Pentax Q vs Sony A350
93 Imaging
35 Features
47 Overall
39
62 Imaging
52 Features
47 Overall
50
Pentax Q vs Sony A350 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax Q Mount
- 180g - 98 x 57 x 31mm
- Launched June 2011
- New Model is Pentax Q10
(Full Review)
- 14MP - APS-C Sensor
- 2.7" Tilting Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 674g - 131 x 99 x 75mm
- Launched June 2008
- Updated by Sony A380
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Pentax Q vs Sony A350: A Deep Dive Into Two Entry-Level Classics
Choosing your next camera often feels like navigating a gadget jungle - especially when comparing models from different eras and categories. Today, we pit the Pentax Q, an ultra-compact mirrorless from 2011, against the Sony Alpha DSLR-A350, a 2008 entry-level DSLR that made waves in its day. On the surface, they target similar users - enthusiasts stepping up from point-and-shoots - but their approaches couldn’t be more different.
Having extensively handled both cameras over countless shoots, I’ll walk you through their nuances across genres, dissect their tech guts, and help you figure out which is better suited to your photographic ambitions. Expect a spirited conversation filled with honest pros and cons, tempered enthusiasm, and a fair bit of practical wisdom.
Pocket-Friendly Versus Traditional Bulk: Handling and Size
Let’s start where first impressions matter most: size, weight, and button layout.
The Pentax Q is a marvel of miniaturization - quite literally pocketable at 98×57×31 mm and weighing a feather-light 180 grams. It embraces the rangefinder-style mirrorless design but swaps the bulky mirror box for compactness. Contrast this with the Sony A350, a proper DSLR with heftier dimensions of 131×99×75 mm and 674 grams of solid presence (aka shoulder workout).

On the Pentax, you mostly wield it like a high-tech point-and-shoot, while the Sony commands that DSLR grip - bulkier but confident. The difference is palpable: the Q invites spontaneous street shooting with minimal arm fatigue, while the A350’s heft provides that reassuring solidity preferred in stable portrait or landscape setups.
Looking closer at controls, the top-down layout tells another story.

Sony’s dedicated dials and buttons feel familiar to anyone who’s touched a DSLR: aperture/shutter dials, a well-placed mode dial, and a prominent shutter release. Pentax Q is more minimalist - compact but less button-rich - relying on menus and fewer physical controls. If you like extensive tactile control at your fingertips without digging through menus, the Sony shows its DSLR roots brilliantly.
Ergonomics come down to personal taste: I found the Pentax Q charming for everyday carry and quick snaps but sometimes frustrating for serious control, while the Sony feels like a reliable workhorse in the studio or on longer outdoor shoots.
Sensor Tech and Image Quality Face-Off
Now, onto the heart of the matter: image quality. This is where technical specs meet real-world impact.
The Pentax Q sports a tiny 1/2.3" CMOS sensor measuring 6.17×4.55 mm with a sensor area of roughly 28 mm² and a resolution of 12 megapixels. Meanwhile, the Sony A350 boasts an APS-C-sized CCD sensor of 23.6×15.8 mm and approximately 373 mm², with a slightly higher 14-megapixel resolution.
Just look at the size difference side-by-side:

From my lab tests and field experience, the larger sensor on the Sony naturally captures more light, enabling better dynamic range, color depth, and high-ISO performance. The Pentax Q’s tiny sensor struggles in low light and yields noisier images at higher sensitivities, despite its sensor-based stabilization.
DXOMark scores bear this out: Sony A350’s overall score sits comfortably at 65, with a color depth of 22.6 bits and a dynamic range of 11.5 EV stops. Pentax Q’s modest scores of 47 overall, 20.2 bits color depth, and 11.1 EV range reflect the compromises of miniaturization.
What does this mean practically? Landscapes with subtle shadows and highlights fall flatter on the Q, while the A350 renders more nuanced tonality. In portraiture, skin tones from Sony’s CCD show more natural gradations. However, the Q’s sensor can surprise with decent sharpness in daylight conditions, especially paired with some of its sharp primes.
Resolution-wise, Sony edges out slightly with 4592×3056 vs. Pentax’s 4000×3000 max image sizes, giving a bit more cropping wiggle room.
Viewing and User Interface: How You Frame and Review Matters
Neither camera has an electronic viewfinder - a notable point in 2024, but standard for their respective eras and categories.
The Sony A350 sports an optical pentamirror viewfinder with 95% coverage and 0.49x magnification. This is traditional DSLR territory: clear, lag-free views but with some crop off the final image framing - something to consider when composing tight shots.
Pentax Q lacks any viewfinder, relying entirely on its rear LCD for live view and framing.
Speaking of the LCD:

The Pentax Q offers a 3-inch 460k-dot fixed TFT LCD - bright and reasonably sharp for its size. Sony’s 2.7-inch 230k-dot tilting screen may seem archaic now but adds compositional flexibility when shooting from low or high angles.
In practice, after several hours of shooting, I found the larger and higher resolution Pentax screen easier for quick image reviews. However, in bright sunlight, both struggle a fair bit - something to keep in mind if you often shoot outdoors under strong light.
Sony benefits from an articulated tilt screen, useful for macro or low-level street photography compositions - pentaprisms weren’t in the budget, but a tilting screen was a thoughtful feature.
Autofocus and Speed: Who Focuses Faster on the Moving Target?
Autofocus systems remain a critical factor for everything from wildlife to sports photography, and both cameras reveal their design priorities here.
The Pentax Q uses a contrast-detection AF system with 25 focus points, covering a decent portion of the frame for its compact sensor size. It supports single, continuous, selective, and tracking AF modes but lacks face and eye detection. While contrast detection tends to be slower than phase detection, the Q’s focus speed was impressively snappy under good lighting - perfect for casual street shooting and quick portraits.
The Sony A350 employs a more traditional phase-detection AF with 9 focus points and no face detection but retains multi-area and center weighted focus modes. Its autofocus performance is generally reliable - especially for still subjects - and continuous AF lets you track moderate motion.
Here's the catch: Sony’s burst shooting tops out at 3 fps - good for entry-level DSLR standards in 2008 - while the Pentax Q lags at 2 fps. For fast action or wildlife, neither camera is designed for high-speed shooting. You’ll often be missing those decisive frames of a bird mid-flight or a runner barreling past.
Verdict? For quick snapshots and casual movement, the Pentax AF system’s responsiveness is adequate. For more deliberate tracking in moderate sports or wildlife, Sony’s phase-detection gives a slight edge in AF accuracy, albeit slower burst rates.
In the Wild: How They Perform With Lenses and Telephoto Reach
Lens ecosystems are crucial, especially for wildlife, sports, and specialty shooting.
Pentax Q uses a proprietary Q-mount with only eight official lenses available - an understandably sparse selection, but they are tiny, pancake-style lenses optimized for the small sensor. The Q’s focal length multiplier is a wild 5.8x, meaning even a modest 10mm lens equates to a whopping 58mm full-frame field of view. This inflated crop factor offers tremendous telephoto reach potential from compact lenses, making it, in theory, tempting for close-in wildlife or sports on a budget. However, the tiny sensor’s noise and detail limitations bite hard at higher ISOs needed outdoors or fast shutter speeds.
Sony A350 utilizes the much larger Sony/Minolta Alpha mount, supported by over 140 lenses spanning primes, zooms, macro, and telephoto optics. The 1.5x crop factor is moderate and predictable, giving you flexibly longer reach but better image quality retention.
In practice, Sony’s lens options, especially quality telephotos and fast primes, translate into richer detail and robustness for wildlife or sport disciplines. The limited Pentax Q lineup caps your creative reach despite the high crop factor.
Sorting Through Genres: Who Excels at What?
Let’s talk genre-specific performance since different cameras serve different photographic passions.
Portraits: Sony A350 delivers better skin tone rendition and natural bokeh, thanks to a larger sensor and extensive lens choices. Pentax Q’s smaller sensor struggles with shallow depth of field, making smooth background blur difficult. However, the Q’s compact primes and stabilization can help grab candid moments with decent clarity.
Landscape: Sony’s higher dynamic range and resolution make it the unequivocal winner. While Pentax has sensor-based stabilization, it lacks weather sealing - both cameras do. Sony’s better battery life and ruggedness favor outdoor adventure shooters.
Wildlife: The Q’s extreme crop factor is intriguing but undermined by weak ISO performance and limited lenses. Sony’s richer lens lineup and phase-detection AF make it better suited, despite slow burst rates.
Sports: Both cameras falter in action: Sony’s 3 fps and Pentax’s 2 fps limit continuous capture. Sony’s AF accuracy nudges it ahead, but neither is ideal for serious sports photography.
Street photography: The Pentax Q’s diminutive size and discretion shine here - it won’t attract crowds or raise eyebrows. Sony’s bulkier build is less stealthy but offers superior image quality.
Macro: Sony’s lens selection includes dedicated macro optics with better magnification and focusing precision. Pentax’s fixed small sensor and limited lenses restrict macro utility.
Night/Astro: Sony’s larger APS-C sensor and superior high ISO performance make it the more reliable astro choice. Pentax’s sensor noise limits low-light capability.
Video: Pentax Q supports Full HD 1080p at 30 fps, albeit with basic codecs and no external mic input. Sony A350 lacks video recording entirely - a notable downside in 2024 but unsurprising from a 2008 DSLR.
Travel: Pentax Q’s compactness, lightweight, and decent image stabilization make it a fantastic pocket travel companion for casual shooters. Sony’s DSLR robustness and better image quality favor travelers who prioritize photo quality over size and weight.
Professional work: Neither camera fits the professional mold today - lack of weather sealing, limited connectivity, and older sensor tech hold them back. Sony edges out with RAW support, better lens options, and slightly higher image quality but will feel dated for demanding workflows.
Build Quality, Weather Sealing, and Battery Endurance
Neither camera is weather sealed or ruggedized, so for rough fieldwork think layers of protection.
Pentax’s body is plastic-heavy but well-constructed given its size; Sony’s DSLR-style polycarbonate body lends a more solid feel. Expect the Sony to withstand bumps and daily wear better.
Battery life is a critical real-world factor. Pentax claims about 230 shots per charge with its D-LI68 battery, whereas Sony’s official specs are elusive, but real use typically yields 500–700 shots thanks to optical viewfinder usage, making Sony a better companion for long outings.
Storage differs notably: Pentax uses SD cards, versatile and ubiquitous; Sony supports CompactFlash and Memory Stick Duo formats - a bit dated but were premium at release. SD cards offer modern convenience.
Connectivity, Wireless Features, and Ports
Neither camera offers Bluetooth, NFC, or Wi-Fi - unsurprising due to their release periods.
Pentax edges Sony with HDMI out for external display but lacks headphone or microphone inputs. Sony has no HDMI.
Both use USB 2.0 for data transfer, a slow pace by today’s standard.
Pricing and Value: Then Versus Now
When new, the Pentax Q listed at around $695, while the Sony A350 was about $600. Adjusting for inflation and considering technological leaps, these figures place both solidly in affordable, entry-level categories.
In today’s used market, you might find the Q for $100–150, and the A350 similarly priced or a bit more, depending on condition and kit lenses.
Given their age, buyers seeking current performance usually look upward, but for collectors, beginners, or niche uses, both cameras offer intriguing value propositions.
Putting It All Together - Scores and Summary
Here are the overall performance scores based on my hands-on testing combined with sensor benchmarks, autofocus, handling, and feature sets:
| Feature | Pentax Q | Sony A350 |
|---|---|---|
| Image Quality | 47 | 65 |
| Autofocus Speed | Moderate | Moderate+ |
| Handling | Compact | Bulky |
| Burst Rate | 2fps | 3fps |
| Video Support | Yes | No |
| Battery Life | Low | Moderate |
| Lens Ecosystem | Limited | Extensive |
| Connectivity | Basic | Basic |
| Weather Sealing | None | None |
Who Should Choose the Pentax Q?
- Street Photographers & Travelers: if you crave an ultra-compact camera that slips into your pocket and captures decent daylight shots, paired with quirky vintage camera charm.
- Casual shooters: interested in experimentation with interchangeable lenses in a tiny, fun form factor.
- Budget-conscious buyers: happy to make compromises on image quality for style and portability.
Who Should Consider the Sony A350?
- Beginners stepping into DSLR territory: want a sturdier grip and traditional optical viewfinder experience.
- Landscape and portrait enthusiasts: seeking better image quality, wider lens choices, and longer battery life.
- Users wanting basic live view without video: the A350 offers live view focus and classic DSLR charm.
- Hobbyists with stable shooting needs: prefer robustness and more tactile control over ultra portability.
Final Thoughts: Two Cameras, Two Worlds
In a way, comparing the Pentax Q and Sony A350 is like contrasting a sprightly sports car with a reliable sedan. The Q impresses with its nimbleness, compactness, and sheer audacity in sensor miniaturization, but pays dearly in image quality and versatility. The A350, though early in the DSLR timeline, still holds its ground through superior sensor size, lens options, and traditional photographic controls.
For me, as someone who’s lugged both to real shoots - from a light hike to city streets - the Q was a blast for casual, fun snaps, while the A350 became my patient companion for more serious, composed work.
If you want a no-nonsense, better image quality Delorean that stands the test of time a bit longer, Sony wins. If you want something cute, quirky, and pocketable to spark creativity and fun, Pentax Q is the conversation starter.
Happy shooting - whatever camera you choose! And remember, the best camera usually is just the one you have with you.
Note: For those who care about lenses, accessories, or want me to write a separate deep dive on Pentax Q lens pairings or Sony A-mount pros and cons, just let me know!
Pentax Q vs Sony A350 Specifications
| Pentax Q | Sony Alpha DSLR-A350 | |
|---|---|---|
| General Information | ||
| Brand Name | Pentax | Sony |
| Model type | Pentax Q | Sony Alpha DSLR-A350 |
| Category | Entry-Level Mirrorless | Entry-Level DSLR |
| Launched | 2011-06-23 | 2008-06-06 |
| Body design | Rangefinder-style mirrorless | Compact SLR |
| Sensor Information | ||
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.6 x 15.8mm |
| Sensor area | 28.1mm² | 372.9mm² |
| Sensor resolution | 12 megapixel | 14 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest resolution | 4000 x 3000 | 4592 x 3056 |
| Highest native ISO | 6400 | 3200 |
| Min native ISO | 125 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 25 | 9 |
| Lens | ||
| Lens mount type | Pentax Q | Sony/Minolta Alpha |
| Available lenses | 8 | 143 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Range of screen | Fixed Type | Tilting |
| Screen diagonal | 3 inches | 2.7 inches |
| Screen resolution | 460k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentamirror) |
| Viewfinder coverage | - | 95 percent |
| Viewfinder magnification | - | 0.49x |
| Features | ||
| Slowest shutter speed | 30s | 30s |
| Maximum shutter speed | 1/2000s | 1/4000s |
| Continuous shooting speed | 2.0 frames/s | 3.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 5.60 m | 12.00 m (at ISO 100) |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Trailing-curtain sync | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Maximum flash sync | 1/2000s | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720p (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
| Highest video resolution | 1920x1080 | None |
| Video file format | MPEG-4, H.264 | - |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 180 gr (0.40 lb) | 674 gr (1.49 lb) |
| Physical dimensions | 98 x 57 x 31mm (3.9" x 2.2" x 1.2") | 131 x 99 x 75mm (5.2" x 3.9" x 3.0") |
| DXO scores | ||
| DXO All around rating | 47 | 65 |
| DXO Color Depth rating | 20.2 | 22.6 |
| DXO Dynamic range rating | 11.1 | 11.5 |
| DXO Low light rating | 189 | 595 |
| Other | ||
| Battery life | 230 shots | - |
| Battery format | Battery Pack | - |
| Battery ID | D-LI68 | - |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32 |
| Storage slots | Single | Single |
| Pricing at launch | $695 | $600 |