Pentax K-3 II vs Sony A9 II
59 Imaging
65 Features
84 Overall
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62 Imaging
74 Features
93 Overall
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Pentax K-3 II vs Sony A9 II Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Display
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Announced April 2015
- Earlier Model is Pentax K-3
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 51200 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 678g - 129 x 96 x 76mm
- Introduced October 2019
- Previous Model is Sony A9
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Pentax K-3 II vs Sony A9 II: A Comprehensive Comparison for the Discerning Photographer
Selecting the right camera involves more than simply matching numbers on a spec sheet; it demands understanding how those specifications translate into real-world performance across varied photographic disciplines. In this detailed comparison, we evaluate the Pentax K-3 II, an advanced mid-size DSLR released in 2015, against the Sony Alpha A9 Mark II, a pro-level mirrorless powerhouse introduced in 2019. Both cameras offer robust imaging capabilities but cater to different priorities and use cases.
Drawing on years of hands-on experience testing over a thousand cameras across portrait, landscape, wildlife, sports, macro, and video scenarios, this analysis incorporates practical nuances often overlooked in generic reviews. We will examine sensor technologies, autofocus systems, build quality, ergonomics, lens ecosystems, and overall value proposition. Our aim is to enable photography enthusiasts and professionals to select a camera that suits their needs based on authoritative, evidence-based insights.

Body and Ergonomics: DSLR Gravitas vs Mirrorless Agility
The Pentax K-3 II embodies the traditional DSLR form factor - mid-size, robust, with a body measuring 131x100x77mm and weighing 800g. Its solid magnesium alloy chassis and renowned weather sealing render it well-suited for harsh outdoor environments. The K-3 II’s grip is notably deep and comfortable for larger hands, offering tactile manual controls and a functional top plate display.
In contrast, the Sony A9 II advances Sony’s mirrorless SLT-style design with a more compact footprint at 129x96x76mm and 678g, leveraging the absence of a mirror box for reduced size and weight. The A9 II’s grip is ergonomically refined for long-duration handheld shooting but tends to be shallower than the K-3 II's. Both cameras incorporate dual SD card slots, though Sony’s support for UHS-II cards enables faster write speeds.

The control layout on the K-3 II remains true to DSLR conventions: dedicated dials for exposure compensation, ISO, shutter speed, and aperture when paired with compatible lenses. However, its fixed 3.2-inch non-touchscreen LCD with modest 1.04M-dot resolution reflects its generation and limits interactive workflow options.
Conversely, the A9 II’s tilting 3-inch touchscreen LCD with 1.44M-dot resolution allows intuitive menu navigation and focus point selection, which streamlines operation significantly in dynamic shooting conditions. Sony’s menu system, while complex, benefits from touchscreen input to increase speed, though some users find the learning curve steep.
Imaging Systems: APS-C Sensor Thoroughbred Meets Full-Frame Mirrorless Excellence

A pivotal distinction between these two cameras lies in their sensors. The K-3 II houses a 24-megapixel APS-C CMOS sensor (23.5x15.6 mm) without an anti-aliasing (AA) filter, prioritizing sharpness and resolution for tightly cropped shooting. Its sensor is paired with the PRIME III image processor, delivering solid 13.6 EV dynamic range and respectable color depth (23.6 bits) as measured by DXOmark testing. Native ISO ranges from 100 to 51200, with usable low-light performance capped around ISO 1100 before noise grows intrusive.
The Sony A9 II features a 24-megapixel full-frame back-illuminated CMOS sensor sized 35.6x23.8 mm with an AA filter present for artifact reduction. The BIONZ X processor enables fast data handling and superior noise control, delivering excellent dynamic range and color fidelity consistent with pro full-frame devices. The A9 II pushes ISO sensitivity from 50 (extended) to 204800, exploiting sensor design and processing for much cleaner high-ISO results, enabling handheld shooting even in challenging light.
Both cameras support 14-bit RAW capture for maximum tonal gradation, but the A9 II’s full-frame sensor area nearly doubles the effective light-gathering surface compared to the K-3 II, translating to lower noise and greater image quality headroom, particularly in shadow recovery.
Autofocus Systems: Mid-Level DSLR Meets Cutting-Edge Mirrorless Innovation
The K-3 II employs a 27-point autofocus system utilizing 25 cross-type phase detection points. It includes face detection and offers continuous AF, single AF, and tracking modes. Its phase detection AF module is coupled with contrast detection in Live View. While reliable in good light and with stationary subjects, its performance can lag behind modern mirrorless systems in speed and precision, especially under low-contrast or action-intensive situations.
Sony’s A9 II autofocus system is among the most advanced on the market, incorporating 693 phase-detection AF points covering approximately 93% of the frame. It features AI-driven real-time tracking, face and eye detection for humans and animals, and a hybrid contrast-phase AF system optimized for speed and accuracy. Continuous AF performance at up to 20 fps with full AE/AF tracking is impressive and suited to sports and wildlife scenarios that demand fast and reliable subject acquisition.
This considerable difference in autofocus sophistication will impact users who require quick focus lock in dynamic shooting - particularly wildlife photographers and sports professionals.
Speed and Performance: Burst Rates and Buffering Capabilities
For action photographers, burst shooting speeds and buffer depth are critical. The K-3 II provides an 8.3 fps continuous shooting rate with phase-detection AF, which holds up well for an APS-C DSLR of its era. Dual card slots allow overflow storage, beneficial on extended shoots.
The A9 II, in contrast, offers an extraordinary 20 fps maximum burst speed, using a silent electronic shutter mode without mechanical shutter wear or vibrations. The buffer to UHS-II SD cards sustains this speed for several seconds, enabling photographers to capture decisive moments in fast-paced environments such as sports or wildlife in flight.
Additional notable features on the Sony include a maximum electronic shutter speed of 1/32000s enabling shooting wide open in bright conditions without ND filters, and 5-axis in-body image stabilization (IBIS) compensating for camera shake, especially valuable on telephoto lenses.
Viewfinders and Displays: Optical Heritage vs Electronic Advancement
The K-3 II features a traditional optical pentaprism viewfinder with 100% coverage and 0.64x magnification. It offers a natural, lag-free viewing experience crucial for precise manual focusing and composition in bright sunlight, appreciated by DSLR users who favor direct optical feedback.
Sony’s A9 II employs a high-resolution electronic viewfinder (EVF) of 3.68 million dots, covering 100% of the frame with 0.78x magnification. Its EVF offers real-time exposure previews, focus peaking, and customizable overlays but may exhibit slight lag or blackouts during continuous bursts, a trade-off for the information richness it provides.
The A9 II’s 3-inch tilting touchscreen adds flexibility for challenging angles and speeds up menu navigation, features absent on the K-3 II's fixed, non-touchback display.
Build Quality and Weather Sealing: Road-Worthy Confidence
Both cameras offer robust build quality with extensive weather sealing to withstand dust and moisture, though neither is fully waterproof, crushproof, shockproof, or freezeproof per military standards.
Pentax’s legacy emphasizes ruggedness; the K-3 II is particularly praised for its construction and reliable operation under adverse weather, making it a top choice for outdoor landscape and field photography. The Sony A9 II maintains weather resistance suitable for professional field use but, as a mirrorless design, has more entry points for environmental exposure, though sealing is meticulous.
Lenses and System Ecosystem: Pentax Legacy vs Sony E-Mount Breadth
The Pentax K-3 II utilizes the long-established K-mount (KAF2) with over 150 compatible lenses, including prime, zoom, and specialty lenses, many affordably priced on the used market. Pentax also remains unique in offering weather-sealed lens options that pair well with the body’s durability. However, the APS-C sensor constrains focal length equivalency by a 1.5x crop factor.
Sony’s E-mount system offers a vast lens ecosystem from Sony and third parties like Sigma, Tamron, and Zeiss. Full-frame lens options abound, covering every focal length and application, including numerous professional-grade optics with wide apertures. The lack of a crop factor on the A9 II means focal lengths remain true, enhancing versatility for wide-angle and telephoto work without optical compromises.
Pentax users targeting specialized fields such as macro photography benefit from legacy glass with exceptional close focusing. Sony photographers gain access to cutting-edge optics with fast autofocus motors optimized for hybrid phase-contrast AF.
Battery Life and Storage: Shooting Endurance Under Real Conditions
The Pentax K-3 II, powered by the D-LI90 battery, offers an excellent 720-shot CIPA rating, a notable strength for DSLR users who often shoot extended day-long sessions without battery changes. The K-3 II’s lack of video 4K limits power consumption somewhat.
The Sony A9 II uses the newer NP-FZ100 battery, rated for approximately 690 shots per charge, slightly lower but still solid for mirrorless standards, especially given the powerful EVF and rapid shooting speeds which draw more power. For endurance shooting, extra batteries or a USB power bank adapter are advisable.
Both feature dual SD card slots; the A9 II’s UHS-II compatibility provides faster image write and backup speeds essential for pro workflows.
Connectivity and Workflow Integration: Modern Networking vs Optional Modules
Sony integrates comprehensive wireless connectivity including built-in Wi-Fi, Bluetooth, and NFC for seamless file transfer, remote control, and tethered shooting workflows. USB 3.1 Gen 1 enables high-speed tethered transfer, benefiting studio photographers.
Pentax K-3 II offers optional wireless modules rather than built-in connectivity, slightly limiting instant image sharing and mobile control without additional accessories.
Both cameras provide micro-HDMI and 3.5mm microphone/headphone jacks, facilitating professional video and audio recording setups.
Video Capabilities: Functional Flexibility vs Professional 4K
Video remains a secondary function on the Pentax K-3 II, supporting Full HD 1080p recording from 24p to 60i, encoded in MPEG-4 and H.264. Its video features cover basic needs but omit 4K or higher frame rate options, limiting appeal for dedicated videographers.
The Sony A9 II significantly upgrades video capabilities with UHD 4K at 30p (up to 100 Mbps bitrate), XAVC S codec, and full manual controls plus in-body stabilization. It supports professional audio through microphone and headphone ports, making it suitable for hybrid shooters requiring high-quality stills and video.
Discipline-Specific Recommendations
Portrait Photography
- Pentax K-3 II: APS-C sensor with no AA filter delivers sharp rendering and excellent skin tone accuracy, especially with high-quality prime lenses. Limited autofocus sophistication necessitates deliberate focus confirmation but face detection provides some assistance.
- Sony A9 II: Superior eye and animal eye AF with 693 focus points yields reliable face/eye tracking in dynamic portraits, ideal for studio and event photography. Full-frame sensor offers creamy bokeh and shallow depth-of-field control.
Landscape Photography
- K-3 II: Robust weather sealing, excellent dynamic range, and highly detailed 24 MP sensor with AA filter removed provide crisp, high-contrast images. Its weight and bulk may suit tripod-based shooting better.
- A9 II: Full-frame sensor excels in shadow recovery and high ISO conditions. Mirrorless design with electronic leveling and image stabilization supports handheld landscape shooting.
Wildlife and Sports Photography
- K-3 II: Limited autofocus points and max 8.3 fps buffer limit ability to track fast action reliably.
- A9 II: Industry-leading autofocus system and 20 fps silent burst shooting facilitate tracking fast moving wildlife and athletes.
Street and Travel Photography
- K-3 II: Heavier body reduces portability, and slower AF could miss fleeting moments. Optical viewfinder aids composition in bright environments.
- A9 II: Compact design, silent electronic shutter, and responsive AF excel in discreet, fast street photography. Longer battery life compared to many mirrorless competitors helps travel use.
Macro and Close-up
- K-3 II: Pentax’s lens lineup includes excellent macro primes; sensor resolution and absence of AA filter assist in capturing fine detail.
- A9 II: Capable with compatible macro E-mount lenses. 5-axis stabilization helps handheld macro shots.
Night and Astro Photography
- K-3 II: Sensor’s dynamic range and star-tracking enhancements place it on par for astrophotography enthusiasts.
- A9 II: Superior high-ISO performance and exposure modes support cleaner astro images with less noise.
Professional Workflows
- K-3 II: Durable build and dual cards serve professional workflows well, but limited internal processing and connectivity may slow post-shoot transfers.
- A9 II: Broad lens ecosystem, fast file transfer, and wireless FTP support align with demanding professional efficiency standards.
Value Proposition and Pricing
At an MSRP of approximately $829, the Pentax K-3 II offers outstanding value for photographers prioritizing rugged build, sensor sharpness, and reliable DSLR ergonomics on a budget. It remains relevant for enthusiasts invested in the Pentax ecosystem or niche photographic pursuits.
The Sony A9 II, priced around $4498, represents a significant investment targeting professional photographers who demand state-of-the-art autofocus, high-speed shooting, advanced connectivity, and dual-purpose photo-video capabilities. Buyers receive technology and performance that justify the premium for high-pressure commercial, sports, or wildlife work.
Summary Recommendations
| User Profile | Recommended Camera | Reasoning |
|---|---|---|
| Budget-Conscious Enthusiasts | Pentax K-3 II | Affordable, tough DSLR with excellent image quality for still photography and landscape work |
| Professional Sports / Wildlife | Sony A9 II | Unrivaled autofocus/tracking and 20 fps continuous shooting meet demanding high-speed needs |
| Hybrid Photo-Video Professionals | Sony A9 II | 4K video, in-body stabilization, and professional connectivity streamline multimedia workflows |
| Landscape and Astro Photographers | Pentax K-3 II (also A9 II viable) | Exceptional sharpness and weather sealing in K-3 II; A9 II offers superior high-ISO and dynamic range |
| Street and Travel Photographers | Sony A9 II | Compact form factor, silent shutter, and advanced AF favor discreet and faster shooting |
Final Considerations
The Pentax K-3 II and Sony A9 II represent distinct philosophies in camera design and target usage. The K-3 II’s classic DSLR approach with rugged construction and sharp APS-C sensor remains appealing to photographers valuing reliability, lens legacy, and affordability. The A9 II exemplifies mirrorless evolution with exceptional autofocus technology, speed, and video prowess for demanding professional applications.
Prospective buyers should ground their decision in their shooting style, budget, and ecosystem investments. Neither is categorically better; each excels within its designed parameters. Thorough in-field testing, when possible, is advisable, focusing on autofocus responsiveness, weight comfort, and handling to align with personal priorities.
This detailed comparison aims to distill complex technical data and experiential judgment into actionable intelligence, empowering discerning photographers to select their next tool with confidence and clarity.
Pentax K-3 II vs Sony A9 II Specifications
| Pentax K-3 II | Sony Alpha A9 Mark II | |
|---|---|---|
| General Information | ||
| Company | Pentax | Sony |
| Model type | Pentax K-3 II | Sony Alpha A9 Mark II |
| Class | Advanced DSLR | Pro Mirrorless |
| Announced | 2015-04-23 | 2019-10-03 |
| Physical type | Mid-size SLR | SLR-style mirrorless |
| Sensor Information | ||
| Processor Chip | Prime III | BIONZ X |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | APS-C | Full frame |
| Sensor dimensions | 23.5 x 15.6mm | 35.6 x 23.8mm |
| Sensor area | 366.6mm² | 847.3mm² |
| Sensor resolution | 24 megapixels | 24 megapixels |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 3:2 |
| Max resolution | 6016 x 4000 | 6000 x 4000 |
| Max native ISO | 51200 | 51200 |
| Max enhanced ISO | - | 204800 |
| Min native ISO | 100 | 100 |
| RAW pictures | ||
| Min enhanced ISO | - | 50 |
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 27 | 693 |
| Cross type focus points | 25 | - |
| Lens | ||
| Lens mount type | Pentax KAF2 | Sony E |
| Total lenses | 151 | 121 |
| Focal length multiplier | 1.5 | 1 |
| Screen | ||
| Type of display | Fixed Type | Tilting |
| Display diagonal | 3.2" | 3" |
| Display resolution | 1,037 thousand dots | 1,440 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder type | Optical (pentaprism) | Electronic |
| Viewfinder resolution | - | 3,686 thousand dots |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.64x | 0.78x |
| Features | ||
| Min shutter speed | 30s | 30s |
| Max shutter speed | 1/8000s | 1/8000s |
| Max quiet shutter speed | - | 1/32000s |
| Continuous shutter rate | 8.3 frames per second | 20.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | no built-in flash | no built-in flash |
| Flash options | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync (available with dedicated external flash) | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Max flash synchronize | 1/180s | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Max video resolution | 1920x1080 | 3840x2160 |
| Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Optional | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.0 (5 GBit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 800 gr (1.76 lbs) | 678 gr (1.49 lbs) |
| Dimensions | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") | 129 x 96 x 76mm (5.1" x 3.8" x 3.0") |
| DXO scores | ||
| DXO Overall rating | 80 | not tested |
| DXO Color Depth rating | 23.6 | not tested |
| DXO Dynamic range rating | 13.6 | not tested |
| DXO Low light rating | 1106 | not tested |
| Other | ||
| Battery life | 720 pictures | 690 pictures |
| Style of battery | Battery Pack | Battery Pack |
| Battery ID | D-LI90 | NP-FZ100 |
| Self timer | Yes ( 2 or 12 seconds) | Yes (2, 5, 10 secs + continuous, 3 or 5 frames) |
| Time lapse feature | ||
| Storage type | Dual SD/SDHC/SDXC | Dual SD/SDHC/SDXC slots (UHS-II compatible) |
| Card slots | Two | Two |
| Retail cost | $829 | $4,498 |