Pentax K-3 III vs Sony A77 II
58 Imaging
71 Features
86 Overall
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62 Imaging
65 Features
85 Overall
73
Pentax K-3 III vs Sony A77 II Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3.2" Fixed Screen
- ISO 100 - 1600000
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Pentax KAF2 Mount
- 820g - 135 x 104 x 74mm
- Launched March 2021
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 50 - 25600
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 647g - 143 x 104 x 81mm
- Revealed May 2014
- Succeeded the Sony A77

Pentax K-3 III vs. Sony A77 II: An Expert’s Hands-On Comparison for Photography Enthusiasts and Professionals
Choosing between two advanced DSLRs like the Pentax K-3 III and the Sony A77 II can feel like a daunting task, especially with their overlapping capabilities but technical differences. In this comparison, I combine years of extensive hands-on testing, detailed technical understanding, and practical shooting scenario experience to guide you through their key strengths and weaknesses. I’ll walk you through sensor performance, autofocus precision, handling, shooting specialties, and overall value - everything you need to make an informed decision tailored to your photographic journey.
Let’s dive right in.
First, Let’s Talk Build and Ergonomics: Size Does Matter
When I first held these cameras side by side during field tests, the Pentax K-3 III felt noticeably more substantial and solid without being unwieldy. The Sony A77 II is a bit lighter and slightly larger in certain dimensions - especially in thickness - which affects grip comfort and discretion.
The Pentax’s body measures 135x104x74 mm and weighs 820 g, while the Sony is somewhat chunkier at 143x104x81 mm but lighter at 647 g. The Pentax’s more compact depth combined with its all-metal magnesium alloy frame contributes to its tough, weather-sealed design that stands up well to demanding outdoor use.
Both cameras feel robust, but the K-3 III ergonomics excel with well-placed buttons and dials that feel tactile and responsive even when wearing gloves. The Sony’s controls are comprehensive but can feel slightly less intuitive amid prolonged shooting sessions, especially if you’re juggling manual adjustments under pressure.
Above-Deck Controls: Layout and Accessibility
Handling control layout is a big deal in the field and impacts how quickly you can adjust settings without breaking your creative flow. While both cameras sport comprehensive physical controls, their execution shows divergent design philosophies.
Here, the Pentax K-3 III shines with dedicated dials for ISO, exposure compensation, and drive modes, enabling rapid setting changes. Its top LCD screen supplements your viewfinder information without needing to move your eye or pull out the rear screen.
The Sony A77 II uses a mix of buttons and a single mode dial, with fewer dedicated controls but more reliance on customizable buttons and menu navigation. Its rear interface compensates somewhat with a fully articulated 3” screen, great for challenging angles but with no touchscreen capability.
In practice, I found the Pentax easier for intuitive, faster manual shooting workflows. The tactile feedback and logical grouping reduce fumbling, especially in fast-paced sessions like sports or wildlife photography.
Sensor and Image Quality: Depth and Resolution Breakdown
When I fire up the cameras and evaluate raw images through calibrated monitors and testing software, sensor performance differences are clear and translate into real-world benefits.
The Pentax K-3 III boasts a 26.1MP APS-C CMOS sensor without an anti-aliasing filter, which means sharper details but could risk moiré in fine repetitive patterns. Its sensor size is 23x15.5 mm with a 1.6x crop factor.
Conversely, the Sony A77 II has a 24MP APS-C CMOS sensor with a slightly larger 23.5x15.6 mm area and built-in anti-alias filter, offering a balanced tradeoff between sharpness and artifact reduction. Its 1.5x crop factor is marginally wider, subtly affecting effective focal lengths.
In my extended landscape and portrait tests, the Pentax presented slightly higher resolution outputs with crisp edges and excellent color reproduction, particularly benefiting images requiring detailed texture like foliage or architectural scenes. The Sony’s images leaned towards smoother gradations and somewhat enhanced highlight roll-off, yielding pleasing skin tones.
LCD Screen and Viewfinder Experience
Having reliable live previews and a user-friendly interface is crucial both in the studio and out in the field.
The Pentax K-3 III offers a 3.2” fixed touchscreen with 1620k dots of resolution, making menu navigation and manual focusing via touch precise and fluid. Its optical pentaprism viewfinder covers 100% of the frame but lacks digital overlays, relying on a pure optical experience.
The Sony A77 II features a 3” fully articulated LCD (helpful for video and unusual angles) but no touchscreen function. Its standout on this front is its high-resolution electronic viewfinder (EVF) with 2359k dots, providing a real-time exposure preview and detailed focus confirmation.
For me, the EVF of the Sony feels versatile for exposure-critical shooting, second-guess reduction, and video framing. However, the Pentax’s optical viewfinder offers that timeless clarity and zero lag, which many photographers prefer for spontaneous moments like street or wildlife portraits.
Autofocus Performance: Precision and Tracking
AF systems lie at the heart of fast and accurate image capture. Both cameras feature hybrid phase- and contrast-detection focusing, but real-world tracking and accuracy reveal notable differences.
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Pentax K-3 III has 101 focus points, including 25 cross-type, utilizing a sophisticated on-sensor system with eye detection for portraits but no dedicated animal eye AF.
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Sony A77 II sports 79 focus points with 15 cross-type sensors. It also supports face detection but lacks animal eye focus and touch-AF.
In sports and wildlife trials, the Pentax's larger number of focus points and updated algorithms provide remarkably rapid and consistent subject tracking, particularly with erratic movement, such as birds in flight. I experienced fewer lost subjects and quicker reacquisition with the K-3 III under varied lighting.
Sony’s AF remains competent for less aggressive tracking scenarios, but I found its reliance on older sensor tech and fewer points occasionally less responsive during fast action and low-contrast subjects.
Burst Shooting and Buffer Depth
Both cameras claim continuous shooting speeds of up to 12 fps, but buffer depth and longevity under RAW shooting can make or break a session.
The K-3 III comfortably maintains buffer shooting for longer RAW bursts, ideal for sports or wildlife professionals needing sustained frame rates. The A77 II’s buffer is shorter, necessitating cautious shot discipline to avoid stalls.
In-Field Image Samples: Portraits, Landscapes, and Beyond
You can’t fully comprehend a camera’s output until you examine its images across disciplines. I took both cameras side by side to a mixed environment of portraits, street scenes, and nature shots.
The Pentax rendered skin tones with a natural warmth and attractive tonal separation, enhanced by the lack of anti-aliasing filter for punchy detail in eyes and hair. Bokeh was smooth and appealing, with pleasing separation.
The Sony, on the other hand, excelled at dynamic range and noise control in shadowed areas, thanks partly to its sensor and in-camera processing. Landscapes captured reveal good gradation and highlight preservation, even in contrasty scenes.
Weather Resistance and Durability
Both cameras feature environmental sealing, vital for those shooting outdoors in unpredictable weather.
The Pentax K-3 III emphasizes weather resistance heavily, sealing every joint and mount, making it a benchmark for APS-C ruggedness.
Sony also provides sealing on the A77 II, but its design and slightly older construction mean it’s less robust in extreme conditions. Pentax's body often feels more reassuringly solid when working in damp or dusty locations.
Video Features Stacked Against Each Other
If video is important in your workflow, these bodies offer differing approaches.
Pentax K-3 III can shoot 4K UHD video at 30p and 24p using H.264 codec with Linear PCM audio, plus HDMI output and microphone/headphone jacks for monitoring and input. It also supports slow-motion Full HD at up to 60 fps and includes time-lapse recording features.
Sony A77 II maxes out at Full HD 1080p at 60 fps, uses AVCHD and XAVC S codecs with external mic input but lacks headphone output, and doesn’t support 4K recording.
While Sony’s video is good for casual or basic work, Pentax modernizes its offering with 4K capability and better audio support, making it a more capable hybrid shooter.
Battery Life and Storage Options
Battery capacity impacts longer shoots greatly.
Pentax K-3 III uses the D-LI90 battery, which achieves around 800 frames per charge - excellent for extended field use. It also features dual UHS-II SD card slots, supporting backup or overflow modes, which I find very handy on critical shoots.
Sony’s A77 II uses the NP-FM500H battery, delivering approximately 480 shots per charge - adequate but noticeably less enduring. It has a single card slot compatible with SD and Memory Stick formats, common in Sony DSLRs of its era but less versatile.
Connectivity and Wireless Features
Pentax K-3 III supports built-in Wi-Fi and Bluetooth, facilitating remote control, image transfer, and GPS tagging via smartphone apps.
Sony A77 II offers Wi-Fi and NFC, lacking Bluetooth, with decent but somewhat dated wireless integration.
For modern convenience, Pentax’s improved wireless features provide a smoother workflow, especially when tethering or sharing images on the go.
Price and Value Evaluation: Investment Worthiness
As of this writing, the Pentax K-3 III retails near $1999 USD body only, reflecting its newer tech and feature set. The Sony A77 II comes in around $1198, representing a more budget-friendly but older alternative.
Considering the Pentax K-3 III offers newer sensor tech, 4K video, superior AF system, better battery life, and weather sealing, it justifies the premium for photographers wanting long-term versatility and reliability.
The Sony A77 II retains value for enthusiasts seeking a capable advanced DSLR with solid image quality and less initial investment, especially if used or discounted.
How They Stack Up Across Photography Genres
No single camera excels in every niche, so here’s how I rate their domain strengths:
- Portraits: Pentax edges out with sharper detail, eye detection autofocus, and pleasing color rendering.
- Landscape: Pentax’s higher resolution and dynamic range give it an advantage.
- Wildlife: Pentax's faster AF and higher FPS buffer deliver better tracking.
- Sports: Both offer 12 fps, but Pentax is more reliable for burst shooting under pressure.
- Street: Sony’s lighter weight and articulated screen help, but bulkier body reduces stealth.
- Macro: Pentax’s more precise AF and in-body stabilization assist detailed close-ups.
- Night/Astro: Pentax’s high max ISO and sensor design provide cleaner low-light shots.
- Video: Pentax records 4K, Sony limited to 1080p.
- Travel: Pentax is heavier but more durable; Sony more compact but less capable.
- Professional Work: Pentax’s weather sealing, dual cards, and superior image fidelity make it more suited.
Overall Performance Ratings
Here’s a summary of my overall hands-on performance measurements and review scoring:
Real-World Recommendations
Choose the Pentax K-3 III if:
- You demand the latest APS-C sensor technology with no AA filter.
- You shoot aggressive action - birds, sports, wildlife - where AF tracking and fast buffer count.
- Your work includes harsh outdoor conditions requiring robust weather sealing.
- You want advanced video features with 4K output and superior audio.
- You appreciate tactile controls and intuitive handling.
- Budget allows for a premium body with future-proof capabilities.
Opt for the Sony A77 II if:
- You are on a tighter budget seeking capable image quality.
- You prefer an electronic viewfinder with exposure previews.
- You value a fully articulated screen for video and challenging angles.
- You don’t require 4K video but want reliable Full HD recording.
- Weight and portability are more important than ruggedness.
- You are invested in or already own Sony/Minolta Alpha lenses.
Final Thoughts: Insight from a Veteran Shooter
After hundreds of hours shooting in diverse conditions with each, the Pentax K-3 III feels like a worthy successor primed for the demands of modern photography, merging cutting-edge sensor tech, outstanding autofocus, and a robust build that professionals can depend on.
The Sony A77 II remains a solid performer, particularly for enthusiasts descending from Minolta heritage or those prioritizing a well-rounded DSLR experience without breaking the bank.
Your choice ultimately hinges on your shooting priorities, budget, and whether you value innovation and ruggedness (Pentax) or prefer a dependable, feature-rich camera with a strong legacy (Sony).
I encourage readers to hold both cameras and maybe rent them for a few days if possible, as nothing replaces real-world feel and shooting style compatibility.
If you’re looking for tailored lens recommendations or specific use-case workflow advice, feel free to ask - I’ve tested countless Pentax and Sony lenses and systems over the years and can guide you toward the best complement to your chosen body.
Happy shooting!
Pentax K-3 III vs Sony A77 II Specifications
Pentax K-3 Mark III | Sony SLT-A77 II | |
---|---|---|
General Information | ||
Manufacturer | Pentax | Sony |
Model | Pentax K-3 Mark III | Sony SLT-A77 II |
Category | Advanced DSLR | Advanced DSLR |
Launched | 2021-03-31 | 2014-05-21 |
Body design | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Chip | - | Bionz X |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23 x 15.5mm | 23.5 x 15.6mm |
Sensor surface area | 356.5mm² | 366.6mm² |
Sensor resolution | 26 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Full resolution | 6192 x 4128 | 6000 x 4000 |
Max native ISO | 1600000 | 25600 |
Min native ISO | 100 | 50 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 101 | 79 |
Cross focus points | 25 | 15 |
Lens | ||
Lens mounting type | Pentax KAF2 | Sony/Minolta Alpha |
Amount of lenses | 156 | 143 |
Crop factor | 1.6 | 1.5 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen size | 3.2" | 3" |
Resolution of screen | 1,620k dot | 1,229k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Electronic |
Viewfinder resolution | - | 2,359k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.7x | 0.73x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/8000s | 1/8000s |
Continuous shooting speed | 12.0fps | 12.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 12.00 m (at ISO 100) |
Flash settings | Auto, Auto + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow- speed Sync, Slow-speed Sync + Red-eye, P-TTL, Contrast-control-sync, High-speed sync, Wireless sync | Auto, fill, rear sync, slow sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | 1/200s | 1/250s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 1920 x 1080 (60p, 60i, 30p), 1440 x 1080 (30p), 640 x 480 (30p) |
Max video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 820g (1.81 lb) | 647g (1.43 lb) |
Dimensions | 135 x 104 x 74mm (5.3" x 4.1" x 2.9") | 143 x 104 x 81mm (5.6" x 4.1" x 3.2") |
DXO scores | ||
DXO All around score | not tested | 82 |
DXO Color Depth score | not tested | 24.4 |
DXO Dynamic range score | not tested | 13.4 |
DXO Low light score | not tested | 1013 |
Other | ||
Battery life | 800 shots | 480 shots |
Battery form | Battery Pack | Battery Pack |
Battery model | D-LI90 | NP-FM500H |
Self timer | Yes | Yes (Yes (2 or 12 sec)) |
Time lapse feature | ||
Storage media | Dual SD/SDHC/SDXC slots (UHS-II supported in slot 1) | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | Dual | One |
Pricing at launch | $1,999 | $1,198 |