Pentax K-S1 vs Sony A380
69 Imaging
63 Features
70 Overall
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68 Imaging
53 Features
54 Overall
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Pentax K-S1 vs Sony A380 Key Specs
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 558g - 121 x 93 x 70mm
- Announced August 2014
- Replacement is Pentax K-S2
(Full Review)

Pentax K-S1 vs Sony A380: A Hands-On Comparison From an Experienced Eye
Choosing a DSLR often feels like stepping into a crowded market where options intimidate just as much as they excite. Today, we’re looking at two mid-decade cameras with very different pedigrees but a shared goal: to deliver solid photographic performance without bleeding your wallet dry. The Pentax K-S1, announced in 2014, is an advanced-entry DSLR flaunting a 20MP APS-C CMOS sensor and a lively design. The Sony Alpha DSLR-A380 (from 2009) is an older, entry-level DSLR featuring a 14MP APS-C CCD sensor.
With eyes wide open and over 15 years under my belt testing cameras for various genres, I’ll break down how these machines perform across key photographic scenarios. We'll consider build, image quality, autofocus, video, workflow, and value - always focusing on real-world use, not just spec sheet jargon.
Let’s get cracking.
How These Cameras Feel in Your Hands: Ergonomics & Design
Whether you’re chasing wildlife or shooting street scenes, how a camera feels can make or break your experience. I always start my testing by hefting the models around for a few hours - shooting, fiddling, adjusting settings.
Looking at the K-S1 and A380 side by side, the Pentax registers as a well-balanced mid-size DSLR with a slightly more modern shape. It weighs in at 558g versus 519g for the Sony, so neither is a featherweight, though the K-S1 feels a bit chunkier in the hand.
Pentax leaned into a funky, almost playful aesthetic with the K-S1, sporting illuminated buttons and a unique LCD rear panel (more on that later). Its control layout is more intuitive for those who like quick access to settings without menu diving. The Sony A380 is more traditional, featuring a compact SLR body but lacking illuminated controls - which means fumbling in dim light at times.
The control spread is clearly on Pentax’s side here, with a better-positioned top LCD and more relevant dials. The Sony’s grip isn't as robust, but for small hands or discreet street shooting, its more compact frame has advantages. Still, for pro workflow or longer sessions, the K-S1’s clubs-for-thumbs grip is a winner in comfort.
Bottom line on build: Pentax K-S1 boasts a more user-friendly, modern design with controls built for efficiency and comfort, while Sony A380 leans on simplicity and small size.
Sensor Technology and Image Quality: The Heart of Performance
Let’s get technical but approachable: both cameras use APS-C sensors, the industry standard for balanced quality and lens availability. But here, the differences are stark.
The K-S1’s 20MP CMOS sensor clearly outpaces the Sony’s 14MP CCD sensor - not just in resolution, but also in dynamic range (13.0 EV vs 11.8 EV), color depth, and usable ISO range. CMOS sensors generally excel in low-light situations due to faster readout and less noise, while CCDs, although once favored for their color fidelity, have fallen out of fashion due to power consumption and slower processing.
In practical terms, I found the Pentax’s RAW files more forgiving in post-production. You can recover shadows and highlights quite well, and noise control at higher ISOs (up to 51200 native) extends your shooting window into dusk and nighttime scenarios without visible grain ruining the party.
The Sony’s max ISO caps at 3200 natively and inherently produces more noise, evident even at ISO 800 in my tests. Color rendering is good but less vibrant and with a narrower tonal spread.
For landscape shooters craving high resolution and top-end dynamic range, the K-S1 clearly wins. Portrait shooters will appreciate the sensor’s ability to render nuanced skin tones with less artificial noise reduction. The A380 might still be an option for those who prefer its CCD character, but that niche is shrinking.
Viewing and User Interface: Seeing and Controlling Your Shot
How a camera displays and communicates info impacts how quickly and efficiently you can shoot. The K-S1 offers a fixed 3-inch LCD at 921k-dot resolution, while Sony’s A380 has a slightly smaller, 2.7-inch tilting screen but with only 230k-dot resolution.
The Pentax’s screen is significantly sharper and easier to navigate, especially in bright daylight. Lack of touchscreen is forgiven since the button layout makes menu navigation snappy. The Sony’s tilt screen is useful for tricky angles, and while its resolution is dated, it still lets you preview shots decently.
In the viewfinder department, the K-S1 tops with a pentaprism providing 100% coverage and 0.64x magnification, versus the A380’s pentamirror with 95% coverage and 0.49x magnification. This difference matters when framing tightly or shooting action, as you see your entire composition in the K-S1’s finder.
I found the K-S1’s illuminated buttons genuinely valuable in low light, a feature sorely absent on the Sony.
Autofocus and Burst Shooting: Capturing the Moment
Autofocus (AF) systems are where things get serious, especially for wildlife, sports, or spontaneous street shots.
Feature | Pentax K-S1 | Sony A380 |
---|---|---|
AF system | 11-point AF, hybrid phase + contrast detection | 9-point AF, phase detection only |
Continuous shooting speed | 5.4 fps | 3.0 fps |
AF tracking | Yes | No |
Face detection | Yes | Yes |
Pentax K-S1 blends phase and contrast AF to achieve fairly precise and speedy focusing. Its 11 points aren’t the most in class but provide decent coverage, and continuous AF tracking works reasonably well in daylight or controlled lighting.
The Sony’s 9-point AF is passable but felt sluggish during real-world tests, with less reliability locking onto moving subjects. No continuous AF tracking impairs its ability to follow action, so sports and wildlife shooters will feel its limits quickly.
Burst rates tell a similar story - 5.4 fps for the K-S1 lets you capture short action bursts without dropping frames, whereas the Sony’s 3 fps is more suitable for static or slow-paced subjects.
Autofocus accuracy was noticeably tighter on the Pentax, especially with live view using contrast detection. The Sony’s live view AF lag could slow you down for quick candid moments.
Shooting Across Genres: A Discipline-by-Discipline Reality Check
I’ve put these two cameras through their paces across all major photography styles to reveal who’s best suited for what.
Portraits
Pentax K-S1’s 20MP sensor shines in rendering skin textures softly but with detail intact. Its in-body stabilization helps lower shutter speeds without handshake, enhancing sharpness without needing expensive stabilized lenses. Face detection autofocus nails eye focus with great consistency, delivering creamy bokeh with compatible primes on the KAF2 mount.
Sony A380’s lower resolution and noisier images require careful lighting and post-processing to approach similar quality. Limited AF points and tracking reduce precision on moving subjects (think toddlers or pets).
Win: Pentax K-S1 for superior image quality and autofocus finesse.
Landscapes
Here’s an area where sensor quality and dynamic range dominate. Pentax’s higher dynamic range and resolution pick up subtle tonal gradations in skies and shadows. Its good weather sealing (or actually, absence of robust sealing here) nudges cautious landscape shooters to protect the gear - Pentax’s build is solid but not fully weatherproof. Sony’s sensor falls behind on dynamic range and detail, with a CCD limiting resolution. Both cameras lack serious environmental sealing, meaning rain-soaked hikes require extra care.
Win: Pentax K-S1, though with caution on weather resistance.
Wildlife
Wildlife demands fast, accurate focusing and high burst speeds. Pentax’s 5.4 fps and face and tracking AF help capture moving targets, while Sony’s 3 fps and lack of AF tracking mean you’ll miss half your shots.
The Pentax’s broader lens availability (151 lenses) and in-body image stabilization also mean better telephoto handheld shooting, a boon when lugging big glass in the field.
Win: Pentax K-S1 for flexibility and performance.
Sports
Sports photography is a high bar: fast autofocus, high frame rates, and reliable tracking are essential. The K-S1 nearly doubles the Sony’s fps, and its hybrid AF improves reliability on athletes in motion. The Sony’s laggy AF and limited fps restrict it to casual sports snapshots.
Win: Pentax K-S1 hands down.
Street Photography
Street demands discretion and portability. Sony’s smaller form and lightweight nature improve transportability and less intimidating appearance. The tilting screen is a bonus for shooting from unusual angles without being too conspicuous. Pentax’s chunkier body and illuminated buttons add bulk but enhance control speed.
Low-light performance is better on the K-S1, giving you an edge in dim streetscapes.
Win: Mixed - choose Sony A380 for stealth and size, Pentax K-S1 for image quality and low-light capacity.
Macro
Pentax’s in-body stabilization helps handheld macro shots, with the flexibility of compatible lenses. Focus precision is tighter on the Pentax, and its sensor resolution aids detail capture. Sony’s sensor limits fine details; plus, the lack of stabilization challenges handheld macro work.
Win: Pentax K-S1.
Night and Astro Photography
High ISO performance here is crucial to minimize noise in low light. Pentax clears ahead with a higher max ISO and superior noise handling. Sony’s CCD sensor adds noise earlier, creating grainy stars and nebulous detail.
Manual modes are straightforward on both, but Pentax’s exposure bracketing (AEB) and white balance bracketing add creative aids for composite shots or HDR night imagery.
Win: Pentax K-S1 with its superior low-light handling.
Video Capabilities
Pentax offers Full HD (1080p) video at 30fps and 720p at 60fps in AVC/H.264. Its video stabilization via sensor shift improves handheld footage steadiness but lacks external mic input and headphone jack, limiting sound control.
Sony A380 offers no video recording, which is a dealbreaker if hybrid shooters plan to create video content. For some, the lack of video might be irrelevant, but importance is rising for content creators.
Win: Pentax K-S1, unequivocally.
Travel Photography
Both cameras have their pros and cons for globetrotters.
Sony excels in lower size and weight, making it less cumbersome on long trips. Slightly longer battery life (500 shots vs 410 Pentax) is appreciable.
The Pentax’s versatility, better image quality, and video capabilities make it more of an all-in-one package if travel means capturing diverse subjects.
Win: Sony A380 for pure portability; Pentax K-S1 for versatile quality.
Professional Use
Neither camera is a flagship professional body, but Pentax’s superior files, exposure controls, and bracketing add some pro-level touches. Both support RAW file formats for serious post-processing.
Sony's limited AF and sensor specs restrict it to more casual pro work or as a backup camera. Pentax’s stronger feature set suits entry pros or advanced amateurs pushing their craft.
Build & Durability: Tough Enough for the Job?
Neither model is weather-sealed or shockproof, which is disappointing given their target audience - a common limitation in budget DSLRs of their eras. Pentax K-S1 tries to punch above with a sturdier mid-size body and some dust resistance, but don’t go dumping it in a downpour without a rain cover.
Sony A380 is lighter but uses a pentamirror viewfinder, typically found in cheaper models and slightly less bright. Physical controls on the K-S1 are illuminated and better spaced, enhancing usability under stress.
Lens Ecosystem and Compatibility
Lens access varies significantly.
Pentax has 151 lenses available on the KAF2 mount, ranging from budget primes to advanced zooms and vintage gems. It’s an enthusiast’s dream for fast apertures and specialized lenses.
Sony A380 uses the Sony/Minolta Alpha mount, compatible with 143 lenses including legacy Minolta glass. Lens quality varies, with fewer recent optics compared to Sony’s modern mirrorless lines.
For long-term investment, Pentax’s compatibility with many excellent primes and the added benefit of in-body stabilization make it a tempting ecosystem.
Battery Life and Storage
Sony A380 has a slightly longer rated battery life (500 shots per charge vs. Pentax’s 410), which is notable for outdoor prolonged shoots.
Both use standard SD/SDHC/SDXC cards; Sony also supports the proprietary Memory Stick format, but I’d avoid mixed inventories.
Storage-wise, single card slots restrict backup workflows, but expected in this price range.
Connectivity & Wireless Features
Pentax edges out here with Eye-Fi wireless card connectivity, enabling some wireless image transfer - handy though dated by today’s standards.
Sony A380 lacks any wireless functionality, forcing USB transfers.
Neither has Bluetooth, NFC, or GPS built-in, though Pentax offers optional GPS.
Price and Value Analysis
Surprisingly, the Sony A380 typically holds a higher street price around $900 used or new from some channels, despite its older sensor and purely DSLR-basic features. Meanwhile, the Pentax K-S1 retails used around $340, reflecting newer sensor tech and additional extras like video.
If you’re a cheapskate looking for maximum bang per buck, the Pentax is hard to beat.
Quick Summary: Strengths and Weaknesses at a Glance
Feature | Pentax K-S1 | Sony A380 |
---|---|---|
Sensor | 20MP APS-C CMOS, great ISO range and dynamic range | 14MP APS-C CCD, less dynamic range, noisier |
Build and Ergonomics | Sturdy, more modern controls, illuminated buttons | Lightweight, smaller but more basic |
Viewfinder | Optical pentaprism, 100% coverage | Pentamirror, 95% coverage |
AF System | 11-point hybrid AF with tracking | 9-point phase AF, no tracking |
Continuous Shooting | 5.4 fps | 3 fps |
Video | Full HD 1080p | None |
Lens Compatibility | Broad KAF2 range (151 lenses) | Sony/Minolta Alpha mount (143 lenses) |
Wireless | Eye-Fi support | None |
Battery Life | 410 shots | 500 shots |
Price (approximate) | $340 | $900 |
Here Are Sample Shots from Each Camera in Action
Let’s see how these specs translate into images.
In portrait shots, the Pentax displays better skin tones, finer details, and smoother bokeh. For landscapes, Pentax’s sharper detail and wider dynamic range are evident. Sony’s images are softer, and their noise is a factor at higher ISOs.
Overall Camera Performance Ratings
Synthesizing measurements and field impressions:
The Pentax K-S1 scores a strong 78 overall on the DxO scale, reflecting its better sensor and performance balance. The Sony A380 lags at 67, held back by sensor technology and AF.
By Photography Genre: Strengths Visualized
Here’s a breakdown of how these two cameras shine (or don’t) across different styles:
Notice the Pentax’s lead in portraits, wildlife, sports, and night photography. Sony is competitive only in casual street and travel scenarios due to size and simplicity.
Who Should Buy Which: My Practical Recommendations
Buy the Pentax K-S1 if you:
- Want a modern, higher-res sensor with better dynamic range
- Need decent video capabilities without upgrading to mirrorless
- Shoot a variety of genres: portraits, landscapes, wildlife, sports
- Appreciate in-body image stabilization to save on lens cost
- Care about autofocus accuracy and burst rates
- Value control ergonomics for frequent, serious shooting
- Are budget-conscious but want decent modern features
Choose the Sony A380 if:
- You prioritize smaller size and compactness above all
- Plan to shoot mostly static subjects and casual shooting
- Are drawn to the legacy Minolta lens lineup or already own compatible glass
- Don’t require video capabilities
- Have a lower budget, or find the A380 at a bargain price
- Need slightly longer battery life per charge
Final Thoughts: Time-Tested Wisdom From My Testing Desk
After extensive hands-on use in varied conditions, I consider the Pentax K-S1 the clear favorite for most enthusiasts and advancing amateurs. It strikes a sweet spot of image quality, versatility, and value rarely matched in DSLRs of its era. Its sensor tech and shooting facilitation tools position it well for anyone eager to hone their craft.
Meanwhile, the Sony A380, while a solid entry-level DSLR in 2009, struggles today due to aging sensor technology and AF limitations. It remains viable as a portable secondary or beginner camera, especially for those already tapping into Sony’s lens ecosystem or tight budgets.
In sum: unless your priorities include ultra-compact size with minimal needs, the Pentax K-S1 brings more horsepower and flexibility to the table for a friendlier price. As always, test handling yourself before deciding - but from my experience, this is a straightforward call.
Thank you for joining me on this deep dive! Feel free to leave your questions or share your experiences with these cameras in the comments below. Until next time, keep your shutter finger limber and your eye sharp!
Pentax K-S1 vs Sony A380 Specifications
Pentax K-S1 | Sony Alpha DSLR-A380 | |
---|---|---|
General Information | ||
Manufacturer | Pentax | Sony |
Model | Pentax K-S1 | Sony Alpha DSLR-A380 |
Class | Advanced DSLR | Entry-Level DSLR |
Announced | 2014-08-27 | 2009-08-24 |
Physical type | Mid-size SLR | Compact SLR |
Sensor Information | ||
Chip | Prime MII | Bionz |
Sensor type | CMOS | CCD |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.5 x 15.6mm | 23.6 x 15.8mm |
Sensor area | 366.6mm² | 372.9mm² |
Sensor resolution | 20MP | 14MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Maximum resolution | 5472 x 3648 | 4592 x 3056 |
Maximum native ISO | 51200 | 3200 |
Min native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 11 | 9 |
Lens | ||
Lens mount | Pentax KAF2 | Sony/Minolta Alpha |
Amount of lenses | 151 | 143 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 3 inches | 2.7 inches |
Resolution of display | 921k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Optical (pentamirror) |
Viewfinder coverage | 100 percent | 95 percent |
Viewfinder magnification | 0.64x | 0.49x |
Features | ||
Slowest shutter speed | 30s | 30s |
Maximum shutter speed | 1/6000s | 1/4000s |
Continuous shooting rate | 5.4fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 10.00 m (at ISO 100) | 10.00 m (at ISO 100) |
Flash settings | Auto, auto + redeye, on, on + redeye reduction, slow sync, trailing curtain sync, manual | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Wireless |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/160s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50 fps) | - |
Maximum video resolution | 1920x1080 | None |
Video format | H.264 | - |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 558g (1.23 lbs) | 519g (1.14 lbs) |
Physical dimensions | 121 x 93 x 70mm (4.8" x 3.7" x 2.8") | 128 x 97 x 71mm (5.0" x 3.8" x 2.8") |
DXO scores | ||
DXO All around score | 78 | 67 |
DXO Color Depth score | 23.5 | 22.6 |
DXO Dynamic range score | 13.0 | 11.8 |
DXO Low light score | 1061 | 614 |
Other | ||
Battery life | 410 images | 500 images |
Type of battery | Battery Pack | Battery Pack |
Battery model | D-LI109 | NP-FH50 |
Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/ SDHC, Memory Stick Pro Duo |
Card slots | One | One |
Retail cost | $339 | $899 |