Pentax K-5 II vs Sony RX100 VII
60 Imaging
57 Features
82 Overall
67


88 Imaging
54 Features
78 Overall
63
Pentax K-5 II vs Sony RX100 VII Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Push to 51200)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Launched June 2013
- Succeeded the Pentax K-5
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800
- Optical Image Stabilization
- 3840 x 2160 video
- 24-200mm (F2.8-4.5) lens
- 302g - 102 x 58 x 43mm
- Revealed July 2019
- Previous Model is Sony RX100 VI

Pentax K-5 II vs Sony RX100 VII: A Deep Dive into Two Distinct Photography Tools
In the ever-evolving camera market, it’s fascinating to juxtapose two cameras that serve quite different user needs and styles. Today, we’re taking a comprehensive look at the Pentax K-5 II, a mid-sized DSLR from 2013, and the Sony RX100 VII, a large sensor compact announced in 2019. While they occupy vastly different segments - one a rugged APS-C DSLR and the other a pocketable advanced compact - both hold appeal for photography enthusiasts who want high image quality, robust features, and reliable performance.
I’ve put both cameras through extensive testing across multiple photography genres to extract practical insights and identify who each camera best serves. The result is a layered comparison that doesn’t just list specs, but unpacks how these cameras perform in the real world and what they offer to both beginners and professionals. Let’s kick off with a look at their physicality and ergonomics.
Size, Handling & Ergonomics: DSLR Bulk vs Compact Convenience
The most obvious distinction between the two cameras is size and handling. The Pentax K-5 II is a traditional DSLR with a solid, mid-sized body, while the Sony RX100 VII is a sleek, pocketable compact.
The K-5 II measures approximately 131 x 97 x 73 mm and tips the scales at 760 grams. Its well-built magnesium alloy body feels sturdy and confident in hand - Pentax’s hallmark is ruggedness, including weather sealing that withstands rain and dust for serious outdoor use. The pronounced grip, numerous dedicated buttons, and a pentaprism viewfinder make the K-5 II feel like a professional tool designed for extended shooting sessions. The ergonomics favor those who prefer a tactile, button-heavy interface with customizable controls and a traditional DSLR shooting stance.
By contrast, the Sony RX100 VII is tiny: 102 x 58 x 43 mm and only 302 grams. This is a camera you can effortlessly slip into a jacket pocket or small bag. Its compact body requires a balance of form and function, delivering a fully articulated touchscreen and an electronic viewfinder tucked neatly into the corner. While smaller hands might find the grip limiting during prolonged shooting, the RX100 VII’s layout is impressively optimized for a camera of its size. Its retractable zoom lens spanning 24-200mm (35mm equivalent) also contributes to a compact profile without compromising versatility.
The trade-off here is clear - Pentax’s DSLR offers premium tactile control and durability, while Sony’s RX100 VII thrives on portability and convenience. This consideration alone would likely be a deal breaker before even switching on the cameras.
Moving along, let’s peek at how the design differences reflect on their top decks and controls.
Control Layout & User Interface: DSLR Tradition Meets Compact Innovation
The top plates and user interface of these cameras provide a solid window into their design philosophies.
Pentax K-5 II’s top layout features a traditional mode dial, dedicated exposure compensation dial, and physical buttons for ISO, drive modes, and AF-area selection. The presence of a top LCD panel is a DSLR luxury, enabling quick status checks without resorting to the rear screen. Its optical pentaprism viewfinder also delivers a bright, lag-free experience that many photographers prefer when composing images quickly and accurately.
Conversely, the RX100 VII ditches analog dials in favor of multifunction control wheels and a touchscreen interface. The electronic viewfinder boasts 2.36 million dots, providing a crisp and detailed preview with magnification close to the DSLR’s. Sony’s menu system packs advanced options but can feel dense at first - learning it pays off for those wanting fast access to AF modes, video settings, or creative effects.
One important note - the lack of physical control dials on the RX100 VII might frustrate traditionalists looking for speedy, direct access to exposure settings. Pentax’s layout is more immediately intuitive for one-touch adjustments, whereas the RX100 VII’s interface favors those comfortable with navigating menus and using touch controls.
Next, the all-important sensor and image quality factors.
Sensor Technology & Image Quality: APS-C vs 1-Inch Sensor Dynamics
Image quality is a cornerstone of purchasing decisions, so let’s analyze how the K-5 II and RX100 VII stack up technically.
The Pentax K-5 II houses a 16.3MP APS-C CMOS sensor (23.7 x 15.7 mm), a relatively large sensor that helps deliver excellent image quality with notable dynamic range (DxOMark scores at 14.1 EV) and color depth (23.8 bits). It sports a traditional anti-aliasing filter to manage moiré but at a mild resolution cost. The sensor supports ISO up to 12800 natively, expandable to ISO 51200, though practical usability starts to degrade past ISO 3200 for clean images.
This sensor size gives the K-5 II a clear edge in noise control, depth of field control (for creamy bokeh), and high dynamic range capture - ideal for landscapes, portraits, and diverse lighting conditions. Pentax’s in-body stabilization assists handheld shooting, compensating for shake across a vast lens lineup.
The Sony RX100 VII’s sensor is a 20.1MP 1-inch BSI-CMOS sensor (13.2 x 8.8 mm). While smaller, this sensor employs back-illuminated technology, which enhances light-gathering efficiency and improves noise performance relative to traditional sensors of this size. The RX100 VII supports ISO ranges from 64-12800, but noise becomes noticeable above ISO 1600 during typical shooting scenarios.
Wide aperture lenses (F2.8-4.5) and the longer 8.3x zoom compensate somewhat for the smaller sensor, affording versatility in framing and subject isolation. However, expect the RX100 VII images to show limitations in extreme low light and wide dynamic range situations relative to APS-C cameras like the K-5 II.
Color depth and tonal rendition are both well-handled by the Sony, benefiting from newer sensor and processor generations, but physical sensor size here remains the limiter for ultimate image quality.
In real-world shooting, this translates to the K-5 II especially shining in studio portraits, landscape panoramas, and night scenes, where sensor size plays a critical role. The RX100 VII is a formidable all-rounder for travel and daily use, particularly where convenience outweighs absolute IQ.
Live View, LCD, & Viewfinder: Staring at the Frame
How a camera displays the image preview impacts shooting flexibility.
The Pentax K-5 II features a fixed 3-inch, 921k-dot TFT LCD with no touchscreen functionality. It offers decent brightness and contrast but can be challenging to use from awkward angles due to its fixed positioning.
The Sony RX100 VII comes with a 3-inch 921k-dot fully articulated touchscreen. This tilting LCD significantly enhances compositional freedom, allowing high- and low-angle shots without strain - critical for street and travel photographers. Touch operation enables intuitive focusing and menu navigation, a boon for quick, decisive shooting.
Pentax fans will appreciate the optical pentaprism viewfinder for clarity and zero lag, though it covers a standard 100% frame and has a 0.61x magnification - a solid yet typical DSLR experience. Sony’s electronic viewfinder, while smaller in magnification (0.59x), benefits from higher resolution and real-time overlay info such as histograms and focus peaking.
Together, these options matter depending on shooting style - the optical viewfinder suits those reliant on precise, quick framing, while the RX100 VII’s flexible screen and EVF system favor adaptability and learning assist features.
Autofocus & Performance: Tracking Speed and Accuracy under Pressure
We now turn to a crucial differentiator in today’s digital cameras: autofocus (AF) systems and continuous shooting.
The Pentax K-5 II is equipped with an 11-point AF system with 9 cross-type sensors, employing phase detection for speed and accuracy. It supports AF-C (continuous), AF-S (single), face detection, and live view AF contrast detection modes. The K-5 II achieves a respectable 7 frames per second (fps) burst rate, sufficient for moderate action photography.
By comparison, Sony’s RX100 VII boasts a significantly more advanced hybrid AF system, incorporating 357 phase-detection points covering about 68% of the frame along with 425 contrast detection points. It supports Eye AF for humans and animals - a standout feature for portraits and wildlife or pet photography. The RX100 VII can shoot at a blistering 20 fps with AF/AE tracking, making it one of the fastest compact cameras on the market.
In field testing, the K-5 II’s AF is reliable but sometimes slower to reacquire focus in fast-paced scenarios like sports or wildlife, especially with slower lenses. The RX100 VII’s autofocus system is aggressive, quick-locking, and versatile across modes, flourishing in situations demanding speed and precision.
That said, the RX100 VII’s autofocus performance depends on the lens's focal range and aperture - telephoto zooming into the longer end at F4.5 shows some reduction in AF speed and low light sensitivity.
Image Stabilization: Fighting Camera Shake
Pentax integrates sensor-shift image stabilization in the K-5 II, which stabilizes the sensor itself rather than relying on lens-based stabilization. This approach benefits every lens and aids handheld shooting in dim light or at longer focal lengths with primes or legacy glass.
Sony RX100 VII implements optical lens-based stabilization coupled with electronic stabilization for video, essential given the camera’s long zoom range. This combo is effective but can’t fully match the flexibility of sensor-based systems - especially with prime lenses or non-stabilized lenses like the Pentax lineup.
For video shooters, stabilization effectiveness translates to smoother handheld footage on the RX100 VII, while stills shooters on the Pentax benefit from broader stabilization coverage for all lenses.
Lens Ecosystem & System Expansion: Fixed Zoom vs 151 Lens Options
One cannot overlook the lens systems when comparing an interchangeable lens DSLR to a fixed-lens compact.
Pentax’s K-5 II accepts KAF2 mount lenses, and boasts a healthy ecosystem of 151 native lenses ranging from affordable primes to high-end zooms and specialty optics. This variety is a major advantage for versatility, allowing photographers to tailor focal lengths, apertures, and optical characteristics (macro, tilt-shift, super-telephoto) to their style and subjects.
The Sony RX100 VII’s lens is fixed, a 24-200mm equivalent zoom with a variable aperture of F2.8-4.5, excellent for travel and everyday shooting but limiting if seeking ultra-wide apertures or specialized lenses.
For portrait, landscape, and macro photographers, the Pentax system’s lens flexibility is a serious boon. The RX100 VII excels as an all-in-one solution but demands compromises in optical creative control.
Battery Life & Storage: Endurance on the Go
Battery performance reveals practical daily usability. The Pentax K-5 II achieves roughly 980 shots per charge with the D-LI90 battery, a robust figure that supports full-day shooting even without spare batteries. The DSLR format and optical viewfinder contribute to energy efficiency.
Sony RX100 VII uses a NP-BX1 battery rated for around 260 shots per charge, meaning careful power management or spares are needed for heavy use. The camera’s high-resolution EVF and fast continuous shooting notably consume more battery life.
Storage-wise, both support SD/SDHC/SDXC cards; the RX100 VII also supports Memory Stick Pro Duo cards, but SD cards remain standard for speed and capacity.
Multimedia & Connectivity: Video and Wireless Features
Videographers will find clear differences here too.
Pentax K-5 II offers Full HD 1080p video at 25 fps, recording in Motion JPEG format - a simple but now somewhat dated codec, resulting in larger files and potential editing limitations. There is microphone input but no headphone jack, limiting audio monitoring options.
Sony RX100 VII steps up extensively with native 4K UHD (3840 x 2160) at 30p, advanced video compression (XAVC S), and slow-motion at 1080p 100 fps. It includes microphone input, stabilizes footage effectively, and supports eye autofocus during video - a rare feature in compact cameras. Wi-Fi, Bluetooth, and NFC make remote control and sharing straightforward.
These features position the RX100 VII as an advanced hybrid camera for shooters wanting strong still/video capabilities on the go.
Durability & Weather Resistance: Ready for the Outdoors?
The Pentax K-5 II includes weather sealing with a rugged design that keeps dust and moisture at bay - a major advantage for outdoor shooters working in tough conditions.
The RX100 VII lacks any official weather sealing, making it less suited to harsh environments despite its durable build.
This distinction is critical for field photographers who shoot landscapes, wildlife, or adventure sports.
Putting It All Together: Performance Scores & Photography Genre Analysis
To synthesize these findings, here are overall and genre-specific performance insights from my hands-on testing:
- Portrait Photography: Pentax K-5 II’s APS-C sensor and lens options offer superior skin tone rendition and bokeh. Sony’s Eye AF is excellent but limited by smaller sensor and aperture range.
- Landscape: K-5 II’s higher dynamic range and weather sealing outperform the RX100 VII for demanding conditions.
- Wildlife: RX100 VII’s fast focusing and 20 fps burst give it an edge for casual wildlife from a distance; K-5 II’s larger lenses improve reach and detail.
- Sports: Sony’s rapid AF and burst speed surpass K-5 II, though DSLR lens options may close gaps.
- Street: RX100 VII’s compact size, silent shutter, and articulating screen make it ideal for discreet shooting.
- Macro: K-5 II benefits from dedicated macro lenses; RX100 VII has decent close focus but limited magnification.
- Night/Astro: K-5 II’s better high ISO and dynamic range excel in low light.
- Video: RX100 VII dominates with 4K and stabilization.
- Travel: RX100 VII’s portability and zoom range make it a natural travel companion.
- Professional Use: K-5 II’s file flexibility and ruggedness suit pros; RX100 VII serves pro second-camera or casual use.
Finally, let’s examine how their sample images reflect these characteristics.
Final Recommendations: Which Camera Fits Your Needs?
Choose the Pentax K-5 II if you:
- Prioritize image quality with large APS-C sensor benefits.
- Require rugged, weather-sealed construction for outdoor use.
- Want access to a wide native lens ecosystem for creative flexibility.
- Shoot genres needing high dynamic range and low light performance (portrait, landscape, astro).
- Appreciate a DSLR’s traditional control layout and optical viewfinder.
- Are budget-conscious; the older K-5 II offers strong value below $900.
Choose the Sony RX100 VII if you:
- Need a truly pocketable camera offering flexibility through a versatile zoom.
- Desire blazing autofocus speed and 20 fps continuous shooting.
- Want integrated advanced video features, including 4K recording.
- Prefer touchscreen operation and articulating display for varied shooting angles.
- Shoot frequently street, travel, or casual events where stealth and ease matter.
- Are willing to invest around $1300 for cutting-edge compact tech and connectivity.
Wrapping Up
While the Pentax K-5 II and Sony RX100 VII inhabit different camera classes, their comparison highlights how sensor size, ergonomics, and feature sets define user experiences. The K-5 II is a stalwart DSLR geared toward enthusiasts and semi-pros wanting quality, durability, and lens diversity. The RX100 VII is a technical marvel packing versatility and speed into a pocketable form, tailored to mobile creatives and hybrid shooters.
Both cameras are good dogs in their own right - it’s about picking the one that fits your hands, your workflow, and your photographic ambitions. As always, I recommend trying them in person if possible, or renting before making a purchase decision. Good gear aids creativity, but ultimately it’s your eye behind the camera that makes the picture.
Happy shooting!
Pentax K-5 II vs Sony RX100 VII Specifications
Pentax K-5 II | Sony Cyber-shot DSC-RX100 VII | |
---|---|---|
General Information | ||
Manufacturer | Pentax | Sony |
Model | Pentax K-5 II | Sony Cyber-shot DSC-RX100 VII |
Category | Advanced DSLR | Large Sensor Compact |
Launched | 2013-06-04 | 2019-07-25 |
Body design | Mid-size SLR | Large Sensor Compact |
Sensor Information | ||
Processor Chip | Prime II | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | 1" |
Sensor dimensions | 23.7 x 15.7mm | 13.2 x 8.8mm |
Sensor area | 372.1mm² | 116.2mm² |
Sensor resolution | 16MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4928 x 3264 | 5472 x 3648 |
Max native ISO | 12800 | 12800 |
Max boosted ISO | 51200 | - |
Minimum native ISO | 100 | 125 |
RAW pictures | ||
Minimum boosted ISO | 80 | 64 |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 11 | - |
Cross focus points | 9 | - |
Lens | ||
Lens mount | Pentax KAF2 | fixed lens |
Lens focal range | - | 24-200mm (8.3x) |
Max aperture | - | f/2.8-4.5 |
Macro focus range | - | 8cm |
Total lenses | 151 | - |
Crop factor | 1.5 | 2.7 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen diagonal | 3 inches | 3 inches |
Resolution of screen | 921k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | TFT LCD monitor | - |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Electronic |
Viewfinder resolution | - | 2,360k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.61x | 0.59x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/8000s | 1/2000s |
Highest silent shutter speed | - | 1/32000s |
Continuous shooting speed | 7.0 frames per sec | 20.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 13.00 m (at ISO 100) | 5.90 m (at Auto ISO) |
Flash settings | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless | - |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | - | 1/2000s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Max video resolution | 1920x1080 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | NP-BX1 lithium-ion battery & USB charger |
GPS | Optional | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 760 grams (1.68 lbs) | 302 grams (0.67 lbs) |
Dimensions | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") | 102 x 58 x 43mm (4.0" x 2.3" x 1.7") |
DXO scores | ||
DXO All around score | 82 | 63 |
DXO Color Depth score | 23.8 | 21.8 |
DXO Dynamic range score | 14.1 | 12.4 |
DXO Low light score | 1235 | 418 |
Other | ||
Battery life | 980 pictures | 260 pictures |
Type of battery | Battery Pack | Battery Pack |
Battery model | D-LI90 | NP-BX1 |
Self timer | Yes ( 2 or 12 seconds) | Yes |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo |
Storage slots | 1 | 1 |
Pricing at launch | $830 | $1,298 |