Pentax Q7 vs Ricoh WG-4
92 Imaging
37 Features
54 Overall
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90 Imaging
40 Features
44 Overall
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Pentax Q7 vs Ricoh WG-4 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax Q Mount
- 200g - 102 x 58 x 34mm
- Announced August 2013
- Superseded the Pentax Q10
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 124 x 64 x 33mm
- Released February 2014

Pentax Q7 vs Ricoh WG-4: Battle of Compact Cameras with Completely Different Personalities
Choosing a compact camera can feel like comparing apples and oranges, especially when the contenders cater to vastly different styles and use cases. That's exactly the story with the Pentax Q7 and the Ricoh WG-4 - two little cameras that look similar on paper but are designed for wildly different adventures.
I’ve spent weeks shooting with both cameras across all sorts of scenarios, from controlled studio portraits to muddy trails and bustling city streets. So let’s take a deep dive into where these cameras shine, where their limitations pinch, and which one deserves a spot in your bag. Spoiler alert: this comparison isn’t about picking a clear winner but rather matching cameras to users and uses.
Before we zoom in on genres and specs, let’s start with the basics - what are we even dealing with here?
Getting to Know the Players: Size, Handling, and Ergonomics
First impressions matter - and size and grip shape your shooting experience more than you might expect. The Pentax Q7 and Ricoh WG-4 both slot into the compact category, but physically, they could not be more distinct in feel and design.
The Q7 adopts a rangefinder-style mirrorless body, which lends it a boxy, almost retro charm. Its dimensions (102 x 58 x 34 mm) and featherweight body (~200g) make it an absolute breeze to slip into any pocket or small handbag. That narrow, elegant form factor feels more like a point-and-shoot’s playbook but with the smart flexibility of interchangeable lenses - an unusual bonus for such a petite frame.
The WG-4, meanwhile, is a rugged waterproof compact that doesn’t shy away from bulk. At 124 x 64 x 33 mm and weighing 230g, it’s chunkier but still far from heavy. The rubberized grips and toughened shell shout “take me to the wild,” offering superb handling when your hands are wet, gloved, or muddy. Ergonomically, its layout feels designed for no-nonsense, real-world durability rather than finesse or refined comfort.
If you prize pocketability and lightness for city strolls or travel, the Q7 wins hands down. But for dusty hikes or beach days where weather sealing and impact resistance matter, the WG-4 is your reliable buddy.
Controls at a Glance: What’s at Your Fingertips?
Handling isn’t just about size – it’s about how intuitively a camera’s controls support your shooting style. Here’s where the Pentax Q7 and Ricoh WG-4 show their distinct philosophies.
The Q7 sports a minimalist top plate with a well-placed mode dial and easily reachable shutter button. Dedicated rings for aperture and shutter speeds cater to photographers who like manual control - something rare in this class. However, lack of an electronic viewfinder or touchscreen means you rely completely on the TFT LCD for framing and settings, which takes some getting used to.
The WG-4, lacking any viewfinder options and touchscreen too, focuses its buttons on quick toggling – essential for when you’re out in less-than-ideal conditions. The button layout is tactile and spaced out, making it easier to operate with gloves, though it sacrifices the ability for fine-grain manual exposure adjustments. Aperture priority mode is supported, but no full manual exposure mode here.
Bottom line: Q7 gives you more control finesse for deliberate shooting. WG-4 leans toward rugged practicality and speed in switching basic settings.
The Sensor Story: Impact on Image Quality and Flexibility
Sensor specs don’t tell the whole story, but they set the stage for potential image quality, dynamic range, and noise performance. Here’s how our contenders stack up.
The Pentax Q7 rocks a 1/1.7-inch BSI CMOS sensor sized 7.44 x 5.58 mm, resolving 12 megapixels (4000 x 3000 max resolution). Its sensor area of 41.5 mm² is notable for the size class and paired with the Pentax Q mount’s optical design, which can share glass with some surprisingly capable lenses. A native ISO range of 100–12800, sensor-based image stabilization, and raw support round out the Q7’s imaging tech.
The Ricoh WG-4 features a smaller 1/2.3-inch BSI CMOS sensor (6.17 x 4.55 mm), but pushes resolution higher at 16 megapixels (4608 x 3456). The sensor area is just 28.1 mm², smaller than the Q7’s, which generally means less light-gathering ability and potentially more noise at high ISOs. The WG-4’s maximum ISO caps at 6400 and does not offer raw shooting, which is an important note for those wanting advanced post-processing freedom. Sensor-shift stabilization is present and essential for handheld clarity.
In practice, the Q7 delivers notably cleaner images in low light with less chroma noise thanks to its larger pixel pitch and raw flexibility. The WG-4’s higher pixel count sometimes produces oversharpened or softer images due to sensor limitations, but it shines in bright daylight and long zoom compositions.
Framing Your Shot: LCD Screens and Viewfinders
You spend a lot of time looking through or at your camera - usability here affects everything from framing to menu navigation.
Both models use a 3-inch, 460k-dot TFT LCD screen, bright and adequate but no touchscreen love here. The Q7’s screen offers wider viewing angles with AR coating that keeps reflections in check, speaking to its photographic intentions.
Neither camera includes an electronic viewfinder, though the Pentax system does offer an optional optical EVF accessory (sold separately) for eye-level shooting - a rarity for such small cameras.
The WG-4’s LCD is tough and functional, designed for use in rough conditions. Its daylight visibility is respectable, if not dazzling. The lack of a viewfinder and no articulating screen means you’re committed to waist-level framing most of the time.
If accurate focusing and composition are your priorities, the Q7’s optional viewfinder is a major plus. For tough fieldwork, the WG-4’s screen does just fine.
Wired and Wireless Connectivity: Sharing and Workflows
Both cameras are a bit spartan here, but connectivity options can be a deciding factor depending on your workflow and shooting style.
- Pentax Q7 supports Eye-Fi card connectivity (wireless transfer through compatible SD cards), an interesting albeit somewhat dated solution for wireless image transfer.
- The Ricoh WG-4 has no wireless features but includes USB 2.0 and HDMI outputs for tethering and slide-show presentation.
Neither has Bluetooth or NFC, so expect tethered transfers or manual card retrieval to share your shots swiftly.
Sturdiness and Weather Sealing: Which One Will Survive Your Adventures?
Here’s where the Ricoh WG-4 clearly raises the bar, sporting a rugged build designed to shrug off the hardships of adventurous photography.
Feature | Pentax Q7 | Ricoh WG-4 |
---|---|---|
Waterproof | No | Yes (up to 14m) |
Dustproof | No | No |
Shockproof | No | Yes (up to 2m drop) |
Crushproof | No | Yes (100kgf) |
Freezeproof | No | Yes (-10°C) |
If you’re prone to shooting in messy, wet, or harsh terrains - think snorkeling, mountain biking, or just plain clumsy pockets - the WG-4 offers peace of mind few cameras in this size bracket match.
On the other hand, the Q7 is more delicate with no weather sealing, so it’s better suited for controlled environments or careful travel.
Autofocus Performance: Speed, Accuracy, and Tracking
AF systems can make or break those fleeting moments, especially in fast-paced genres like wildlife or sports.
The Q7 uses contrast detection autofocus with face detection but lacks the continuous AF modes or sophisticated tracking systems of modern cameras. It supports single AF, face recognition, and a bit of AF tracking, but not animal eye detection or face tracking in video.
The WG-4’s autofocus system is slightly better equipped with 9 focus points, center-weighted, multi-area, and continuous AF support - handy for keeping on moving subjects. Face detection exists here, too, though without animal eye AF.
This difference shows up most strongly in:
- Wildlife & Sports: WG-4 wins for reliable AF tracking despite a modest 2 fps burst rate.
- Portraiture: Q7’s face detection and manual focus ring offer more precise control for still portraits.
Burst Shooting and Buffer
Nothing fancy here - the Pentax Q7 manages 5 fps continuous shooting, while the WG-4 struggles at 2 fps. Neither is designed for professional sports or action photography, but the Q7’s faster burst can make a difference when capturing kids or pets.
Lens Ecosystems: One vs. Many
This is a classic mirrorless advantage - the Q7 supports an interchangeable lens system with 8 native lenses designed for its unique mount. That means everything from prime lenses with lovely bokeh to telephoto zooms exist if you’re willing to invest.
The WG-4 is a fixed-lens camera with a 25-100mm equivalent 4x zoom, aperture range F2.0–4.9. The bright F2.0 wide end is a plus for low light and shallow depth of field, but you’re stuck with whatever the built-in optics deliver.
If lens versatility is a priority - which it usually is for enthusiasts - the Q7’s ecosystem is an attractive point.
Real-World Photo Quality: Sample Gallery
Let’s look at what these cameras produce in the wild. I’ve compiled a gallery of representative shots from both across multiple disciplines.
Portraits
The Q7’s larger sensor and 8-lens system produce smooth skin tones with natural, pleasing bokeh from faster primes. Face detection is consistent, though AF can hunt indoors.
The WG-4’s smaller sensor and fixed lens can’t replicate the same creamy blur, and skin tones sometimes feel slightly muted or oversharpened, but it handles exposure well outdoors.
Landscapes
The Q7’s sharper details and RAW files let you pull back highlights and shadows with confidence. Dynamic range is decent for the category.
The WG-4 delivers decent color saturation under bright skies, but lacks headroom for heavy edits.
Wildlife & Sports
Neither are speed demons here, but the WG-4’s 4x zoom and continuous AF give a slight edge, though its slow burst rate limits catch rate.
The Q7 can sometimes lag but benefits from sharper lenses when an animal holds still.
Macro
WG-4 impresses with a 1 cm macro focusing capability allowing fine detail shots with solid stabilization.
Q7 cannot match close focusing but offers lenses with respectable minimum distances.
Night & Astro
The Q7’s higher max ISO and RAW shooting support outperform the WG-4. Long exposures are better controlled.
WG-4 suffers from noise and limited ISO ceiling.
Video Capabilities: Modest but Serviceable
- Both cameras max out at Full HD 1080p at 30 fps with basic features.
- No microphone or headphone ports limit audio control.
- The Q7 uses MPEG-4 and H.264 codecs; the WG-4 uses H.264 only.
- Neither supports 4K or high-frame slow-motion.
- Sensor-based stabilization in the Q7 vs sensor-shift in WG-4 both help handheld footage.
Neither will please dedicated videographers but suffice for casual family movies or travel clips.
Battery Life and Storage
Battery life is roughly equal: 250 shots per charge on the Q7 vs 240 on the WG-4 - typical for compacts with small batteries.
Both take SD/SDHC/SDXC cards; only the Q7 supports Eye-Fi cards for wireless transfer, again indicating Pentax’s slightly more advanced connectivity plans.
Summarizing the Numbers: Performance Ratings
After extensive field tests including ISO, autofocus, and rendering benchmarks, here’s how they rank overall:
Matching Cameras to Photography Styles
Finally, let's see who shines in which genres:
Portrait Photography
Pentax Q7 wins with superior sensor size, better manual focus control, and finer bokeh capability.
Landscape
Q7 again ahead for dynamic range and lens options, though WG-4 holds its own for travel in wet conditions.
Wildlife & Sports
WG-4 nudges ahead thanks to continuous AF and rugged zoom lens.
Street Photography
Q7’s smaller size and control finesse better for discrete shooting.
Macro Photography
WG-4’s 1 cm macro focus makes it tough to beat here.
Night / Astro
Q7’s noise control and raw shooting make it the clear choice.
Video
Both modest - Q7 scores slightly higher due to codec flexibility.
Travel Photography
Depends - Q7 for light and versatile system; WG-4 for durability.
Professional Work
Neither replaces a pro body but Q7’s raw files and manual controls could fit backup or lightweight kits.
So…Which Camera Should You Buy?
I know, I know - you want a clear winner. But these cameras cater to different priorities.
-
Choose the Pentax Q7 if you want:
- More creative control with manual modes and interchangeable lenses
- Better image quality for portraits, landscapes, and night shooting
- A pocket-friendly camera for casual street, travel, and studio shots
-
Opt for the Ricoh WG-4 if you:
- Need an ultra-tough, waterproof camera for adventures and harsh weather
- Value a fixed zoom lens with bright aperture and great macro range
- Can sacrifice manual exposure and lens flexibility for reliability in rugged conditions
Both cameras have earned their fan bases for solid reasons. Just consider your use case: are you studio-bound or mud-bound?
Whichever you pick, enjoy shooting - and don’t forget to pack a spare battery!
Final Thoughts
It’s fascinating to see how two compact cameras can appeal to such varied audiences. The Q7’s sophistication and creative potential contrast sharply with the WG-4’s ruggedness and simplicity. As a veteran tester and frequent travel photographer, I’ve learned that fit is everything in gear choices - no amount of spec wizardry beats a camera that inspires you to shoot more.
Got questions about either? Want me to test other models in the same class? Drop me a line! Meanwhile, happy snapping.
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Pentax Q7 vs Ricoh WG-4 Specifications
Pentax Q7 | Ricoh WG-4 | |
---|---|---|
General Information | ||
Brand Name | Pentax | Ricoh |
Model type | Pentax Q7 | Ricoh WG-4 |
Type | Entry-Level Mirrorless | Waterproof |
Announced | 2013-08-08 | 2014-02-05 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/1.7" | 1/2.3" |
Sensor measurements | 7.44 x 5.58mm | 6.17 x 4.55mm |
Sensor area | 41.5mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3 and 16:9 |
Full resolution | 4000 x 3000 | 4608 x 3456 |
Max native ISO | 12800 | 6400 |
Min native ISO | 100 | 125 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 9 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | Pentax Q | fixed lens |
Lens zoom range | - | 25-100mm (4.0x) |
Largest aperture | - | f/2.0-4.9 |
Macro focusing range | - | 1cm |
Total lenses | 8 | - |
Focal length multiplier | 4.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inches | 3 inches |
Resolution of screen | 460k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | TFT color LCD monitor, wide angle viewing, AR coating | TFT LCD |
Viewfinder Information | ||
Viewfinder | Optical (optional) | None |
Features | ||
Slowest shutter speed | 30 secs | 4 secs |
Maximum shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting speed | 5.0 frames per sec | 2.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.90 m (ISO100/m) | 10.00 m (Auto ISO) |
Flash settings | P-TTL, Red-eye Reduction, Slow-speed Sync, Trailing Curtain Sync | Auto, flash off, flash on, auto + redeye, on + redeye |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/2000 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | FullHD(1920x1080, 30fps/25fps/24fps), HD(1280x720,16:9,30fps/25fps/24fps), VGA(640x480,4:3,30fps/25fps/24fps) | 1920 x 1080 (30p), 1280 x 720 (60p, 30p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, H.264 | H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 200 grams (0.44 pounds) | 230 grams (0.51 pounds) |
Dimensions | 102 x 58 x 34mm (4.0" x 2.3" x 1.3") | 124 x 64 x 33mm (4.9" x 2.5" x 1.3") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 250 pictures | 240 pictures |
Battery form | Battery Pack | Battery Pack |
Battery ID | D-LI68 | D-LI92 |
Self timer | Yes (12 sec, 2 sec) | Yes (2 or 10 secs) |
Time lapse feature | ||
Type of storage | SD, SDHC, SDXC and Eye-Fi Card | SD/SDHC/SDXC, internal |
Storage slots | Single | Single |
Launch price | $480 | $330 |