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Pentax K-5 II vs Sony A500

Portability
60
Imaging
57
Features
82
Overall
67
Pentax K-5 II front
 
Sony Alpha DSLR-A500 front
Portability
63
Imaging
51
Features
52
Overall
51

Pentax K-5 II vs Sony A500 Key Specs

Pentax K-5 II
(Full Review)
  • 16MP - APS-C Sensor
  • 3" Fixed Screen
  • ISO 100 - 12800 (Push to 51200)
  • Sensor based Image Stabilization
  • 1/8000s Max Shutter
  • 1920 x 1080 video
  • Pentax KAF2 Mount
  • 760g - 131 x 97 x 73mm
  • Revealed June 2013
  • Old Model is Pentax K-5
Sony A500
(Full Review)
  • 12MP - APS-C Sensor
  • 3" Tilting Display
  • ISO 200 - 12800
  • Sensor based Image Stabilization
  • No Video
  • Sony/Minolta Alpha Mount
  • 630g - 137 x 104 x 84mm
  • Released August 2009
  • New Model is Sony A560
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes

Pentax K-5 II vs Sony Alpha DSLR-A500: The Ultimate DSLR Showdown for Enthusiasts

Choosing your next DSLR is a pivotal decision. Whether you’re stepping up from entry-level gear, diversifying your kit, or hunting for a reliable backup body, understanding how cameras perform across multiple shooting scenarios is key. In this detailed comparison, I’ll draw on years of hands-on experience with hundreds of DSLRs to dissect two distinctive models: the Pentax K-5 II, a stalwart from 2013 aimed at the advanced enthusiast, and the Sony Alpha DSLR-A500, an entry-level contender launched in 2009.

We’ll explore how each performs technically and in real-world use across a wide array of photographic disciplines - portrait, landscape, wildlife, sports, and more. Through objective analysis and practical insights, this guide will empower you to find the right camera for your style, budget, and creative ambitions.

Size and Ergonomics: Handling That Fits Your Workflow

First impressions matter, and the physical feel of a camera strongly affects your shooting comfort and control.

Feature Pentax K-5 II Sony A500
Dimensions (mm) 131 × 97 × 73 137 × 104 × 84
Weight (body only) 760 g 630 g
Body Type Mid-size SLR Compact SLR
Grip Deep, comfortable with textured rubber Slimmer, less pronounced grip
Build Quality Weather-sealed magnesium alloy Polycarbonate body, no sealing

Pentax K-5 II vs Sony A500 size comparison

The Pentax K-5 II is noticeably chunkier and heavier but rewards you with a robust, nearly pro-grade magnesium alloy body sealed against dust and moisture. If you shoot outdoors frequently or work in tough conditions, this offers peace of mind and durability. Its ergonomics are refined with a deep grip and strategically placed buttons for intuitive one-handed operation.

The Sony A500, by contrast, is more compact and lightweight, more beginner-friendly in that it won’t weigh down your bag. However, its build feels less solid, and the lack of weather sealing means you’ll want to exercise caution in adverse conditions. If portability is a priority, especially for travel or casual shooting, the A500 should be on your radar.

Top View and Control Layout: Streamlined or Traditional?

The design of controls and how easily you manipulate them affects shooting efficiency, particularly in dynamic situations.

Pentax K-5 II vs Sony A500 top view buttons comparison

The Pentax K-5 II features a mature control layout, including dedicated dials for shutter speed and ISO, a top LCD screen for quick exposure checks, and a front-mounted exposure compensation dial. These controls are tactile and responsive, allowing quick changes without diving into menus - ideal for pros or enthusiasts who prioritize manual controls.

Meanwhile, the Sony A500 opts for a simpler top panel with fewer physical controls. It lacks a top LCD screen and relies more heavily on rear menus for settings. While this streamlines the camera for beginners, it can slow you down in fast-paced shooting or complex lighting.

Sensor Technology and Image Quality: Detailed Analysis

Image quality often comes down to sensor performance - the heart of a camera. Both cameras use APS-C sensors, but with important differences.

Specification Pentax K-5 II Sony A500
Sensor Size APS-C (23.7×15.7 mm) APS-C (23.5×15.6 mm)
Resolution 16 MP 12 MP
Sensor Type CMOS with anti-alias filter CMOS with anti-alias filter
ISO Range 100–12800 (native), expand to 80–51200 200–12800 native
DxOMark Overall Score 82 64
Color Depth (bits) 23.8 21.8
Dynamic Range (EV) 14.1 11.6
Low Light ISO Performance 1235 iso 772 iso

Pentax K-5 II vs Sony A500 sensor size comparison

The Pentax K-5 II’s sensor, though from 2013, is a technical standout. Its 16MP resolution delivers ample detail for large prints and crops while preserving excellent noise control up to ISO 3200 - even pushing to ISO 6400 with acceptable results for many applications. The 14+ stops of dynamic range mean it excels in retaining shadow and highlight details, key for landscapes and high-contrast scenes.

The Sony A500, released four years earlier, features a 12MP sensor that, while decent, lags behind in resolution and noise handling. At base ISOs and good light, image quality is solid, but noise becomes evident at ISO 1600 and beyond. Its smaller dynamic range limits flexibility for heavy editing or harsh lighting.

Practically speaking, the K-5 II lets you explore longer exposures, wider apertures for defocused backgrounds, and high-contrast scenes with more confidence. The Sony A500 is best-suited to well-lit scenarios or everyday shooting where image quality demands are moderate.

Rear LCD Screen and Viewfinder: Your Window to Composition

How you frame and review images greatly influences shooting satisfaction and efficiency.

Feature Pentax K-5 II Sony A500
Screen Size 3 inches 3 inches
Screen Resolution 921k dots 230k dots
Screen Type Fixed TFT LCD Tilting LCD
Viewfinder Type Optical Pentaprism Optical Pentamirror
Viewfinder Coverage 100% 95%
Finder Magnification 0.61× 0.53×

Pentax K-5 II vs Sony A500 Screen and Viewfinder comparison

The Pentax K-5 II offers a sharp, detailed fixed LCD with 921k dots, making live view and menu navigation crisp. The 100% coverage pentaprism viewfinder is bright with accurate representation of your framing - a professional feature that gives you confidence when composing shots critically.

The Sony A500’s 3-inch screen is tilting, a nice benefit for shooting at awkward angles or video, but its low 230k dot resolution makes it less sharp for reviewing shots or menu legibility. The pentamirror viewfinder shows 95% coverage with lower magnification, providing a narrower, less bright view compared to the K-5 II, which may affect precise framing or critical focus assessment.

Autofocus System: Speed and Accuracy Under Pressure

Both cameras employ phase-detection autofocus with live view contrast detection fallback, but their capabilities differ significantly.

Feature Pentax K-5 II Sony A500
AF Points 11 (9 cross-type) 9 (cross-type points unknown)
Face Detection Yes Yes
Eye Detection No No
Continuous AF Yes Yes
Tracking AF Yes No
Live View AF Contrast & phase detection Phase detection only
AF Speed Fast Moderate

The K-5 II’s autofocus system is versatile and responsive with 11 points, 9 of which are cross-type, improving accuracy in low contrast or complex scenes. Its autofocus tracking is solid, helping in wildlife or sports where you follow moving subjects. Although it lacks animal eye AF - a common feature on more recent cameras - the face detection works reliably for portraits and casual use.

In contrast, the Sony A500’s 9-point AF system lacks tracking and seems slower when locking focus, especially during continuous shooting or moving subjects. Face detection helps portrait framing, but its limited tracking capability can frustrate fast action shooters.

Thus, if you often photograph wildlife, sports, or active kids, the Pentax will deliver more consistent and confident autofocus performance.

Shooting Speed and Shutter Performance: Catching the Decisive Moment

When capturing fast action, burst rate and shutter responsiveness can make or break your shot.

Parameter Pentax K-5 II Sony A500
Max Continuous Shooting 7 fps 5 fps
Shutter Speed Range 30 sec to 1/8000 s 30 sec to 1/4000 s
Silent Shutter No No
Max Flash Sync Speed Not specified (high-speed sync available) 1/160 s

The Pentax K-5 II offers a 7 fps burst speed, outperforming the Sony A500’s 5 fps. This faster cadence allows you to capture critical frames in sports or wildlife. Its shutter speed tops out at a fast 1/8000 second, giving flexibility for wide aperture shooting in bright light or freezing ultra-fast motion.

The Sony A500 caps out at 1/4000 s shutter speed, sufficient for many scenarios but somewhat limiting compared to the K-5 II. Its slower max sync speed means flash photography at high shutter speeds may be constrained.

If fast action or creative shutter control matters to you, the Pentax is clearly superior.

Video Capabilities: Moving Beyond Stills

While both are primarily stills cameras, video options differ and could be deal-makers for content creators.

Feature Pentax K-5 II Sony A500
Max Video Resolution 1920×1080 at 25 fps None
Video Formats Motion JPEG None
Microphone Input Yes No
Headphone Jack No No
Stabilization Sensor-based (in-body IS) active in video Sensor-based IS present but no video stabilization specs available

The Pentax K-5 II records Full HD 1080p at 25 fps, providing usable video quality for enthusiasts wanting HD content. It features an external microphone input, giving you higher audio quality options vital for vloggers or filmmakers. However, there's no headphone jack for audio monitoring.

The Sony A500 lacks video capture capability entirely - no recording option is available, which is a major limitation if your creative ambitions extend to videography.

For hybrid shooters or casual filmmakers, Pentax is the clear choice.

Lens Mount and Ecosystem: Choices That Shape Creativity

Lens compatibility and native lens availability impact your creative options now and down the road.

Feature Pentax K-5 II Sony A500
Lens Mount Pentax KAF2 Sony/Minolta Alpha
Available Lenses 151 native lenses 143 native lenses
Lens Focal Length Multiplier 1.5× 1.5×
Third-Party Support Moderate Good

The Pentax K-5 II uses the Pentax KAF2 mount, benefiting from a rich catalog of native lenses, many of which are highly regarded for optical quality - especially Pentax’s renowned primes and weather-sealed zooms. The all-in-body image stabilization system allows you to use lenses without stabilization and still reduce camera shake.

The Sony A500 relies on the Sony/Minolta Alpha mount, which also offers an abundance of lenses and adapter options for vintage glass. However, Sony transitioned away from this mount in favor of E-mount mirrorless cameras in later years, so finding newer native lenses can be challenging.

If you already own lenses or prioritize future-proofing with varied lens options, Pentax’s well-supported ecosystem is a smart investment, especially with its built-in sensor stabilization.

Battery Life and Storage: Staying Power for Long Shoots

Reliable power and ample storage are critical for extended outings or professional workflow.

Specification Pentax K-5 II Sony A500
Battery Type Rechargeable Lithium-Ion (D-LI90) Rechargeable Lithium-Ion (NP-FM500H)
Battery Life (CIPA) ~980 shots per charge ~520 shots
Storage Media Single SD/SDHC/SDXC Single SD/SDHC & Memory Stick Pro Duo

The Pentax K-5 II doubles the Sony A500’s typical battery endurance. At nearly 1000 shots per charge, it is well suited for day-long trips or professional sessions without frequent battery swaps.

The Sony A500’s 520 shots are average for its class, sufficient for casual use but somewhat limiting for longer workdays or travel.

Both cameras use single storage cards, but Pentax supports SDXC, allowing for larger cards and flexibility. Sony’s dual compatibility with SD and proprietary Memory Stick formats can be advantageous if you already have accessories matching these.

Weather Sealing and Durability: Protecting Your Investment

Pentax has long emphasized rugged construction - let’s see how these two compare.

Feature Pentax K-5 II Sony A500
Weather Sealing Yes (dust and moisture resistant) No
Waterproof/Shockproof No No
Freeze Proof/Crush Proof No No

If you shoot in changeable weather, the Pentax K-5 II stands out with extensive sealing around body seams and buttons. This durability extends its usage in hostile environments like rain, dust, or snow.

The Sony A500 lacks such protection, which restricts use to more controlled environments unless you invest in protective covers.

Performance Ratings Overview: Synthesizing Strengths and Weaknesses

After thorough analysis, here’s how the cameras rate across key performance categories:

The Pentax K-5 II holds a clear advantage overall (DxOMark score 82 vs 64), reflecting a stronger sensor, robust autofocus, better shooting speed, and build quality. The Sony A500 holds its ground as an accessible, compact DSLR for beginners but falls short in critical professional features.

How They Perform Across Photography Genres

No single camera suits every style perfectly. Here is a breakdown of how each model excels or struggles within popular photographic disciplines:

  • Portrait Photography: Pentax K-5 II’s higher resolution, better dynamic range, and face detection create natural skin tones and beautiful bokeh. Sony’s lower-res sensor and slower AF limit portrait finesse.

  • Landscape Photography: The K-5 II’s superior dynamic range and weather sealing make it ideal for landscapes. The Sony’s narrower dynamic range and lack of sealing restrict outdoor use.

  • Wildlife and Sports: Pentax leads with faster 7 fps shooting and better AF tracking, essential for fast-moving subjects. Sony’s slower 5 fps and AF struggles hamper action work.

  • Street Photography: Sony’s compact size and tilting screen give a slight edge for stealth shooting and creative angles, but lower ISO performance penalizes night street scenes.

  • Macro Photography: Pentax benefits from in-body stabilization, improving handheld macro sharpness; Sony’s lack of IBIS means you rely more on lens IS or tripods.

  • Night and Astro Photography: Pentax’s cleaner high-ISO and longer exposures enable nightscapes and astrophotography. Sony’s noise becomes limiting past ISO 800.

  • Video: Only Pentax offers HD video capture with audio input, albeit without advanced video features.

  • Travel Photography: Sony’s lighter body wins on portability, but Pentax’s battery life and durability provide better reliability in long trips.

  • Professional Work: Pentax’s file quality, controls, and durability give it a professional edge. Sony suits entry-level but lacks pro-grade handling.

Real-World Sample Images: Seeing Is Believing

Reviewing carefully captured sample photos showcases the practical difference in image quality.


The Pentax K-5 II images show richer colors, better shadow detail, and more dynamic range. Sony images remain respectable but display increased noise at higher ISO.

Final Recommendations: Which DSLR Fits Your Creative Journey?

Choose the Pentax K-5 II if:

  • You want an all-around advanced DSLR with rugged weather sealing.
  • High-resolution photos with excellent dynamic range and noise control matter.
  • You shoot sports, wildlife, portraits, or landscapes seriously and need fast, accurate autofocus.
  • You desire Full HD video with external mic input for hybrid use.
  • Battery life and build quality are paramount.

Choose the Sony A500 if:

  • You are stepping into DSLR photography and need a compact, affordable body.
  • Your shooting mostly occurs in good light or indoors.
  • You value tilting LCD for creative composition.
  • Portability and weight are top priorities.
  • You have a tight budget and plan to upgrade later.

Accessories and Expanding Your Kit

Regardless of choice, invest in:

  • Quality lenses matched to your style (portrait primes, wide-angle zooms, or telephotos).
  • Extra batteries and high-speed memory cards.
  • Tripods, remote releases, and protective gear based on use cases.

Check local stores or rental services to test cameras firsthand and pair with lenses before committing.

Conclusion: Informed Choices Lead to Creative Freedom

The Pentax K-5 II continues to impress years after launch with its balanced feature set, pro-level handling, and superior sensor performance. It serves advanced hobbyists and professionals who need a dependable, versatile tool.

The Sony Alpha DSLR-A500 represents a friendly entry point for new DSLR users wanting a lightweight, easy-to-use camera in a familiar SLR form. However, it shows its age and limitations in critical areas, especially for demanding work.

Your choice should align with your photography ambitions, shooting environments, and preferred workflow. Both cameras have stories to tell - pick the one that lets you tell yours best.

Get out there, try them, and start creating!

If you found this comparison helpful, explore lens options and camera bags next to build your ideal photo kit. Happy shooting!

Pentax K-5 II vs Sony A500 Specifications

Detailed spec comparison table for Pentax K-5 II and Sony A500
 Pentax K-5 IISony Alpha DSLR-A500
General Information
Brand Name Pentax Sony
Model Pentax K-5 II Sony Alpha DSLR-A500
Class Advanced DSLR Entry-Level DSLR
Revealed 2013-06-04 2009-08-27
Physical type Mid-size SLR Compact SLR
Sensor Information
Powered by Prime II Bionz
Sensor type CMOS CMOS
Sensor size APS-C APS-C
Sensor dimensions 23.7 x 15.7mm 23.5 x 15.6mm
Sensor area 372.1mm² 366.6mm²
Sensor resolution 16 megapixel 12 megapixel
Anti aliasing filter
Aspect ratio 3:2 3:2 and 16:9
Highest resolution 4928 x 3264 4272 x 2848
Highest native ISO 12800 12800
Highest boosted ISO 51200 -
Minimum native ISO 100 200
RAW pictures
Minimum boosted ISO 80 -
Autofocusing
Manual focus
Touch focus
Continuous AF
AF single
Tracking AF
Selective AF
Center weighted AF
AF multi area
AF live view
Face detection AF
Contract detection AF
Phase detection AF
Number of focus points 11 9
Cross focus points 9 -
Lens
Lens mounting type Pentax KAF2 Sony/Minolta Alpha
Number of lenses 151 143
Crop factor 1.5 1.5
Screen
Type of screen Fixed Type Tilting
Screen diagonal 3 inches 3 inches
Resolution of screen 921k dots 230k dots
Selfie friendly
Liveview
Touch operation
Screen technology TFT LCD monitor -
Viewfinder Information
Viewfinder Optical (pentaprism) Optical (pentamirror)
Viewfinder coverage 100 percent 95 percent
Viewfinder magnification 0.61x 0.53x
Features
Slowest shutter speed 30 seconds 30 seconds
Maximum shutter speed 1/8000 seconds 1/4000 seconds
Continuous shooting rate 7.0 frames per sec 5.0 frames per sec
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Change WB
Image stabilization
Integrated flash
Flash range 13.00 m (at ISO 100) 12.00 m
Flash settings Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless
Hot shoe
AEB
White balance bracketing
Maximum flash synchronize - 1/160 seconds
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Supported video resolutions 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) -
Highest video resolution 1920x1080 None
Video file format Motion JPEG -
Mic support
Headphone support
Connectivity
Wireless None None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS Optional None
Physical
Environment sealing
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 760 grams (1.68 lbs) 630 grams (1.39 lbs)
Dimensions 131 x 97 x 73mm (5.2" x 3.8" x 2.9") 137 x 104 x 84mm (5.4" x 4.1" x 3.3")
DXO scores
DXO All around score 82 64
DXO Color Depth score 23.8 21.8
DXO Dynamic range score 14.1 11.6
DXO Low light score 1235 772
Other
Battery life 980 images 520 images
Form of battery Battery Pack Battery Pack
Battery model D-LI90 NP-FM500H
Self timer Yes ( 2 or 12 seconds) Yes (2 or 10 sec)
Time lapse shooting
Storage type SD/SDHC/SDXC SD/ SDHC, Memory Stick Pro Duo/ Pro-HG Duo
Card slots One One
Cost at launch $830 $638