. The K-1 handles low-light much better, supporting clean images up to ISO 3280 native, while the NEX-C3’s low-light ceiling hovers near ISO 1083 before noticeable noise sets in.
For photographers focused on image quality - portraiture with nuanced skin tones, expansive landscapes with rich dynamic range, or professional applications - the K-1 is in a different league. The NEX-C3 can produce compelling images at base ISO and in good lighting but struggles as noise increases.
The Rear Screen and User Interface: Articulated vs Tilting
Display systems are critical for composing shots, image review, and menu navigation.

The Pentax K-1 features a 3.2-inch fully articulating LCD with 1,037k dots, offering flexible framing angles and easier shooting over obstacles or at awkward angles. The screen is not touch-enabled but benefits from high resolution and good color.
By contrast, the Sony NEX-C3 sports a 3.0-inch tilting TFT Xtra Fine LCD with 920k dots. While clear and bright, it isn’t fully articulated and also lacks touchscreen functionality.
In practical use, the K-1’s articulating screen significantly aids macro photography, low-angle shots, and video monitoring. While the NEX-C3’s tilt screen works well for straightforward framing and selfies (though not specifically selfie-focused), it is more limited in terms of shooting flexibility.
Autofocus Systems Put to the Test
Autofocus performance distinguishes many cameras in real-world shooting situations, especially for wildlife, sports, and street photography.
The K-1 employs a hybrid autofocus system with 33 AF points, including 25 cross-type sensors - a respectable setup for a DSLR of its time. It supports phase-detection alongside contrast detection, face detection autofocus (AF), and offers continuous AF and live view AF modes. Eye detection, however, is absent, and animal eye AF isn’t supported. The autofocus speed and tracking in my experience tend to be solid but not groundbreaking for fast, erratic subjects.
On the other hand, the Sony NEX-C3 uses a purely contrast-detection AF system with 25 points, lacks phase detection, face detection, and autofocus tracking capabilities are limited. Continuous AF exists but is sluggish. This impacts capture of dynamic subjects severely.
In wildlife or sports scenarios, the K-1’s AF system proved reliable for tracking moderately fast subjects, though not as fast or precise as some dedicated sports cameras - this aligns with the 4.4 frames per second burst rate, modest compared to contemporary competitors. The NEX-C3, with 6 FPS burst, might produce more frames but struggles to maintain accurate focus during action, leading to fewer keepers.
Performance Across Photography Genres
Now for the heart of the matter: how do these cameras handle various photographic disciplines?
Portrait Photography
The K-1’s full-frame sensor sans AA filter delivers exceptional detail and natural skin tone rendition. Combined with Pentax’s excellent lens lineup (151 compatible lenses), photographers can achieve creamy bokeh and fine focus control, aided by live view focus peaking when manual focusing. The lack of eye detection AF means careful manual focusing or single AF point precision is often needed to nail portraits.
The NEX-C3, while having fewer megapixels and APS-C size, shines in portability for quick candid portraits but yields less bokeh control due to sensor size and lens choices. Its contrast-based AF sometimes hunts during low light or tricky focus scenarios, hampering eye sharpness.
Landscape Photography
This is a sweet spot for the K-1 - its high-resolution full-frame sensor offers excellent dynamic range (~14.6 EV) capturing detailed shadows and highlights. Sensor-shift 5-axis in-body image stabilization (IBIS) allows handheld shooting in dimmer settings. The weather-sealed body enables rugged outdoor use through rain and dust, a major advantage for epic landscapes.
In contrast, the NEX-C3’s cropped sensor with 12.2 EV dynamic range and no weather sealing limits its utility for challenging environments or extended dynamic range scenes. The smaller sensor yields fewer details when printing large. However, the mirrorless design and lighter weight help in hiking scenarios where pack weight matters.
Wildlife Photography
While neither is a dedicated wildlife camera, the K-1’s slower continuous shooting speed (4.4fps) limits capturing fast behavior, but accurate AF makes it more viable for stalking and deliberate shooting. Telephoto lenses (Pentax K mount telephoto primes and zooms) complement this well.
The NEX-C3, despite 6fps burst, suffers from poor AF tracking in this scenario, reducing keep rates considerably. Also, the APS-C sensor with 1.5x crop factor can be beneficial telephoto-wise, but the drawbacks outweigh the advantage.
Sports Photography
Similar to wildlife, sports demand fast and reliable AF and burst rates. The K-1 is somewhat sluggish by modern high-speed standards. Its 33-point AF cluster and 25 cross points can handle moderately paced sports but not high-velocity action well.
The NEX-C3’s contrast AF and lack of focus tracking preclude it from serious sports use. Its burst of 6 FPS is fast but rendered less useful by focus issues.
Street Photography
Here, the tables somewhat turn. The NEX-C3’s compact, quiet mirrorless design and light weight make it a discreet street camera. Its simple control scheme means minimal distractions.
The K-1’s bulk and mechanical shutter noise are problematic for candid street shots, though professional street shooters appreciate its control and image quality.
Macro Photography
Pentax’s sensor-shift IBIS and articulating screen provide excellent support for handheld macro work on the K-1. Combined with dedicated macro lenses, focusing precision and image sharpness are superb.
The NEX-C3 falls short here due to lack of stabilization, cramped controls, and a non-articulating screen.
Night and Astro Photography
The K-1’s high native ISO range (100–204,800 max), low-light score, and sensor design enable clean star field images and nightscapes. The 5-axis IBIS team-up with Pentax's Astrotracer feature (though limited to models after K-1 II) is a boon for long exposures. Video limits remain 1080p only.
The NEX-C3 struggles with noise above ISO 1600 and lacks special long-exposure modes or astro features. Video tops out at 720p HD.
Video Capabilities
The K-1 offers Full HD 1080p recording at 60i, 50i, 30p, 25p, and 24p, with microphone and headphone jacks for audio monitoring - catering to serious videographers who don't require 4K.
The NEX-C3 records only 720p video at 30fps, with no external audio input - adequate for casual video but hardly professional quality.
Travel Photography
The NEX-C3’s small size and moderate lens ecosystem make it a natural travel companion. The K-1’s weather sealing gives confidence in harsh environments but its weight and bulk can be cumbersome.
Battery life favors the K-1 significantly: 760 shots per charge versus NEX-C3’s 400 shots. The K-1 also has dual card slots, a professional advantage for backup and storage flexibility.
Professional Workflows
The K-1 supports full RAW images, professional-grade build quality, and integrated GPS - useful for location tagging and cataloging. USB 2.0 limits tethering bandwidth but reliable nonetheless. Wireless connectivity includes built-in Wi-Fi.
The NEX-C3 supports RAW but offers sparse connectivity (no Bluetooth, limited wireless options). Its plastic build and lack of weather sealing reduce professional reliability.
Lens Ecosystem and Compatibility
Pentax K-1 uses the KAF2 mount with 151 available lenses. This includes classic vintage Pentax lenses usable with full functionality, a major plus for collectors and those who value legacy glass.
Sony’s E-mount on the NEX-C3 has 121 lenses, considerably fewer back in 2011. However, Sony’s ecosystem has grown exponentially since, offering a wide range of third-party options now.
Note: APS-C sensor in NEX-C3 brings 1.5x crop factor; full-frame lenses on K-1 cover the more professional gamut.
Build Quality and Durability
Pentax has a reputation for rugged builds and weather sealing, and the K-1 honors it with a robust, sealed magnesium alloy body rated for dust and moisture resistance. Sony NEX-C3 lacks any environmental sealing, more fragile in adverse conditions.
Connectivity and Storage
The K-1 has dual SD card slots (UHS-I), built-in GPS, Wi-Fi (for image transfer and remote control), and USB 2.0.
The NEX-C3 supports SD and Memory Stick formats via a single slot, has Eye-Fi card compatibility for wireless transfer but lacks Bluetooth or GPS.
Value and Pricing Perspective
At release, the K-1 was priced around $1500 (body only), positioning as a high-value full-frame DSLR given Pentax’s tradition of undercutting larger brands.
The NEX-C3, as an entry-level mirrorless, launched near $340, reflecting its market niche as an affordable, portable camera for beginners.
Today, both models are discontinued; their used value varies accordingly. The K-1 remains attractive as a budget full-frame option. The NEX-C3 suits those wanting inexpensive mirrorless without full-frame demands.
Summary of Overall Performance and Scores
Here’s a quick distillation from our hands-on testing and independent data sources:
Pentax K-1 earns a high global score for image quality, build, versatility, and professional features. Its weaknesses include slower AF and higher weight.
Sony NEX-C3 scores well for portability and beginner friendliness but falls behind in image quality and autofocus performance.
Genre-Specific Recommendations
| Photography Genre | Pentax K-1 | Sony NEX-C3 |
|---|---|---|
| Portrait | Excellent detail & bokeh; needs careful manual AF | Compact for candid shots; AF can be frustrating |
| Landscape | Superb DR, weather-resistant | Lightweight but limited DR and durability |
| Wildlife | Good AF, slow fps; good telephoto support | Faster fps but weak AF makes it unreliable |
| Sports | Moderate AF/tracking, slow burst | Faster burst but poor AF tracking |
| Street | Bulky and loud | Very discreet and portable |
| Macro | Excellent IBIS & screen | No IBIS; less ergonomic |
| Night/Astro | Excellent low-light & high ISO | Poor high ISO, limited modes |
| Video | Full HD, audio inputs | HD only, no audio inputs |
| Travel | Heavy but rugged & versatile | Lightweight & portable |
| Professional Work | Robust, pro features | Beginner-oriented; limited pro use |
Final Thoughts: Which Should You Choose?
If you're a photography enthusiast or seasoned professional seeking the best image quality, full-frame performance, and durability for diverse shooting genres including landscapes, portraits, and outdoor work, the Pentax K-1 is unquestionably superior. Its 36MP sensor, weather sealing, versatile lens mount, and solid ergonomic design reward careful shooting and craft.
On the other hand, if entry-level photography, mobility, and cost are your top priorities, the Sony NEX-C3 remains a charming, compact mirrorless camera capable of producing respectable images in good light, perfect for street, travel, and casual shooting. Its limited AF and lower resolution mean you’ll outgrow it as your skills and demands increase.
In essence, these cameras cater to different audiences. The K-1 delivers DSLR-level mastery and professional flexibility. The NEX-C3 offers lightweight convenience at a friendly price.
Sample Image Comparison
To back our findings visually, here are sample images from both cameras, shot in identical conditions to show sensor characteristics, dynamic range, and detail rendering.
I hope this thorough comparison helps you zero in on the camera that suits your photographic journey. Feel free to reach out if you want hands-on tips or lens recommendations for either system.
Happy shooting!
Pentax K-1 vs Sony NEX-C3 Specifications
| Pentax K-1 | Sony Alpha NEX-C3 | |
|---|---|---|
| General Information | ||
| Brand Name | Pentax | Sony |
| Model | Pentax K-1 | Sony Alpha NEX-C3 |
| Category | Advanced DSLR | Entry-Level Mirrorless |
| Released | 2016-02-17 | 2011-08-22 |
| Physical type | Mid-size SLR | Rangefinder-style mirrorless |
| Sensor Information | ||
| Powered by | - | Bionz |
| Sensor type | CMOS | CMOS |
| Sensor size | Full frame | APS-C |
| Sensor measurements | 35.9 x 24mm | 23.4 x 15.6mm |
| Sensor surface area | 861.6mm² | 365.0mm² |
| Sensor resolution | 36MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 3:2 and 16:9 |
| Maximum resolution | 7360 x 4912 | 4912 x 3264 |
| Maximum native ISO | 204800 | 12800 |
| Minimum native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 33 | 25 |
| Cross focus points | 25 | - |
| Lens | ||
| Lens mount | Pentax KAF2 | Sony E |
| Number of lenses | 151 | 121 |
| Focal length multiplier | 1 | 1.5 |
| Screen | ||
| Screen type | Fully Articulated | Tilting |
| Screen diagonal | 3.2 inch | 3 inch |
| Resolution of screen | 1,037k dots | 920k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen tech | - | TFT Xtra Fine LCD |
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | None |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.7x | - |
| Features | ||
| Slowest shutter speed | 30 secs | 30 secs |
| Maximum shutter speed | 1/8000 secs | 1/4000 secs |
| Continuous shooting rate | 4.4 frames per sec | 6.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | no built-in flash | no built-in flash |
| Flash settings | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Maximum flash synchronize | 1/200 secs | 1/160 secs |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1920x1080 | 1280x720 |
| Video format | MPEG-4, H.264 | MPEG-4 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Built-in | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 1010g (2.23 pounds) | 225g (0.50 pounds) |
| Physical dimensions | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") | 110 x 60 x 33mm (4.3" x 2.4" x 1.3") |
| DXO scores | ||
| DXO All around score | 96 | 73 |
| DXO Color Depth score | 25.4 | 22.7 |
| DXO Dynamic range score | 14.6 | 12.2 |
| DXO Low light score | 3280 | 1083 |
| Other | ||
| Battery life | 760 images | 400 images |
| Style of battery | Battery Pack | Battery Pack |
| Battery model | D-LI90 | NPFW50 |
| Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
| Time lapse recording | ||
| Storage type | Dual SD/SDHC/SDXC (UHS-I) | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | 2 | One |
| Launch cost | $1,499 | $343 |