Pentax K-5 II vs Sony A500
60 Imaging
57 Features
82 Overall
67


63 Imaging
51 Features
52 Overall
51
Pentax K-5 II vs Sony A500 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Push to 51200)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Revealed June 2013
- Old Model is Pentax K-5
(Full Review)
- 12MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 630g - 137 x 104 x 84mm
- Released August 2009
- New Model is Sony A560

Pentax K-5 II vs Sony Alpha DSLR-A500: The Ultimate DSLR Showdown for Enthusiasts
Choosing your next DSLR is a pivotal decision. Whether you’re stepping up from entry-level gear, diversifying your kit, or hunting for a reliable backup body, understanding how cameras perform across multiple shooting scenarios is key. In this detailed comparison, I’ll draw on years of hands-on experience with hundreds of DSLRs to dissect two distinctive models: the Pentax K-5 II, a stalwart from 2013 aimed at the advanced enthusiast, and the Sony Alpha DSLR-A500, an entry-level contender launched in 2009.
We’ll explore how each performs technically and in real-world use across a wide array of photographic disciplines - portrait, landscape, wildlife, sports, and more. Through objective analysis and practical insights, this guide will empower you to find the right camera for your style, budget, and creative ambitions.
Size and Ergonomics: Handling That Fits Your Workflow
First impressions matter, and the physical feel of a camera strongly affects your shooting comfort and control.
Feature | Pentax K-5 II | Sony A500 |
---|---|---|
Dimensions (mm) | 131 × 97 × 73 | 137 × 104 × 84 |
Weight (body only) | 760 g | 630 g |
Body Type | Mid-size SLR | Compact SLR |
Grip | Deep, comfortable with textured rubber | Slimmer, less pronounced grip |
Build Quality | Weather-sealed magnesium alloy | Polycarbonate body, no sealing |
The Pentax K-5 II is noticeably chunkier and heavier but rewards you with a robust, nearly pro-grade magnesium alloy body sealed against dust and moisture. If you shoot outdoors frequently or work in tough conditions, this offers peace of mind and durability. Its ergonomics are refined with a deep grip and strategically placed buttons for intuitive one-handed operation.
The Sony A500, by contrast, is more compact and lightweight, more beginner-friendly in that it won’t weigh down your bag. However, its build feels less solid, and the lack of weather sealing means you’ll want to exercise caution in adverse conditions. If portability is a priority, especially for travel or casual shooting, the A500 should be on your radar.
Top View and Control Layout: Streamlined or Traditional?
The design of controls and how easily you manipulate them affects shooting efficiency, particularly in dynamic situations.
The Pentax K-5 II features a mature control layout, including dedicated dials for shutter speed and ISO, a top LCD screen for quick exposure checks, and a front-mounted exposure compensation dial. These controls are tactile and responsive, allowing quick changes without diving into menus - ideal for pros or enthusiasts who prioritize manual controls.
Meanwhile, the Sony A500 opts for a simpler top panel with fewer physical controls. It lacks a top LCD screen and relies more heavily on rear menus for settings. While this streamlines the camera for beginners, it can slow you down in fast-paced shooting or complex lighting.
Sensor Technology and Image Quality: Detailed Analysis
Image quality often comes down to sensor performance - the heart of a camera. Both cameras use APS-C sensors, but with important differences.
Specification | Pentax K-5 II | Sony A500 |
---|---|---|
Sensor Size | APS-C (23.7×15.7 mm) | APS-C (23.5×15.6 mm) |
Resolution | 16 MP | 12 MP |
Sensor Type | CMOS with anti-alias filter | CMOS with anti-alias filter |
ISO Range | 100–12800 (native), expand to 80–51200 | 200–12800 native |
DxOMark Overall Score | 82 | 64 |
Color Depth (bits) | 23.8 | 21.8 |
Dynamic Range (EV) | 14.1 | 11.6 |
Low Light ISO Performance | 1235 iso | 772 iso |
The Pentax K-5 II’s sensor, though from 2013, is a technical standout. Its 16MP resolution delivers ample detail for large prints and crops while preserving excellent noise control up to ISO 3200 - even pushing to ISO 6400 with acceptable results for many applications. The 14+ stops of dynamic range mean it excels in retaining shadow and highlight details, key for landscapes and high-contrast scenes.
The Sony A500, released four years earlier, features a 12MP sensor that, while decent, lags behind in resolution and noise handling. At base ISOs and good light, image quality is solid, but noise becomes evident at ISO 1600 and beyond. Its smaller dynamic range limits flexibility for heavy editing or harsh lighting.
Practically speaking, the K-5 II lets you explore longer exposures, wider apertures for defocused backgrounds, and high-contrast scenes with more confidence. The Sony A500 is best-suited to well-lit scenarios or everyday shooting where image quality demands are moderate.
Rear LCD Screen and Viewfinder: Your Window to Composition
How you frame and review images greatly influences shooting satisfaction and efficiency.
Feature | Pentax K-5 II | Sony A500 |
---|---|---|
Screen Size | 3 inches | 3 inches |
Screen Resolution | 921k dots | 230k dots |
Screen Type | Fixed TFT LCD | Tilting LCD |
Viewfinder Type | Optical Pentaprism | Optical Pentamirror |
Viewfinder Coverage | 100% | 95% |
Finder Magnification | 0.61× | 0.53× |
The Pentax K-5 II offers a sharp, detailed fixed LCD with 921k dots, making live view and menu navigation crisp. The 100% coverage pentaprism viewfinder is bright with accurate representation of your framing - a professional feature that gives you confidence when composing shots critically.
The Sony A500’s 3-inch screen is tilting, a nice benefit for shooting at awkward angles or video, but its low 230k dot resolution makes it less sharp for reviewing shots or menu legibility. The pentamirror viewfinder shows 95% coverage with lower magnification, providing a narrower, less bright view compared to the K-5 II, which may affect precise framing or critical focus assessment.
Autofocus System: Speed and Accuracy Under Pressure
Both cameras employ phase-detection autofocus with live view contrast detection fallback, but their capabilities differ significantly.
Feature | Pentax K-5 II | Sony A500 |
---|---|---|
AF Points | 11 (9 cross-type) | 9 (cross-type points unknown) |
Face Detection | Yes | Yes |
Eye Detection | No | No |
Continuous AF | Yes | Yes |
Tracking AF | Yes | No |
Live View AF | Contrast & phase detection | Phase detection only |
AF Speed | Fast | Moderate |
The K-5 II’s autofocus system is versatile and responsive with 11 points, 9 of which are cross-type, improving accuracy in low contrast or complex scenes. Its autofocus tracking is solid, helping in wildlife or sports where you follow moving subjects. Although it lacks animal eye AF - a common feature on more recent cameras - the face detection works reliably for portraits and casual use.
In contrast, the Sony A500’s 9-point AF system lacks tracking and seems slower when locking focus, especially during continuous shooting or moving subjects. Face detection helps portrait framing, but its limited tracking capability can frustrate fast action shooters.
Thus, if you often photograph wildlife, sports, or active kids, the Pentax will deliver more consistent and confident autofocus performance.
Shooting Speed and Shutter Performance: Catching the Decisive Moment
When capturing fast action, burst rate and shutter responsiveness can make or break your shot.
Parameter | Pentax K-5 II | Sony A500 |
---|---|---|
Max Continuous Shooting | 7 fps | 5 fps |
Shutter Speed Range | 30 sec to 1/8000 s | 30 sec to 1/4000 s |
Silent Shutter | No | No |
Max Flash Sync Speed | Not specified (high-speed sync available) | 1/160 s |
The Pentax K-5 II offers a 7 fps burst speed, outperforming the Sony A500’s 5 fps. This faster cadence allows you to capture critical frames in sports or wildlife. Its shutter speed tops out at a fast 1/8000 second, giving flexibility for wide aperture shooting in bright light or freezing ultra-fast motion.
The Sony A500 caps out at 1/4000 s shutter speed, sufficient for many scenarios but somewhat limiting compared to the K-5 II. Its slower max sync speed means flash photography at high shutter speeds may be constrained.
If fast action or creative shutter control matters to you, the Pentax is clearly superior.
Video Capabilities: Moving Beyond Stills
While both are primarily stills cameras, video options differ and could be deal-makers for content creators.
Feature | Pentax K-5 II | Sony A500 |
---|---|---|
Max Video Resolution | 1920×1080 at 25 fps | None |
Video Formats | Motion JPEG | None |
Microphone Input | Yes | No |
Headphone Jack | No | No |
Stabilization | Sensor-based (in-body IS) active in video | Sensor-based IS present but no video stabilization specs available |
The Pentax K-5 II records Full HD 1080p at 25 fps, providing usable video quality for enthusiasts wanting HD content. It features an external microphone input, giving you higher audio quality options vital for vloggers or filmmakers. However, there's no headphone jack for audio monitoring.
The Sony A500 lacks video capture capability entirely - no recording option is available, which is a major limitation if your creative ambitions extend to videography.
For hybrid shooters or casual filmmakers, Pentax is the clear choice.
Lens Mount and Ecosystem: Choices That Shape Creativity
Lens compatibility and native lens availability impact your creative options now and down the road.
Feature | Pentax K-5 II | Sony A500 |
---|---|---|
Lens Mount | Pentax KAF2 | Sony/Minolta Alpha |
Available Lenses | 151 native lenses | 143 native lenses |
Lens Focal Length Multiplier | 1.5× | 1.5× |
Third-Party Support | Moderate | Good |
The Pentax K-5 II uses the Pentax KAF2 mount, benefiting from a rich catalog of native lenses, many of which are highly regarded for optical quality - especially Pentax’s renowned primes and weather-sealed zooms. The all-in-body image stabilization system allows you to use lenses without stabilization and still reduce camera shake.
The Sony A500 relies on the Sony/Minolta Alpha mount, which also offers an abundance of lenses and adapter options for vintage glass. However, Sony transitioned away from this mount in favor of E-mount mirrorless cameras in later years, so finding newer native lenses can be challenging.
If you already own lenses or prioritize future-proofing with varied lens options, Pentax’s well-supported ecosystem is a smart investment, especially with its built-in sensor stabilization.
Battery Life and Storage: Staying Power for Long Shoots
Reliable power and ample storage are critical for extended outings or professional workflow.
Specification | Pentax K-5 II | Sony A500 |
---|---|---|
Battery Type | Rechargeable Lithium-Ion (D-LI90) | Rechargeable Lithium-Ion (NP-FM500H) |
Battery Life (CIPA) | ~980 shots per charge | ~520 shots |
Storage Media | Single SD/SDHC/SDXC | Single SD/SDHC & Memory Stick Pro Duo |
The Pentax K-5 II doubles the Sony A500’s typical battery endurance. At nearly 1000 shots per charge, it is well suited for day-long trips or professional sessions without frequent battery swaps.
The Sony A500’s 520 shots are average for its class, sufficient for casual use but somewhat limiting for longer workdays or travel.
Both cameras use single storage cards, but Pentax supports SDXC, allowing for larger cards and flexibility. Sony’s dual compatibility with SD and proprietary Memory Stick formats can be advantageous if you already have accessories matching these.
Weather Sealing and Durability: Protecting Your Investment
Pentax has long emphasized rugged construction - let’s see how these two compare.
Feature | Pentax K-5 II | Sony A500 |
---|---|---|
Weather Sealing | Yes (dust and moisture resistant) | No |
Waterproof/Shockproof | No | No |
Freeze Proof/Crush Proof | No | No |
If you shoot in changeable weather, the Pentax K-5 II stands out with extensive sealing around body seams and buttons. This durability extends its usage in hostile environments like rain, dust, or snow.
The Sony A500 lacks such protection, which restricts use to more controlled environments unless you invest in protective covers.
Performance Ratings Overview: Synthesizing Strengths and Weaknesses
After thorough analysis, here’s how the cameras rate across key performance categories:
The Pentax K-5 II holds a clear advantage overall (DxOMark score 82 vs 64), reflecting a stronger sensor, robust autofocus, better shooting speed, and build quality. The Sony A500 holds its ground as an accessible, compact DSLR for beginners but falls short in critical professional features.
How They Perform Across Photography Genres
No single camera suits every style perfectly. Here is a breakdown of how each model excels or struggles within popular photographic disciplines:
-
Portrait Photography: Pentax K-5 II’s higher resolution, better dynamic range, and face detection create natural skin tones and beautiful bokeh. Sony’s lower-res sensor and slower AF limit portrait finesse.
-
Landscape Photography: The K-5 II’s superior dynamic range and weather sealing make it ideal for landscapes. The Sony’s narrower dynamic range and lack of sealing restrict outdoor use.
-
Wildlife and Sports: Pentax leads with faster 7 fps shooting and better AF tracking, essential for fast-moving subjects. Sony’s slower 5 fps and AF struggles hamper action work.
-
Street Photography: Sony’s compact size and tilting screen give a slight edge for stealth shooting and creative angles, but lower ISO performance penalizes night street scenes.
-
Macro Photography: Pentax benefits from in-body stabilization, improving handheld macro sharpness; Sony’s lack of IBIS means you rely more on lens IS or tripods.
-
Night and Astro Photography: Pentax’s cleaner high-ISO and longer exposures enable nightscapes and astrophotography. Sony’s noise becomes limiting past ISO 800.
-
Video: Only Pentax offers HD video capture with audio input, albeit without advanced video features.
-
Travel Photography: Sony’s lighter body wins on portability, but Pentax’s battery life and durability provide better reliability in long trips.
-
Professional Work: Pentax’s file quality, controls, and durability give it a professional edge. Sony suits entry-level but lacks pro-grade handling.
Real-World Sample Images: Seeing Is Believing
Reviewing carefully captured sample photos showcases the practical difference in image quality.
The Pentax K-5 II images show richer colors, better shadow detail, and more dynamic range. Sony images remain respectable but display increased noise at higher ISO.
Final Recommendations: Which DSLR Fits Your Creative Journey?
Choose the Pentax K-5 II if:
- You want an all-around advanced DSLR with rugged weather sealing.
- High-resolution photos with excellent dynamic range and noise control matter.
- You shoot sports, wildlife, portraits, or landscapes seriously and need fast, accurate autofocus.
- You desire Full HD video with external mic input for hybrid use.
- Battery life and build quality are paramount.
Choose the Sony A500 if:
- You are stepping into DSLR photography and need a compact, affordable body.
- Your shooting mostly occurs in good light or indoors.
- You value tilting LCD for creative composition.
- Portability and weight are top priorities.
- You have a tight budget and plan to upgrade later.
Accessories and Expanding Your Kit
Regardless of choice, invest in:
- Quality lenses matched to your style (portrait primes, wide-angle zooms, or telephotos).
- Extra batteries and high-speed memory cards.
- Tripods, remote releases, and protective gear based on use cases.
Check local stores or rental services to test cameras firsthand and pair with lenses before committing.
Conclusion: Informed Choices Lead to Creative Freedom
The Pentax K-5 II continues to impress years after launch with its balanced feature set, pro-level handling, and superior sensor performance. It serves advanced hobbyists and professionals who need a dependable, versatile tool.
The Sony Alpha DSLR-A500 represents a friendly entry point for new DSLR users wanting a lightweight, easy-to-use camera in a familiar SLR form. However, it shows its age and limitations in critical areas, especially for demanding work.
Your choice should align with your photography ambitions, shooting environments, and preferred workflow. Both cameras have stories to tell - pick the one that lets you tell yours best.
Get out there, try them, and start creating!
If you found this comparison helpful, explore lens options and camera bags next to build your ideal photo kit. Happy shooting!
Pentax K-5 II vs Sony A500 Specifications
Pentax K-5 II | Sony Alpha DSLR-A500 | |
---|---|---|
General Information | ||
Brand Name | Pentax | Sony |
Model | Pentax K-5 II | Sony Alpha DSLR-A500 |
Class | Advanced DSLR | Entry-Level DSLR |
Revealed | 2013-06-04 | 2009-08-27 |
Physical type | Mid-size SLR | Compact SLR |
Sensor Information | ||
Powered by | Prime II | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.7 x 15.7mm | 23.5 x 15.6mm |
Sensor area | 372.1mm² | 366.6mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Highest resolution | 4928 x 3264 | 4272 x 2848 |
Highest native ISO | 12800 | 12800 |
Highest boosted ISO | 51200 | - |
Minimum native ISO | 100 | 200 |
RAW pictures | ||
Minimum boosted ISO | 80 | - |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 11 | 9 |
Cross focus points | 9 | - |
Lens | ||
Lens mounting type | Pentax KAF2 | Sony/Minolta Alpha |
Number of lenses | 151 | 143 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen diagonal | 3 inches | 3 inches |
Resolution of screen | 921k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | TFT LCD monitor | - |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Optical (pentamirror) |
Viewfinder coverage | 100 percent | 95 percent |
Viewfinder magnification | 0.61x | 0.53x |
Features | ||
Slowest shutter speed | 30 seconds | 30 seconds |
Maximum shutter speed | 1/8000 seconds | 1/4000 seconds |
Continuous shooting rate | 7.0 frames per sec | 5.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 13.00 m (at ISO 100) | 12.00 m |
Flash settings | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/160 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) | - |
Highest video resolution | 1920x1080 | None |
Video file format | Motion JPEG | - |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 760 grams (1.68 lbs) | 630 grams (1.39 lbs) |
Dimensions | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
DXO scores | ||
DXO All around score | 82 | 64 |
DXO Color Depth score | 23.8 | 21.8 |
DXO Dynamic range score | 14.1 | 11.6 |
DXO Low light score | 1235 | 772 |
Other | ||
Battery life | 980 images | 520 images |
Form of battery | Battery Pack | Battery Pack |
Battery model | D-LI90 | NP-FM500H |
Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/ SDHC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | One | One |
Cost at launch | $830 | $638 |