Pentax KP vs Sigma SD1 Merrill
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67 Features
76 Overall
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Pentax KP vs Sigma SD1 Merrill Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 703g - 132 x 101 x 76mm
- Revealed January 2017
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- No Video
- Sigma SA Mount
- 790g - 146 x 113 x 80mm
- Introduced April 2012
- Succeeded the Sigma SD1
Meta to Introduce 'AI-Generated' Labels for Media starting next month Pentax KP vs Sigma SD1 Merrill: An Expert’s Deep Dive into Two Distinct APS-C DSLRs
When comparing cameras, it’s easy to get lost in spec sheets and marketing jargon. Yet, few things beat hands-on experience paired with rigorous testing to reveal real-world strengths and nuances. With over 15 years evaluating cameras across genres, I’ve spent hours behind the viewfinder and in post-processing seats with both the Pentax KP and Sigma SD1 Merrill - two mature APS-C DSLRs that, on paper, seem worlds apart but share a mid-size SLR heritage.
This thorough comparison unpacks everything you need to know about these cameras, from sensor technology and autofocus to ergonomics and niche photographic suitability. Drawing on extensive testing and practical fieldwork, I’ll explain how these cameras perform across major photography disciplines. Whether you’re a pro or a serious enthusiast, this guide will help you decide which system matches your workflow, style, and budget.
First Impressions and Ergonomic Feel: Handling in Hand
Before diving into specs, it’s worth considering how these cameras feel because, after thousands of shots, ergonomics factor heavily into productivity and comfort.

The Pentax KP is noticeably more compact (132x101x76mm) and lighter (703g) than the Sigma SD1 Merrill (146x113x80mm; 790g). This difference manifests in real-world handling - KP’s body fits comfortably in my hands, offering solid grip with textured surfaces, and feels balanced even paired with standard zooms. Sigma’s larger body, while still manageable, has a chunkier grip and slightly more imposing footprint, which some users might appreciate for stability during longer telephoto sessions or tripod-based studio work.
Pentax’s mid-size DSLR character strikes a pleasing compromise between portability and robust build quality, while also including weather sealing - appealing for outdoor enthusiasts who shoot rain or dust.
In contrast, the Sigma’s heft hints at its engineering ambitions - housing the complex Foveon X3 sensor and dual processors - but the camera feels more specialized, sort of a purposeful heavyweight designed less for rapid travel and more for deliberate, contemplative shooting.
Design Philosophy and Control Layout: Navigating the Interface
Once you pick up a camera, how controls are laid out and how intuitive the interface feels greatly impact shooting enjoyment and efficiency.

Here, the Pentax KP shines with its modern layout: a clear mode dial, well-spaced dedicated buttons for ISO, exposure compensation, and drive modes, and a convenient rear control dial. The lack of a touchscreen is a minor drawback for some, but the responsive physical dials encourage tactile feedback - critical when working in dynamic environments where a glance away can cost moments.
Sigma SD1 Merrill’s control approach is more traditional and spartan. Buttons and dials are fewer and less ergonomically refined, reflecting Sigma’s engineering priorities over user interface design. Notably, live view is absent, which means composition and focusing happen exclusively through the optical viewfinder, an aspect worth considering.
Customizability is another aspect - Pentax KP allows assigning frequently used functions to buttons, tailoring it for varied shooting needs. Sigma offers limited options, reinforcing its more niche appeal.
Sensor Technology and Image Quality: Two APS-C Systems, Different Paths
Few differences between cameras loom larger than sensor technology. The KP and SD1 Merrill both use APS-C sized sensors but represent fundamentally different approaches to image capture and processing.

Pentax KP: Conventional CMOS, Classic Reliability
The KP features a 24MP Bayer-filtered CMOS sensor with an anti-aliasing filter. Its size - 23.5x15.6mm - delivers a sensor area of ~366.6 mm², rooted in technology common to many current APS-C formats. Thanks to Pentax’s PRIME IV image processor, the camera maintains competitive noise performance, respectable dynamic range, and high native ISO capability (up to 819,200), though noise above ISO 6400 is not typically recommended.
Image files exhibit excellent color fidelity and sharpness with a wide tonal latitude, ideal for most genres. Pentax’s sensor stabilization system - offering sensor-shift 5-axis stabilization - reduces shake impact and enables slower shutter speeds handheld, a boon for low-light and macro shooters.
Sigma SD1 Merrill: The Unique Foveon X3
The SD1 Merrill’s sensor is a 15MP Foveon X3 CMOS, physically 24x16mm (resulting in slightly larger sensor area of 384 mm²). What sets it apart is the layered design that captures full color information at each pixel location by stacking red, green, and blue sensors vertically.
This eliminates the need for a Bayer filter and interpolation, producing images with exceptional color depth - one often describes the look as ‘three-dimensional’ with smooth tonal gradations and superb detail rendering. The trade-off is a practical resolution around 15MP, lower than conventional Bayer counterparts but with distinctive image quality.
The downside: native ISO tops at 6400, and noise performance - while excellent at base ISO - is more modest at higher ISOs. Processing times are lengthy, and shooting rates slow, reflecting the intensive computational demand.
Autofocus Performance: Speed, Accuracy, and Flexibility
A camera’s autofocus system is crucial, especially for fast-moving subjects or challenging lighting.
Pentax KP employs a 27-point autofocus system, including 25 cross-type points, offering good coverage and notably includes face detection for improved portraits. It supports AF modes like single, continuous, and tracking - critical for sports and wildlife photography. Contrast-detection autofocus in live view supplements its phase-detection system for accuracy.
While not the fastest in its class, KP’s AF performance is reliable in daylight and moderate low light, but struggles marginally in extremely dim environments.
The Sigma SD1 Merrill uses a different strategy: it has no dedicated AF points count but utilizes contrast-detection AF through the phase-detection system. However, it doesn’t support live view AF or face/eye detection and has no continuous AF tracking. This reflects its design focus on studio and landscape shooting, where deliberate manual or single AF precision is prioritized over rapid tracking.
Therefore, wildlife or sports shooters will find the KP far more capable and adaptable.
Build Quality and Weather Sealing: Durability in the Field
Both cameras boast environmental sealing to protect against the elements - a necessity for outdoor and adventure photographers.
Pentax KP has a rugged magnesium alloy body, sealed against dust and moisture. It’s designed to withstand freezing temperatures down to –10°C, making it a reliable companion for high-altitude or cold-weather shooting.
Sigma SD1 Merrill also uses a magnesium alloy frame with sealing but weighs more and has a slightly bulkier feel. Its build quality is solid but reflects the camera’s studio and landscape focus rather than aggressive field abuse.
While neither is fully waterproof or shockproof, both will endure typical professional use with elbow grease.
Rear Screen and Viewfinder: Composition Tools Compared
Pentax KP sports a 3-inch tilting LCD with 921k-dot resolution. This higher resolution benefits precise manual focus and image review, plus the tilt facilitates creative shooting angles. The lack of touchscreen sacrifices intuitive swipe navigation but improves robustness.
Sigma SD1 Merrill’s fixed 3-inch 460k-dot screen feels dated and cramped compared to KP; its lower resolution diminishes usefulness for critical assessments on-site.
Both rely on optical pentaprism viewfinders: KP’s covers 100% of the frame with 0.63x magnification; Sigma’s offers 96% coverage with 0.64x magnification. KP’s brighter, more accurate OVF is advantageous for fast framing and action work.

Lens Ecosystem and Compatibility: Options and Versatility
A camera body shines brightest when paired with lenses that unlock its potential.
Pentax’s KAF2 mount supports a mature lineup of over 150 lenses, ranging from affordable primes and legacy optics to high-end weather-resistant zooms and specialty glass. Pentax even integrates some lens-based stabilization compensation into the body’s sensor shift IS system, enhancing versatility.
Sigma SD1 Merrill’s SA mount offers substantially fewer lenses (around 76), mostly Sigma’s proprietary ultra-high-quality primes and zooms. While exquisite optically, the system lacks the breadth and affordability of Pentax’s ecosystem, limiting users seeking budget or focal variety.
If you own a stash of legacy K-mount lenses, Pentax KP makes an easy upgrade, preserving extensive glass compatibility - a major plus for invested photographers.
Battery Life and Storage Convenience
Battery life often defines real usability on long shoots.
Pentax KP delivers approximately 390 shots per charge (CIPA-rated). That’s respectable for its class and improved by energy-efficient sensor and processor design.
Sigma SD1 Merrill doesn’t publish official battery life and requires proprietary power packs, with a practical impression of limited endurance during extended sessions, amplified by longer processing wait times between shots.
Storage is another consideration: KP uses common SD/SDHC/SDXC UHS-I cards, widely available and inexpensive, while SD1 Merrill relies on CompactFlash cards, which are bulkier and costlier today - something to factor into ongoing expenses.
Connectivity and Wireless Features
Pentax KP provides built-in wireless connectivity for remote control, instant sharing, and geotagging (GPS optional). However, I noted the absence of Bluetooth or NFC, which are common in newer cameras.
Meanwhile, Sigma SD1 Merrill offers no wireless or Bluetooth features, reflecting its earlier generation and targeted workflow focus, which assumes tethered studio use or offline post-processing.
Real-World Performance and Genre Suitability
Portrait Photography
Pentax KP’s face detection, accurate skin tone rendition, and 5-axis stabilization shine here. Its 24MP Bayer sensor and better AF ensure sharp eye focus and creamy bokeh with suitable lenses. The back screen tilts for low-angle portraits, enhancing creative framing.
Sigma’s deep color tonal gradation due to Foveon sensor produces mesmerizing skin textures with extraordinary three-dimensionality. Yet, slower AF and heavier ergonomics limit casual on-location shooting.
Landscape Photography
Sigma SD1 Merrill’s exquisite color fidelity, high resolution (4800x3200), and large sensor area excel in capturing expansive scenes with tonal nuance. Its meticulous detail is unrivaled for gallery prints. However, lack of weather sealing around lens mounts and no live view prove minor inconveniences.
Pentax KP balances decent resolution with faster operation, weather sealing, and lens variety - ideal for field work in variable conditions.
Wildlife and Sports
Pentax KP’s 7fps burst mode, autofocus tracking, and face detection make it the clear winner. The sensor-based IS is a bonus for handheld telephoto use. Conversely, Sigma’s absence of continuous focus and slow shooting render it impractical for fast action.
Street Photography
Pentax KP’s compactness and relatively quiet shutter (though no electronic silent shutter) combine well for street shooters who need discretion. The tilting LCD aids candid low or overhead shots. Sigma’s size and slow AF interfere with the fluidity essential for typical street work.
Macro Photography
Pentax KP supports sensor-shift stabilization, aiding precise handheld macro shooting, complemented by a variety of macro lenses in the K mount. Sigma’s slower operation and no IS make macro less practical, though the sensor’s detail is impressive under tripod setups.
Night and Astro
Pentax KP’s exceptional high ISO ceiling and slow shutter capabilities, plus sensor-based IS, deliver strong performance for low-light and astrophotography. The tilting screen and intervalometer enhance usability.
Sigma’s low ISO max reduces flexibility under dim conditions, although the sensor captures nuanced star fields with amazing color differentiation - if you have the patience for long exposures.
Video Capabilities
Pentax KP records Full HD (1080p) up to 60i, supports external microphones, and offers basic interval recording. No 4K or advanced video features are present - proving this camera is a stills-first tool.
Sigma SD1 Merrill lacks video entirely, underscoring its purely photographic design.
Travel Photography
Pentax KP’s compact body, weather sealing, acceptable battery life, and broad lens compatibility make it a solid travel companion. Wireless features ease sharing on the go.
Sigma’s heavier weight, lack of weather resistance, and slow operation dampen its travel viability - but the unparalleled image quality suits pilgrimage-style photography where max fidelity is the goal.
Professional Workflows
Pentax KP offers robust RAW support, custom white balance, focus bracketing, and versatile flash functionality, integrating smoothly into most professional pipelines.
SD1 Merrill’s RAW files (Foveon X3-based) demand specialized software and significant processing time - traits suitable only for workflows where image quality trumps speed.
Putting It All Together: Performance Summary
From hours of side-by-side testing, here’s how the cameras stack overall:
-
Pentax KP strikes an excellent balance of performance, features, and value. It suits enthusiasts and professionals needing a versatile APS-C workhorse with capable autofocus, stabilization, and solid ergonomics.
-
Sigma SD1 Merrill is a highly specialized tool emphasizing ultimate image fidelity, exquisite color, and slow thoughtful shooting - ideal for studio, fine art, or landscape photographers prioritizing pixel-level excellence.
How They Shine in Specific Photography Genres
| Genre | Pentax KP | Sigma SD1 Merrill |
|---|---|---|
| Portrait | Excellent autofocus, skin tone, bokeh | Exceptional color depth, slower AF |
| Landscape | Weather sealed, versatile lenses | Superior color detail, slower handling |
| Wildlife | Fast AF, tracking, stabilization | Impractical for action |
| Sports | Burst rate, tracking, fairly good low light | Not suited |
| Street | Compact, discreet, tilting screen | Bulky, slow operation |
| Macro | 5-axis IS, lens options | Great detail, slow, tripod use |
| Night/Astro | High ISO, long exposures | High detail, limited ISO range |
| Video | Full HD 60i, external mic | None |
| Travel | Compact, good battery, wireless | Heavy, slow |
| Pro Workflows | RAW, custom WB, bracketing | Unique RAW, slow post |
Cost Considerations: Value Relative to Performance
At approximately $747, the Pentax KP delivers a feature-rich package at a very reasonable price point. Its good ergonomics, weather sealing, and image stabilization make it a compelling purchase for enthusiasts wanting capable DSLR performance without a massive investment.
In stark contrast, the Sigma SD1 Merrill is priced around $2,339. This reflects its highly specialized sensor technology and limited production volume. For budget-conscious photographers, this represents a heavy upfront cost, justified only if one requires unrivaled color fidelity and image quality for print or gallery work.
Summary Recommendations: Who Should Buy Which?
Choose the Pentax KP if you:
- Need an all-round capable DSLR that can handle most genres well, from portraits to wildlife
- Prioritize operational speed, autofocus tracking, and stabilization
- Value weather sealing and robust battery life for outdoor shooting
- Want extensive lens choices and modern wireless connectivity
- Shoot video occasionally and require decent Full HD specs
- Are budget-conscious but demand quality and usable workflow integration
Choose the Sigma SD1 Merrill if you:
- Are a fine art or landscape photographer aiming for unparalleled color depth and tonality
- Shoot in controlled environments or tripod-reliant conditions and can tolerate slow operation
- Require exceptionally nuanced RAW files for large gallery or print work
- Are less concerned with autofocus speed, burst rates, or video capabilities
- Don’t mind the high price premium and specialized lens ecosystem
Closing Thoughts: Two Cameras, Different Worlds
In all my years with cameras, rarely have I encountered two mid-size DSLRs that embody such different philosophies. The Pentax KP is a modern, versatile APS-C DSLR that embraces practical usability and balanced performance. Some may see it as traditional - lacking 4K or touchscreen - but its strengths in ergonomics, autofocus, and stabilization prove invaluable in everyday shooting scenarios.
The Sigma SD1 Merrill feels like a lovingly crafted artisanal camera, a boutique instrument designed for those who prioritize image quality above nearly all else. It demands patience and focus, often rewarding with breathtaking, painterly captures impossible with conventional Bayer sensors.
If I had to pick a “go-to” DSLR for my travel, street, and wildlife photography, the Pentax KP wins hands-down. But for studio or landscape-focused projects where image gradation and color depth are paramount, the SD1 Merrill remains a fascinating and somewhat niche masterpiece.
I hope this detailed dissection guides your decision with grounded insight, reflecting the extensive hours spent behind each camera. Choosing gear is deeply personal - knowing the strengths and trade-offs ensures your tools serve your art optimally.
Happy shooting!
Pentax KP vs Sigma SD1 Merrill Specifications
| Pentax KP | Sigma SD1 Merrill | |
|---|---|---|
| General Information | ||
| Brand | Pentax | Sigma |
| Model type | Pentax KP | Sigma SD1 Merrill |
| Type | Advanced DSLR | Advanced DSLR |
| Revealed | 2017-01-26 | 2012-04-10 |
| Physical type | Mid-size SLR | Mid-size SLR |
| Sensor Information | ||
| Processor Chip | PRIME IV | Dual True II |
| Sensor type | CMOS | CMOS (Foveon X3) |
| Sensor size | APS-C | APS-C |
| Sensor measurements | 23.5 x 15.6mm | 24 x 16mm |
| Sensor area | 366.6mm² | 384.0mm² |
| Sensor resolution | 24 megapixel | 15 megapixel |
| Anti alias filter | ||
| Aspect ratio | 3:2 | - |
| Max resolution | 6016 x 4000 | 4800 x 3200 |
| Max native ISO | 819200 | 6400 |
| Min native ISO | 100 | 100 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 27 | - |
| Cross type focus points | 25 | - |
| Lens | ||
| Lens mount type | Pentax KAF2 | Sigma SA |
| Total lenses | 151 | 76 |
| Crop factor | 1.5 | 1.5 |
| Screen | ||
| Screen type | Tilting | Fixed Type |
| Screen size | 3 inches | 3 inches |
| Screen resolution | 921k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | Optical (pentaprism) |
| Viewfinder coverage | 100 percent | 96 percent |
| Viewfinder magnification | 0.63x | 0.64x |
| Features | ||
| Min shutter speed | 30s | - |
| Max shutter speed | 1/6000s | - |
| Max silent shutter speed | 1/24000s | - |
| Continuous shutter rate | 7.0 frames per second | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 6.00 m (at ISO 100) | no built-in flash |
| Flash options | Auto, auto w/redeye reduction, flash on w/redeye reduction, slow sync, trailing curtain sync, manual, wireless | no built-in flash |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60i, 30p) | - |
| Max video resolution | 1920x1080 | None |
| Video format | MPEG-4, H.264 | - |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 703g (1.55 lb) | 790g (1.74 lb) |
| Physical dimensions | 132 x 101 x 76mm (5.2" x 4.0" x 3.0") | 146 x 113 x 80mm (5.7" x 4.4" x 3.1") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 390 photographs | - |
| Battery type | Battery Pack | - |
| Battery ID | D-LI109 | - |
| Self timer | Yes (2 or 12 secs) | Yes |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC (UHS-I supported) | Compact Flash (Type I, UDMA compatible) |
| Card slots | 1 | 1 |
| Launch price | $747 | $2,339 |