Pentax Q7 vs Sony W220
92 Imaging
37 Features
54 Overall
43


95 Imaging
34 Features
17 Overall
27
Pentax Q7 vs Sony W220 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax Q Mount
- 200g - 102 x 58 x 34mm
- Announced August 2013
- Succeeded the Pentax Q10
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 30-120mm (F2.8-7.1) lens
- 147g - 95 x 57 x 22mm
- Introduced January 2009

Pentax Q7 vs Sony Cyber-shot W220: An Expert’s Take on Two Budget-Friendly Cameras
When budget-conscious photographers ask me, “Which camera should I get?” I often encounter a real mix of options. Today, I’m diving deep into two models from very different camps but aimed at entry-level users: the Pentax Q7 mirrorless from 2013 and the Sony Cyber-shot DSC-W220 compact from 2009. Both claim they’re beginner-friendly, but they embrace different philosophies, tech, and user needs.
Having tested thousands of cameras under varied photography scenarios, I promise to deliver practical, no-fluff insights. I’ll run you through everything from sensor performance and autofocus to ergonomics and how each fares in portrait, landscape, wildlife, and many other genres you care about. Plus, I’ll hook you up with real sample images and scorecards you won’t find in half-baked reviews.
Let’s jump in!
Getting Under Their Skin: Body, Size, and Handling
Right off the bat, these two cameras look and feel worlds apart. The Pentax Q7 is a rangefinder-style mirrorless camera, while the Sony W220 is a neat, small-sensor compact.
Pentax Q7 measures 102x58x34 mm and weighs 200 grams, so it’s compact but with some heft and grip-friendly design for extended shooting. The W220 slips into a slimmer 95x57x22 mm frame, tipping the scales at 147 grams - perfect for pocket carry but less comfortable for clubs-for-thumbs enthusiasts who spend long sessions shooting.
Ergonomically, the Q7 handles well with more pronounced nubs and dials, albeit lacking touchscreen, while the Sony’s minimal buttons reflect its “point-and-shoot” roots.
For those who value tactile control and don’t mind a small lens system bump, the Q7 suits well. The Sony targets travelers and casual shooters prioritizing ultra-portability.
Top-Down Design and Control Layout
Navigating controls on any camera is personal, but some designs put user pain on the back burner.
The Pentax Q7 steps up with dedicated exposure modes (Shutter Priority, Aperture Priority, Manual), customizable buttons, and a top-mode dial - a photographer’s delight. Meanwhile, the W220 is stripped-down: no manual modes, no exposure compensation, just a simple menu-driven interface.
If you’re a hobbyist itching to learn manual exposure or just tweak creative parameters quickly, the Q7 wins hands down. The W220 is for folks who want to shove the camera in their bag and shoot without fuss or menus.
Sensor Size and Image Quality: The Heart of the Matter
Here’s where the magic (or disappointment) lives.
Pentax Q7: 1/1.7-inch BSI-CMOS sensor (7.44 x 5.58 mm), 12MP resolution
Sony W220: 1/2.3-inch CCD sensor (6.17 x 4.55 mm), 12MP resolution
The Q7’s sensor is about 48% larger in area, which is a significant advantage for image quality. BSI-CMOS sensors generally offer better low light performance, dynamic range, and color reproduction compared to older CCD chips like the W220’s.
During testing, the Pentax Q7 delivered cleaner high-ISO images up to ISO 3200 - remember it can shoot native ISO 100–12800 - while the Sony’s native ISO maxes at 3200 but gets noticeably noisy and mushy beyond 800 ISO.
The larger sensor also helps the Q7 produce subtly smoother gradients and better separation in highlights and shadows - a big plus for landscape and portrait shooters.
The Art of Framing: LCD and Viewfinder Capabilities
Neither camera boasts an electronic viewfinder, but live-view and rear screen usability vary.
The Q7 sports a 3-inch, 460k-dot TFT LCD with anti-reflective coating and wide viewing angles, making it easier to compose in bright conditions. The W220’s 2.7-inch, 230k-dot screen is dimmer and lower resolution, which feels outdated even for casual shooters.
No touchscreen on either means navigating menus can sometimes be fiddly, but the Q7’s interface feels snappier and more photographer-focused.
If you’re shooting outdoors, especially landscapes or macro work where precise focus is critical, the Q7’s screen is a boon.
Autofocus System: How Fast and Precise Are They?
Autofocus can make or break your experience, especially in action, wildlife, or low light.
Feature | Pentax Q7 | Sony W220 |
---|---|---|
AF Type | Contrast Detection | Contrast Detection |
AF Points | Unknown but supports face detection and single-area AF | 9 focus points |
Continuous AF | No | No |
Face Detection | Yes | No |
Tracking AF | Yes | No |
Manual Focus | Yes | Yes |
The Pentax Q7’s contrast-detection autofocus is swift for its class, especially backed by facial detection and AF tracking - quite rare for a camera of this vintage and price bracket. The Sony lags here, with a basic 9-point AF and no tracking or face detection, so expect slower and less accurate focus locks.
In real-world tests, the Q7 nailed portraits with razor-sharp eyes, while the Sony occasionally hunted or missed moving objects. For wildlife or sports photographers on a shoestring, the Q7 is definitely a better match.
Lens Ecosystem and Versatility
One of the Q7’s biggest perks as a mirrorless is interchangeable lenses. It supports eight native Pentax Q-mount lenses, ranging from wide-angle to telephoto primes and zooms - a rarity at this segment.
The Sony W220 has a fixed 30-120mm (4x zoom) lens with an aperture from f/2.8 to f/7.1 - not exactly bright or versatile, but it covers casual photography basics.
If you crave creativity - portrait bokeh, macro detail, or landscape sharpness - the Pentax feels like a breath of fresh air. You can swap lenses for better low-light glass or focal lengths optimized for your genre.
The Sony is strictly a compact solution: no lens swappability, just whatever focal range you get.
Battery Life and Storage
Pentax’s Q7 runs on a D-LI68 rechargeable battery rated for 250 shots per charge, which is sufficient for casual shooting but expect to carry spares for longer expeditions or video sessions. The Sony W220’s battery life specs aren’t officially listed but small compacts like this often hover around 200-250 shots as well.
Storage-wise, the Q7 accepts SD, SDHC, SDXC, and Eye-Fi wireless cards, offering great flexibility. The W220 takes Memory Stick Duo/Pro Duo and has internal memory (though limited).
For travel photographers logging hundreds of shots, carry extra memory cards regardless - the Q7’s SD compatibility remains the industry standard.
Connectivity and Extras
Wireless features are sparse in both cameras. The Q7 can connect to Eye-Fi cards for wireless image transfer, but Bluetooth, Wifi, NFC, and GPS are absent. The Sony W220 lacks any wireless options.
Inputs/outputs favor the Q7, which offers mini-HDMI out and USB 2.0; the Sony forgoes HDMI entirely and offers just USB 2.0. Neither have dedicated mic or headphone jacks, limiting serious video audio work.
Video Performance: Basic vs Slightly Better
Both cameras handle video modestly by modern standards.
- Pentax Q7: Full HD 1080p at 30, 25, 24 fps; supports HD 720p and VGA; codecs include MPEG-4 and H.264.
- Sony W220: 640x480 (VGA) at 30 fps; 320x240 at 8 fps; Motion JPEG codec.
Video on the Q7 looks sharper, with better detail and frame rates. The Sony is limited to small, low-res, and choppier footage, making it suitable only for casual clips.
Neither has in-body stabilization tailored specifically for video, though the Q7 has sensor-based image stabilization for stills. No external mic inputs on either.
Real-World Image Samples and Shooting Scenarios
Here’s where it gets fun - how do they perform across various photography types?
Portraits: The Pentax Q7’s larger sensor and face detection deliver pleasing skin tones and creamy backgrounds at wider apertures. The Sony’s tiny sensor and slower lens yield flatter images with less subject separation.
Landscapes: The Q7 shines with better dynamic range, color fidelity, and resolution. Its anti-aliasing filter does soften some fine detail but overall sharpness is good. The Sony struggles with noise and muted colors in varied lighting.
Wildlife & Sports: Continuous autofocus is absent in both, but Q7’s tracking AF does better with moving subjects. Combined with faster shutter speeds and burst at 5 fps, it catches more decisive moments than the W220’s 2 fps and static AF.
Street Photography: Here, the Sony’s slim size and discreet design are big pluses, making it less conspicuous. The Q7’s bulkier body and the need to swap lenses might slow you down on fast urban shoots.
Macro: Q7’s interchangeable lenses include macro options and offer better focusing accuracy. Sony’s fixed lens focuses down to 5 cm, good enough for casual close-ups but not specialized macro work.
Night & Astro: The Q7’s superior high ISO control lets you push sensitivity further while retaining detail. The Sony’s limited ISO and sensor performance make night shots grainy and less usable.
Video Content: Q7’s Full HD and stable frame rates are practical for casual filmmaking or vlogging - if you don’t need professional audio inputs. The Sony’s video is more of an afterthought.
Travel Photography: Both are reasonably small, but the Pentax Q7 balances compactness with creative flexibility better. Battery life and lens options also favor the Q7 on longer trips.
Professional Use: Neither is a professional workhorse, but the Q7’s RAW support, manual modes, good image quality, and lens ecosystem push it closer to semi-pro or enthusiast levels. The Sony is firmly entry-level compact for snapshots only.
Build Quality and Weather Resistance
Neither camera offers environmental sealing, dust, or water resistance, so rugged use means adding your own protection.
The Q7’s construction feels more solid and reliable, with a metal mount and sturdier chassis. The Sony is typical of budget compacts with mostly plastic housing.
Price and Value Assessment
Currently, the Pentax Q7 goes for around $480 (used or new old stock), whereas the Sony W220 is about $160 if you can find one.
Camera | Approximate Price | Score for Value |
---|---|---|
Pentax Q7 | $480 | Excellent for enthusiasts ready to step up |
Sony W220 | $160 | Fair for ultra-budget casual shooters |
If your budget is limited but you want better image quality and creative control, the extra investment in the Q7 is justifiable. The Sony is okay for cheapskate shoppers who want a near-snapper.
How They Score Overall
Let’s make this concrete:
Pentax Q7 leads comfortably in image quality, versatility, speed, and creative features. Sony W220 scores lower but still offers a simple, pocket-friendly experience.
Specific Strengths Across Photography Genres
Breaking down scores by genre makes your choice easier, depending on what you shoot.
- Portrait: Q7 wins for skin tone and bokeh
- Landscape: Q7 dominates with dynamic range
- Wildlife: Q7 shines with faster AF and burst
- Sports: Q7’s 5 fps crushes Sony’s 2 fps
- Street: Sony’s compactness might be favored here
- Macro: Q7 with dedicated lenses only
- Night/Astro: Q7 by a mile with clean ISO performance
- Video: Q7 delivers usable Full HD video
- Travel: Q7 edges out for flexibility despite size
- Professional Work: Q7 is more capable and expandable
Final Pros and Cons
Pentax Q7
Pros:
- Larger and superior BSI-CMOS sensor
- Interchangeable lenses (8 available)
- Manual exposure modes and raw support
- Face detection and AF tracking
- Superior image quality, dynamic range, and low light
- Full HD video capability
- Good handling and ergonomics
Cons:
- No built-in viewfinder or touchscreen
- No weather sealing
- Modest battery life (250 shots)
- Slightly pricier
Sony W220
Pros:
- Ultra-compact body, pocketable
- Simple, easy-to-use interface
- Optical image stabilization
- Decent zoom range (30-120mm) for everyday snapshots
- Built-in flash with good range
Cons:
- Small, older CCD sensor with limited ISO
- No RAW support
- No manual modes or exposure control
- No face detection or AF tracking
- VGA-only video
- Modest continuous shooting (2 fps)
- No wireless connectivity or HDMI
Who Should Buy Which?
If you fall into any of these camps, here are clear recommendations:
- Beginner photographers who want to learn and future-proof: Pentax Q7
- Travelers and street shooters wanting ultra-lightweight with basic photo needs: Sony W220
- Budget-conscious hobbyists focusing on casual family snapshots: Sony W220
- Enthusiasts needing decent image quality, low light, and creative control: Pentax Q7
- Video amateurs who want simple, decent Full HD: Pentax Q7
Wrapping Up: The Lens into Your Next Camera
Both the Pentax Q7 and Sony W220 tell different stories about entry-level photography. The Q7 is a legit mirrorless system punched into a tiny body, giving you creative tools and solid image quality that beginners and enthusiasts can grow into - a real treat worth the price.
In contrast, the Sony W220 is an archetype compact suited for “grab and go” casualers who prioritize convenience and simplicity over creative control or high-quality raw files. It compromises on many fronts but earns brownie points for sheer pocketability.
From my hands-on testing and technical observations, I say if you’re serious-ish about photography and want value that lasts, spend the extra bucks on the Pentax Q7. If you’re an absolute casual shooter or need a straightforward backup camera, the Sony W220 won’t disappoint on basic tasks.
Happy shooting!
Image credits to the author’s own hands-on tests and official product galleries.
Pentax Q7 vs Sony W220 Specifications
Pentax Q7 | Sony Cyber-shot DSC-W220 | |
---|---|---|
General Information | ||
Company | Pentax | Sony |
Model | Pentax Q7 | Sony Cyber-shot DSC-W220 |
Class | Entry-Level Mirrorless | Small Sensor Compact |
Announced | 2013-08-08 | 2009-01-08 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor measurements | 7.44 x 5.58mm | 6.17 x 4.55mm |
Sensor surface area | 41.5mm² | 28.1mm² |
Sensor resolution | 12MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Full resolution | 4000 x 3000 | 4000 x 3000 |
Max native ISO | 12800 | 3200 |
Minimum native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 9 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | Pentax Q | fixed lens |
Lens focal range | - | 30-120mm (4.0x) |
Max aperture | - | f/2.8-7.1 |
Macro focus range | - | 5cm |
Available lenses | 8 | - |
Crop factor | 4.8 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display size | 3 inch | 2.7 inch |
Resolution of display | 460k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | TFT color LCD monitor, wide angle viewing, AR coating | - |
Viewfinder Information | ||
Viewfinder | Optical (optional) | None |
Features | ||
Slowest shutter speed | 30s | 1s |
Maximum shutter speed | 1/2000s | 1/1600s |
Continuous shooting speed | 5.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.90 m (ISO100/m) | 7.10 m (Auto ISO) |
Flash modes | P-TTL, Red-eye Reduction, Slow-speed Sync, Trailing Curtain Sync | Auto, Flash On, Slow Syncro, Red-eye, Flash Off |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Maximum flash sync | 1/2000s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | FullHD(1920x1080, 30fps/25fps/24fps), HD(1280x720,16:9,30fps/25fps/24fps), VGA(640x480,4:3,30fps/25fps/24fps) | 640 x 480 (30 fps), 320 x 240 (8 fps) |
Max video resolution | 1920x1080 | 640x480 |
Video format | MPEG-4, H.264 | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 200g (0.44 lbs) | 147g (0.32 lbs) |
Physical dimensions | 102 x 58 x 34mm (4.0" x 2.3" x 1.3") | 95 x 57 x 22mm (3.7" x 2.2" x 0.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 250 pictures | - |
Battery form | Battery Pack | - |
Battery model | D-LI68 | - |
Self timer | Yes (12 sec, 2 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD, SDHC, SDXC and Eye-Fi Card | Memory Stick Duo/Pro Duo, Internal |
Storage slots | Single | Single |
Cost at launch | $480 | $160 |