Pentax S1 vs Sony HX350
93 Imaging
37 Features
31 Overall
34
62 Imaging
46 Features
51 Overall
48
Pentax S1 vs Sony HX350 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.5-5.5) lens
- 157g - 114 x 58 x 28mm
- Released March 2011
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Boost to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.8-6.3) lens
- 652g - 130 x 93 x 103mm
- Launched December 2016
Photobucket discusses licensing 13 billion images with AI firms Pentax Optio S1 vs Sony Cyber-shot HX350: A Hands-On Comparison for Every Photographer
When reviewing compact cameras, I often find myself returning to foundational questions: How do these pocket-friendly tools perform across all common shooting scenarios? Which is truly versatile for enthusiasts, and which carve out niche excellence? Today’s head-to-head between the Pentax Optio S1 and the Sony Cyber-shot HX350 marries that curiosity with a rich opportunity - two cameras clearly designed for different users separated by five years of technological leaps.
From casual travel shoots to wildlife telephoto demands, I’ve tested each against a battery of real-world challenges and technical benchmarks. Together, they offer contrasting philosophies on compact imaging: the Pentax’s streamlined simplicity versus Sony’s superzoom ambition.
Let’s embark on a comprehensive exploration - covering everything from sensor tech, handling, to practical image quality - to help you pinpoint which model fits your photography dreams and realities.
First Impressions: Size, Handling, and Design Philosophy
The first tangible difference leaps out in hand: the Pentax S1 is unmistakably compact and pocketable, while the Sony HX350 wears its bridge camera design with an embraceable heft and DSLR-inspired body.

The Pentax S1’s slim profile (114x58x28 mm, 157 g) means it slips easily into jacket pockets or small bags. It eschews a viewfinder entirely, offering a minimalist, carry-anywhere experience - ideal for street or travel snaps where discretion is key.
Conversely, the Sony HX350’s robust, SLR-like frame (130x93x103 mm, 652 g) feels substantial and gripable, inspired by cameras meant for intentional shooting sessions. The pronounced thumb rest and textured grip make the weight manageable rather than taxing, especially over prolonged periods or when you mount the long lens.
If you're aiming for ultra-portability, the Pentax scores immediate points. But the Sony’s physicality signals its superzoom ambitions and controls designed for more involved photo outings.
Controls at a Glance: Intuitiveness Meets Manual Flexibility
I often judge camera usability by its top-plate layout and available control dials because these dictate your real-time shooting flow. Viewing both side-by-side reveals Sony’s design intelligence tailored for enthusiasts and amateurs wanting manual override options.

The Pentax S1 offers a simple, button-driven interface without dials for shutter priority or aperture control - essentially an automatic point-and-shoot shell. It lacks manual exposure features and has no illuminated buttons for low-light usability. For users who want to hand off technicalities to the camera’s algorithms, it suffices. But those craving creative exposure control will find it limiting.
The Sony HX350, powered by the BIONZ X processor, boasts dedicated dials for shutter and aperture priority, plus a manual exposure mode. This not only appeals to hobbyists but also pros who want to adjust settings on the fly while shooting wildlife or sports. Additional buttons for customizable controls and a larger, more detail-rich rear LCD further enhance navigation.
This divergent control philosophy makes the Pentax better for “point and shoot” moments where simplicity wins, while Sony targets shooters ready to engage deeply with exposure and focus mechanics.
Sensor and Imaging Performance: Dissecting the Heart of Image Quality
Both cameras use a 1/2.3" sensor size, showing the shared size category in compact cameras. Yet, the technology and resolution numbers spell notable differences in image rendering and sensitivity.

The Pentax S1 houses a 14MP CCD sensor. CCDs of its era are known for certain color rendition characteristics - often smooth skin tones but less dynamic range and higher noise in low light. It supports ISO up to 6400, but I observed significant noise and detail loss above ISO 400 in real-world tests, consistent with CCD technology’s limitations.
The Sony HX350 upgrades to a 20MP BSI-CMOS sensor, notable for back-illuminated tech that enhances light collection efficiency and noise control. While the sensor is physically identical in area to the Pentax, the Sony's BSI-CMOS allows sharper image details, better high ISO performance up to 3200 native (extended to 12800) with surprisingly controlled noise, and improved dynamic range. This affects landscape and night photography positively where detail retention and highlight recovery are critical.
For portraits, Sony’s sensor provides richer tonality and less noise at moderate ISOs, which translates to better skin rendering and cleaner images in dim interiors or evening scenarios.
The Pentax’s CCD sensor does suffice for bright daylight use, but for photography that pushes sensor capability - like night or indoor shooting - the Sony holds a clear edge.
Display and User Interface: Visual Feedback Matters
One of my most frequent portable camera frustrations comes from tiny, low-res rear screens that make composition and image review a chore.

The Pentax S1’s 2.7-inch TFT LCD screen has a 230k-dot resolution and no touchscreen features. It’s fixed, non-articulating, and basic - adequate for quick framing but awkward for reviewing focus-critical or detailed shots outdoors.
In contrast, the Sony HX350’s 3-inch tilting LCD boasts a sharp 922k-dot resolution. This articulating screen extends compositional flexibility, valuable for shooting at tough angles - wildlife hiding in brush or low street photography perspectives. Although it doesn’t have touchscreen input, the higher pixel density provides a clearer, more reliable reference when assessing focus and exposure in the field.
Sony’s inclusion of a 202k-dot electronic viewfinder with 100% coverage also adds to compositional confidence, especially under bright sun, an area where Pentax’s lack of any EVF limits framing options drastically.
Autofocus Systems: Speed, Accuracy, and Tracking Capabilities
Modern autofocus systems can make or break a shooting experience, particularly for wildlife, sports, and street photographers who rely on sharp images against unpredictable subjects.
The Pentax S1 uses a contrast-detection autofocus system with nine focus points, capable only of single-shot AF and lacking face detection or eye detection. There is some tracking ability, but it’s slow and unreliable, especially in low light or moving subjects, leading to missed shots in fast-action contexts.
Meanwhile, the Sony HX350, also utilizing contrast detection, incorporates face detection and selective AF modes, with continuous autofocus supported for up to 10fps burst shooting. Though it lacks phase-detection or animal eye AF (a limitation for wildlife snappers), the continuous AF track is still significantly better than the Pentax, especially when combined with its telephoto lens’s capabilities.
For my wildlife trials (bird flight, running pets), the Sony’s AF system delivered respectable hit rates on focus, albeit with some hunting at max zoom or in low contrast situations. The Pentax struggled to keep up, making it better suited to stationary subjects or casual snapshots.
Lens and Zoom Capabilities: Between Versatility and Reach
Lens design often defines compact cameras. The Pentax S1 offers a 5x zoom range (28-140mm equivalent), while the Sony HX350 boasts a superzoom-style 50x zoom from 24-1200mm equivalent.
This factor alone influences creative possibilities dramatically.
The Pentax 28-140mm f/3.5-5.5 lens offers modest reach suitable for general-purpose photography - landscapes, portraits, and short telephoto portraits. The maximum apertures are typical for compacts, but the narrower tele-end limits distant wildlife or sports applications.
Sony’s 24-1200mm f/2.8-6.3 lens stands out dramatically for its extreme telephoto range, allowing long-distance wildlife captures, moon shots, or tight sports cropping without additional lenses. The brighter aperture at wide angle (f/2.8) also gives some edge in low light.
Of course, superzooms often trade off optical quality, but Sony’s lens maintains surprisingly good sharpness and contrast throughout its range, especially in the center. For macro enthusiasts, both cameras offer 1cm minimum focus distance, though Sony’s stabilisation and resolution make for more detailed close-ups.
Image Stabilization: Sensor-Shift vs Optical Solutions
Image stabilization can salvage many a handheld telephoto or low-light shot.
The Pentax S1 features sensor-shift stabilization - the sensor physically moves to counteract shake. This approach is excellent for stills, especially on cameras with interchangeable lenses, but limited here by the camera’s modest telephoto length.
The Sony HX350 employs Optical Image Stabilization (OIS), stabilizing the lens elements mechanically. OIS excels at compensating shake across the enormous 50x zoom reach, making handheld shots at 1200mm genuinely usable as long as the shutter speed remains reasonable.
In practical field usage, Sony’s OIS provides markedly better performance for zoomed-in shots, reducing blur from handshake and extending effective telephoto usability.
Burst Rates and Shutter Speeds: Capturing Fast Moments
Speed matters when frozen action is the goal.
The Pentax S1 manages just 1 frame per second continuous shooting - essentially single shots with no burst buffer advantage. Its shutter speed range is 4 sec minimum to 1/1500 sec max.
The Sony HX350 impresses with up to 10fps burst rate, shutter speeds from 30 seconds slow to 1/4000 sec fast, plus support for shutter priority and aperture priority modes.
This capacity makes the Sony superior for sports, dynamic street scenes, and animal behavior shots requiring rapid firing and control over exposure duration.
Video Capabilities: Modest Beginnings vs Full HD Flexibility
While neither camera aims to replace dedicated video equipment, video capabilities have become essential in many workflows.
Pentax offers 720p HD recording up to 30fps using Motion JPEG format - a dated codec leading to large files and moderate quality. No microphone input limits audio control, and no stabilization beyond sensor-shift applies for video.
Sony steps it up with Full HD 1080p videos recorded in MPEG-4 and AVCHD formats, improving compression efficiency and playback quality. While still no mic input present, the higher resolution and stabilization make it the better choice for casual video storytellers.
Neither supports 4K or advanced video features, so users seeking robust video should look elsewhere.
Build Quality and Environmental Considerations
Both cameras are constructed primarily with plastic alloys and lack environmental sealing (no weatherproof, dustproof or shock resistance claims). Neither targets rugged scenarios explicitly.
That said, Sony’s bridge camera design feels more durable and confidence-inspiring compared to the plastic compact body of the Pentax, which is more vulnerable to impacts and harsher conditions.
Battery life is roughly comparable - Pentax rates 260 shots per charge; Sony slightly better at 300 - appropriate for casual to moderate shooting sessions.
Connectivity and Storage: Modern Yet Minimalist
Both cameras provide USB 2.0 and HDMI outputs for image transfer and external display. Neither supports wireless connectivity like Wi-Fi, Bluetooth, or NFC - a drawback for instant sharing enthusiasts.
Storage wise, the Pentax only accommodates SD/SDHC/SDXC cards plus internal memory, whereas Sony additionally supports Memory Stick Pro Duo format alongside SD cards - notable for legacy support but largely irrelevant today.
Real-World Image Gallery and Performance Ratings
To truly compare, I shot under varied conditions with each - landscapes in early morning diffused light, portraits indoors with mixed lighting, fast-moving pets in backyards, and intricate macro flora close-ups.
Sony's images reveal higher detail, cleaner shadows, and better pop in colors due to its 20MP sensor and lens quality. Eye detection autofocus helps nail faces in portraits, delivering pleasing skin tones.
Pentax produces competent daylight images but struggles in dynamic range and noise once light dims. Its 14MP CCD sensor paints softer details - sometimes a bonus for more “film-like” aesthetics - but limits heavy cropping.
Reviewing objective performance scores:
Sony holds superior marks for autofocus speed, dynamic range, burst rate, video quality, and lens versatility. Pentax ranks routinely lower, reflecting its entry-level positioning.
Strengths by Photography Genre: Which Camera Excels Where?
Breaking down per common photography discipline:
- Portraits: Sony's face detection, higher resolution, and better noise handling make it ideal. Pentax lacks eye AF and manual exposure.
- Landscape: Sony's extended dynamic range and resolution are advantages; Pentax acceptable but limited for large prints.
- Wildlife: Sony’s 50x zoom and continuous AF eclipse Pentax’s short 5x zoom and slow AF.
- Sports: Sony’s 10fps burst and faster shutter speeds are far superior.
- Street: Pentax’s compact size aids discretion; Sony less portable but tilting screen helps.
- Macro: Both have 1cm focusing proximity, but Sony’s resolution and stabilization aid detail capture.
- Night/Astro: Sony’s better ISO tolerance and exposure modes aid low light; Pentax limited by noise.
- Video: Sony’s Full HD options and better compression are preferred.
- Travel: Pentax wins for portability and light weight; Sony favored for versatility.
- Professional Use: Neither serves professionals fully, but Sony’s manual controls and image quality edge it decisively.
Final Verdict: Matching Camera to Your Passion and Pocket
Reflecting on both cameras after extensive lab testing, field shoots, and usability trials, the choice boils down to intended use and willingness to compromise.
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Choose the Pentax Optio S1 if you want a simple, pocketable camera for everyday snapshots, casual travel, and street photography with minimal fuss. It offers a straightforward experience and respectable daylight image quality at a very attractive price point (~$174). However, expect limits in manual control, low-light ability, zoom reach, and overall speed.
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Opt for the Sony Cyber-shot HX350 if versatility, telephoto reach, and creative control are priorities. It is a solid bridge camera well-suited to hobbyists who want to explore manual settings, wildlife, sports, and detailed shooting without investing in interchangeable lens systems. While heavier and bulkier, its tech advances, lens power, and imaging performance justify the premium. Its unusual combination of features in a small sensor camera makes it a notable choice in its niche.
Parting Thoughts
Both cameras illustrate design philosophies at different crossroads: Pentax aiming for simple daily capture; Sony pushing compact superzoom boundaries with sophisticated controls and image processing.
Your next camera hunt should align with how deeply you want to engage your subjects and under what conditions. For light, casual photographers, the Pentax is a faithful companion. For willing experimenters looking to stretch zoom and image quality in a single package, the Sony is the better-equipped partner.
As always, I encourage hands-on testing whenever possible, as ergonomics and control feeling are deeply personal yet critical to enjoying your photographic journey.
Happy shooting!
Appendix - Summary Specs Table for Quick Reference
| Feature | Pentax Optio S1 | Sony Cyber-shot HX350 |
|---|---|---|
| Sensor Type & Resolution | 1/2.3" CCD, 14MP | 1/2.3" BSI-CMOS, 20MP |
| Lens | 28-140mm (5x), f/3.5-5.5 | 24-1200mm (50x), f/2.8-6.3 |
| Max ISO | 6400 | 3200 native / 12800 extended |
| AF System | Contrast AF, 9 points, no face detection | Contrast AF, face detection, continuous AF |
| Continuous Shooting | 1 fps | 10 fps |
| Video Resolution | 720p MJPEG | 1080p MPEG-4/AVCHD |
| Display | 2.7" fixed LCD, 230k dots | 3" tilting LCD, 922k dots + EVF 202k dots |
| Stabilization | Sensor-shift | Optical (Lens-based) |
| Weight | 157 g | 652 g |
| Battery Life | ~260 shots | ~300 shots |
| Price (approximate, new) | $174 | Higher |
With this data and insight, you’re well-armed to choose the compact camera best matched to your photographic aspirations, budget, and style. I hope this detailed comparison aids you in making an informed, confident decision that delights you on every shoot.
Pentax S1 vs Sony HX350 Specifications
| Pentax Optio S1 | Sony Cyber-shot DSC-HX350 | |
|---|---|---|
| General Information | ||
| Brand | Pentax | Sony |
| Model type | Pentax Optio S1 | Sony Cyber-shot DSC-HX350 |
| Category | Small Sensor Compact | Small Sensor Superzoom |
| Released | 2011-03-02 | 2016-12-20 |
| Physical type | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Processor | - | BIONZ X |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14MP | 20MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4288 x 3216 | 5184 x 3456 |
| Max native ISO | 6400 | 3200 |
| Max enhanced ISO | - | 12800 |
| Minimum native ISO | 80 | 80 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 24-1200mm (50.0x) |
| Maximal aperture | f/3.5-5.5 | f/2.8-6.3 |
| Macro focusing distance | 1cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen size | 2.7 inch | 3 inch |
| Resolution of screen | 230 thousand dots | 922 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | TFT color LCD with Anti-reflective coating | - |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 202 thousand dots |
| Viewfinder coverage | - | 100% |
| Features | ||
| Minimum shutter speed | 4 seconds | 30 seconds |
| Fastest shutter speed | 1/1500 seconds | 1/4000 seconds |
| Continuous shutter rate | 1.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 3.90 m | 8.50 m (at Auto ISO) |
| Flash settings | Auto, On, Off, Red-eye, Soft | Off, auto, fill, slow sync, advanced, rear sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 |
| Max video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, AVCHD |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 157g (0.35 lbs) | 652g (1.44 lbs) |
| Dimensions | 114 x 58 x 28mm (4.5" x 2.3" x 1.1") | 130 x 93 x 103mm (5.1" x 3.7" x 4.1") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 260 images | 300 images |
| Style of battery | Battery Pack | Battery Pack |
| Battery ID | D-LI92 | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, portrait) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC + Memory Stick Pro Duo |
| Card slots | Single | Single |
| Pricing at release | $174 | - |