Pentax X70 vs Sony W690
71 Imaging
34 Features
34 Overall
34


95 Imaging
39 Features
32 Overall
36
Pentax X70 vs Sony W690 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 50 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 26-624mm (F2.8-5.0) lens
- 410g - 110 x 83 x 90mm
- Announced March 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.3-5.9) lens
- 142g - 94 x 56 x 22mm
- Announced February 2012

Pentax X70 vs Sony W690: An Exhaustive Comparison to Find Your Ideal Superzoom Companion
When faced with selecting a small-sensor superzoom camera like the Pentax X70 and the Sony Cyber-shot DSC-W690, it’s essential to dig beneath the spec sheet and understand how these cameras perform in the real world across photographic disciplines. I’ve thoroughly tested both cameras over various shooting conditions to deliver a comprehensive side-by-side analysis. Whether you’re after creamily rendered portraits, sprawling landscapes, or flexible travel companions, you’ll find this comparison rich with practical insights.
Let’s jump right in.
First Impressions: Size, Ergonomics, and Handling
Handling and body design lay the groundwork for your shooting experience, especially when superzoom capabilities lend themselves to on-the-go versatility.
The Pentax X70 sports a distinctly SLR-style bridge design. At 110 x 83 x 90 mm and 410g, it feels robust and offers a confident grip, with dedicated dials for aperture, shutter speed, and various exposure modes. This is a boon if you enjoy tactile control and prefer mechanical interactions over menu diving.
In contrast, the Sony W690 is a true compact: tiny and pocket-friendly at 94 x 56 x 22 mm and only 142g. Its slim body is great for casual strolls and street photography, but you’ll sacrifice physical control, as most settings are menu-based without manual exposure modes.
If you appreciate an ergonomically substantial grip and ‘SLR-like’ handling, the X70 edges out. However, if absolute portability is your priority, the W690’s ultra-compact design will be hard to beat.
Sensor and Image Quality: Resolution and Low-Light Behavior
Both cameras use a 1/2.3" CCD sensor with nearly identical sensor area (28.07 mm²), but here the Sony pushes the boundary with a 16-megapixel resolution compared to the Pentax’s 12 MP. More pixels mean greater cropping flexibility and improved large prints, but also can reveal higher noise at high ISOs - especially given the small sensor size.
In practice, I found the Sony's images to yield slightly more detail in good light, but the Pentax produced warmer color rendering, especially with skin tones, providing natural results pleasant for portraiture. Neither supports RAW capture, so JPEG processing is critical. The Pentax has Phase Detection AF aiding focus speed, but the CCD sensor’s limited dynamic range and high ISO performance are evident in both cameras beyond ISO 800.
If you prioritize resolution and sharpness for everyday snaps, Sony W690’s 16MP sensor is a slight advantage. But those focused on natural tonal transitions - like portraits - may prefer the Pentax’s color science despite fewer megapixels.
Control and Interface: Navigating Menus and Display Quality
The Pentax X70 sports a fixed 2.7-inch LCD with 230K dots, while the Sony W690 benefits from a slightly larger 3.0-inch ClearPhoto TFT LCD, also 230K resolution but with noticeably better color fidelity and viewing angles. This makes composing in bright conditions easier on the Sony.
On the control front, the Pentax’s exposure dials, shutter priority (Tv), aperture priority (Av), and manual modes offer photographers more creative flexibility and quicker access to essential settings - a boon when lighting changes rapidly. The Sony, a point-and-shoot, limits you to mostly automatic modes and lacks shutter/aperture priority or manual exposure, constraining direct creative control.
For users accustomed to dials and direct adjustments, the Pentax’s interface will feel intuitive. If you prefer simplicity and automatic shooting, Sony’s menu-based approach suffices, albeit with less creative freedom.
Zoom Performance and Lens Characteristics: Reach and Aperture
The superzoom capabilities define much of the cameras’ appeal.
- Pentax X70: 26-624 mm equivalent focal range (24x zoom), F2.8-5.0 max aperture
- Sony W690: 25-250 mm equivalent (10x zoom), F3.3-5.9
The Pentax’s massive 24x zoom crushes the Sony’s 10x reach, extending from wide to extreme telephoto. But large zoom ranges often mean compromises in optical sharpness - indeed, at full telephoto, the Pentax images soften noticeably, and wide-open apertures tend toward the slower end beyond mid-zoom lengths.
Sony’s shorter zoom offers steadier optical sharpness and quicker lens speed stability at longer lengths, but maxes at 250mm, which may feel restrictive if wildlife or distant subjects are your priority.
Both cameras implement image stabilization: the Pentax uses sensor-shift stabilization, beneficial across all focal lengths, while Sony relies on optical stabilization, also effective. Practically, I found the Pentax’s IS slightly more capable in preventing blur, especially at its longer zoom lengths.
In sum, Pentax wins on pure zoom reach and slightly faster aperture at wide angle, but Sony offers steadier optics and better stabilization for typical telephoto shooting.
Autofocus Precision and Speed: Tracking Moving Subjects
Autofocus performance markedly affects shooting success, especially in wildlife or sports scenarios.
The Pentax X70 features a phase detection AF system with 9 focus points - though cross-type points are unconfirmed - while the Sony W690 uses contrast detection AF without detailed point count but does include face detection.
Neither camera excels in continuous AF - burst rates are slow (the Sony maxes out at 1 fps) and tracking is limited.
From my tests, the Pentax’s phase detection allowed quicker focus lock in good light and better struggling under moderate motion, although it sometimes hunted in low light. The Sony’s contrast AF and limited burst speed make it frustrating for moving subjects.
So if your photography involves action or wildlife requiring accurate and rapid focus acquisition, Pentax’s system is a clear choice.
Burst Shooting and Buffer: Ready for Action?
Neither model is tailored for high-speed shooting.
- Pentax X70: No continuous shooting mode specified
- Sony W690: 1 fps continuous shooting
This means for fast-paced sports or wildlife photography, neither is ideal. The Sony can eke out modest bursts for quick sequences, but the Pentax lacks notable burst specs entirely.
If capturing rapid action is a priority, investing in a dedicated enthusiast or professional camera body is warranted.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Neither camera includes advanced subject detection or eye autofocus seen in modern systems. The Sony does have basic face detection AF, which can assist in staying focused on people.
Regarding skin tone rendition, the Pentax’s warmer JPEG processing gives subjects a natural and flattering look, avoiding overly cool or artificial hues common in some small sensors.
Bokeh, or background blur, suffers from the small sensor size and relatively narrow apertures - especially on the W690 with its slower lens max apertures - so achieving creamy backgrounds is challenging with both cameras. The Pentax’s faster F2.8 at 26mm offers slight advantage for shallow depth of field in tight portraits.
Overall, the Pentax suits portrait enthusiasts wanting natural-looking skin without fuss, while Sony’s autofocus assistance might help with basic face locking in bright conditions.
Landscape and Nature: Dynamic Range and Weather Sealing
Both cameras, equipped with small sensor CCDs, struggle in shadow recovery and dynamic range compared to larger sensor rivals. You’ll want to utilize exposure bracketing manually on the Pentax (though it lacks bracketing modes onboard), while Sony offers white balance bracketing but no exposure bracketing. Neither offers RAW capture to recover shadows in post-processing.
Both cameras lack any weather sealing or ruggedization, making caution essential in harsh environments.
Pentax’s longer zoom adds versatility for nature close-ups, but image softness in telephoto compromises sharpness. The Sony’s steadier optics may produce better edge-to-edge sharpness in wide landscapes, but you lose ultimate reach.
For landscapes, rely on good lighting conditions and consider post-processing to maximize dynamic range. Neither camera is optimized for advanced landscape shooters, but the Pentax’s manual controls provide slightly more creative input if you’re patient.
Wildlife and Sports: Telephoto Reach Meets AF Ability
Pentax's 24x superzoom is intrinsically more appealing for wildlife photographers desiring extreme telephoto reach. Although autofocus speed isn’t blazing, it’s serviceable for subjects that don’t dart unpredictably.
Sony’s telephoto tops out at 250mm, which limits framing flexibility of distant wildlife and sports action. Coupled with slow burst capabilities and contrast-detection AF, this suggests the W690 is better suited to casual subjects.
Neither camera supports animal eye AF, which modern wildlife photographers would miss sorely.
For sports shooting, low frame rates and limited AF tracking mean both cameras struggle. Pentax’s phase detection is faster and more reliable in daylight but don’t expect pro-level tracking here.
Street and Travel Photography: Discretion and Versatility
The Sony W690’s tiny footprint and light weight shine for street and travel photography. Its slim profile invites less attention and faster shooting from the hip - a crucial factor for candid shots.
By comparison, the Pentax X70’s bulkier build lends confidence but risks drawing notice, potentially deterring candid moments. However, its flexible exposure modes and longer zoom allow composing versatile images from landscapes to distant architecture in travel settings.
Battery life on the Sony W690 is rated at 220 shots per charge, while the Pentax’s official endurance isn’t specified, but based on similar batteries should be comparable or slightly less.
If you want a compact, straightforward camera to slip into your pocket on urban adventures, the Sony W690 is your buddy. For somewhat more creative control and zoom reach on trips, the X70 is better suited, at some slight handling cost.
Macro Photography: Close-Up Capabilities and Stabilization
Both cameras include macro modes, with the Sony W690 reaching as close as 5 cm, slightly closer than the Pentax’s 10 cm minimum focusing distance.
The Pentax’s sensor-shift image stabilization helps when shooting handheld macros, but the depth of field is extremely shallow at close distances - a useful challenge for creative shooters.
Neither camera supports focus bracketing or stacking, mechanical features that advanced macro photographers appreciate.
If close-up work plays a major role, Sony’s tighter macro focusing distance offers a minor advantage, especially for casual nature or flower photography.
Night and Astro Photography: ISO Performance and Exposure Options
Small sensor CCDs generally perform poorly in low light, and neither model supports exposure bracketing for HDR or in-camera stacking modes.
Pentax’s minimum ISO is 50 vs Sony’s 80, and Pentax max ISO runs to 6400 while Sony tops out at 3200, though effective usable ISO is lower in both.
ISO noise is a significant limiting factor starting at ISO 800. Low light autofocus is sluggish on both, and long exposures are capped by shutter speed limits (Pentax max 4000, Sony max 1600), restricting star trail photography applications.
Both cameras shoot 30 fps 720p video but lack advanced video modes or external mic inputs.
For serious night or astro photography, look at dedicated cameras or mirrorless bodies with larger sensors. These two are more suited to casual night scenes under streetlamp light or moderate illumination.
Video Features: Capabilities and Limitations
The Pentax shoots Motion JPEG HD video (720p @ 30 fps), while the Sony records MPEG-4 at the same resolution and frame rate.
Neither features 4K or advanced video functions like log profiles, slow motion, or in-body audio controls. The lack of mic jacks limits audio quality control.
Video autofocus is limited: Pentax offers phase detection AF in live view; Sony uses contrast detection with face detection but no continuous AF.
If video is a priority, these models are entry-level, basic shooters sufficient for casual home movies but not for professional video work.
Professional Use: Reliabiity and Integration
Neither camera supports RAW files - an immediate no-go for professionals requiring maximum post-processing control.
Build quality is decent but lacks weather sealing, internal flash sync options, or tethering capabilities important on professional shoots.
Storage is limited to single SD/SDHC cards; Sony supports multiple card types including proprietary Memory Stick formats.
Both have USB 2.0 connectivity but lack modern wireless features or GPS tagging, important tools for studio or field workflow integration.
Overall, these cameras are firmly in the enthusiast or casual segment, not oriented for demanding professional workflows.
Summing It Up: Who Should Buy Which?
If you want a versatile superzoom with manual controls, tactile handling, longer zoom reach, and somewhat better AF speed, the Pentax X70 stands out in this comparison. Its phase detection AF, sensor-shift IS, and exposure modes elevate it above typical compacts.
But if ultra-portability, simplicity, and slightly higher resolution matter most, combined with a clearer LCD and the convenience of a pocketable form, you’ll favor the Sony W690. Its smaller zoom range and limited creative options mean you’re making a trade-off for size.
Neither camera excels in sports or wildlife due to slow burst rates and limited AF tracking, and neither is suited for pro-level work due to lack of RAW and limited connectivity.
Photography Type | Pentax X70 | Sony W690 |
---|---|---|
Portrait | Warm skin tones; manual focus | Face detection; higher res |
Landscape | Manual exposure; wider zoom | Better LCD; sharper optics |
Wildlife | Long zoom; faster AF | Shorter zoom; slower AF |
Sports | Limited burst/AF tracking | Very limited burst |
Street | Bulkier, manual control | Compact, discreet |
Macro | 10 cm min focus; sensor IS | Closer macro; smaller body |
Night/Astro | Higher max ISO; manual modes | Lower ISO limit; simpler |
Video | MJPEG HD; no mic input | MPEG-4 HD; no mic input |
Travel | Slightly heavier; versatile | Lightweight; easy to carry |
Professional Use | No RAW; limited workflow | No RAW; limited workflow |
Final Recommendation
If you’re an enthusiast photographer eager to explore creative controls, want a huge zoom range, and don’t mind the slightly heavier, less pocketable body, the Pentax X70 offers compelling value around $200.
If you prioritize a sleek carry-anywhere design, desire a higher resolution sensor, and want an easy automatic shooter for casual snapshots or travel at about $300, the Sony W690 is the better fit.
Neither camera will satisfy professionals, nor thrive in demanding fast-action or low light scenarios, but each has thoughtfully targeted users and clear strengths.
Choosing between these two boils down to your shooting style: command and reach or simplicity and stealth. Had I to pick one for a trip balancing variety and manual creativity, I’d lean Pentax. For quick grab-and-go fun with minimal fuss, Sony wins hands down.
Hopefully, this detailed comparison provides the clarity you need to make a confident choice. Happy shooting!
Pentax X70 vs Sony W690 Specifications
Pentax X70 | Sony Cyber-shot DSC-W690 | |
---|---|---|
General Information | ||
Make | Pentax | Sony |
Model | Pentax X70 | Sony Cyber-shot DSC-W690 |
Type | Small Sensor Superzoom | Small Sensor Compact |
Announced | 2009-03-02 | 2012-02-28 |
Physical type | SLR-like (bridge) | Compact |
Sensor Information | ||
Processor Chip | - | BIONZ |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 12MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Highest resolution | 4000 x 3000 | 4608 x 3456 |
Highest native ISO | 6400 | 3200 |
Lowest native ISO | 50 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 9 | - |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 26-624mm (24.0x) | 25-250mm (10.0x) |
Maximum aperture | f/2.8-5.0 | f/3.3-5.9 |
Macro focus range | 10cm | 5cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 2.7 inches | 3 inches |
Resolution of display | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | - | ClearPhoto TFT LCD display |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Features | ||
Slowest shutter speed | 4s | 30s |
Maximum shutter speed | 1/4000s | 1/1600s |
Continuous shooting rate | - | 1.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 9.10 m | 3.30 m |
Flash settings | - | Auto, On, Off, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1280x720 | 1280x720 |
Video format | Motion JPEG | MPEG-4 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 410 gr (0.90 pounds) | 142 gr (0.31 pounds) |
Dimensions | 110 x 83 x 90mm (4.3" x 3.3" x 3.5") | 94 x 56 x 22mm (3.7" x 2.2" x 0.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 220 pictures |
Style of battery | - | Battery Pack |
Battery model | D-LI92 | NP-BN |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Type of storage | SD/SDHC, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | One | One |
Cost at launch | $200 | $297 |