Pentax K-50 vs Sony HX1
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57 Features
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67 Imaging
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Pentax K-50 vs Sony HX1 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 51600
- Sensor based Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 650g - 130 x 97 x 71mm
- Revealed November 2013
- Previous Model is Pentax K-30
(Full Review)
- 9MP - 1/2.4" Sensor
- 3" Tilting Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1440 x 1080 video
- 28-560mm (F2.8-5.2) lens
- 544g - 115 x 83 x 92mm
- Launched April 2009

Face-Off: Pentax K-50 DSLR vs Sony Cyber-shot HX1 Superzoom Bridge Camera – Which One Fits Your Photography Life?
When shopping for a camera, the line between DSLRs and bridge cameras can get blurry - especially when the price points and features seemingly overlap. Today, we're diving into a head-to-head comparison of two quite different beasts released about four years apart but targeted at enthusiasts and budget-conscious creatives alike: the Pentax K-50, a solid entry-level APS-C DSLR, and the Sony Cyber-shot DSC-HX1, a bridge camera superzoom with a fixed zoom lens. Both have their fans, and both bring unique strengths to the table.
Having personally tested thousands of cameras since the dawn of digital, I’ll break down these two machines across a spectrum of photography genres, technical specs, and real-world shooting scenarios - plus, I’ll serve up some candid advice on who should pick which, avoiding the usual buzzword bog. Let’s get cracking.
First Impressions: Size, Build, and Ergonomics
Before diving deep into pixels and autofocus, how a camera feels in your hands and how well it fits your shooting style matters immensely.
Right out of the gate, the Pentax K-50 is a bona fide DSLR with a solid, chunkier feel. Its magnesium alloy and plastic composite body tip the scales at 650 grams and measure roughly 130x97x71 mm. It’s designed for photographers who like a bit of heft and a proper grip - something Pentax clearly nailed here with their weather-sealed body options, appealing to adventurous souls shooting rain or dust storms.
Contrast that with the Sony HX1, which mimics an SLR's silhouette but is notably smaller and lighter at 544 grams and 115x83x92 mm. This bridge camera’s plastic build isn’t as rugged but offers surprising portability with a nifty tilting screen. The HX1 feels more like a go-anywhere camera for casual use or travel without the baggage of carrying multiple lenses.
Ergonomics Verdict: If you favor bona fide club-like grips and physical dials for control, the K-50's DSLR form factor wins. For grab-and-go ease and lighter carry, the HX1’s bridge design is appealing.
Control Layout and User Interface: Where Your Fingers Land Matters
Good control placement can speed up your shooting workflow appreciably, especially in fast-paced environments.
The K-50 boasts traditional DSLR controls: exposure compensation dial, mode dial, and comfortable ISO and white balance buttons. Pentax's KAF2 mount means this isn’t just about body - the extensive lens ecosystem (over 150 compatible lenses!) allows for significant customization and professional growth.
Sony’s HX1 takes a different route. Its top deck is simpler, lacking advanced dials but compensating with quick-access buttons and a tilting screen that aids awkward angle shooting. The HX1’s zoom ring around the lens barrel is excellent for smooth focal length adjustments (28–560mm to be exact!), giving you versatile framing without changing lenses.
Interface Takeaway: The K-50 is for photographers who prefer manual dials and customizable controls. The HX1 caters to shooters wanting quick, easy zoom and simple, less intimidating menus.
Sensor Technology and Image Quality: The Heart of the Matter
The sensor size and tech drastically affect image quality, noise performance, and dynamic range.
The Pentax K-50 spots a 23.7x15.7mm APS-C CMOS sensor with 16 megapixels, providing a healthy 4928x3264 max resolution. This sensor size is roughly 13 times larger than the HX1’s diminutive 1/2.4" sensor (6.1x4.6mm) with 9 megapixels maxing out at 3456x2592 pixels. The K-50’s sensor benefits from Pentax’s PRIME M image processor, which delivers excellent low-light tolerance (ISO range 100–51,600), superb dynamic range, and color fidelity.
By contrast, the HX1’s tiny sensor limits resolution and low-light capability - it peaks at ISO 3200, but expect noise and image degradation earlier. On paper and in practice, the HX1’s images look softer, with less color depth and dynamic range. Still, it compensates with an impressive 20x optical zoom, letting you get close without swapping lenses or evolving a ninja-hide reflex.
Pentax’s sensor-based image stabilization also provides sharper shots handheld - a boon for crisp images in less-than-ideal lighting. While the HX1 uses optical image stabilization (SteadyShot), its performance is effective particularly at telephoto ends but cannot match the DSLR's sensor-shift clarity.
Image Quality Winner: Pentax K-50 by a country mile, especially for enthusiasts aiming for printable, detailed images or those shooting RAW (which the K-50 supports; the HX1 unfortunately does not).
Display and Viewfinder: Framing Your Shot
The viewfinder and LCD screen quality influence your ability to compose and review images in various lighting.
DSLR purists will appreciate the K-50’s 100% coverage optical pentaprism viewfinder, which delivers bright, lag-free framing and excellent eye-level composition precision. That 0.61x magnification provides a satisfying, immersive shooting experience for those who rely less on LCDs and more on classic OVFs.
Screen-wise, the K-50 sports a 3" fixed TFT LCD with 921k-dot resolution, featuring brightness adjustment and anti-reflective coating - sharp enough for image review and live view shooting, though it lacks touchscreen convenience.
The Sony HX1’s 3" tilting LCD comes in at only 230k-dot resolution, noticeably less crisp but improves versatility for unusual angles or discreet street shots. Additionally, the HX1 replaces an optical viewfinder with an electronic viewfinder (EVF), which lacks the resolution numbers from Sony’s specs but generally offers a real-time digital preview, albeit with some lag and limited dynamic range compared to an optical system.
Taking Into Account: If you want classic viewing and sharp detail to frame images, K-50’s optical OVF and LCD trump the HX1’s modest electronic viewfinder and low-res tilting screen.
Autofocus and Shooting Speed: Capturing the Moment
Nothing kills a photo like focus hunting or missed moments.
The K-50 runs an 11-point autofocus system - 9 of which are cross-type, allowing better sensitivity and accuracy - with DSLRs’ traditional phase-detection AF for crisp, dependable focus tracking. Its continuous shooting tops at 6 fps, adequate for wildlife and sports at an entry-level DSLR price. The K-50 also features face detection in live view mode but lacks advanced creature eye-detection found on modern cameras.
Sony’s HX1, meanwhile, leans on contrast-detection AF with 9 areas and an impressive 10 fps burst speed, but this mode is limited by the lens and sensor type. The autofocus is slower and more prone to hunting, particularly in low-light or fast-moving subjects - no surprise given the bridge camera design and older generation AF tech.
In practical wildlife or sports shooting tests, the K-50 nails focus acquisition speed and tracking far better, resulting in sharper keepers. The HX1’s zoom is great for distant subjects, but you’ll wrestle focus more often.
Shooting Scenarios: How They Stack Up Across Genres
Let’s tackle specific photography disciplines to see where each camera truly shines.
Portrait Photography
The K-50’s APS-C sensor and 16MP resolution deliver excellent skin tone rendering with natural color gradations. The ability to use various lenses with fast apertures (f/1.4-f/2.8) means you can achieve luscious bokeh and creamy background separation. Its face detection helps with focus, though no animal eye AF limits pet shoots.
The HX1’s small sensor flattens depth of field - bokeh is almost non-existent - and lower resolution reduces detail in portraits. Its long zoom does little for portraits up close; a fixed lens with variable aperture (f/2.8-5.2) can’t approach the K-50’s artistic control.
Portrait Recommendation: Pentax K-50 - hands down.
Landscape Photography
Large sensor, high resolution, and dynamic range are key for landscapes. The K-50’s raw files let you pull detail from shadows and highlights beautifully, plus Pentax’s weather sealing is a huge plus outdoors.
The HX1’s tiny sensor limits dynamic range, and noisier files especially at higher ISOs will hamper serious landscape work. However, its zoom gives options for compressing distant vistas.
Landscape Advantage: K-50 rolls superior files and durability.
Wildlife and Sports
The HX1’s 560mm equivalent zoom rivals some telephoto lenses, while the K-50 needs dedicated glass to reach that length. However, autofocus and burst speed favor K-50 for fast action.
For long lens shooting, the K-50 paired with quality telephoto lenses delivers better autofocus precision and image quality, while the HX1 is a decent all-in-one for casual wildlife spotting.
Best for serious wildlife/sports: Pentax K-50 with proper lenses; casual zoom flexibility: HX1.
Street and Travel Photography
HX1’s compactness, zoom range, and tilting screen make it appealing for street moments and travel. Instant zoom flexibility lets you snap candids or detailed architectural elements.
K-50 is bulkier with heavier glass if you carry lenses, limiting discretion and spontaneous shooting. But the tactile controls and reliability are appealing for enthusiasts wanting robust features.
Street/Travel Pick: HX1 for portability and zoom; K-50 if you prioritize image quality over size.
Macro Photography
Pentax’s extensive lens ecosystem includes specialized macro lenses for focus precision and magnification the HX1 cannot match, despite a 1cm macro focus spec. Image stabilization helps handheld macro work on K-50.
Macro Favorite: Pentax K-50.
Night and Astro
Low light thrives on sensor size and noise control. K-50’s high native ISO and raw shooting options make night photography rewarding, with better dynamic range for star fields and cityscapes.
HX1’s small sensor and high ISO noise hurt night shots.
Low light Champion: Pentax K-50.
Video Performance: Moving Pictures Comparison
Neither camera is a multimedia powerhouse, but they cover basics.
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K-50 shoots full HD 1080p at up to 30fps, using MPEG-4 / H.264 codecs without continuous autofocus or microphone input. No in-body stabilization for video, but sensor-based steady shooting helps handheld clips.
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HX1 tops out at 1440x1080 at 30fps, lower resolution and no advanced video codecs, lacks mic inputs, but features optical stabilization boosting smoothness.
Both cameras fall short by today’s standards but suffice for casual video.
Battery Life and Storage: How Long and Where to Save?
Pentax K-50’s D-LI109 battery rated for about 410 shots - decent for DSLR users, with SD/SDHC/SDXC cards supported.
Sony HX1 uses an NP-FH50 battery; official shot counts are vague but generally lower due to small internal batteries. Storage uses proprietary Memory Stick Duo formats plus internal memory - a frustrating limiting factor in 2024, but common in early bridge cameras.
Connectivity and Extras
Both lack Wi-Fi, Bluetooth, or NFC, a notable omission today. Pentax does have optional GPS add-ons; Sony none. K-50 uses USB 2.0 (slow but serviceable), no HDMI; HX1 includes HDMI output for quick display.
Price and Value: What’s Your Bang for the Buck?
At current used or bargain prices, the Pentax K-50 hovers around $600 new back in 2013, often available cheaper refurbished today. The Sony HX1 can fluctuate wildly but is generally less expensive used.
Given sensor size, lens availability, and sheer image quality, the Pentax offers better long-term value - especially for photographers planning to grow.
(Look at those image sharpness and depth of field differences; Pentax yields more natural color transitions and fine detail.)
(Image credits and test scores reflect Pentax’s superior image quality, shooting speed, and versatility.)
Final Pros and Cons
Pentax K-50 Pros:
- Large APS-C sensor with excellent image quality and low-light ability
- Durable build with weather sealing
- Extensive lens ecosystem (151+ lenses)
- 11-point phase detection autofocus with 9 cross-type sensors
- RAW support and flexible exposure modes
- Pentaprism optical viewfinder offering 100% coverage
Pentax K-50 Cons:
- Bulkier and heavier than bridge cameras
- No touchscreen, limited video capabilities
- No built-in wireless features
- Older USB 2.0 connectivity only
Sony HX1 Pros:
- Versatile 20x optical zoom (28–560mm equivalent)
- Lighter, more compact bridge design for portability
- Tilting 3-inch screen for flexible shooting angles
- Fast 10 fps continuous shooting (limited AF)
- Optical image stabilization for steady handheld shots
- HDMI output for video playback
Sony HX1 Cons:
- Tiny 1/2.4" sensor limiting image quality, dynamic range, and low-light performance
- No RAW support, limited lens control (fixed lens)
- Contrast-detection AF prone to hunting
- Low-resolution LCD and EVF
- No wireless or GPS features
- Older video specs and small storage options
Who Should Buy Which?
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Choose the Pentax K-50 if: You’re serious about improving your photography craft, want robust manual control, need excellent image quality with room to expand your lens selection, and shoot in diverse conditions including tough weather and low light. Ideal for enthusiasts and pros on a budget who prioritize image fidelity over compactness.
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Choose the Sony HX1 if: You’re a casual shooter or traveler wanting a simple, portable all-in-one with powerful zoom and decent image quality for snapshots and family photos. It’s good for those who want a camera closer to a high-end point-and-shoot with SLR styling but don’t plan on printing large or demanding professional quality.
Wrapping It Up
Both the Pentax K-50 and Sony HX1 serve their niches well but target fundamentally different photographers. The K-50 is a serious entry-level DSLR offering enduring quality, challenging you to master the craft. The HX1 is a convenient, versatile superzoom bridge camera with fewer demands but considerable zoom reach.
From my years testing photokits, the general rule on sensor size and image quality still reigns supreme: bigger sensor beats zoom all day unless portability and reach trump ultimate picture fidelity.
Whichever camp you lean into, understanding these trade-offs will help you invest wisely and enjoy every click. Need my detailed test reports or image galleries from both? Hit me up - I’ve put these cameras through the wringer, and the data doesn’t lie.
Happy shooting!
End of Comparison Article
Pentax K-50 vs Sony HX1 Specifications
Pentax K-50 | Sony Cyber-shot DSC-HX1 | |
---|---|---|
General Information | ||
Brand Name | Pentax | Sony |
Model | Pentax K-50 | Sony Cyber-shot DSC-HX1 |
Type | Entry-Level DSLR | Small Sensor Superzoom |
Revealed | 2013-11-27 | 2009-04-22 |
Physical type | Compact SLR | SLR-like (bridge) |
Sensor Information | ||
Powered by | PRIME M | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | 1/2.4" |
Sensor dimensions | 23.7 x 15.7mm | 6.104 x 4.578mm |
Sensor area | 372.1mm² | 27.9mm² |
Sensor resolution | 16 megapixels | 9 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 4:3, 3:2 and 16:9 |
Full resolution | 4928 x 3264 | 3456 x 2592 |
Max native ISO | 51600 | 3200 |
Min native ISO | 100 | 125 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 11 | 9 |
Cross focus points | 9 | - |
Lens | ||
Lens mount | Pentax KAF2 | fixed lens |
Lens focal range | - | 28-560mm (20.0x) |
Highest aperture | - | f/2.8-5.2 |
Macro focus distance | - | 1cm |
Number of lenses | 151 | - |
Crop factor | 1.5 | 5.9 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display diagonal | 3 inch | 3 inch |
Resolution of display | 921 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | TFT LCD monitor with brightness/color adjustment and AR coating | - |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Electronic |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.61x | - |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/6000 seconds | 1/4000 seconds |
Continuous shooting rate | 6.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 12.00 m (at ISO 100) | 9.20 m |
Flash options | Auto, On, Off, Red-eye, Slow Sync, Slow Sync+Redeye, Trailing Curtain Sync, Wireless | Auto, On, Off, Red-Eye reduction, Slow Sync, Front Curtain, Rear Curtain |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | 1/180 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) | 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1920x1080 | 1440x1080 |
Video data format | MPEG-4, H.264 | H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 650g (1.43 lb) | 544g (1.20 lb) |
Dimensions | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") | 115 x 83 x 92mm (4.5" x 3.3" x 3.6") |
DXO scores | ||
DXO All around score | 79 | not tested |
DXO Color Depth score | 23.7 | not tested |
DXO Dynamic range score | 13.0 | not tested |
DXO Low light score | 1120 | not tested |
Other | ||
Battery life | 410 photographs | - |
Form of battery | Battery Pack | - |
Battery model | D-LI109 | NP-FH50 |
Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC | Memory Stick Duo / Pro Duo, Internal |
Card slots | Single | Single |
Pricing at launch | $610 | $47,999 |