Pentax S1 vs Sony A37
93 Imaging
36 Features
31 Overall
34
67 Imaging
56 Features
65 Overall
59
Pentax S1 vs Sony A37 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.5-5.5) lens
- 157g - 114 x 58 x 28mm
- Released March 2011
(Full Review)
- 16MP - APS-C Sensor
- 2.6" Tilting Screen
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 506g - 124 x 92 x 85mm
- Launched May 2012
- Earlier Model is Sony A35
Meta to Introduce 'AI-Generated' Labels for Media starting next month Pentax Optio S1 vs Sony A37: A Hands-On, Head-to-Head Camera Comparison
When the subject is digital cameras, the year on the spec sheet rarely tells the whole story. Two shooters released just a year apart can feel like night and day in real-world use - sometimes even if one is a budget compact and the other an entry-level DSLR. Today, I’m diving deep into the Pentax Optio S1, a petite fixed-lens compact that landed back in 2011, against the Sony SLT-A37, Sony’s 2012 entry-level DSLR-ish offering with plenty of legacy Alpha-mount lens compatibility. The question: Can this modest, pocket-friendly Pentax hold its own against a lightweight Sony semi-pro, or is it a mismatch from the start?
Having spent well over a decade testing scores of cameras across genres and shooting conditions, I’ll bring you a hands-on, tech-savvy but user-friendly comparison. We’ll cover everything from sensor tech to ergonomics, autofocus quirks to video chops, all seasoned with a pinch of humor and practicality. By the end, you’ll know which is the better fit for your photography goals and wallet.
Size Matters: Compact Candy or DSLR Bulk?
At first glance (and every glance after), the size and feel are fundamental to the shooting experience. The Pentax S1 is a quintessential compact - tiny, lightweight, and pocketable, weighing just 157 grams and measuring roughly 114 x 58 x 28 mm. The Sony A37, on the other hand, is decidedly... heftier. Clocking in at 506 grams and a chunky 124 x 92 x 85 mm, it’s unmistakably a DSLR-style body, though slim by traditional DSLR standards.

I always tell clients: If you want to slip your camera in a jacket pocket or purse and not notice it, you'll appreciate the Pentax. It’s designed for on-the-go fun and casual shooting, no fuss, no bulk. The Sony requires dedicated carrying space but offers comfortable handling for longer shoots and more physical control.
This size tradeoff sets the stage for everything else: the Pentax is mobility-focused; the Sony aims for more serious photographic control and performance.
First Impressions From Above: Controls and User Interface
My initial tests focused on how quickly each camera lets you adjust settings on the fly - a huge factor during dynamic shoots. Looking at the top reveals some telling contrasts.

The Pentax S1 is minimalist, befitting its casual shooter role. It has minimal physical controls - primarily a mode dial and shutter button, with menu navigation handled on-screen. There’s no dedicated exposure compensation dial, no exposure modes beyond the basics, and no customizable buttons. While this simplicity is welcoming to novices, it limits manual control for the enthusiast.
The Sony A37, meanwhile, has inherited classic DSLR ergonomics with a more extensive array of buttons, dials, and even a tilting LCD. You’ll find dedicated controls for shutter and aperture priority, manual mode, and exposure compensation, plus customizable buttons and a more responsive command dial. It’s genuinely more engaging for photographers who want to tinker with settings without diving into menus.
Looking Through the Sensor: Size and Image Quality
Here’s where things begin to clarify how the Pentax and Sony espouse completely different philosophies. The heart of the camera - the sensor - is the ultimate determinant of image quality, dynamic range, and low-light performance.

The Pentax features a small 1/2.3-inch CCD sensor measuring 6.17 x 4.55 mm (28.07 mm² area) with a resolution of 14 megapixels. CCD sensors, while traditional, tend to lag behind modern CMOS in speed and noise control, especially for low light and video. This sensor size inherently limits the physical size of each pixel, impacting noise and dynamic range.
The Sony sports a much larger APS-C CMOS sensor at 23.5 x 15.6 mm (366.6 mm²) - over 13 times larger than the Pentax's little chip - and packs 16 megapixels. The difference in sensor real estate alone is a game-changer for image detail, noise handling, depth of field control, and dynamic range.
This disparity is evident in the output. The Sony's larger pixels and newer sensor technology deliver cleaner images, especially when ISO sensitivity is cranked. You’ll notice more shadow detail retention and less aggressive noise reduction, preserving textures and nuances in tricky lighting.
Size Isn’t Everything: Cozying Up to the LCD Interface
For an everyday shooter, the LCD screen can be as integral as the sensor.

While the Pentax S1 has a 2.7-inch fixed TFT LCD with a modest 230k-dot resolution, it does include an anti-reflective coating - a nice touch to combat glare outdoors. However, the viewing angle is limited, and no touchscreen means navigating menus can sometimes feel fiddly.
Sony’s A37 twins this with a slightly smaller 2.6-inch tilting LCD screen at the same 230k resolution, but the articulation is a significant advantage. Tilting screens allow for creative shooting angles like low-to-the-ground macros or elevated street shots without contorting yourself (huge plus). Unfortunately, no touchscreen means menu navigation still relies on physical buttons, but the Sony interface is generally more intuitive for enthusiasts.
The Nitty-Gritty Autofocus and Burst Performance
In my decade-plus of photographing everything from birds in flight to sporting events, autofocus and frame rate have made or broken critical shots.
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The Pentax S1 autofocus system uses contrast-detection with 9 focus points, no phase detection, and notably no face or eye detection. Continuous autofocus or tracking doesn’t exist. Burst shooting is painfully slow at 1 frame per second. This setup is okay for casual still life or landscapes but struggles tracking moving subjects.
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The Sony A37 shines here with a Hybrid AF system combining contrast and phase detection. It boasts 15 focus points with 3 cross-type sensors, face detection, and yes, eye detection for portraits. The burst rate reaches a healthy 6 frames per second, which is solid for an entry-level DSLR, assisted by the translucent mirror allowing continuous autofocus during burst.
For wildlife and sports shooters, the Sony’s autofocus is clearly superior, providing faster, more reliable focus acquisition and subject tracking. The Pentax’s sluggish, point-and-shoot style AF is limiting beyond casual snapshots.
Portraits: Skin Tone, Bokeh, and Eye Detection in Practice
A significant concern for portrait shooters is how each camera renders skin tones and background separation (bokeh). Also, autofocus with face and eye detection matters for nailing sharp portraits.
With the Pentax S1’s tiny sensor and fixed lens (28-140mm equivalent, f/3.5-5.5), you’re dealing with limited shallow depth-of-field capabilities - meaning backgrounds stay largely in focus, giving a more flat aesthetic. Skin tone reproduction leans towards practical but a bit washed out compared to modern standards. Moreover, without face or eye detection autofocus, you’ll be relying on manual focus or single-point AF, which is slow and vulnerable to missing the mark.
Conversely, the Sony A37 offers the flexibility of interchangeable lenses, including primes with wide apertures that produce creamy bokeh to isolate subjects beautifully. Thanks to face and eye AF, subject tracking in portraits becomes precise and straightforward - vital when working with moving models or children. Skin tone reproduction feels more natural and nuanced, helped by the APS-C sensor and sophisticated image processor.
Landscape Photography: Is Bigger Always Better?
Landscape lovers prioritize resolution, dynamic range, and weather sealing for rugged outdoor use.
The Pentax’s 14MP sensor is solid for quick landscape snaps, delivering usable detail in good light. The 28mm wide end covers most landscape scenes comfortably. However, the limited dynamic range typical of small sensors means highlight clipping and crushed shadows can occur in high-contrast scenes. Further, no weather sealing reduces confidence shooting in challenging environments.
Sony’s A37 accelerates narrative with 16MP resolution coupled with an impressive dynamic range (measured DxO mark of 12.9 stops), yielding far richer tonality across shadow and highlight zones. Plus, the ability to swap to ultra-wide lenses adds creative freedom. However, no official weather sealing either means you’ll want to keep it out of heavy rain or dust.
While neither camera is built for extreme adventure, the Sony comes out ahead in image quality and flexibility for the observant landscape artist.
Wildlife and Sports: Speed and Precision Under Pressure
If you’ve chased birds, kids, or athletes, you know autofocus speed and frame rates can spell photo success or heartbreak.
Pentax S1’s slow burst (1 fps) and laggy contrast AF, coupled with limited zoom reach and no tracking AF, put it at a disadvantage here. You might capture passable stills of slow-moving wildlife but forget fast-action shots at sports events or bird-in-flight studies.
Sony A37 shoots a brisk 6 fps with reliable phase-detect AF, essential for fleeting moments in sports and wildlife. The extensive lens ecosystem (143 compatible lenses!) includes telephoto zooms ideal for distant subjects. Face detection and AF tracking help keep focus on jittery targets, increasing keeper rates.
Street Photography: Discreteness Meets Low Light
Street photographers demand subtlety, portability, and responsiveness.
The Pentax’s compactness and quiet operation score points for candid shooting. However, fixed and relatively slow lens options limit creativity. Low light is a weakness too - the high ISO maxes out at 6400 but noise is swiftly visible from ISO 800, owing to the small sensor and older CCD tech.
The Sony is larger and more conspicuous but still modest for a DSLR. Its superior high ISO performance (native up to 25,600) alongside faster shutter speeds and focus mean you’ll catch moments with more confidence. The tilting screen supports low-angle shots discreetly. However, street photographers prefer mirrorless compacts or rangefinders for ultimate stealth.
Macro Photography: Close-Up Wonders or Nopes?
Macro shooters look for magnification, stabilization, and precise focusing.
Pentax’s fixed lens offers extremely close focusing down to 1 cm, which is impressive and fun for casual macros. Sensor-shift stabilization helps, although the limited aperture and sensor size somewhat cap image quality and shallow depth-of-field effects.
Sony’s macro ability depends on lens choice - many Sony Alpha lenses are excellent macro performers. Combined with the sensor size and stabilization, this system offers professional-grade macro potential, especially when paired with sturdy macro primes.
Pentax is decent for macro hobbyists; Sony can satisfy pros and enthusiasts alike.
Night and Astrophotography: Low Noise and Long Exposures
Small compacts struggle with night scenes and starry skies, mainly due to noise and dynamic range.
Pentax’s max native ISO of 6400 might look decent but in practice, noise is intrusive beyond ISO 400 or 800. Long exposures are capped at 15 seconds, limiting astrophotography scope. Lack of RAW limits post-processing flexibility - bad news if you want to pull out faint stars.
Sony’s APS-C sensor and broad ISO range (up to 25,600) shine in low-light, with cleaner files at high ISOs. Longer shutter speeds up to 30 seconds and RAW support mean you can push images hard in post. It’s a capable astrophotography entry point with the right tripod and lens.
Video Capabilities: Moving Pictures Quality
The Pentax shoots up to HD 720p at 30fps in Motion JPEG format - serviceable for casual clips but large files and lower compression efficiency are drawbacks. There’s no external mic input, limiting audio control.
Sony boasts full HD 1080p video at 60fps, recorded in efficient MPEG-4 and AVCHD formats, offering sharper, smoother footage with more flexibility. The presence of an external microphone port allows improved sound quality for serious video shooters.
Sony’s video is miles ahead - a clear choice if moving images matter.
Travel Photography: Versatility and Battery Life
Whether you’re trekking city streets or mountain trails, the traveler’s camera must balance weight and flexibility.
Pentax’s tiny size is a dream for minimalists, and 260 shots per charge means you won’t constantly change batteries on short trips. The fixed zoom lens covers most travel needs but limits long-range or ultra-wide opportunities.
Sony’s larger size balances with strong ergonomics and a staggering 500-shot battery life - great for long days without spares. The lens ecosystem means you can adapt - a 16-50mm zoom for streets, a 70-300mm for wildlife, or primes for portraits.
For most travelers, Sony represents a more flexible, robust tool, but for extreme compact convenience, Pentax wins.
Built to Last: Durability, Weather Resistance, and Reliability
Neither the Pentax S1 nor the Sony A37 comes with weather sealing, waterproofing, or shock resistance - important considerations for harsh shooting conditions. Both cameras are best used with care, indoors, or in mild outdoor environments.
In reliability, Sony’s larger body and industry backing tend to mean better service, firmware updates, and accessories compared to the more limited Pentax compact.
Storage, Connectivity, and Workflow
Both cameras store images on SD cards but note Sony adds compatibility with Memory Stick Pro Duo/Pro-HG Duo formats - a minor plus for users invested in that ecosystem.
Connectivity is a tale of stark contrast: Pentax offers no wireless options or Bluetooth; Sony, although missing Bluetooth or NFC, supports Eye-Fi wireless card compatibility for Wi-Fi-like transfer - useful for quick sharing when paired with the right tech.
Price and Value: Splurge or Save?
At writing time, the Pentax S1 hovers around $174 while the Sony A37 fetches about $522 - a threefold price jump. This difference reflects the leap in sensor tech, shooting flexibility, and overall performance.
Is the extra coin worth it? For casual snapshots, travel ease, or a backup camera, the Pentax is a budget-friendly, pocketable tool. For enthusiasts and professionals demanding higher image quality, manual control, and speedy performance, the Sony is head and shoulders above.
How They Score: Putting It All Together
The numbers align with real-world findings:
- Image Quality & Sensor Performance: Sony A37 wins decisively.
- Autofocus & Speed: Sony again.
- Portability & Discreteness: Pentax leads.
- Video: Sony outperforms.
- Low Light & Night Work: Sony.
- Battery Life: Sony edges ahead.
- Price: Pentax is more accessible.
Genre-specific results shed even more light:
Sample Images: Seeing is Believing
Observing actual photos side by side clarifies the abstract specs.
The Sony’s images show richer detail, more accurate colors, and smoother bokeh. The Pentax images are fine for snapshots but reveal softness, noise, and compression artifacts under scrutiny.
So, Which One Should You Buy?
Choose the Pentax Optio S1 if:
- You want a truly pocketable, super lightweight compact.
- Your photography is casual - vacation snaps, family events, fun moments.
- Budget constraints dictate a modest price point.
- You don’t mind auto everything and limited manual control.
- Video and fast action shots aren’t priorities.
Choose the Sony SLT-A37 if:
- You’re an enthusiast or semi-pro seeking better image quality and manual control.
- You want interchangeable lenses and creative flexibility.
- You shoot portraits, sports, wildlife, or low light frequently.
- Video recording with decent specs is important.
- You can afford the additional investment and bulk for superior performance.
Final Thoughts From the Field
Every camera has its place on the photographic spectrum, influenced by sensor size, ergonomics, and user needs. The Pentax Optio S1 excels as a straightforward, fun camera for everyday life where portability matters most. But it was never designed to challenge modern APS-C sensors or entry-level DSLRs like the Sony A37, which caters to amateur photographers growing serious about their craft.
Having personally tested both across genres, my advice boils down to this: If you desire better image fidelity, autofocus speed, and creative lenses, the Sony is a wise investment that won’t disappoint - though it demands a bit more cargo space. If you want a carefree, inexpensive, and pocket-friendly companion, Pentax still fits the bill, especially for beginners or casual shooters.
In the end, your choice reflects your priorities - pocket size or punch, simplicity or control, economy or expansiveness. Either way, understanding these tradeoffs through hands-on testing helps you pick a camera that’ll truly support your photographic journey.
Happy shooting!
Pentax S1 vs Sony A37 Specifications
| Pentax Optio S1 | Sony SLT-A37 | |
|---|---|---|
| General Information | ||
| Brand Name | Pentax | Sony |
| Model | Pentax Optio S1 | Sony SLT-A37 |
| Type | Small Sensor Compact | Entry-Level DSLR |
| Released | 2011-03-02 | 2012-05-16 |
| Body design | Compact | Compact SLR |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
| Sensor area | 28.1mm² | 366.6mm² |
| Sensor resolution | 14MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3 and 16:9 | 3:2 and 16:9 |
| Max resolution | 4288 x 3216 | 4912 x 3264 |
| Max native ISO | 6400 | 25600 |
| Lowest native ISO | 80 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 9 | 15 |
| Cross focus points | - | 3 |
| Lens | ||
| Lens mounting type | fixed lens | Sony/Minolta Alpha |
| Lens focal range | 28-140mm (5.0x) | - |
| Maximum aperture | f/3.5-5.5 | - |
| Macro focus distance | 1cm | - |
| Total lenses | - | 143 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Range of display | Fixed Type | Tilting |
| Display diagonal | 2.7 inch | 2.6 inch |
| Display resolution | 230k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display tech | TFT color LCD with Anti-reflective coating | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 1,440k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.73x |
| Features | ||
| Min shutter speed | 4s | 30s |
| Max shutter speed | 1/1500s | 1/4000s |
| Continuous shutter speed | 1.0 frames/s | 6.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.90 m | 12.00 m |
| Flash settings | Auto, On, Off, Red-eye, Soft | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Max flash sync | - | 1/160s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video file format | Motion JPEG | MPEG-4, AVCHD, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 157 grams (0.35 lbs) | 506 grams (1.12 lbs) |
| Physical dimensions | 114 x 58 x 28mm (4.5" x 2.3" x 1.1") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
| DXO scores | ||
| DXO Overall score | not tested | 75 |
| DXO Color Depth score | not tested | 23.3 |
| DXO Dynamic range score | not tested | 12.9 |
| DXO Low light score | not tested | 799 |
| Other | ||
| Battery life | 260 photographs | 500 photographs |
| Battery form | Battery Pack | Battery Pack |
| Battery model | D-LI92 | NP-FW50 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | 1 | 1 |
| Retail pricing | $174 | $522 |