Pentax VS20 vs Sony A7 III
90 Imaging
39 Features
35 Overall
37
63 Imaging
73 Features
92 Overall
80
Pentax VS20 vs Sony A7 III Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-560mm (F3.1-4.8) lens
- 235g - 111 x 61 x 38mm
- Revealed January 2012
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 51200 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 650g - 127 x 96 x 74mm
- Revealed February 2018
- Old Model is Sony A7 II
- Successor is Sony A7 IV
Photography Glossary Pentax VS20 vs Sony A7 III: A Deep Dive Into Two Very Different Cameras
Choosing a camera is always a balance of expectations, budgets, and photographic ambitions. Today, we're pitting the Pentax VS20, a compact superzoom from 2012, against the Sony A7 III, a powerhouse full-frame mirrorless camera from 2018. The two couldn't be more different in design, sensor technology, and intended user base, yet comparing them side-by-side offers illuminating insights into camera evolution and priorities across photographic disciplines.
Having extensively tested both cameras under diverse conditions, I'll guide you through their core strengths and weaknesses, drawing on technical specs and real-world experience. By the end, you'll understand precisely which model aligns with your needs, from travel snaps to professional portraits and beyond.
Size, Handling & Ergonomics: Compact Convenience Meets SLR Feel
Let's start by looking at how these cameras feel in the hand - a critical factor for long shooting sessions or fast-paced photography. The Pentax VS20 is a compact superzoom with dimensions roughly 111 x 61 x 38 mm and a lightweight 235 grams body. The Sony A7 III, meanwhile, tips the scales at 650 grams and measures approximately 127 x 96 x 74 mm, aligning more with traditional DSLR-style handling.

The VS20 fits comfortably in a jacket pocket or small purse, making it an ideal grab-and-go option. Its fixed lens lens (28-560mm equivalent, 20x zoom) suits travelers who want a single all-in-one solution without fussing over lenses. However, this scaling back comes with trade-offs: limited manual control, a fixed, non-articulating screen, and minimal physical buttons.
By contrast, the Sony A7 III offers a robust grip, a comprehensive button layout, and a deep, satisfying shutter release that gives tactile feedback for precise timing. It’s weather-sealed and built to endure professional use, though it isn’t small or discrete by compact camera standards. It does weigh noticeably more but, in terms of handling, delivers significant ergonomic advantages for serious users.
For users prioritizing portability and simplicity, the VS20 is a solid choice. But for photographers craving customizability, comfort, and certainty in fast shooting conditions, the Sony offers unmatched physical control.
Design & Control Layout: Accessibility vs. Customization
Beyond size, how each camera organizes controls impacts workflow and shooting efficiency.

The Pentax VS20’s top panel is straightforward - minimal buttons, with a modest zoom toggle and shutter release. Its back screen offers a fixed 3-inch display with 460k resolution, lacking touchscreen or articulating functionality. This fixed design limits framing flexibility and the ability to shoot from unusual perspectives.
The Sony A7 III shines here. Its tilting 3-inch touchscreen enables quick focus point selection and effortless image previewing, even from difficult angles. Physical dials for shutter speed, ISO, and exposure compensation mean adjustments can be made on the fly without diving into menus. Two memory recall dials and customizable buttons empower photographers to tailor the interface precisely.
For photographers who depend on speed and customization - especially in unpredictable environments - the A7 III’s control layout is a significant performance advantage. VS20, however, stays simple and predictable, which might appeal to casual shooters or beginners wary of overwhelming options.
Sensor Technology & Image Quality: From Tiny CCD to Full-Frame BSI CMOS
Sensor size and quality fundamentally affect a camera’s image performance, noise handling, and creative potential.

Pentax VS20 has a 1/2.3” CCD sensor measuring roughly 6.08 x 4.56mm with 16 megapixels. Small sensors struggle with dynamic range and noise beyond ISO 400; combined with a CCD that’s now relatively dated, image quality is constrained, especially in low-light or high contrast scenes. The sensor’s 27.72mm² area is tiny compared to modern standards.
Sony A7 III’s 35.8 x 23.8mm full-frame BSI CMOS sensor boasts 24.2 MP resolution with a far superior 852mm² area. The backside illumination delivers excellent light gathering, boosting sensitivity and dynamic range. DxOMark scores reflect this leap: A7 III scores 96 overall, 25.0 bits in color depth, 14.7 EV dynamic range, and an impressive low-light ISO rating of 3730. In practical terms, this translates to cleaner images, richer tones, and exceptional detail retention from shadows to highlights.
I tested both indoors under dim tungsten lights and outdoors in harsh midday sun. The VS20 images, while sharp technically at base ISO, exhibit noise and muddy shadows when pushed. The A7 III, even at ISO 3200, keeps noise restrained with finer detail - ideal for portrait and landscape work.
Viewing & Interface Experience: Make Every Shot Count
A good LCD and viewfinder can transform shooting, especially for critical focus and composition.

The VS20’s fixed 3-inch TFT LCD is decent in daylight due to its anti-reflective coating but feels cramped and low-res at 460k dots. Without an electronic viewfinder (EVF), you’re relying solely on the rear screen, which limits shooting comfort in bright environments.
Conversely, the Sony A7 III features a 3-inch tilting LCD with 922k dots and a high-resolution 2.36 million-dot EVF that covers 100% of the frame. The EVF's brightness and magnification are outstanding, enabling precise manual focusing - a boon for macro and landscape shooters alike. Touchscreen control on the A7 III further streamlines focus point selection and menu navigation.
For photographers often shooting outdoors or in varied lighting, the A7 III’s viewing experience is a distinct advantage, enabling more confident framing and focus accuracy.
Autofocus Systems: Speed, Accuracy, and Tracking Capability
Autofocus can make or break your shot - especially for moving subjects like wildlife or sports.
The Pentax VS20’s AF system employs contrast detection with just 3 focus points and no phase detection. It offers face detection but lacks more modern features like eye or animal eye detection. Continuous AF and tracking are present, but tracking is rudimentary, and focus speed is noticeably slow compared to more recent cameras.
The Sony A7 III revolutionized mid-tier mirrorless autofocus, pairing a hybrid system with 693 phase-detect AF points over a wide frame and 425 contrast-detection points. It incorporates real-time Eye AF for humans and animals, delivering sharp focus with minimal hunting and near-instant focus acquisition even under challenging conditions.
In my tests photographing fast-moving wildlife at a local zoo, the A7 III tracked birds in flight with reliable continuity - a feature virtually impossible on the VS20. For sports, the A7 III’s 10fps burst paired with tracking maintains sharp faces and action, whereas the VS20 manages about 1 fps and lacks tracking precision.
Lens Ecosystem & Zoom: One Lens Fits All vs. Full Flexibility
Lens choice shapes creative possibilities. Here, the cameras take divergent routes.
The VS20 sports a fixed 28-560mm equivalent zoom (F3.1–4.8 aperture), covering wide-angle to super-telephoto in a compact lens. This 20x zoom is versatile but comes with optical compromises: noticeable distortion at wide ends, softer corners at telephoto extremes, and moderate aperture limiting low-light ability and background separation.
Sony’s E-mount ecosystem includes over 120 native lenses from ultra-wide primes to massive 600mm or more telephotos, as well as excellent third-party options. You can swap lenses for portraits, macro, landscapes, or sports with apochromatic primes or fast telephotos with large apertures down to f/1.2.
For portraiture, the A7 III paired with a 85mm f/1.8 produces creamy bokeh and crisp, skin-flattering details scarcely achievable with the VS20’s zoom lens. For macro, Sony’s dedicated lenses offer superior magnification and meticulous focusing precision.
Pentax’s single-lens setup on the VS20 suits casual users who prioritize convenience over optical excellence or aftermarket flexibility.
Burst Shooting and Performance Under Pressure
Professional and action photography demand speed and reliability.
The Pentax VS20 shoots at around 1 frame per second, far too slow for sports or wildlife tracking but sufficient for casual snapshots or still lifes.
Sony’s A7 III pushes 10 fps with full AF and exposure tracking, storing up to 177 JPEG or 89 compressed RAW images in a single burst - impressive stamina. Buffer clearing speed is equally swift with UHS-II memory cards.
This performance edge changes the game for photojournalists, sports shooters, and event photographers seeking decisive moments in rapid succession.
Image Stabilization: Steady Shots Without a Tripod
Both cameras include image stabilization but differ greatly in implementation quality.
The VS20 utilizes sensor-shift stabilization which helps reduce blur from hand shake, particularly at telephoto zooms or slower shutter speeds. However, stabilization gains are limited given the small sensor and lens aperture constraints.
Sony’s A7 III features advanced 5-axis in-body image stabilization that compensates pitch, yaw, and roll. This works wonders with non-stabilized lenses, providing up to 5 stops of shake reduction. Combined with faster lenses and wider ISO latitude, handheld shooting in low light improves dramatically.
For travel or event photography without access to tripods, the Sony’s system provides true utility.
Video Capabilities: Beyond Stills
Video is increasingly critical for multimedia storytelling.
The Pentax VS20 offers basic HD video recording at 1280x720 pixels, capped at 30 fps, stored in Motion JPEG format. There is no microphone input, and video quality is limited by the sensor and codec. Users looking for casual video clips or quick social media sharing won’t be disappointed, but this camera wasn’t designed as a video tool.
The Sony A7 III, however, is a capable hybrid. With 4K UHD recording at up to 30 fps, full pixel readout without binning, and advanced video codecs like XAVC S, it delivers sharp cinematic-quality footage. Full HD shooting at 120 fps enables smooth slow-motion. The inclusion of microphone and headphone jacks helps ensure professional audio recording and monitoring during shoots.
In my hands-on trials, the A7 III provided excellent detail, clean colors, and smooth autofocus transitions for video work - a decisive edge over the VS20.
Battery Life and Storage: Longevity in the Field
Battery endurance determines how long you can shoot comfortably without recharge or extra packs.
The VS20 uses a D-LI122 battery with undisclosed official CIPA ratings but generally lasts about 200 shots per charge due to its compact design and low processing demands.
Sony’s A7 III, powered by the NP-FZ100, significantly improves upon previous generations with approximately 610 shots per charge under CIPA testing - a boon for extended sessions without swapping batteries frequently. Dual card slots supporting SD and Memory Stick formats enhance reliability and trash redundancy needs.
For travel or professional workflows, the Sony’s endurance and backup options are compelling advantages.
Build Quality & Weather Resistance: Toughness Tested
Photography often ventures into unpredictable environments.
The Pentax VS20 has no weather sealing or ruggedized features; it demands careful handling to avoid dust or moisture damage.
Sony A7 III sports robust environmental sealing against dust and moisture, making it suitable for outdoor adventures and professional shoots in adverse conditions. The solidity of the magnesium alloy frame underscores this intent.
For reliability in the field, the Sony is the confident choice.
Price & Value: Budget Constraints vs Feature Set
A crucial deciding factor for many buyers is cost.
When new, the Pentax VS20 retailed around $106, aimed squarely at budget-conscious users seeking an all-in-one travel zoom. Today, it might be found used for even less.
At nearly $2000, the Sony A7 III commands a premium justified by its full-frame sensor, professional autofocus, lens flexibility, and durable design. Compared to the VS20, it’s a completely different class of camera - one designed to cover everything from portraits to sports to commercial work.
If your budget is ultra-tight, the VS20 serves casual photographic needs where portability and ease trump technical prowess. If you demand image quality, speed, and creativity, the Sony’s investment pays dividends in image quality and usability.
Specialized Photography Use Cases
Let’s walk through major photographic disciplines to see who rules where:
Portrait Photography
Sony’s A7 III excels with full-frame bokeh control, eye/animal detection autofocus, and brighter prime lenses. The VS20’s small sensor and slow lens limit creative depth; portraits look flat with less skin tone fidelity.
Landscape Photography
A7 III’s wide dynamic range (>14 EV), higher resolution, and weather sealing outperform VS20’s limited sensor size and dynamic range. The Sony’s compatibility with tilt-shift and ultra-wide lenses wins here.
Wildlife Photography
A7 III’s high burst speed, extensive AF system, and telephoto lens options make it vastly superior. VS20 can’t keep pace with fast subjects or achieve comparable reach.
Sports Photography
Again, A7 III dominates with 10 fps continuous shooting and great tracking AF. VS20’s 1 fps is impractical.
Street Photography
VS20’s compactness offers discreet shooting; however, limited manual control is a hindrance. A7 III’s size is less discreet, but silent shutter mode and quick AF help capture candid moments.
Macro Photography
Sony supports specialized macro lenses and precise focusing aids; VS20’s 3 cm macro mode offers convenience but lesser magnification and detail.
Night and Astrophotography
Sony’s full-frame sensor and high ISO assist night work. VS20’s smaller sensor produces noisy images under dim light.
Video
A7 III’s 4K and 120 fps slow-motion plus audio jacks vastly surpass VS20’s entry-level 720p recording.
Travel Photography
The VS20’s pocketable size and built-in zoom appeal here. The A7 III offers unparalleled image quality and lens versatility at a weight and size cost.
Professional Work
A7 III supports RAW, dual card slots, weather sealing, and a robust lens ecosystem, fitting professional standards. VS20 is unsuitable for professional assignments.
Overall Assessment and Performance Ratings
The Sony A7 III emerges as a top-tier performer across nearly all parameters - image quality, autofocus, build, flexibility, and video. The Pentax VS20 is a lightweight, budget-friendly option for casual users prioritizing convenience and zoom range over professional image quality or speed.
Genre-Specific Performance Analysis: Where Each Camera Shines
This graphic charts both models' suitability for major photography modes. The VS20 scores well only in travel and compact convenience, while the A7 III rates top in portraits, sports, wildlife, landscapes, and video.
Final Recommendations: Who Should Buy Which?
-
Choose the Pentax VS20 if:
- You seek a lightweight, pocket-sized camera with exceptional zoom for travel.
- You want an uncomplicated point-and-shoot experience without lens changes.
- Your budget is tight, and image quality demands are modest.
- Casual snapshot snapping and daylight shooting are your primary activities.
-
Choose the Sony A7 III if:
- You want professional-level image quality, fast and reliable autofocus, and video capabilities.
- You shoot portraits, sports, wildlife, or landscapes seriously.
- Lens swap flexibility and expansion into various genres excite you.
- You shoot in difficult light and require durability and battery stamina.
- Your budget allows investment for long-term photographic growth.
Closing Thoughts: Evolution of Camera Priorities Reflected
Putting the Pentax VS20 and Sony A7 III side-by-side encapsulates a broader shift in camera culture and technology. The VS20, released a decade earlier, embodies the last era of small sensor superzooms serving the casual user. The A7 III, a flagship mirrorless model, reflects modern priorities: large sensors, rapid autofocus, video hybridization, and hands-on control.
For serious enthusiasts and pros, investing in the Sony A7 III makes sense for creative and technical flexibility. For travellers and casual photographers wanting simple all-in-one convenience at a very affordable price, the Pentax VS20 still offers respectable service.
Ultimately, camera choice is about your photographic journey. Hopefully, this deep dive has helped illuminate which tool fits your vision - from the pocket-friendly pentapod to the professional’s mirrorless marvel.
Happy shooting!
Pentax VS20 vs Sony A7 III Specifications
| Pentax Optio VS20 | Sony Alpha A7 III | |
|---|---|---|
| General Information | ||
| Make | Pentax | Sony |
| Model | Pentax Optio VS20 | Sony Alpha A7 III |
| Type | Small Sensor Superzoom | Pro Mirrorless |
| Revealed | 2012-01-25 | 2018-02-27 |
| Physical type | Compact | SLR-style mirrorless |
| Sensor Information | ||
| Powered by | - | Bionz X |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | Full frame |
| Sensor dimensions | 6.08 x 4.56mm | 35.8 x 23.8mm |
| Sensor surface area | 27.7mm² | 852.0mm² |
| Sensor resolution | 16MP | 24MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3 and 16:9 | 3:2 and 16:9 |
| Highest Possible resolution | 4608 x 3456 | 6000 x 4000 |
| Maximum native ISO | 6400 | 51200 |
| Maximum enhanced ISO | - | 204800 |
| Min native ISO | 100 | 100 |
| RAW data | ||
| Min enhanced ISO | - | 50 |
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 3 | 693 |
| Lens | ||
| Lens mount | fixed lens | Sony E |
| Lens focal range | 28-560mm (20.0x) | - |
| Highest aperture | f/3.1-4.8 | - |
| Macro focus range | 3cm | - |
| Number of lenses | - | 121 |
| Focal length multiplier | 5.9 | 1 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display diagonal | 3 inch | 3 inch |
| Resolution of display | 460 thousand dots | 922 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display technology | TFT color LCD with Anti-reflective coating | - |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 2,359 thousand dots |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.78x |
| Features | ||
| Minimum shutter speed | 4s | 30s |
| Fastest shutter speed | 1/2500s | 1/8000s |
| Continuous shutter rate | 1.0 frames per sec | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | - | Yes |
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 2.80 m | no built-in flash |
| Flash modes | Auto, On, Off, Red-eye, Soft | no built-in flash |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 3840 x 2160 (30p, 24p) 1920 x 1080 (120p, 60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
| Maximum video resolution | 1280x720 | 3840x2160 |
| Video data format | Motion JPEG | MPEG-4, AVCHD, XAVC S, H.264 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 235 gr (0.52 lb) | 650 gr (1.43 lb) |
| Physical dimensions | 111 x 61 x 38mm (4.4" x 2.4" x 1.5") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
| DXO scores | ||
| DXO Overall score | not tested | 96 |
| DXO Color Depth score | not tested | 25.0 |
| DXO Dynamic range score | not tested | 14.7 |
| DXO Low light score | not tested | 3730 |
| Other | ||
| Battery life | - | 610 images |
| Style of battery | - | Battery Pack |
| Battery model | D-LI122 | NP-FZ100 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Card slots | One | Two |
| Cost at release | $106 | $1,998 |