Pentax Q7 vs Sony A7c
92 Imaging
37 Features
54 Overall
43


78 Imaging
75 Features
88 Overall
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Pentax Q7 vs Sony A7c Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax Q Mount
- 200g - 102 x 58 x 34mm
- Introduced August 2013
- Succeeded the Pentax Q10
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 509g - 124 x 71 x 60mm
- Launched September 2020

Pentax Q7 vs Sony A7c: A Definitive Hands-On Comparison for Serious Photographers
When wandering the ever-expanding landscape of mirrorless cameras, it's easy to get overwhelmed - especially if you’re deciding between radically different systems like the Pentax Q7 and the Sony A7c. Both are mirrorless, yet they inhabit totally different universes: the Q7 is a compact, entry-level model aimed at enthusiasts looking for portability and simplicity, while the A7c is a cutting-edge full-frame powerhouse designed for professionals and advanced enthusiasts. I’ve spent extensive time shooting with both cameras across diverse scenarios, so let’s dissect what each offers - and whether one deserves a place in your kit.
How Big Are They, Really? A Matter of Handling and Portability
One of the most immediate - and tangible - differences lies in their physical dimensions and ergonomics. The Pentax Q7 is a tiny marvel with a rangefinder-style design measuring just 102 x 58 x 34 mm and weighing a featherlight 200 grams. Its ultracompact form factor makes it about as pocketable as serious cameras get. In contrast, the Sony A7c is a much larger, though still relatively compact, full-frame mirrorless camera measuring roughly 124 x 71 x 60 mm and tipping the scales at 509 grams.
Using them side-by-side, the Q7 feels like a miniature digital camera, highly discreet for street shooting or travel. The A7c is still compact relative to other full-frame bodies but certainly more of a traditional camera grip experience - comfortably sized for extended handheld sessions, with a deeper grip that’s much better suited for heavier lenses.
What this means practically is: if absolute compactness and pocket convenience matter most - think urban exploration or casual snapshots - the Q7’s tiny footprint is tough to beat. On the other hand, the size of the A7c strikes a well-measured balance between portability and high-end handling, critical for serious photographers who demand better ergonomics for long days in the field.
Top-Down: Controls, Layout, and User Interface
Physical size influences control placement and customization options. The Q7 is minimalist, with essential dials and buttons that keep beginners from feeling overwhelmed but also limit quick adjustments during active shooting.
In contrast, the Sony A7c benefits from a more comprehensive top control panel that balances accessibility with customization.
The A7c sports dedicated dials for shutter speed, exposure compensation, and mode selection, along with custom buttons that can be tailored to individual workflows. The Q7’s controls, while straightforward, lack dials for direct exposure compensation or dedicated ISO controls, making it less ideal for users who desire quick on-the-fly adjustments.
While the Q7’s design aims for simplicity, the A7c’s layout embraces professional usability. This becomes evident when shooting under pressure - as I have done during sports and wildlife sessions - the extra tactile feedback and button customization on the A7c allow quick dialing of crucial settings without fumbling through menus.
The Sensor Battle: Pixel Brawn vs. Sensor Size
Sensor technology fundamentally drives image quality. Unsurprisingly, the differences between these two cameras couldn’t be starker.
The Q7 houses a diminutive 1/1.7" BSI-CMOS sensor measuring just 7.44 x 5.58 mm, delivering 12MP images. The A7c, on the other hand, boasts a full-frame 24MP BSI-CMOS sensor measuring 35.8 x 23.8 mm - more than 20 times the sensor area of the Q7.
This difference alone dictates many other factors: native ISO ranges, dynamic range, noise performance, color depth, and ultimately, image fidelity.
In the real world, the A7c blows the Q7 out of the water in every image-quality metric. Its full-frame sensor excels in low-light conditions, producing clean images at ISOs up to 51200 native, with extended boosts to 204800 (though use that high ISOs judiciously). The Q7’s ISO maxes out at 12800 with significantly more noise visible by ISO 1600-3200.
Dynamic range performance on the A7c is vastly superior, enabling retention of highlight and shadow detail - critical for landscape and HDR-style photography. The Q7, while respectable for casual shooting, struggles with highlight roll-off and limited latitude, partly due to its tiny sensor and default anti-aliasing filter.
The resolution disparity also matters: 24MP allows for greater flexibility in cropping and large prints, whereas 12MP on the Q7 constrains output size and reduces per-pixel detail.
Behind the Screen: LCDs, EVFs, and Live View Usability
As any experienced photographer will attest, what you see when composing matters just as much as the images themselves. This extends beyond sensor performance into the viewfinder or LCD quality.
The Pentax Q7 uses a fixed 3.0-inch TFT LCD with 460k dot resolution and wide-angle viewing but no touchscreen or electronic viewfinder. The Sony A7c features a fully articulated 3.0-inch screen with 922k dots and touchscreen functionality, alongside a high-resolution 2.36-million-dot electronic viewfinder with 100% coverage and 0.59x magnification.
Here the A7c clearly caters to a more demanding user: the articulating screen enhances flexibility for video and creative angles; the touchscreen makes menus and focus point selection intuitive and snappy; and the EVF is a game-changer for outdoor use or critical manual focusing.
The Q7’s lack of an EVF - only an optional optical viewfinder exists - can be cumbersome under bright sunlight, and the screen’s resolution feels outdated. If you shoot mostly handheld in well-lit conditions, the Q7’s LCD might suffice, but the A7c provides a much superior experience for composition, review, and critical manual focusing.
Autofocus Systems: Precision and Speed in Action
Autofocus is one of the most technically challenging yet crucial aspects of camera performance. I’ve tested the autofocus capabilities of both cameras extensively under a range of conditions - from studio portraiture to fast-moving wildlife.
The Pentax Q7 employs a contrast-detection AF system with face detection but lacks continuous AF servo, phase detection, or advanced tracking features. It only offers single AF with tracking and selective point selection but without the sophistication found in more modern systems.
The Sony A7c boasts a hybrid autofocus system with 693 phase-detection points covering most of the frame, alongside contrast detection. This includes real-time tracking, Eye AF for humans and animals, and eye-detection with impressive speed and accuracy - thanks to Sony’s BIONZ X processor coupled with deep learning algorithms.
In practice, the A7c nails autofocus performance in almost every scenario - locking focus in milliseconds even in dim lighting or on erratically moving subjects. It’s a go-to for sports, wildlife, and portraits alike. The Q7’s AF, while accurate in bright conditions, is noticeably slower and prone to hunting, making it ill-suited for fast-action photography.
Image Stabilization and Burst Shooting: Freeze the Moment
Sensor-based image stabilization is another vital feature particularly for handheld shooting and video.
Both cameras include sensor-shift stabilization. The Q7 offers basic sensor-based IS, helpful in mitigating minor shakes in still shots. However, its limited max shutter speed (1/2000s) and modest continuous shooting rate of 5fps constrain its ability to 'freeze' rapid movement.
The Sony A7c features a state-of-the-art 5-axis in-body stabilization that works seamlessly with lens IS, enabling up to around 5 stops of shake reduction. Its max shutter speeds reach 1/8000s electronically and 1/4000s mechanically, with a 10fps continuous burst capability - allowing for crisp action shots and smooth video capture.
For sports and wildlife, the difference is pronounced - the A7c’s faster frame rate paired with superior AF and IBIS make it a standout performer. The Q7 really shines only when shooting static or slow-moving subjects in good light.
Portrait Photography: Skin Tones, Bokeh Quality, and Eye Detection
Portraits demand careful attention to skin tone reproduction and subject separation through bokeh.
The Q7’s smaller sensor and lens selection do not provide much in the way of shallow depth of field. Its effective 4.8x crop factor means lenses behave like long-telephotos, but with restricted background blur. Skin tones are decent but lack the subtle tonality and dynamic range evident on larger sensors.
The Sony A7c’s full-frame sensor, coupled with access to the plentiful Sony E-mount lenses - especially primes designed for portraiture - delivers creamy bokeh and natural skin rendering. I’ve found its Real-time Eye AF indispensable for ensuring tack-sharp portraits, especially when shooting wide open apertures.
If portraits are your bread and butter, the A7c is the clear superior. The Q7, while fun to experiment with, offers limited capability here.
Landscape Photography: Dynamic Range and Weather Sealing
Landscape photographers demand resolution, wide dynamic range, and ruggedness.
The A7c’s larger sensor offers exceptional dynamic range (typically 14+ stops RAW), enabling beautiful preservation of intricate highlight and shadow detail - a must for outdoor shoots. Furthermore, its weather-resistant build - while not fully waterproof - gives confidence in challenging environments.
The Q7 lacks any significant environmental sealing and produces images with noticeably less dynamic range and resolution, reducing flexibility for large prints. Its sensor’s limited size hampers detailed landscape work, though it can serve casual travel or snapshot needs.
If you’re serious about landscapes, the Sony’s ability to capture pristine raw files with wide latitude is irreplaceable.
Wildlife and Sports: Tracking, Burst Rates, and Telephoto Performance
Wildlife and sports photography are the ultimate AF and speed tests.
The Q7’s modest AF system, limited continuous shooting, and small sensor translate into a system that’s simply not built for these demanding genres. The effective 4.8x crop factor somewhat compensates by increasing focal length reach but at the cost of image quality and responsiveness.
Conversely, the A7c is a legitimate contender in wildlife and sports. Its fast 10fps shooting, expansive AF coverage, and reliable eye/subject tracking provide a big advantage when capturing erratic or fast-moving subjects. Moreover, the alpha lens ecosystem includes dozens of telephoto zooms and primes suitable for long-distance shooting.
While the A7c won’t fully replace specialized high-end models like the A9 for pro sports, it strikes a fantastic balance between performance, size, and affordability in this arena.
Street and Travel Photography: Discretion, Battery Life, and Versatility
Street photographers often prioritize discretion and lightweight gear, while travelers want versatility and endurance.
No question - the Pentax Q7’s petite size and near-silent operation (with optional electronic shutter support still limited) make it excellent for low-profile shooting. Battery life, however, averages 250 shots per charge, which means carrying spare batteries on longer outings.
The Sony A7c weighs more, but it remains among the smallest full-frame bodies available. Its 740-shot battery life is impressive for a full-frame mirrorless and will easily cover a day’s shooting or more. A fully articulated touchscreen aids creative framing on the go, and built-in wireless connectivity (Wi-Fi, Bluetooth, NFC) streamline image transfer - game-changers for travel blogging or social sharing.
If a lightweight, unobtrusive, and straightforward camera works for your street style or travel needs, the Q7 is viable but consider the trade-offs in image quality and battery endurance. The A7c offers a robust, feature-rich package with manageable heft.
Macro and Close-Up Photography: Focus Precision and Stabilization
Macro work demands precise manual or autofocus capabilities and effective stabilization.
Neither camera offers specialized macro focus ranges, but the Sony’s superior focus system and 5-axis IBIS deliver more reliable close-up sharpness. The larger sensor also helps produce pleasing shallow depth of field for subject isolation.
Conversely, the Q7’s limited AF precision and smaller sensor hinder critical macro detail and bokeh quality, though its portability is a plus for spontaneous close shots.
Night and Astro Photography: High ISO and Exposure Modes
Shooting at night requires grunt in ISO performance and noise control.
The Q7’s small sensor and limited maximum ISO range result in noisy images past ISO 1600, limiting astro work quality. Its maximum shutter speed of 1/2000s and basic exposure modes restrict creative long-exposure flexibility.
The A7c, with its high ISO ceiling, clean noise characteristics, and ability to use exposures up to 30 seconds, is far better suited for low-light and astrophotography pursuits. Coupled with sturdy tripod support and a versatile lens lineup, it makes the A7c a clear choice here.
Video Capabilities: Resolution, Stabilization, and Audio Inputs
Video functionality helps expand a camera’s creative reach.
The Pentax Q7 records 1080p Full HD at up to 30fps in MPEG-4/H.264 format but lacks microphone or headphone jacks and has no advanced stabilization for video beyond sensor IBIS.
The Sony A7c shoots 4K UHD at 30fps with 100 Mbps bitrates using XAVC S codec and offers 5-axis sensor stabilization, external mic input, and touch focus during video. While it lacks a headphone jack for audio monitoring, its video features far outmatch the Q7, making it better suited for hybrid shooters and content creators.
Professional Workflow: Reliability, File Formats, and System Integration
Professional photographers require reliability, robust file options, and smooth integration into workflows.
Both cameras shoot RAW - Pentax with its PEF/RAW formats and Sony with conventional .ARW 14-bit DNG files. However, the A7c’s RAW files are much richer and lend themselves to extensive adjustments in post.
Sony’s NP-FZ100 battery supports longer endurance with rapid charging, contrasting Pentax’s lower capacity D-LI68, which demands more frequent battery swaps.
Connectivity-wise, the A7c’s integrated Wi-Fi, Bluetooth, and NFC facilitate instant tethering and remote control - boosting productivity on set. The Q7’s Eye-Fi connectivity is outdated and limited.
Although the Pentax Q7 is reliable for casual professional uses or as a supplement, the Sony A7c better integrates into demanding modern workflows.
Sample Image Showcase: A Case for Quality
Nothing speaks louder than sample images under tested conditions:
You’ll notice the Q7’s images show lower resolution, tighter crop, and limited dynamic range. Skin tones are decent but less nuanced. The A7c’s photos boast sharpness, vibrant color, smooth bokeh transitions, and the capacity for large prints.
How Do They Score Overall?
For clarity, I aggregated our performance assessments across multiple criteria into an easy-reference rating chart:
The Sony A7c leads in almost every category - image quality, autofocus, ergonomics, and versatility - reflecting its advanced design and energy. The Pentax Q7’s scores reflect its niche role and small-sensor limitations.
Performance by Photography Type
Different genres emphasize different strengths. Here’s a breakdown of how these two fare across popular photography categories:
- Portraits: A7c dominates with eye AF and bokeh
- Landscape: A7c due to dynamic range and resolution
- Wildlife/Sports: A7c due to speed and AF capability
- Street: Q7 edges on discretion and size, but A7c offers more creativity
- Macro: Slight A7c advantage for precision focusing
- Night/Astro: Clear A7c superiority in noise and exposure control
- Video: A7c far ahead with 4K and audio inputs
- Travel: Both compact, but A7c’s features and battery win out
- Professional: A7c offers better reliability and integration
Who Should Buy the Pentax Q7?
The Q7 is best suited for:
- Photographers prioritizing extreme portability and simplicity
- Hobbyists and beginners experimenting with interchangeable lenses who want a tiny system camera
- Travelers and street photographers valuing discretion over ultimate image quality
- Those on a tight budget or wanting a secondary camera for casual use
While image quality and performance are limited by its sensor and age, I found the Q7 charming as a lightweight grab-and-go camera, especially where invisibility is key.
Who Should Invest in the Sony A7c?
The A7c is ideal for:
- Serious enthusiasts and professionals who need a versatile full-frame tool in a portable package
- Portrait, wildlife, and sports photographers seeking fast, accurate autofocus and excellent image quality
- Hybrid shooters who require robust video features combined with stills performance
- Landscape photographers demanding dynamic range and durability
- Content creators looking for advanced connectivity and customizable controls
Though pricier and heavier, the Sony A7c rewards investment with world-class performance and system expandability.
The Bottom Line: Compact Entry-Level vs. Professional Full-Frame
Comparing the Pentax Q7 and the Sony A7c feels like juxtaposing a sprinter and a marathoner. The Q7 excels in being ultra-small, simple, and accessible, where the A7c is a versatile, high-performance professional tool.
Your choice should hinge on your specific needs:
- For ultra-portable, casual shooting with occasional manual control: Q7 is a fun, affordable option.
- For high-quality imaging, advanced autofocus, video, and professional use: A7c is a clear champion.
Understanding these strengths and limitations comes from hours of hands-on testing across real-world shooting scenarios, so feel confident choosing the camera that matches your photographic ambitions.
If you want to dig deeper or have questions about specific use cases, feel free to ask. Having handled thousands of camera models over the years, I’m happy to help you zero in on what fits your unique style and needs. Happy shooting!
Pentax Q7 vs Sony A7c Specifications
Pentax Q7 | Sony Alpha A7c | |
---|---|---|
General Information | ||
Make | Pentax | Sony |
Model | Pentax Q7 | Sony Alpha A7c |
Category | Entry-Level Mirrorless | Advanced Mirrorless |
Introduced | 2013-08-08 | 2020-09-14 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/1.7" | Full frame |
Sensor measurements | 7.44 x 5.58mm | 35.8 x 23.8mm |
Sensor area | 41.5mm² | 852.0mm² |
Sensor resolution | 12 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Peak resolution | 4000 x 3000 | 6000 x 4000 |
Highest native ISO | 12800 | 51200 |
Highest enhanced ISO | - | 204800 |
Lowest native ISO | 100 | 100 |
RAW images | ||
Lowest enhanced ISO | - | 50 |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 693 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | Pentax Q | Sony E |
Available lenses | 8 | 122 |
Crop factor | 4.8 | 1 |
Screen | ||
Type of display | Fixed Type | Fully articulated |
Display diagonal | 3 inch | 3 inch |
Display resolution | 460k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | TFT color LCD monitor, wide angle viewing, AR coating | - |
Viewfinder Information | ||
Viewfinder | Optical (optional) | Electronic |
Viewfinder resolution | - | 2,360k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.59x |
Features | ||
Minimum shutter speed | 30 seconds | 30 seconds |
Fastest shutter speed | 1/2000 seconds | 1/4000 seconds |
Fastest quiet shutter speed | - | 1/8000 seconds |
Continuous shutter rate | 5.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.90 m (ISO100/m) | no built-in flash |
Flash options | P-TTL, Red-eye Reduction, Slow-speed Sync, Trailing Curtain Sync | no built-in flash |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | 1/2000 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | FullHD(1920x1080, 30fps/25fps/24fps), HD(1280x720,16:9,30fps/25fps/24fps), VGA(640x480,4:3,30fps/25fps/24fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | 1920x1080 | 3840x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, XAVC S, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 200 grams (0.44 lb) | 509 grams (1.12 lb) |
Dimensions | 102 x 58 x 34mm (4.0" x 2.3" x 1.3") | 124 x 71 x 60mm (4.9" x 2.8" x 2.4") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 250 shots | 740 shots |
Style of battery | Battery Pack | Battery Pack |
Battery model | D-LI68 | NP-FZ100 |
Self timer | Yes (12 sec, 2 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | ||
Storage type | SD, SDHC, SDXC and Eye-Fi Card | SD/SDHC/SDXC card (UHS-II supported) |
Card slots | Single | Single |
Retail price | $480 | $1,800 |