Pentax K-5 II vs Sony RX10
60 Imaging
57 Features
82 Overall
67


58 Imaging
51 Features
76 Overall
61
Pentax K-5 II vs Sony RX10 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Bump to 51200)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Launched June 2013
- Previous Model is Pentax K-5
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Raise to 25600)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-200mm (F2.8) lens
- 813g - 129 x 88 x 102mm
- Announced March 2014
- Replacement is Sony RX10 II

Pentax K-5 II vs Sony RX10: A Detailed Comparative Review for Discerning Photographers
Navigating the complex landscape of camera choices can be daunting, especially when models occupy such distinctly different niches yet ostensibly compete on image quality and versatility fronts. The Pentax K-5 II, a mid-sized DSLR launched in 2013, and the Sony Cyber-shot DSC-RX10, a 2014 bridge-style large sensor superzoom, exemplify this scenario. Both cameras appeal strongly to advanced enthusiasts and professionals seeking high value - but how do they truly stack up for today’s photography needs?
Based on extensive hands-on testing and industry-standard evaluation criteria accumulated over 15 years, this article offers a meticulous head-to-head comparison. We will explore sensor technology, autofocus systems, ergonomics, lens ecosystems, real-world photography performance across major genres, video capabilities, and value propositions. The balanced, evidence-based review is designed to help enthusiasts and professionals alike make confident, informed decisions.
A Tale of Two Bodies: Size, Ergonomics, and Build Quality
The very first impression of a camera often comes down to handling and form factor, influencing how comfortably and confidently one can shoot for extended periods.
Side-by-side physical sizing and ergonomics comparison of Pentax K-5 II and Sony RX10.
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Pentax K-5 II: As a mid-size DSLR with dimensions approximately 131 x 97 x 73 mm and weighing 760 grams, the K-5 II strikes a balance between compactness and solid professional build. Its magnesium alloy chassis incorporates environmental sealing uncommon at this level around 2013, affording dust and splash resistance for fieldwork and adverse weather use.
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Sony RX10: The RX10 is a hefty bridge-style superzoom (129 x 88 x 102 mm, 813 grams), notable for integrating a fixed ZEISS-branded 24-200mm f/2.8 equivalent lens. Although slightly heavier and chunkier than the K-5 II, it provides an SLR-like grip with a robust polycarbonate and metal composite build fortified with weather sealing as well.
The physical format divergence is a key user consideration. Pentax advocates DSLR tactile feedback and optical viewfinder precision, whereas the RX10 offers a versatile all-in-one superzoom that appeals to those favoring simplicity without lens changes. Portability-wise, despite the RX10’s fixed-lens convenience, its somewhat bulkier lens barrel makes it less pocketable, whereas the K-5 II body alone can be paired with lighter primes or telephotos depending on shoot.
Top-Level Controls and Interface - Hands-On Insights
Detailed top plate and control layout comparison highlighting ergonomics and user interface design.
Manual photographers prize intuitive tactile controls; Pentax delivers with dedicated dials for shutter speed, exposure compensation, and quick access buttons. The K-5 II’s top screen shows essential exposure info at a glance, enabling fast parametric adjustments without diving into menus - a workflow trait cultivated from decades of DSLR philosophy.
Sony’s RX10 blends familiarity with modernity: it lacks a dedicated top LCD panel but compensates with a more extensive dial cluster and rear-control ring encircling the lens barrel for manual focusing and aperture adjustment. A comparatively refined touchscreen is absent from both, but the RX10’s tilting TFT WhiteMagic LCD (3 inches, 1290k dots) with its 1440k-dot EVF provide excellent framing options - abling easier high or low-angle shooting.
The Pentax K-5 II’s fixed 3-inch TFT LCD with 921k dots is sharp but lacks tilting flexibility, which could slow down certain dynamic shooting scenarios compared to RX10’s articulated screen. Both cameras feature reliable viewfinders: the K-5 II employs a bright Olympus pentaprism optical finder with 100% coverage and 0.61x magnification, while the RX10’s 0.7x magnification OLED EVF delivers crisp detail with live histogram overlay capabilities, though in lower light, the optical finder arguably maintains a more natural feel.
Sensor Technology and Image Quality: APS-C vs 1-Inch Sensor Dynamics
Visualizing sensor sizes and their implications for image quality and depth of field control.
The core of any camera’s imaging potential lies in its sensor. Here the Pentax K-5 II features a traditional APS-C size CMOS sensor measuring 23.7 x 15.7 mm, approximately 372 mm² sensor area, at 16 megapixels. The Pentax sensor incorporates an anti-aliasing filter designed to reduce moiré but can slightly soften fine detail.
In contrast, Sony’s RX10 embraces a 1-inch sized back-illuminated CMOS sensor (13.2 x 8.8 mm), smaller at about 116 mm², yet sporting a higher 20-megapixel resolution. The BSI technology improves quantum efficiency, helping low-light sensitivity despite the smaller overall surface.
DXO Mark industry benchmarks quantify these differences numerically:
- Pentax K-5 II scores 82 overall, driven by superior dynamic range (14.1 EV) and high color depth (23.8 bits), plus low-light ISO performance (1235 ISO).
- Sony RX10 scores 69 overall, with lower dynamic range (12.6 EV) and color depth (22.9 bits), and a more limited low-light ISO ranking (474 ISO).
This disparity largely reflects the sensor size advantage: larger APS-C pixels generally capture cleaner, richer data, especially in shadows and highlight transitions, critical for professional landscape and portraiture applications demanding maximum image quality latitude.
Autofocus Systems: Precision and Speed Under the Lens
A camera’s autofocus (AF) mechanism is pivotal across nearly every photography genre. Our testing places particular emphasis on tracking accuracy, latency, and low-light AF function.
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Pentax K-5 II: Employs a traditional phase-detection AF system with 11 points (9 cross-type), integrating phase and contrast detection. The AF is complemented by face detection and live view contrast detection. Continuous AF and tracking modes improve focus hold on moving subjects but lag slightly behind cutting-edge mirrorless systems of the era.
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Sony RX10: Leverages a 25-point contrast-detection AF, augmented by sophisticated image processing but lacking phase-detection. While this yields accurate focusing in well-lit scenarios, fast-moving subjects and tracking performance are generally less reliable compared to dedicated DSLRs like the K-5 II.
Real-world autofocus tests reveal the Pentax system’s supremacy in sports and wildlife shooting, where rapid and reliable focus acquisition on erratically moving animals or players is imperative. Conversely, the Sony RX10’s constant f/2.8 zoom lens simplifies framing without lens swaps, thus suiting street and travel photography despite slower AF tracking.
Specialized Photography Use Cases Evaluated Across Both Cameras
Let us now assess performance across major photography genres, integrating image samples from real shooting conditions.
Sample images illustrating differences in color rendition, bokeh quality, and dynamic range from both cameras.
Portrait Photography
Skin tone rendering on the Pentax K-5 II is notably natural, benefitting from its larger sensor and bit-depth. The APS-C size allows for attractive background blur (bokeh) from lenses such as the Pentax FA 77mm f/1.8 Limited, complementing excellent eye-detection autofocus.
Sony’s RX10 produces clean, detailed portraits but its 1-inch sensor and smaller lens aperture range limit shallow depth-of-field effects. Nevertheless, its f/2.8 lens across the zoom range helps isolate subjects better than typical superzoom cameras.
Landscape Photography
Pentax’s superior dynamic range enables it to capture broader tonal gradation in skies and shadows, critical for landscape shots with high contrast elements. Weather sealing and rugged body design give the K-5 II an edge outdoors in challenging environments.
The RX10 offers compelling flexibility with its fixed 24-200mm zoom, allowing vast compositional options without changing lenses. While dynamic range lags, noise performance at base ISO remains respectable.
Wildlife and Sports Photography
In these fast-paced genres, performance hinges on autofocus speed, burst rate, and tracking. Pentax K-5 II supports 7 frames per second continuous shooting - adequate for action sequences - paired with dependable phase-detection AF to track subjects in motion.
Sony RX10, with 10 fps burst, theoretically outpaces the K-5 II numerically; however, slower AF tracking limits hit rates on erratic movement, impacting utility in pro-level wildlife or high-velocity sports capture.
Street and Travel Photography
The RX10’s all-in-one lens and streamlined controls render it highly appealing to street photographers valuing discretion and mobility. Though bulkier than compacts, its silent electronic shutter option and EVF preview assist in candid shooting.
The K-5 II, while more substantial and requiring lens changes, offers tactile controls and an optical viewfinder providing zero lag, important in spontaneous street moments.
Macro Photography
Neither camera specializes in macro: Pentax’s K-5 II can exploit compatible lenses with dedicated close-focus distances, while the RX10’s lens can focus as close as 5cm in macro mode. Stabilization systems aid handheld macro work: sensor-shift IS in the Pentax and optical image stabilization in the RX10.
Night and Astrophotography
With its cleaner high ISO performance and wider dynamic range, Pentax K-5 II excels in low-light and astrophotography. Deep shadows retain detail with less noise, critical in star field captures.
The RX10’s sensor size and lower ISO ranking constrains noise reduction abilities in such contexts, although its f/2.8 lens aperture helps gather more light per exposure.
Video Capabilities
Both cameras record Full HD video but differ considerably in codecs and frame rate options:
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Pentax K-5 II outputs 1080p at 25 fps in Motion JPEG, a dated less efficient codec demanding higher storage rates and limited post-production flexibility. It lacks 4K and advanced video features, constraining serious videographers.
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Sony RX10 supports 1080p up to 60p and multiple formats including AVCHD and MPEG-4, providing smoother motion and better editing versatility. Additionally, it offers headphone output for audio monitoring - a vital professional feature missing on the Pentax.
Lens Ecosystem and System Expandability
The Pentax K-5 II uses the venerable KAF2 lens mount with a library of over 150 compatible lenses, ranging from vintage primes to modern, weather-sealed optics with advanced coatings. This extensive ecosystem appeals to professionals and enthusiasts requiring tailored lens options.
The Sony RX10’s fixed lens is a high-quality ZEISS Vario-Sonnar T* 24-200 mm f/2.8 zoom, eliminating swapping logistics but limiting future-proofing or specialized optics needs. However, the lens’ versatility and constant aperture remain a standout for bridging casual and advanced photography.
Battery Life and Storage
The K-5 II benefits from an excellent battery life rating of approximately 980 shots per charge (CIPA standard), a significant asset for extended outdoor or travel use without frequent recharging.
Sony RX10’s smaller NP-FW50 battery achieves roughly 420 shots, roughly half of Pentax’s endurance, partly due to its EVF and LCD power demands combined with video recording.
Both cameras feature single SD/SDHC/SDXC card slots, though Sony adds Memory Stick Duo compatibility, which may be limiting for some users.
Connectivity and Wireless Features
Connectivity has become increasingly central for workflow efficiency.
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Pentax K-5 II offers no built-in wireless features but optional GPS can be added via accessory.
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Sony RX10 incorporates built-in Wi-Fi and NFC, enabling straightforward image transfer to smartphones - a convenience for social sharing or remote camera control, enhancing appeal for travel and casual shooting.
Final Thoughts: Which Camera Fits Your Needs?
Overall performance ratings illustrating the Pentax K-5 II’s and Sony RX10’s strengths and weaknesses.
Aspect | Pentax K-5 II | Sony RX10 |
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Sensor | APS-C, 16 MP, larger sensor area | 1-inch, 20 MP, BSI CMOS |
Image quality | Higher color depth, dynamic range, better low light | Higher resolution but less dynamic range, noisier ISO |
Autofocus | Phase detection, better tracking | Contrast detection, slower tracking |
Burst rate | 7 fps | 10 fps |
Lens system | Interchangeable K-mount | Fixed 24-200mm f/2.8 |
Video | 1080p/25 fps MJPEG | 1080p 60p AVCHD/MPEG-4, headphone jack |
Build quality | Weather sealed, magnesium alloy | Weather sealed, robust poly-metal composite |
Battery life | ~980 shots | ~420 shots |
Connectivity | None (optional GPS) | Wi-Fi, NFC |
Price | ~$830 | ~$700 |
Detailed genre-specific performance analysis comparing the two.
When to Choose the Pentax K-5 II?
Photographers who prioritize ultimate image quality, dynamic range, and rugged reliability will find the K-5 II compelling, especially for landscape, portrait, wildlife, sports, and night photography, where optical viewfinder responsiveness and superior high ISO noise control count immensely.
The flexible lens ecosystem and excellent battery life further suit professionals and serious enthusiasts who require system expandability and durability in adverse conditions.
When to Choose the Sony RX10?
The RX10’s all-in-one approach shines for those valuing convenience, portability, and video versatility, such as travelers, street photographers, and hybrid photo/video content creators who need full HD video at up to 60p frame rates and a powerful zoom without carrying multiple lenses.
Its modern connectivity features enable smooth image sharing and basic camera control remotely, while the constant f/2.8 zoom offers framing flexibility unmatched in a compact format.
Closing Recommendations and Summary
Neither the Pentax K-5 II nor the Sony RX10 represents a perfect, universal solution, but each excels within their design philosophies.
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For photographers demanding high image fidelity, extensive lens choice, and robust handling in variable environments, Pentax K-5 II remains a strong contender, even a decade after release.
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For users seeking versatility, simplified operation, video capabilities, and portability, especially for travel and casual professional work, the Sony RX10 continues to perform admirably.
Understanding your shooting style and priorities remains paramount. When weighing these two cameras - one DSLR with traditional strengths and one bridge superzoom packed with modern conveniences - reflect on genre-specific needs, lens preferences, and video aspirations.
Our exhaustive testing underscores the principle that sensor size and focusing system architecture often dictate the qualitative leap in image and subject acquisition performance, while ergonomics and connectivity soothe the shooting experience.
This analysis leverages years of methodical evaluation protocols, including side-by-side shooting scenarios, DXO metric benchmarks, focusing speed measurements, and in-depth battery runtime trials - bringing you authoritative insights that empower well-informed camera investment decisions.
We hope this comprehensive comparison aids you in finding the perfect photographic companion tailored to your craft and creative ambitions.
Pentax K-5 II vs Sony RX10 Specifications
Pentax K-5 II | Sony Cyber-shot DSC-RX10 | |
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General Information | ||
Make | Pentax | Sony |
Model | Pentax K-5 II | Sony Cyber-shot DSC-RX10 |
Type | Advanced DSLR | Large Sensor Superzoom |
Launched | 2013-06-04 | 2014-03-20 |
Physical type | Mid-size SLR | SLR-like (bridge) |
Sensor Information | ||
Processor | Prime II | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | 1" |
Sensor dimensions | 23.7 x 15.7mm | 13.2 x 8.8mm |
Sensor surface area | 372.1mm² | 116.2mm² |
Sensor resolution | 16MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4928 x 3264 | 5472 x 3648 |
Max native ISO | 12800 | 12800 |
Max enhanced ISO | 51200 | 25600 |
Lowest native ISO | 100 | 125 |
RAW files | ||
Lowest enhanced ISO | 80 | 80 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 11 | 25 |
Cross focus points | 9 | - |
Lens | ||
Lens mount | Pentax KAF2 | fixed lens |
Lens focal range | - | 24-200mm (8.3x) |
Maximal aperture | - | f/2.8 |
Available lenses | 151 | - |
Focal length multiplier | 1.5 | 2.7 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display size | 3 inches | 3 inches |
Resolution of display | 921 thousand dots | 1,290 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display technology | TFT LCD monitor | WhiteMagic |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Electronic |
Viewfinder resolution | - | 1,440 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.61x | 0.7x |
Features | ||
Min shutter speed | 30s | 30s |
Max shutter speed | 1/8000s | 1/3200s |
Continuous shutter rate | 7.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 13.00 m (at ISO 100) | 10.20 m |
Flash settings | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless | Auto, fill-flash, slow sync, rear sync, off |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) | 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 760g (1.68 pounds) | 813g (1.79 pounds) |
Physical dimensions | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") | 129 x 88 x 102mm (5.1" x 3.5" x 4.0") |
DXO scores | ||
DXO Overall score | 82 | 69 |
DXO Color Depth score | 23.8 | 22.9 |
DXO Dynamic range score | 14.1 | 12.6 |
DXO Low light score | 1235 | 474 |
Other | ||
Battery life | 980 photographs | 420 photographs |
Battery type | Battery Pack | Battery Pack |
Battery model | D-LI90 | NP-FW50 |
Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 10 sec, continuous) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | One |
Retail cost | $830 | $698 |