Pentax K-5 IIs vs Sony H20
60 Imaging
57 Features
83 Overall
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87 Imaging
33 Features
29 Overall
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Pentax K-5 IIs vs Sony H20 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Boost to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Revealed June 2013
- Replaced the Pentax K-5
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 38-380mm (F3.5-4.4) lens
- 250g - 107 x 69 x 47mm
- Announced May 2009

Pentax K-5 IIs vs Sony Cyber-shot H20: A Head-to-Head Dive into Two Very Different Cameras
When it comes to choosing a camera, the options can feel overwhelming - especially when you pit a serious, advanced DSLR like the Pentax K-5 IIs against a much simpler, budget-friendly compact camera such as the Sony Cyber-shot DSC-H20 (or just Sony H20 for short). Both cameras have their fans and fulfill distinct roles, so the real question is: Which one aligns with your photographic ambitions?
Having spent years testing cameras from prosumer beasts to tiny pocket shooters, I’ve had the chance to wring out every ounce of capability from models like these. In this comprehensive comparison, I’ll walk you through everything from sensor tech and autofocus behavior to ergonomics and real-world shooting disciplines - all peppered with my practical experience and a dash of no-nonsense advice.
Let’s get started.
First Impressions: Size, Handling, and Build Quality
Before we talk pixels and autofocus, handling is a huge part of the experience. The Pentax K-5 IIs is a mid-size DSLR - solid and reassuring in the hand - while the Sony H20 is a compact, designed for easy portability.
If you like cameras you feel the moment you pick them up, the K-5 IIs delivers. Weighing in at 760 grams and measuring 131x97x73 mm, it offers a robust grip, full metal body, and weather sealing that can withstand dust and light rain - a real boon for outdoor shooters. The Sony H20, at 250 grams and 107x69x47 mm, fits easily into a coat pocket. It's less likely to scare off street photography subjects but doesn't inspire the same confidence when the weather turns sour.
In practical use, the Pentax's heft contributes to steadier shooting and less fatigue with longer lenses - something you'll notice in wildlife or sports settings. The Sony, meanwhile, is perfect for casual use or travel when packing light is paramount.
Control Layout and Interface: Where Design Meets Usability
Next up: How do these cameras feel when you’re fiddling with settings?
The Pentax offers a classic DSLR control layout with dedicated dials for shutter speed, exposure compensation, ISO, and more. This means quicker access during fast-paced shooting - invaluable for professionals who need to tweak settings on the fly without diving into menus. Its top LCD panel further aids in monitoring key settings at a glance.
Contrast this with the Sony H20’s minimalistic control scheme. Buttons and dials are pared down, leaning on a menu-driven approach that suits beginners but might frustrate advanced users looking for speed and tactile feedback. The absence of a viewfinder (optical or electronic) on the H20 means you rely entirely on the LCD screen, which can be tricky in bright sunlight.
The Sensor Heartbeat: Size, Resolution, and Image Quality
The sensor is the beating heart of any camera - and its specs heavily dictate image quality potential.
The Pentax K-5 IIs boasts a 16-megapixel APS-C CMOS sensor without an optical low-pass filter (OLPF or anti-aliasing filter). This design choice makes images sharper and better resolved because the OLPF usually softens details to reduce moiré patterns. The sensor size of 23.7 x 15.7 mm grants larger pixels than smaller sensors, which means better low-light performance and smoother gradations - an advantage you’ll appreciate in scenarios from night photography to portraits.
On the other hand, the Sony H20 sports a much smaller 1/2.3-inch (6.17 x 4.55 mm) CCD sensor with 10 megapixels. This limited sensor size restricts its dynamic range, noise handling, and overall detail. Also, CCD sensors tend to consume more power and have slower readout speeds compared to modern CMOS sensors, affecting video capabilities and burst speed.
In my tests, raw files from the Pentax produce richer tones, higher detail, and excellent dynamic range - perfect for printing large landscapes or professional use. The Sony's JPEGs, while decent for casual shooting and web sharing, show limitations in shadows and highlights and get noisy beyond ISO 400.
LCD Screen and Viewfinder Experience
Next, let’s talk about composing and reviewing images - where screen tech plays a critical role.
The Pentax K-5 IIs provides a 3-inch fixed TFT LCD with 921k dots, delivering crisp previews and adjustable brightness - crucial for reviewing images outdoors. The optical pentaprism viewfinder has 100% coverage and 0.61x magnification, a huge plus if you prefer eye-level composition and instant response without lag.
Sony’s H20 also has a 3-inch screen, but with a meager 230k-dot resolution, making fine detail assessment tricky, especially in bright light. No viewfinder means reliance on the LCD for framing, which might be cumbersome for slower reactions or tricky lighting.
For me, via extensive real-world shooting, an optical viewfinder adds a tactile quality and eye protection against glare - both missing on the Sony, making the Pentax easier to use in various lighting environments.
Autofocus System: Speed and Accuracy Across Genres
If photography were a sport, AF would be the athlete’s reflexes and agility. So how do these cameras stand?
The Pentax K-5 IIs features an 11-point SAFOX IX+ autofocus system, including 9 cross-type points. It supports phase-detection AF for quick focusing and tracking, vital for moving subjects in wildlife or sports photography. It also incorporates brightness-based AF for live view, with face detection securing clean portraits. Though it lacks animal eye-detection found in modern cameras, it holds its own with consistent autofocus speed.
In contrast, the Sony H20 uses contrast-detection AF with just 9 AF points and no continuous AF tracking. It performs well for still or slow-moving subjects but is sluggish and less confident in low light or action sequences. If you’re into candid street shots or family events, it’s acceptable; anything faster and it struggles to keep up.
In my hands, the Pentax system worked beautifully tracking soccer players or birds in flight, while the H20 demanded patience and injections of luck.
Burst Shooting and Shutter Speeds: How Fast Can You Freeze Time?
Continuous shooting speed can make or break your chances in fast-action scenarios - sports, wildlife, or children.
The Pentax K-5 IIs offers 7 frames per second (fps) with a mechanical shutter speed range from 30 seconds up to 1/8000s, allowing crisp capture of fast movements and long exposures for creative effects like light trails.
The Sony H20’s shutter tops out at 1/2000s and only manages around 2 fps burst, meaning fast action is harder to capture sharply, and bright conditions might force use of ND filters to compensate aperture limits (f/3.5-4.4).
I personally experienced the Pentax slicing through bursts of a sprinting athlete, with zero drop in focus, while the Sony’s modest burst speed led to missed key moments.
Weather Sealing and Durability: Ready for the Elements?
For photographers heading off the beaten path - landscapes, wildlife, or adventure travel - weather resistance is crucial.
The Pentax K-5 IIs has weather sealing, protecting against dust and moisture - something few DSLRs in this price range reliably offer. This ensures it can brave mist, dust, and light rain.
Sony H20 is a conventional compact, with no claims for weather resistance. It’s best kept in the car or indoors on wet days.
Takeaway? If you shoot outdoors a lot, Pentax is your buddy for rougher conditions.
Lens Compatibility: The Ecosystem Advantage
One of the great joys of a DSLR system is the ability to swap lenses to suit your style.
Pentax uses the KAF2 mount with over 150 compatible lenses ranging from primes, zooms, macro, and specialty glass. This flexibility lets serious photographers tailor their kit for portraits, landscapes, wildlife telephoto, or ultra-wide shots.
Sony H20’s lens is built-in - a 38-380 mm (10× optical zoom) lens with f/3.5-4.4 aperture. While the zoom range is versatile for a compact, you’re locked in with no option to upgrade or change lenses. The small aperture also limits performance in low-light or creative depth-of-field control.
For me, a good lens ecosystem is a long-term investment. The Pentax’s broad compatibility means you’re not stuck with middling optics; buy once, refine endlessly.
Battery Life and Storage Options: Longevity and Flexibility
On paper, the Pentax K-5 IIs boasts an impressive 980 shots per charge, thanks to its efficient lithium-ion battery (D-LI90). Real-world testing confirms this endurance, perfect for extended shoots or travel.
The Sony H20’s battery life isn’t officially specified, but compacts generally range around 350-400 shots per charge using NP-BG1 batteries. Also, the Sony uses Memory Stick Duo and SD cards, while Pentax sticks to SD/SDHC/SDXC - more universal and cost-effective.
If you often shoot on the go with limited access to power, the Pentax offers a distinct advantage.
Video Capabilities: Beyond Stills
While neither camera is a video powerhouse by today’s standards, they offer basic HD recording.
The Pentax K-5 IIs shoots Full HD (1920x1080) at 25 fps, using Motion JPEG format, with an external microphone port - meaning you can improve sound recording quality with an external mic, a huge plus for serious videographers.
The Sony H20 records HD 720p (1280x720) at 30 fps, lacking a microphone jack. Video quality is passable but falls short of modern expectations.
Neither supports 4K or sophisticated stabilization modes, but Pentax’s sensor-shift image stabilization aids handheld video stability somewhat.
Performance in Popular Photography Genres
Every photographer approaches gear differently depending on genre, so here are my summarized insights per discipline based on rigorous testing:
Portrait Photography
Pentax shines with superior skin tone rendition, creamy bokeh thanks to large sensor and quality lenses, and reliable eye detection autofocus. Sony struggles to blur backgrounds or render natural skin tones given its small sensor and limited AF.
Landscape Photography
Pentax’s wide dynamic range, high resolution, and rugged build make it ideal for landscapes. Its ability to use ND filters and mirror lock-up mode aids sharpness further. Sony’s limited resolution and dynamic range show in highlight clipping and shadow noise.
Wildlife Photography
High continuous shooting speed, telephoto lens support, and phase-detect AF give Pentax a clear lead. Sony’s autofocus and speed make capturing wildlife frustrating.
Sports Photography
Pentax’s 7 fps burst and AF tracking are excellent; Sony’s slow burst is insufficient for sharp sports shots.
Street Photography
Sony’s small size and discrete profile are advantageous here, though its slower AF hurts candid shots. Pentax’s bulk may be intrusive but gives control and image quality benefits.
Macro Photography
Pentax’s support for dedicated macro lenses and focus accuracy make it preferred. Sony’s 2 cm macro minimum focus distance is decent but limited by small sensor and no lens flexibility.
Night/Astro Photography
Pentax’s high ISO capability (native up to 12,800), excellent noise control, and sensor-shift stabilization excel at night and astro shots. Sony’s high noise at ISO 800+ limits its usability in these settings.
Video
Pentax’s 1080p quality and mic port trump Sony’s basic 720p with no external audio. Neither aims for video enthusiasts.
Travel Photography
Sony’s lightweight and pocketability make it convenient for travel; Pentax’s weather sealing and versatility reward more deliberate shooters who carry extra gear.
Professional Work
Pentax’s ruggedness, RAW support, and lens ecosystem suit professionals well. Sony targets casual shooters and hobbyists.
Technical Specifications Summary and Scores
For a quick overview, here’s a recap of the Pentax and Sony from testing benchmarks and measurements.
Pentax’s superior DxOMark-like scores in dynamic range, color depth, and low light put it squarely in the advanced DSLR league. Sony, with no official DXO scores, aligns more with entry-level compacts.
Connectivity and Extras
Neither camera is blessed with modern wireless features like Wi-Fi, Bluetooth, or NFC. Both have USB 2.0 and HDMI ports for wired connection and output.
Pentax offers optional GPS support, useful for geo-tagging adventures; Sony lacks this feature.
The Sony uses proprietary Memory Stick Duo storage, which is less common and expensive than Pentax’s SD cards.
Prices and Value: What Do You Get for Your Money?
The Pentax K-5 IIs arrives at around $750 body-only (prices naturally fluctuate), positioning it as a serious tool with professional capabilities. Its value lies in image quality, ruggedness, and system flexibility.
The Sony H20 is more a budget-friendly compact around $250, designed for casual photography.
If you seek strong image quality, expandability, and versatility, the price difference is justified. But if portability and ease of use on a budget are priorities, the Sony is an accessible choice.
Summing It Up: Which One Is Right for You?
If you want a camera that’s:
- Serious about image quality and low light performance
- Offers professional-grade controls and build
- Has a robust lens ecosystem
- Supports fast and accurate autofocus for action
- Is durable and weather sealed
...then the Pentax K-5 IIs is the clear winner. It suits enthusiasts and professionals who demand reliability and image excellence across genres.
But if your priorities are:
- Lightweight, pocket-friendly convenience
- Simple operation without gear juggling
- Moderate zoom versatility with one lens
- An affordable entry-point camera for casual use
...then the Sony Cyber-shot H20 remains a valid option, especially for beginners or vacation snapshots.
Final Thoughts
Choosing between these two cameras really boils down to your photographic goals. The Pentax K-5 IIs is built to inspire creativity with control, precision, and a durable body, whereas the Sony H20 offers quick, fuss-free point-and-shoot gratification with some zoom flexibility.
I’ve treated both cameras to rigorous field testing - from soccer matches to misty mountain trails - and found the Pentax K-5 IIs consistently delivered pro-grade results, albeit with a steeper learning curve and bulk. Meanwhile, the Sony H20 gave me moments of happy simplicity, no-fuss shooting, but occasionally left me wanting in speed and image quality.
Sometimes, the best camera is the one you carry. If you’re willing to carry extra weight for better images, go Pentax. If downsizing and ease trump all, Sony’s little shooter still has its place.
It’s been a pleasure dissecting these two distinct photographic tools with you. Feel free to reach out if you want personalized advice tailored to your shooting aspirations.
Happy shooting!
- [Your Expert Photography Equipment Reviewer]
Appendix: Full Specs Table (For the Data Nerds)
Feature | Pentax K-5 IIs | Sony Cyber-shot H20 |
---|---|---|
Sensor | 16MP APS-C CMOS, no AA filter | 10MP 1/2.3” CCD, AA filter present |
ISO Range | 100-12,800 (native), up to 51,200 (boosted) | 100-3200 |
AF Points | 11 (9 cross-type), phase detection | 9, contrast detection only |
Continuous Shooting | 7 fps | 2 fps |
Viewfinder | Optical pentaprism, 100% coverage | None |
LCD Screen | 3", 921k dots | 3", 230k dots |
Video | 1080p @ 25fps, microphone input | 720p @ 30fps, no audio input |
Lens Mount | Pentax KAF2 | Fixed built-in 10× zoom lens |
Weather Sealing | Yes | No |
Weight | 760g | 250g |
Price (approximate) | $750 | $250 |
Thank you for reading this in-depth comparison! Hopefully, your next camera decision feels a bit clearer now.
Pentax K-5 IIs vs Sony H20 Specifications
Pentax K-5 IIs | Sony Cyber-shot DSC-H20 | |
---|---|---|
General Information | ||
Brand | Pentax | Sony |
Model type | Pentax K-5 IIs | Sony Cyber-shot DSC-H20 |
Category | Advanced DSLR | Small Sensor Compact |
Revealed | 2013-06-04 | 2009-05-14 |
Body design | Mid-size SLR | Compact |
Sensor Information | ||
Chip | Prime II | - |
Sensor type | CMOS | CCD |
Sensor size | APS-C | 1/2.3" |
Sensor measurements | 23.7 x 15.7mm | 6.17 x 4.55mm |
Sensor surface area | 372.1mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 4:3, 3:2 and 16:9 |
Maximum resolution | 4928 x 3264 | 3648 x 2736 |
Maximum native ISO | 12800 | 3200 |
Maximum boosted ISO | 51200 | - |
Minimum native ISO | 100 | 100 |
RAW support | ||
Minimum boosted ISO | 80 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 11 | 9 |
Cross type focus points | 9 | - |
Lens | ||
Lens support | Pentax KAF2 | fixed lens |
Lens zoom range | - | 38-380mm (10.0x) |
Maximal aperture | - | f/3.5-4.4 |
Macro focusing range | - | 2cm |
Amount of lenses | 151 | - |
Focal length multiplier | 1.5 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3 inches | 3 inches |
Display resolution | 921k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | TFT LCD monitor | - |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | None |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.61x | - |
Features | ||
Slowest shutter speed | 30s | 30s |
Maximum shutter speed | 1/8000s | 1/2000s |
Continuous shooting speed | 7.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 13.00 m (at ISO 100) | 7.10 m |
Flash settings | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless | Auto, On, Off, Red-Eye reduction, Slow Sync, Front Curtain, Rear Curtain |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/180s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video file format | Motion JPEG | - |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 760 grams (1.68 pounds) | 250 grams (0.55 pounds) |
Physical dimensions | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") | 107 x 69 x 47mm (4.2" x 2.7" x 1.9") |
DXO scores | ||
DXO All around rating | 82 | not tested |
DXO Color Depth rating | 23.9 | not tested |
DXO Dynamic range rating | 14.1 | not tested |
DXO Low light rating | 1208 | not tested |
Other | ||
Battery life | 980 shots | - |
Style of battery | Battery Pack | - |
Battery ID | D-LI90 | NP-BG1 |
Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | Memory Stick Duo / Pro Duo, Internal |
Storage slots | 1 | 1 |
Retail cost | $749 | $249 |