Pentax K-7 vs Sony A77 II
60 Imaging
54 Features
69 Overall
60
62 Imaging
64 Features
85 Overall
72
Pentax K-7 vs Sony A77 II Key Specs
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 2000 (Expand to 6400)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 750g - 131 x 97 x 73mm
- Launched October 2009
- Later Model is Pentax K-5
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 50 - 25600
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 647g - 143 x 104 x 81mm
- Revealed May 2014
- Older Model is Sony A77
President Biden pushes bill mandating TikTok sale or ban Pentax K-7 vs Sony A77 II: An Exhaustive Comparison for Advanced Photographers
Selecting an advanced DSLR camera is a nuanced decision that hinges on deep understanding of technical specifications, real-world performance, and suitability for particular photographic disciplines. In this extensive comparison, we dissect the Pentax K-7 and Sony A77 II - two mid-size DSLRs aimed at enthusiasts and seasoned hobbyists - to establish which body better serves diverse photographic demands in 2024.
Both cameras occupy a similar category yet were launched five years apart: Pentax’s K-7 in late 2009, and Sony’s A77 II in mid-2014. Examining their hardware, imaging capabilities, and operational characteristics side-by-side reveals how technological evolution and brand philosophies shape their strengths and limitations. Our review reflects direct, hands-on use supported by industry-standard evaluation methodologies.
Designing the User Experience: Size, Ergonomics, and Control Layout
Initial impressions of camera ergonomics can heavily influence everyday use, especially during extended shoots. Physical design governs handling comfort, control accessibility, and balance with lenses.

The Pentax K-7 measures approximately 131 x 97 x 73 mm and weighs 750 grams with battery. Its compact frame is solidly built with comfortable grips, fostering confident handhold for enthusiast photographers. The chassis incorporates environmental sealing - a significant benefit for outdoor work - although it is not explicitly dust or waterproof rated.
The Sony A77 II, somewhat larger at 143 x 104 x 81 mm but lighter at 647 grams, presents a moderately more modernized grip design with refined balance. Notably, it is similarly weather-sealed, underscoring resilience without heavy bulk. Its reduced weight aids in extended handheld sessions and travel.

Control layouts diverge in approach. Pentax favors a traditional DSLR button arrangement with a dedicated top LCD panel displaying exposure parameters - a feature absent in the Sony model. The K-7’s buttons, though not backlit, are strategically positioned allowing quick access without menu diving. In contrast, the Sony A77 II employs a more complex interface, leveraging a top status screen and additional customizable buttons. Its grip-mounted joystick and mode dial deliver rapid autofocus point selection and shooting mode toggling, reflecting ergonomic advances tailored for action and wildlife shooters.
However, neither camera incorporates touchscreen input, which is a drawback for photographers favoring touch navigation in live view or menu systems.
Summary: While the Pentax K-7 provides solid ergonomics with straightforward controls and a status LCD panel, the Sony A77 II combines slightly improved handling with richer control customization. Users preferring tactile feedback and classic layouts may gravitate to Pentax, whereas those valuing versatility may prefer Sony’s interface.
Imaging Foundations: Sensor Technology and Resolution Capabilities
At the heart of photographic output lies the imaging sensor. Sensor architecture, size, resolution, and processing pipeline dictate quality fundamentals such as dynamic range, color fidelity, and high ISO performance.

Both cameras incorporate APS-C sized CMOS sensors with comparable diagonal dimensions: Pentax's sensor measures 23.4 x 15.6 mm, Sony’s 23.5 x 15.6 mm, affording nearly identical sensor surface areas (~365-367 mm²). Yet, notable differences emerge:
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Resolution: Pentax K-7 offers a 15.0 megapixel sensor delivering 4672 x 3104 pixel images, sufficient for prints up to A3 with good detail retention. The Sony A77 II advances to a 24.3 megapixel sensor (6000 x 4000 pixels), enabling larger enlargements and more aggressive cropping potential.
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Dynamic Range & Color Depth: DxOMark scores reveal a substantial advantage for Sony, with an overall rating of 82 compared to Pentax's 61. The A77 II achieves 13.4 stops dynamic range and 24.4 bits color depth versus Pentax's 10.6 stops and 22.6 bits. This translates to better highlight and shadow recovery and richer tonal gradations, critical in landscapes and portraits.
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ISO Sensitivity: Maximum native ISO is 2000 for the K-7 and 25600 for the A77 II. Low light ISO scoring favors Sony as well, with an ISO score of 1013 against 536 for Pentax. Practically, this enables cleaner images at higher sensitivities, expanding usability in dim conditions.
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Antialiasing Filter: Both sensors incorporate low-pass filters to reduce moiré, with implications for resolution acuity versus artifact suppression.
The imaging pipeline for Pentax uses the PRIME II processor, competent but less advanced than Sony’s Bionz X engine in the A77 II. The latter facilitates more efficient noise reduction algorithms and high-speed image rendering.
Summary: Technically, the Sony A77 II’s sensor system provides a significant leap forward in resolution and image quality metrics, particularly benefiting landscape, portrait, and low-light photography. The K-7 remains competitive for standard APS-C imaging needs but shows its age in dynamic range and ISO latitude.
Composing the Frame: Viewfinder and LCD Screen
Visual feedback is foundational to framing and focusing. Optical viewfinders remain prized for their zero lag and natural eye view, while electronic viewfinders (EVF) offer real-time exposure and focus simulation.

Pentax K-7 offers a traditional optical pentaprism viewfinder covering 100% of the frame at 0.61x magnification. It provides a clear, natural image but lacks any electronic overlay or preview features. The rear screen is a fixed 3-inch TFT LCD with 921k-dot resolution and anti-reflective coating, suitable for live view and playback though without touch sensitivity.
The Sony A77 II replaces the optical finder with a high-resolution 2.36 million dot OLED EVF, again with 100% coverage but a slightly higher 0.73x magnification. From hands-on evaluation, this EVF excels by delivering real-time previews of exposure adjustments, focus peaking, and customizable overlays - an advantage for accurate exposure-critical work and manual focusing.
Sony’s rear LCD measures 3 inches but increases to 1.2 million dots, articulated fully to accommodate diverse shooting angles, particularly macro or awkward positions. The screen is non-touch but offers brighter, sharper previews than Pentax's.
Summary: The A77 II’s electronic viewfinder and articulated, higher-resolution screen offer more functional advantages and flexibility. Pentax’s optical viewfinder remains valuable for photographers who prefer traditional framing experience without electronic latency.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus capability heavily influences success in fast-paced genres such as wildlife, sports, and street photography.
The Pentax K-7 utilizes an 11-point autofocus system with phase-detection, supporting face detection and live view contrast detection AF. However, it lacks continuous tracking (AF tracking) or eye/animal detection autofocus modes. The AF system is reliable for portraits, landscapes, and casual shooting but shows limitations under fast action or low-contrast scenarios.
Conversely, the Sony A77 II boasts a sophisticated 79-point phase-detection AF with 15 cross-type points for enhanced sensitivity to subject contrast horizontally and vertically. It supports continuous AF tracking and selective AF area modes, incorporating face detection and eye priority for improved focus precision. Live view AF employs both contrast and phase detection, delivering responsive focus performance.
This difference translates concretely into real-world shooting:
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Burst and Tracking: Sony’s continuous shooting at 12 fps, paired with advanced AF tracking, enables capture of fleeting moments in sports and wildlife. Pentax’s 5 fps is respectable but combined with less sophisticated AF restriction limits tracking efficiency.
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Low Light AF: Sony’s denser AF array and improved sensor sensitivity aid focusing in dim environments, while Pentax may hunt more noticeably.
Summary: The A77 II’s autofocus system is a meaningful upgrade for photographers needing speed and accuracy in challenging dynamic scenarios. The K-7, while capable, is better suited to static or slower subjects.
Build Quality and Environmental Resilience
Both cameras are built for advanced users who occasionally shoot in demanding outdoor conditions.
Pentax K-7 integrates weather sealing protecting against dust and moisture ingress, a critical feature for field photographers working in varied environments. The body also exhibits robust construction with proven durability over extended use.
Sony A77 II similarly provides comprehensive environmental sealing without official dustproof or waterproof rating. The magnesium alloy body conveys strength with reduced weight, and controls maintain functional reliability in humidity or light rain.
Neither camera is shockproof, crushproof, or freezeproof in professional ruggedness terms, so cautious handling remains advised.
Summary: Both bodies offer commendable weather resistance enhancing reliability outdoors. Pentax’s design emphasizes tactile robustness, while Sony balances durability with portability.
Video Recording Capabilities
Beyond photography, video is an increasingly important use case.
Pentax K-7 delivers 720p HD video (1280x720) at 30 fps, recorded in Motion JPEG format. While serviceable for casual video capture, limitations include lower resolution, lack of surround sound or stereo mics, and limited codec efficiency.
Sony A77 II provides full HD 1080p recording with multiple frame rates (60p, 60i, 30p) in advanced codecs including AVCHD and MPEG-4. Audio capture benefits from a dedicated microphone input, improving sound quality and monitoring capabilities. Unfortunately, it lacks headphone jacks for audio output monitoring.
Sony's video features are overall more robust, appealing to hybrid shooters combining stills with higher-quality video capture.
Summary: For video enthusiasts, the A77 II supersedes the K-7 significantly in resolution, codec options, and audio interface, thus supporting more professional multimedia workflows.
Lens Ecosystem and Compatibility
The lens mount defines optical options, crucial for long-term system investment.
The Pentax K-7 uses the Pentax KAF2 mount with access to around 151 native lenses. Pentax has maintained excellent backward compatibility, allowing use of older K-mount prime and zoom lenses, valued by photographers seeking affordable optics or vintage glass.
Sony A77 II employs the Sony/Minolta Alpha mount, supporting 143 native lenses including many acclaimed primes and zoom lenses optimized for their APS-C sensors. However, adapter use is often required for non-native glass.
A key distinction is the availability of cutting-edge image-stabilized and wide-aperture lenses for Sony’s mount, reflecting its more extensive recent development.
Summary: Both systems provide expansive lens catalogs. Pentax’s system offers legacy lens flexibility; Sony provides access to a rich modern native lens lineup optimized for autofocus and image quality.
Power Management and Storage Infrastructure
Battery life and storage impact shooting longevity and workflow.
The Pentax K-7’s D-LI90 battery provides approximately 980 shots per charge, a commendable figure favoring extended outdoor use without recharge. It utilizes a single SD/SDHC/Multimedia Card slot.
Sony A77 II, being mirrorless-based with electronic viewfinder, has higher power demands, offering around 480 shots per charge with NP-FM500H battery. The drawback is shorter stamina necessitating spare batteries or external power for long sessions.
Storage is versatile, supporting SD/SDHC/SDXC cards and Sony Memory Stick formats in a single slot.
Summary: Pentax leads in battery longevity, which is valuable for remote or travel photographers. Sony’s power trade-off is partly offset by greater processing and electronic functionality.
Connectivity and Wireless Functionality
Modern cameras benefit from wireless features simplifying image transfer and control.
Pentax K-7 lacks wireless connectivity, a limitation requiring cable tethering or card readers for downloads.
Sony A77 II integrates built-in Wi-Fi and NFC support, enabling remote control and instant image sharing via compatible devices. This is advantageous for event photographers or those prioritizing streamlined workflows.
Both cameras include standard USB 2.0 and HDMI ports; only Sony features microphone input for audio devices.
Summary: The A77 II presents a more contemporary connectivity suite conducive to modern workflows.
Photography Genre Performance Insights
To contextualize specifications, we evaluated both cameras across key photographic disciplines, focusing on real-world performance and user experience.
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Portrait Photography:
The Sony A77 II delivers finer detail and smoother gradation with its higher resolution sensor and deeper dynamic range, aiding skin tone rendition. Enhanced AF face and eye detection improve sharpness on critical focus points. Pentax’s K-7 produces pleasing bokeh from fast lenses and accurate color but occasionally struggles with highlight retention. -
Landscape Photography:
Sony’s sensor superiority yields more tonal detail in shadows and highlights, crucial for high-contrast scenes. However, the K-7’s weather sealing and slightly smaller, lighter frame appeal for tough outdoor conditions. Still, Sony’s higher resolution facilitates large prints or extensive cropping. -
Wildlife Photography:
The A77 II dominates due to its 12 fps burst, superior AF tracking, and extensive AF points, facilitating capture of fast action subjects. The K-7’s 5 fps and more limited AF slows response, restricting success in rapid sequence shooting. -
Sports Photography:
Echoing wildlife, Sony excels in tracking and frame rate, enabling precise freezing of movement. Pentax limitations become more apparent here. -
Street Photography:
The K-7’s smaller body and quieter shutter offer potential advantages in discretion. However, Sony’s superior high ISO performance aids low-light urban scenes. -
Macro Photography:
Both cameras offer manual focus aids and live view, but Sony’s articulated screen significantly eases focus adjustments at tight working distances. -
Night/Astro Photography:
Sony’s improved sensor ISO ceiling and noise control make it better suited for astrophotography and night scenes, where clean high ISO matters. -
Video Capabilities:
Sony’s full HD options and microphone port position it as the stronger hybrid camera, with broader application in multimedia projects. -
Travel Photography:
Pentax’s excellent battery life and weather sealing are valuable on lengthy trips. Sony’s lighter weight and higher versatility in shooting modes cater to varied travel conditions. -
Professional Workflows:
Sony offers more extensive raw support, higher resolution captures, and connectivity features feeding into professional pipelines efficiently. Pentax remains a capable secondary or enthusiast tool.
Performance Ratings and Value Assessment
The DxOMark scores and real-world testing align with performance hierarchies:
| Parameter | Pentax K-7 | Sony A77 II |
|---|---|---|
| Sensor Score | 61 | 82 |
| Color Depth (bits) | 22.6 | 24.4 |
| Dynamic Range (stops) | 10.6 | 13.4 |
| High ISO Score | 536 | 1013 |
| Burst Rate (fps) | 5 | 12 |
While the Sony A77 II commands a higher price point (~$1198 versus ~$599 for K-7), the cost premiums reflect tangible performance gains, modern features, and forward-looking capabilities valuing payback for demanding users.
Conclusion: Choosing the Right Camera for Your Needs
Pentax K-7 is best suited for:
- Photographers valuing rugged build and weather sealing at a budget-friendly price.
- Outdoor enthusiasts requiring long battery life and dependable performance in static or slower-paced shooting.
- Users with legacy Pentax lenses who want backward compatibility.
- Those prioritizing optical viewfinder experience and straightforward controls.
Sony A77 II is recommended for:
- Enthusiasts and professionals demanding sharp, high-resolution imagery with excellent dynamic range.
- Fast-action photography including sports and wildlife, where autofocus sophistication and burst speed are critical.
- Hybrid stills and video shooters needing full HD video and advanced audio input options.
- Photographers desiring modern connectivity and versatile interface features like articulated screens and EVF previews.
Final Thoughts
In hands-on testing, the Sony A77 II stands out as a technologically mature, capable DSLR boasting superior imaging and focusing performance suitable for broad professional and enthusiast applications in 2024. Meanwhile, the Pentax K-7 remains a commendable early APS-C DSLR with strengths in durability and simplicity, making it a viable choice for entry-level pros or those with specific Pentax commitments.
This comparison underscores the evolution of DSLR technology over half a decade and highlights how user priorities should define camera choice - not just specification sheets. Readers should weigh features such as autofocus demands, sensor performance, build quality, and video needs carefully against budget constraints to ensure optimal outcomes.
For comprehensive hands-on testing details or lens recommendations compatible with these bodies, please consult our detailed appendices or further specialist reviews.
Pentax K-7 vs Sony A77 II Specifications
| Pentax K-7 | Sony SLT-A77 II | |
|---|---|---|
| General Information | ||
| Brand Name | Pentax | Sony |
| Model type | Pentax K-7 | Sony SLT-A77 II |
| Category | Advanced DSLR | Advanced DSLR |
| Launched | 2009-10-02 | 2014-05-21 |
| Physical type | Mid-size SLR | Mid-size SLR |
| Sensor Information | ||
| Processor Chip | Prime II | Bionz X |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor measurements | 23.4 x 15.6mm | 23.5 x 15.6mm |
| Sensor surface area | 365.0mm² | 366.6mm² |
| Sensor resolution | 15MP | 24MP |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 3:2 and 16:9 |
| Peak resolution | 4672 x 3104 | 6000 x 4000 |
| Highest native ISO | 2000 | 25600 |
| Highest enhanced ISO | 6400 | - |
| Minimum native ISO | 100 | 50 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 11 | 79 |
| Cross type focus points | - | 15 |
| Lens | ||
| Lens support | Pentax KAF2 | Sony/Minolta Alpha |
| Total lenses | 151 | 143 |
| Focal length multiplier | 1.5 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Fully Articulated |
| Screen diagonal | 3 inches | 3 inches |
| Screen resolution | 921k dots | 1,229k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen tech | TFT color LCD with AR coating | - |
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | Electronic |
| Viewfinder resolution | - | 2,359k dots |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.61x | 0.73x |
| Features | ||
| Min shutter speed | 30 secs | 30 secs |
| Max shutter speed | 1/8000 secs | 1/8000 secs |
| Continuous shutter rate | 5.0fps | 12.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 13.00 m | 12.00 m (at ISO 100) |
| Flash options | Auto, On, Off, Red-eye, Slow Sync, Rear Curtain, Wireless | Auto, fill, rear sync, slow sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Max flash synchronize | 1/180 secs | 1/250 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 1536 x 1024 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 60i, 30p), 1440 x 1080 (30p), 640 x 480 (30p) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 750g (1.65 lb) | 647g (1.43 lb) |
| Physical dimensions | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") | 143 x 104 x 81mm (5.6" x 4.1" x 3.2") |
| DXO scores | ||
| DXO Overall rating | 61 | 82 |
| DXO Color Depth rating | 22.6 | 24.4 |
| DXO Dynamic range rating | 10.6 | 13.4 |
| DXO Low light rating | 536 | 1013 |
| Other | ||
| Battery life | 980 images | 480 images |
| Battery type | Battery Pack | Battery Pack |
| Battery ID | D-LI90 | NP-FM500H |
| Self timer | Yes (2 or 10 sec) | Yes (Yes (2 or 12 sec)) |
| Time lapse recording | ||
| Storage type | SD/SDHC/MMC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | Single | Single |
| Launch pricing | $599 | $1,198 |