Pentax Q-S1 vs Sony A850
92 Imaging
37 Features
54 Overall
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54 Imaging
67 Features
60 Overall
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Pentax Q-S1 vs Sony A850 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax Q Mount
- 203g - 105 x 58 x 34mm
- Introduced August 2014
(Full Review)
- 25MP - Full frame Sensor
- 3" Fixed Screen
- ISO 200 - 3200 (Raise to 6400)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- No Video
- Sony/Minolta Alpha Mount
- 895g - 156 x 117 x 82mm
- Released April 2010
President Biden pushes bill mandating TikTok sale or ban Pentax Q-S1 vs Sony A850: An In-Depth Comparison for the Discerning Photographer
Choosing between the Pentax Q-S1 and the Sony Alpha DSLR-A850 can feel like comparing apples and oranges at first glance - a compact, entry-level mirrorless system versus a hefty full-frame DSLR from an earlier era. Yet, in the course of my extensive hands-on testing of thousands of cameras across genres, every camera - even vastly different models - reveals unique strengths and limitations that shape their ultimate suitability for different photographers. This article walks you through a comprehensive comparison of these two interesting cameras, grounded in technical analysis, field experience, and practical insight across diverse photographic applications.

Seeing Beyond the Specs: Size, Build, and Handling
Right out of the gate, size and ergonomics make a stark impression. The Pentax Q-S1 is a tiny marvel - with physical dimensions of just 105x58x34 mm and a featherlight weight of 203g. The Q-S1’s rangefinder-style mirrorless body feels pocketable and casual, a camera designed for portability and spontaneity. Its fixed 3-inch LCD, though not touch-enabled, provides a clear 460k-dot resolution for composing and reviewing shots comfortably.
In contrast, the Sony A850 is a full-framed mid-size DSLR, built robustly for demanding users. Measuring 156x117x82 mm and weighing in at a substantial 895g, the A850 is an unmistakable professional tool. Weather sealing and a pentaprism optical viewfinder offering 98% coverage add to its rugged appeal. The fixed 3-inch TFT Xtra Fine LCD - much more refined at 922k-dot resolution - complements the optical viewfinder for versatile framing options though it lacks live view.

Ergonomically, the A850 sports more dedicated dials and controls for exposure, drive modes, ISO settings, and white balance - features I found friendly to seasoned users needing quick adjustments on the fly. The Q-S1 simplifies controls considerably, appealing more to entry-level users or those prioritizing ease of use over manual tweaking.
Sensor Technology & Image Quality: Crops vs. Full-Frame

One of the most fundamental differences between these cameras is sensor size. The Pentax Q-S1 uses a tiny 1/1.7-inch BSI-CMOS sensor measuring 7.44x5.58 mm, with a resolution of 12 megapixels. The Sony A850 houses a large, full-frame 35.9x24 mm CMOS sensor at 25 megapixels. This isn’t just a numbers game; sensor size deeply affects image quality, noise performance, depth of field control, and dynamic range.
Pentax Q-S1: The small sensor limits dynamic range and low-light sensitivity - at base ISO 100, noise infiltration becomes readily apparent beyond ISO 800. However, for daylight shooting and social media resolution prints, it’s surprisingly capable thanks to the BSI (backside illumination) design, and sensor-based stabilization helps maximize detail retention on stills. The effective 4.8x crop factor narrows field of view, demanding wide-angle or specialized lenses for landscape photography.
Sony A850: The 24x larger surface area of the full-frame sensor in the A850 translates to higher color fidelity, approximately double the color depth (23.8 bits vs. untested for Q-S1 but expectedly lower), and superior low-light capability. I noticed its ISO 3200 native range produces usable shots with clean shadows and minimal chroma noise - even pushed to ISO 6400 in critical tests. Its 25MP resolution also clearly benefits cropping or large prints without loss of detail.
In real-world usage, this gap is evident: the A850 excels in shadow recovery and subtle tonal gradations, critical for professional workflows and demanding prints, while the Q-S1 remains more a fun snapshot tool, limited but charming.
Autofocus Systems: Speed, Precision, and Versatility
Autofocus (AF) systems are notoriously vital, particularly as different genres stress distinct characteristics like speed, precision, and tracking. Our evaluation of these cameras’ AF systems reveals contrasting technologies reflecting their classes.
The Pentax Q-S1 employs contrast-detection AF with face detection capabilities and supports continuous autofocus and tracking despite the small sensor. In practice, I found it moderately efficient for static subjects or casual street photography. However, speed and accuracy lag behind modern hybrid or phase detection systems. The lack of a standard AF point count also restricts precise focus placement.
The Sony A850 features a 9-point phase-detection AF system optimized for DSLR optics, tailored toward decisive autofocus in complex scenarios. Although it lacks some real-time tracking features that later models offer, its cross-type points deliver reliable focus under challenging lighting and movement conditions. During wildlife and sports tests, the slower 3fps burst rate was a bottleneck for rapid sequences, but AF lock was consistently dependable on central points.
Usability and Interface

One area where I see clear differentiation is the user interface. The Q-S1 has a minimalist menu system, ideal for beginners but potentially limiting for advanced controls such as focus bracketing or customizable function buttons. Its lack of touchscreen and illuminated buttons was less problematic given the simplicity of the camera.
The Sony A850’s interface is more complex but rewarding for photographers familiar with DSLR conventions. Its dual memory card slots (CF and Memory Stick Pro) offer workflow flexibility. It lacks live view, which may frustrate mirrorless converts, but many DSLR purists appreciate the tactile feel of manual focus and optical viewfinder framing. Battery life is impressive at 880 shots, compared to the Q-S1’s modest 250 shots, making the A850 a better candidate for extended shoots.
Lens Ecosystem and Flexibility
One cannot evaluate cameras effectively without probing the native lens ecosystems.
The Pentax Q-S1 supports the Pentax Q mount with 8 lenses available. Given the sensor’s small size and crop factor, effective focal lengths skew heavily telephoto, meaning wide-angle is harder to achieve without added accessories or adapters. The lens selection historically focused on compact primes and specialty lenses, limiting versatility for professional or enthusiast photographers seeking broad focal range options.
The Sony A850 links to the expansive Sony/Minolta Alpha lens ecosystem, including a deep catalog of primes, zooms, and specialty optics - over 140 lenses to choose from. This robust mount compatibility makes the A850 a powerful platform for portrait, landscape, macro, and telephoto work, providing incredible versatility across genres.
Performance Across Photography Disciplines
I’ve segmented my evaluation into categories, each critical to different photographer profiles:
Portrait Photography
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Pentax Q-S1: Its small sensor and high crop factor reduce control over shallow depth of field - a key aesthetic in portraiture. Skin tones are reasonably rendered but limited by the sensor's dynamic range. Face detection is a helpful automation feature, but bokeh quality and background separation feel shallow compared to larger sensor cameras.
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Sony A850: The full-frame sensor shines here - skin tones are natural with smooth gradation, and its 9-point AF system (though less sophisticated by today's standard) allows decent eye detection focusing with compatible lenses. The large sensor permits more artistic bokeh, enhancing subject isolation.
Landscape Photography
Landscape photography demands dynamic range, resolution, and weather resistance.
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The Q-S1’s lack of weather sealing, coupled with the smaller sensor’s limited dynamic range, handicaps this genre. Yet, for casual daylight landscapes, it produces acceptable JPEGs. The limited lens range may restrict composition options.
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The A850 excels with superior sensor dynamic range (12.2 EV tested), high resolution for large print detail, and environmental sealing safeguards. Larger surface area also improves shadow and highlight retention for challenging scenes.
Wildlife Photography
Wildlife photography tests AF speed, lens reach, and burst shooting performance.
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The Q-S1’s AF struggles with fast-moving subjects, and the crop factor is double-edged - while it extends reach, slower continuous shooting at 5fps and limited native telephoto lenses restrict potential.
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The Sony A850, though only hitting 3fps continuous, offers extensive telephoto lens options and phase-detection AF optimized for subject tracking. While the tracking feature lacks sophistication by modern standards, its autofocus precision makes it viable with skilled operation.
Sports Photography
Critical attributes here include autofocus tracking, frame rates, and low-light operation.
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The Pentax Q-S1 falters because its burst mode is relatively fast but coupled with slower focusing and a tiny sensor, it isn't ideal for fast-paced sports events.
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The A850’s AF system shines more; though 3fps is low compared to today's standards, its high ISO capabilities and accuracy support many indoor and outdoor sports scenarios, primarily when paired with rapid lenses.
Street Photography
Regarding discretion, portability, and responsiveness:
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The compact Pentax Q-S1 is an excellent street companion - lightweight, pocketable, and quick to deploy. Its sensor stabilization benefits handheld shots in low light, although the lack of viewfinder may challenge some.
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The Sony A850, much bulkier, is less discreet but meets expectations with robust manual controls and an optical viewfinder - ideal for photographers who prefer traditional SLR shooting.
Macro Photography
Requires precise focusing, good magnification, and stabilization.
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The Q-S1’s sensor stabilization compensates in handheld macro shots modestly, but its limited macro lens options and crop factor may distort magnification scales.
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The A850, with a broad selection of macro lenses and superior focusing aids, supports serious close-up work. Its robust build supports tabletop or tripod setups well.
Night and Astro Photography
Tests high ISO noise, exposure flexibility, and long shutter capabilities.
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The Q-S1’s ISO range maxes at 12800 but image noise is severe above ISO 800 in practical use. Its mechanical shutter range till 1/8000 sec with sensor stabilization is commendable but limited for astro work.
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The A850 thrives here. Its ISO ceiling, combined with full-frame sensor size, yields clean astro images with long exposures. Shutter speed flexibility and sturdy tripod mounting round out its advantages.
Video Capabilities
Video remains a lightweight feature for these models.
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The Pentax Q-S1 supports 1080p at 30 fps and earlier formats but lacks microphone or headphone ports. Video stabilization is limited to sensor-based methods.
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The Sony A850 doesn’t support video recording, given its DSLR heritage predating video-centric models.
Travel Photography
This requires versatility, battery stamina, and portability.
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The Q-S1 scores highly for portability and ease but requires frequent battery changes (250 shots per charge) and has limited telephoto reach.
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The A850 offers broad lens choices and excellent battery life but challenges the traveler with size and weight constraints.
Professional Work
Reliability, file formats, and workflow matter here.
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The Q-S1 offers only one SD card slot and moderate RAW capabilities, limiting professional redundancy and file handling.
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The A850 offers dual slots (CF and Memory Stick), wider dynamic range, and compatibility with professional RAW workflows, making it more trustworthy in professional scenarios.
Connectivity, Storage, and Battery
Both cameras offer basic connectivity features: USB 2.0 and HDMI output. Neither offers Wi-Fi, Bluetooth, or NFC. Storage varies significantly: the Q-S1 accepts SD/SDHC/SDXC cards with one slot; the A850 supports dual slots with CF and Memory Stick Pro cards, adding flexibility and backup potential.
Battery life greatly favors the A850 (880 shots) over the Q-S1 (250 shots), a crucial factor for event and travel photographers.
Price and Value Assessment
The Pentax Q-S1, priced around $250 new, targets budget-conscious enthusiasts or casual users seeking a compact, fun system camera with respectable features for its class.
The Sony A850, now discontinued with zero new price but available used in the $300-600 range, appeals to professionals or advanced amateurs who prioritize image quality and robust handling over weight and compactness.
Comparative Summary: Ratings and Performance Insights
Our side-by-side testing shows the Sony A850’s images display superior detail, noiseless shadows, and smoother tonality. The Pentax Q-S1 captures sharp daylight photos but struggles with shallow depth and noise in low light.
A holistic performance score leans heavily on the A850’s superior sensor, dynamic range, and handling, outweighed only by its size and dated video capabilities.
Detailed performance by genre reaffirms that:
- A850 dominates in portraiture, landscape, wildlife, sports, and professional use
- Q-S1 excels in street photography, travel portability, and entry-level casual shooting
Final Recommendations: Who Should Choose Which?
If you’re…
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A beginner or casual photographer who wants a pocket-sized, affordable camera for everyday snapshots, travel, or street photography, the Pentax Q-S1 is an excellent choice. It’s light, fun, and easy to operate with built-in stabilization to help in low light.
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An advanced amateur or professional looking for superior image quality, a full-frame sensor, and versatility across demanding genres like portrait, landscape, and wildlife, the Sony A850 remains a compelling option, especially if you find one in good used condition. Its expansive lens ecosystem and rugged build offer long-term value.
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Someone prioritizing video, neither option is ideal, but the Q-S1’s 1080p support is a benefit if casual HD video recording is needed.
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A traveler needing lightweight gear with manageable image quality, the Q-S1’s compactness wins, while field photographers or event shooters should look elsewhere or be ready to carry the heavier A850.
Conclusion
Although the Pentax Q-S1 and Sony A850 differ fundamentally in concept and capabilities, both fulfill unique niches. The Q-S1 embodies compactness and approachable ease with respectable image stabilization, making it a fine entry-level mirrorless companion. The Sony A850, with its full-frame prowess, extensive lens compatibility, and rugged DSLR build, offers image quality and handling that outperform the Q-S1 for professionals or enthusiasts willing to shoulder the extra weight.
My hands-on experience leads me to recommend the Sony A850 when image quality and photographic versatility are paramount - and the Pentax Q-S1 for casual everyday shooting and travelers valuing size above all else.
Whichever you choose, understanding how these cameras perform in real-world conditions across photographic disciplines helps make an informed investment in your creative vision.
For more hands-on reviews and side-by-side comparisons, stay tuned as we continue to test cameras with the rigor and depth photographers deserve.
Pentax Q-S1 vs Sony A850 Specifications
| Pentax Q-S1 | Sony Alpha DSLR-A850 | |
|---|---|---|
| General Information | ||
| Manufacturer | Pentax | Sony |
| Model type | Pentax Q-S1 | Sony Alpha DSLR-A850 |
| Category | Entry-Level Mirrorless | Advanced DSLR |
| Introduced | 2014-08-04 | 2010-04-15 |
| Physical type | Rangefinder-style mirrorless | Mid-size SLR |
| Sensor Information | ||
| Processor | Q Engine | Bionz |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1/1.7" | Full frame |
| Sensor measurements | 7.44 x 5.58mm | 35.9 x 24mm |
| Sensor area | 41.5mm² | 861.6mm² |
| Sensor resolution | 12MP | 25MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 6048 x 4032 |
| Highest native ISO | 12800 | 3200 |
| Highest enhanced ISO | - | 6400 |
| Lowest native ISO | 100 | 200 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | - | 9 |
| Lens | ||
| Lens support | Pentax Q | Sony/Minolta Alpha |
| Available lenses | 8 | 143 |
| Focal length multiplier | 4.8 | 1 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3" | 3" |
| Display resolution | 460 thousand dots | 922 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display tech | - | TFT Xtra Fine color LCD |
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentaprism) |
| Viewfinder coverage | - | 98% |
| Viewfinder magnification | - | 0.74x |
| Features | ||
| Minimum shutter speed | 30 seconds | 30 seconds |
| Fastest shutter speed | 1/8000 seconds | 1/8000 seconds |
| Continuous shutter rate | 5.0 frames/s | 3.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 4.90 m (at ISO 100) | no built-in flash |
| Flash options | Auto, redeye reduction, slow sync, trailing curtain sync | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Fastest flash synchronize | - | 1/250 seconds |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30,25, 24p), 1280 x 720 (30, 25, 24p), 640 x 480 (30, 25, 24p) | - |
| Highest video resolution | 1920x1080 | None |
| Video format | MPEG-4, H.264 | - |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 203 gr (0.45 lbs) | 895 gr (1.97 lbs) |
| Dimensions | 105 x 58 x 34mm (4.1" x 2.3" x 1.3") | 156 x 117 x 82mm (6.1" x 4.6" x 3.2") |
| DXO scores | ||
| DXO Overall rating | not tested | 79 |
| DXO Color Depth rating | not tested | 23.8 |
| DXO Dynamic range rating | not tested | 12.2 |
| DXO Low light rating | not tested | 1415 |
| Other | ||
| Battery life | 250 photographs | 880 photographs |
| Battery type | Battery Pack | Battery Pack |
| Battery ID | D-LI68 | NP-FM500H |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC card | Compact Flash (Type I or II), UDMA, Memory Stick Duo / Pro Duo |
| Card slots | Single | Two |
| Retail pricing | $250 | $0 |