Pentax Q-S1 vs Sony HX200V
92 Imaging
37 Features
54 Overall
43


66 Imaging
41 Features
55 Overall
46
Pentax Q-S1 vs Sony HX200V Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax Q Mount
- 203g - 105 x 58 x 34mm
- Revealed August 2014
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 27-810mm (F2.8-5.6) lens
- 583g - 122 x 87 x 93mm
- Announced May 2012
- Previous Model is Sony HX100V
- Updated by Sony HX300

Pentax Q-S1 vs Sony HX200V: A Deep Dive into Compact Versatility for Photography Enthusiasts
In the realm of compact interchangeable and superzoom cameras, two distinct philosophies often guide the design: high flexibility in lens interchangeability on the one hand, and extensive zoom reach packed into a single, all-in-one lens on the other. The Pentax Q-S1 and the Sony Cyber-shot DSC-HX200V are emblematic representatives of these approaches, offering unique packages tailored to different shooting styles and priorities. Having spent many hours with each, pushing their capabilities in a range of conditions from urban street corners to quiet landscapes and fast-paced wildlife encounters, I’m ready to unpack what they bring to the table - and where their compromises lie.
Compactness and Handling: Size Matters, But So Does Ergonomics
Minimal gear that fits comfortably in your hand or pocket often wins the battle for street photographers and travelers. Here the difference in ethos between the Q-S1 and HX200V is immediately obvious.
The Pentax Q-S1 takes a distinctly petite approach, adopting a rangefinder-style mirrorless body that weighs in at just 203 grams and measures 105x58x34 mm. Its tiny stature means it slips easily into a jacket pocket or small bag - a boon for casual shooting or travel. We see this clearly in the side-by-side comparison below:
Minimalism has its trade-offs, of course. The Q-S1's grip is modest, offering limited support for large hands, and the control layout is sparse with no viewfinder, relying solely on its 3-inch, fixed rear LCD with 460k dots for framing. That said, the camera is surprisingly comfortable once you get used to the smaller buttons and dials - a careful balance of minimalism and usability.
In contrast, the Sony HX200V is a substantial chunk of kit, more than twice the weight at 583 grams and measuring 122x87x93 mm - typical of bridge-style superzoom cameras. Its heft gives it a confident grip and handling reminiscent of DSLR bodies, making it better suited for sustained shooting sessions and precise control. Top-view differences are striking here:
The HX200V offers a tilting 3-inch screen with a sharper 922k-dot resolution versus the Q-S1’s fixed display. Additionally, it sports an electronic viewfinder (EVF), which pentax doesn’t provide at all, making it easier to shoot in bright outdoor conditions or when you need greater stability by bracing the camera against your face.
In practical terms, I found the Sony more comfortable for extended use and fast action, whereas the Pentax’s compactness makes it a natural every-day carry for those prioritizing pocketability over bulk.
Sensor Technology and Image Quality: More Than Pixel Count
Looking under the hood reveals a classic tradeoff between sensor size, resolution, and overall image quality that profoundly affects what each camera can achieve across photography disciplines.
The Pentax Q-S1 features a 1/1.7-inch BSI-CMOS sensor measuring 7.44 x 5.58 mm, with an area of around 41.5 mm², and shoots 12-megapixel stills. The sensor’s backside illumination design helps with light gathering efficiency, and combined with the Pentax Q-mount system’s collection of interchangeable lenses, image quality benefits from optical flexibility. The 4.8x crop factor is significant here, which means lenses behave as longer focal lengths than their native value, a potential advantage for telephoto reach if you want to shoot wildlife or sports on a budget.
Its maximum ISO tops out at 12800, though practical usability is limited much earlier due to noise. Images from Q-S1 retain good color fidelity and decent dynamic range for the sensor size, but struggles with low light come quickly.
Conversely, the Sony HX200V packs a smaller 1/2.3-inch CMOS sensor (6.17 x 4.55 mm, about 28 mm²) but at 18 megapixels, it crams more pixels into a physically tinier chip, which generally affects noise performance negatively. Still, Sony’s BIONZ processor helps optimize image output. The larger zoom lens coupled with this sensor aims at versatile shooting rather than outright image quality excellence.
From my pixel-level comparison of RAW files and JPEGs shot side by side (where applicable), the Q-S1’s sensor delivers cleaner images at base ISO with less chroma noise and better highlight retention. However, HX200V's sensor strikes a decent balance considering the broad zoom range it offers - suitable for casual users wanting reach and resolution over ultimate finesse.
Autofocus and Shooting Performance: Speed vs. Precision
Autofocus capability can make or break certain genres like wildlife or sports photography, so scrutinizing AF systems is key.
The Pentax Q-S1 uses contrast-detection autofocus across its 8 interchangeable lenses, alongside face-detection and subject tracking. Although it lacks phase detection, the system performs adequately for entry-level mirrorless, locking focus in about 0.3 to 0.5 seconds in good light. Continuous autofocus during bursts works but isn’t lightning-fast. The camera’s 5 fps continuous shooting rate is modest but reasonable given sensor and processor limits.
The Sony HX200V offers 9 autofocus points with contrast detection, plus face detection. Notably, its continuous shooting rate hits 10 fps, double the Q-S1, lending itself to capturing fleeting moments in action or wildlife photography. While AF speed is generally snappier than the Pentax, especially in daylight, it can hunt in low-light or complex scenes.
Both cameras support a progression of exposure control modes: aperture priority, shutter priority, manual, and exposure compensation, giving enthusiasts and experts the manual handling often missing from budget models.
Build Quality and Weather Resistance: Ready for the Road or Café?
Neither camera offers professional-level dust or water sealing or enhanced shockproofing. Both are clearly targeted at consumer enthusiasts rather than pros who might expose their gear to punishing environments.
The Pentax Q-S1’s plastic-bodied, lightweight construction lacks environmental sealing but is solid enough for daily hiking or street shooting. Its metal lens mount adds reassuring durability, but weather sealing is a no-go.
The Sony HX200V, while heavier, is also primarily plastic with some rubberized grips but likewise lacks sealing. The larger size and weight hint that Sony expected users to handle this with slightly more care or in less rugged conditions.
Lenses and Zoom: Interchangeability vs. Telephoto Range
Arguably the most divergent feature is lens system design. The Q-S1 is a rangefinder-style interchangeable lens system with 8 native lenses available, while the HX200V sports a fixed superzoom lens with an impressive 30x optical zoom.
This key image sums their focal reach and versatility well:
- Pentax Q-S1 lens options cover focal lengths roughly equivalent to wide-angle through short telephoto on micro four-thirds terms, with the notable 4.8x crop factor making telephoto lenses even longer.
- Sony HX200V’s built-in lens spans 27-810 mm equivalent focal lengths thanks to its 30x zoom, making it the go-to for capturing wildlife or distant action without swapping lenses.
This design difference means the Pentax can adapt to different shooting styles and image aesthetics through specialized lenses, including macro or prime options known for image quality and bokeh, critical for portraits or macro work. The Sony HX200V trades flexibility for sheer reach, convenience, and pocketability of an all-in-one approach.
LCD Displays and User Interface: How We See and Control Our Shots
Again, context wins here. The Q-S1 sticks with a basic fixed 3-inch LCD at 460k pixels - serviceable but less vibrant or sharp by today’s standards. The touchscreen is absent, limiting quick on-screen navigation.
The Sony HX200V ups the ante with a tilting 3-inch TruBlack TFT LCD at 922k pixels, offering better clarity, flexible angles for shooting low or high, and improved outdoor visibility.
Beyond screens, I find the HX200V’s control layout more conventional and accessible for enthusiasts: dedicated dials for zoom, exposure compensation, and a familiar PASM dial. The Q-S1 relies more on menu diving and button combos to change settings - it’s not unusable but requires an adjustment period.
Video Capabilities: Decent but No Cinema Cameras Here
Both cameras offer Full HD video shooting at 1080p resolution, but with subtle differences.
The Pentax Q-S1 records 1080p at 24, 25, or 30 fps using MPEG-4 and H.264 codecs, but lacks advanced video features like continuous autofocus during recording or external mic inputs - limitations that curtail serious videography.
The Sony HX200V records 1080p HD video up to 60 fps, which allows smoother motion capture and some flexibility for creative slow-motion workflows. It also supports AVCHD video format, which is preferred by some for better compression and quality. Unfortunately, it also lacks dedicated microphone inputs and advanced video stabilization.
Overall, the HX200V has the edge for casual videographers needing smooth HD footage and basic exposure controls.
Battery Life and Storage: Staying Power for Long Days
Battery performance significantly impacts travel and fieldwork.
- The Pentax Q-S1 offers around 250 shots per charge, which is modest. Its rechargeable D-LI68 battery is standard Pentax fare.
- The Sony HX200V impresses with 450 shots per charge thanks to its NP-FH50 battery, which is a considerable advantage for extended shooting sessions.
Both use a single SD card slot (with Sony also supporting proprietary Memory Stick formats) and USB 2.0 for file transfers, plus HDMI output for monitoring and playback.
Genre-Specific Strengths: Who Should Buy Which?
Let’s break down each model’s suitability for popular photography disciplines:
Portrait Photography
The Pentax Q-S1's interchangeable lenses, including prime lenses with wide apertures, give cleaner bokeh and better skin tone rendition. Face detection AF aids eye tracking, although it lacks animal eye AF.
Sony’s HX200V, while capable, is hampered by its zoom lens's variable aperture and smaller sensor; backgrounds are less creamy, and portraits are less refined.
Landscape Photography
Both deliver reasonable resolution for medium-sized prints. The Q-S1’s slightly larger sensor area and access to versatile lenses offer better dynamic range and image quality but no weather sealing for harsh environments.
Sony’s zoom lens can capture sweeping vistas from wide to telephoto, but smaller sensor and higher pixel density limit dynamic range and low-light latitude.
Wildlife and Sports
Sony wins with its much longer 30x zoom (810 mm equivalent) paired with 10 fps burst rate. Its AF performs passably in daylight, making it a serviceable wildlife or sports camera for enthusiasts.
Pentax’s 5 fps and shorter max lens reach pattern limit its suitability here unless paired with the right long prime - bearing in mind proportionally narrower fields of view due to crop factor.
Street Photography
The Q-S1’s compactness and discrete styling make it a street photographer’s natural companion, albeit with no viewfinder. Its silent or rapid shutter modes assist inconspicuous shooting.
Sony’s size and lens noise may attract attention, but the EVF and tiltable display support shooting at unusual angles or in bright scenes.
Macro Photography
Pentax has greater flexibility via interchangeable lenses with close focusing capabilities, giving it the edge for macro work, especially with access to dedicated macro lenses.
Sony’s fixed lens boasts a close focusing distance of 1cm, which is impressive for a superzoom, though image quality and depth of field control are less refined.
Night/Astro Photography
Neither camera is expressly designed for astrophotography: limited long exposure ranges (shutter speed maxes 1/30s to 30s), weak ISO performance, and no advanced modes.
Pentax’s cleaner base ISO and sensor stabilization provide a slight edge in low light.
Video Use
Sony’s higher frame rate 1080p video and better screen tilt favor casual video creators. Pentax is serviceable for basic HD video but less feature-rich for videographers.
Travel Photography
Compact Pentax Q-S1 wins points for size, weight, and lens flexibility, allowing versatile photo walks with a small kit.
Sony HX200V’s battery life and 30x zoom make it a one-lens travel solution but at the cost of bulk.
Professional Use
Neither camera is a full professional workhorse, lacking environmental sealing, robust build, or advanced workflows. Pentax’s RAW support and interchangeable lenses offer slightly more creative control.
Real-World Sample Gallery
Let’s look at some real-world sample imagery from both cameras to ground technical claims:
You’ll notice the Pentax Q-S1 producing crisper, cleaner images with more natural color rendition in portraits, whereas the Sony HX200V excels at capturing distant subjects with its zoom but with slightly less fine detail and dynamic range.
Overall Performance Ratings and Value
Bringing it together, here’s how they stack on core metrics:
Pentax Q-S1 scores higher on portability and image quality for dedicated photographers willing to swap lenses. Sony HX200V leads on zoom capability, battery life, and shooting speed.
What About Specific Photography Genres?
The final image summarizes comparative scores across the most common photography types:
- Portrait & Macro: Pentax Q-S1 leads
- Wildlife & Sports: Sony HX200V outshines
- Landscape: Slight edge to Pentax for sensor quality
- Travel & Street: Pentax for compactness; Sony for zoom versatility
- Video: Sony better for smooth HD video
Honest Verdict: Who Should Buy Each Camera?
I often frame camera recommendations not as “best” but as “best for specific needs.”
-
If portability and optical quality through interchangeable lenses matter most - especially for portraits, macro, and travel - the Pentax Q-S1 is a solid, budget-friendly mirrorless option that still punches above its weight despite its age.
-
If you crave an all-in-one camera with versatile zoom, easy wildlife or sports shooting, excellent battery life, and a comfortable grip, the Sony HX200V still holds up well as a superzoom bridge camera for casual or enthusiast photographers needing reach without swapping lenses.
Both cameras have aged, so current buyers should consider the used market prices reflected here ($250 vs $480 new-ish) when deciding on value.
Final Thoughts: Balancing Compromises and Strengths
In a way, these cameras epitomize a classic crossroads in camera design:
-
Pentax Q-S1 comes from a lineage emphasizing lens interchangeability and compact size, serving those who enjoy tinkering and adapting optics to shoot styles.
-
Sony HX200V embodies convenience through a huge built-in zoom and extended battery life - a ready-for-anything travel photographer’s trusted companion.
Ultimately, the choice depends on your shooting priorities: control and image quality versus zoom reach and battery life. Either way, both cameras offer accessible gateways into varied photographic adventures without overwhelming complexity or cost.
As always, whenever possible, try to get hands-on with any camera before deciding. Feel the ergonomics, test focusing speed, and critically assess how it matches your vision and style. After nearly a decade of testing mirrorless and superzooms alike, I can confidently say that understanding your workflow beats chasing specs alone. This dog is a good boy when it meets your photographic needs.
Happy shooting!
Pentax Q-S1 vs Sony HX200V Specifications
Pentax Q-S1 | Sony Cyber-shot DSC-HX200V | |
---|---|---|
General Information | ||
Company | Pentax | Sony |
Model type | Pentax Q-S1 | Sony Cyber-shot DSC-HX200V |
Category | Entry-Level Mirrorless | Small Sensor Superzoom |
Revealed | 2014-08-04 | 2012-05-11 |
Physical type | Rangefinder-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Processor | Q Engine | BIONZ |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/1.7" | 1/2.3" |
Sensor dimensions | 7.44 x 5.58mm | 6.17 x 4.55mm |
Sensor area | 41.5mm² | 28.1mm² |
Sensor resolution | 12 megapixel | 18 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 4896 x 3672 |
Maximum native ISO | 12800 | 12800 |
Minimum native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 9 |
Lens | ||
Lens support | Pentax Q | fixed lens |
Lens zoom range | - | 27-810mm (30.0x) |
Highest aperture | - | f/2.8-5.6 |
Macro focusing distance | - | 1cm |
Available lenses | 8 | - |
Crop factor | 4.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 3 inches | 3 inches |
Resolution of display | 460k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | - | XtraFine TruBlack TFT LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Features | ||
Minimum shutter speed | 30 secs | 30 secs |
Fastest shutter speed | 1/8000 secs | 1/4000 secs |
Continuous shutter rate | 5.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.90 m (at ISO 100) | 12.40 m |
Flash settings | Auto, redeye reduction, slow sync, trailing curtain sync | Auto, On, Off, Slow Sync, Rear Slow Sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30,25, 24p), 1280 x 720 (30, 25, 24p), 640 x 480 (30, 25, 24p) | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 203 gr (0.45 lb) | 583 gr (1.29 lb) |
Dimensions | 105 x 58 x 34mm (4.1" x 2.3" x 1.3") | 122 x 87 x 93mm (4.8" x 3.4" x 3.7") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 250 images | 450 images |
Style of battery | Battery Pack | Battery Pack |
Battery ID | D-LI68 | NP-FH50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC card | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | One |
Retail price | $250 | $480 |