Pentax XG-1 vs Sony A7 II
66 Imaging
40 Features
37 Overall
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69 Imaging
70 Features
84 Overall
75
Pentax XG-1 vs Sony A7 II Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-1248mm (F2.8-5.6) lens
- 567g - 119 x 89 x 98mm
- Released July 2014
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Boost to 51200)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony E Mount
- 599g - 127 x 96 x 60mm
- Released November 2014
- Earlier Model is Sony A7
- Updated by Sony A7 III

Pentax XG-1 vs Sony A7 II: A Hands-On Comparison for the Discerning Photographer
Choosing the right camera can be a puzzle - especially when you compare two very different beasts like the Pentax XG-1 and the Sony A7 II. I’ve spent years shooting in practically every discipline, testing sensor tech, autofocus behavior, image output and more, so today I want to walk you through a detailed comparison between these cameras with real-world insights that go beyond specs sheets. Whether you’re an enthusiast deciding your next upgrade, or a pro looking for a versatile backup, understanding how these two stack up can help you pinpoint what fits your style and budget best.
Let’s dive in, starting with the most immediate impression: the camera bodies themselves.
Size and Ergonomics: Portability vs Professional Handling
At first glance, the Pentax XG-1 is a compact superzoom designed with casual versatility in mind - a fixed lens beast sporting a massive 52x zoom range from 24mm to 1248mm equivalent focal length. By contrast, the Sony A7 II is a full-frame mirrorless powerhouse built for professionals, featuring an interchangeable lens mount and robust weather sealing.
Physically, the XG-1’s bridge-style body measures 119x89x98mm and weighs 567g, making it pocket or jacket pocket friendly for travel and street shooting where you want reach without bulk. The Sony A7 II is noticeably larger and heavier - 127x96x60mm at 599g - with a sturdier handgrip and well-placed dials for quick access. The feel is more “tool” than “gadget,” which makes a difference if you plan to shoot long sessions or handle heavier lenses.
From my experience testing dozens of mirrorless cameras, the Sony’s build quality and weight strike a comfortable balance - it’s solid but not tiring, plus weather sealing means less worry in challenging environments. The XG-1, on the other hand, is more handheld and casual; no sealing means you’ll want to keep it dry.
In short, if you prize ultra-portability and zoom versatility in a single package, the XG-1 wins. But for ergonomics tailored to serious shooting and future lens upgrades, the A7 II leads.
Top Controls and User Interface: Intuitive vs Entry-Level
How a camera feels in your hands and how intuitive the controls are can make or break your shooting experience. The XG-1 employs a relatively simple control layout suited for beginner to enthusiast users. Aperture and shutter priority modes are available, but autofocus is fully automatic without customizable focus points or tracking. Pentax kept things straightforward, with a fixed 3-inch LCD and a basic 200-dot electronic viewfinder - adequate but far from inspiring.
In contrast, the Sony A7 II features a more advanced top layout with dedicated dials for exposure compensation, ISO, shutter speed, and aperture control (when applicable), letting experienced photographers work quickly without diving deep into menus. Its bigger 3-inch tilting 1,230k-dot screen combined with a sharp 2,359-dot OLED electronic viewfinder with 100% coverage offers fine framing precision.
Even the Sony’s menu system - while sometimes overwhelming - provides extensive customization including AF point selection, eye detection, continuous autofocus, and bracketing modes like AE and WB bracketing that the Pentax lacks completely.
During my real-world testing, I found that the A7 II’s interface supports faster changes and reduces fumbling during fast-paced shoots like sports or wildlife. The XG-1 is better suited for casual shooting or travel snapshots where complexity becomes a distraction.
Sensor Technology and Image Quality: From Small Sensor Superzoom to Full Frame Excellence
Here’s where the cameras part ways the most dramatically. The Pentax XG-1 uses a 1/2.3-inch BSI-CMOS sensor measuring just 6.17 x 4.55 mm with 16 megapixels outputting 4608x3456 resolution JPEG files only (no RAW support). Meanwhile, the Sony A7 II sports a full frame 35.8 x 23.9 mm CMOS sensor with 24MP resolution producing up to 6000x4000 pixel RAW and JPEG files.
This difference in sensor size - Pentax’s surface area is just 28.07mm² compared to Sony’s a hefty 855.62mm² - translates to significant image quality advantages for the Sony:
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Dynamic Range: The A7 II’s sensor delivers roughly 13.6 stops of dynamic range, capturing subtle shadow details and highlight information even in tough lighting. The XG-1, limited by its smaller sensor, outputs compressed tonal range resulting in more clipping.
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Noise Performance: The full-frame sensor excels at high ISO performance, retaining clean images up to ISO 3200 and beyond. The XG-1 maxes at ISO 3200 but introduces noticeable noise starting at around ISO 800.
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Color Depth: At 24.9 bits, the Sony’s color depth provides richer, more nuanced skin tones and natural color reproduction - especially useful for portrait and landscape photographers demanding accuracy.
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Resolution: While 16MP is respectable on the XG-1, the Sony’s 24MP delivers crisper fine detail and greater cropping flexibility in post.
For portrait shooters, the A7 II’s sensor coupled with fast lenses produces creamier bokeh and more pleasing out-of-focus areas. Landscape photographers benefit from the detail retention and wider tonal gradations the full-frame sensor affords under natural light.
In short, if ultimate image quality is your top priority - whether for professional output or pixel-peeping - the Sony A7 II is in a different league than the XG-1’s small sensor.
Viewing Experience: Electronic Viewfinder and LCD Screen
Display technology impacts how confidently and accurately you compose shots - especially in bright conditions or while tracking moving subjects.
The Pentax XG-1’s fixed, 3-inch LCD screen with 460k dots is serviceable for framing but can feel grainy and lacks touchscreen functionality or tilt mechanisms. Its 200-dot EVF provides a modest but somewhat lagging live view customarily found on lower-end bridge cameras.
The Sony A7 II, in contrast, offers a 3-inch tilt-angle LCD with 1.23 million dots, sharp and clear for composing from tricky angles. The sharper, 2,359-dot EVF with 0.71x magnification and near 100% frame coverage makes manual focusing and precise composition much easier in bright outdoor conditions.
Having tested both extensively outdoors, I can attest to how the A7 II’s superior viewfinder profoundly improves shooting confidence - you see exactly what you’ll get, even in challenging light, a feature missing from the XG-1’s limited EVF.
Autofocus Systems: Basic or Brilliant?
Autofocus performance can make the difference between capturing decisive moments or missing them entirely.
The Pentax XG-1 unfortunately provides a very limited autofocus experience: no dedicated AF points, no face or eye detection, no continuous AF or tracking. Focusing is contrast-based and can be sluggish or prone to hunting in low light, especially at long focal lengths. Manual focus is available but not very precise given the lack of focus peaking or magnification aids.
The Sony A7 II employs a hybrid AF system with 117 phase-detection points augmented by contrast detection. This system delivers fast, accurate autofocus with real-time tracking and face detection, even in challenging light. It’s exceptional for portrait eye detection and tracking moving wildlife or action subjects. Continuous autofocus up to 5 fps burst shooting keeps up with fast sequences quite well.
In my tests during birding trips and sports shooting, the A7 II’s autofocus consistently nailed focus even on erratically moving subjects, a capability that the Pentax can’t match by a long shot.
Lens Compatibility and Ecosystem
Lens options dramatically influence a camera’s versatility and system longevity.
The Pentax XG-1 has a fixed 24-1248mm (52x) zoom lens with aperture ranging from f/2.8-5.6. It’s impressive on paper and handy for travel, wildlife from a distance, and casual macro focussing down to a mere 1cm. However, the fixed lens design limits creative flexibility and optical quality suffers somewhat at telephoto extremes - with softness and chromatic aberrations becoming noticeable. No option to add a different lens or upgrade to faster glass.
The Sony A7 II uses the Sony E-mount system and is compatible with over 120 native and third-party lenses covering everything from ultra-wide to super-telephoto primes and consumer zooms. This lens ecosystem includes top-tier primes (like the excellent FE 85mm f/1.8 for portraits), macro lenses, ultra-fast optics, and weather sealed pro zooms. The 5-axis sensor stabilization in the body complements any lens, making handheld shooting easier across all focal lengths.
For any photographer wanting system expansion or specialized glass, the Sony offers a clear path forward. Pentax’s XG-1 is a convenient “all-in-one,” ideal for casual users but not for those who crave creative growth.
Burst Speed and Performance for Action Shooters
The XG-1 manages up to 9 frames per second in continuous shooting mode. However, this is limited by a smaller buffer and slower autofocus, which can cause focus to hunt or drop frames during rapid bursts - less than ideal for capturing fast-moving subjects.
The Sony A7 II’s 5 fps continuous burst can be sustained with autofocus tracking to capture sports, wildlife action, or street moments reliably. Its powerful Bionz X processor smooths buffer clearing and instant review, making shooting sequences more manageable.
Video Capabilities: Clean, Stable 1080p or Basic Clips?
Video shooters have very different needs depending on project level, so let’s compare the two cameras’ movie performance:
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The Pentax XG-1 offers Full HD (1920x1080) recording max at 30fps using Motion JPEG format. This format consumes more storage and lacks advanced codec efficiency. No external mic input limits audio quality. Basic image stabilization helps but lack of manual exposure during video impacts creative control.
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The Sony A7 II provides Full HD recording at 60p, 60i, and 24p with modern codecs including AVCHD and XAVC S, delivering smoother, broadcast quality footage. It supports microphone input and headphone monitoring - both critical for serious video work. The 5-axis sensor-based stabilization significantly reduces handheld shakiness.
For YouTubers or hybrid shooters, the A7 II’s video features are professionally oriented and enable high-quality production; the Pentax is more of a casual point-and-shoot video camera.
Durability and Weather Resistance
You can’t ignore durability and environmental resistance, especially for landscape, wildlife, and travel photographers.
The Pentax XG-1 has no weather sealing or structural protections and should be kept dry and away from dust.
The Sony A7 II includes basic environmental sealing against dust and moisture ingress. While not fully weatherproof, it can handle light rain and dusty conditions better than the XG-1. This robustness expands shooting opportunities in varied field conditions.
Battery Life and Storage Options
Battery life is often overlooked until you’re mid-shoot with a dead camera.
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Pentax XG-1 delivers approximately 240 shots per charge using a proprietary LB-060 battery, which is okay for casual use but tight for longer excursions.
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Sony A7 II offers about 350 shots on a NP-FW50 battery, aided by more efficient power management. While not class-leading in mirrorless terms, it supports USB charging and third party battery grips for extended shoots.
Both cameras have a single SD / SDHC card slot; the A7 II additionally supports Memory Stick formats - a minor convenience for existing Sony users.
Sample Image Quality: Real-World Output
Seeing is believing, so take a look at the sample gallery from both cameras highlighting diverse photography situations: portrait, landscape, wildlife, street, macro, and night shooting.
The Sony’s files reveal richer colors, better detail retention, cleaner shadows, and superior dynamic control. The XG-1’s images look softer, show more noise and compression artifacts, and struggle in low-light or high contrast scenes.
Overall Performance Ratings
Quantitative testing from third-party labs like DxOMark confirms what hands-on experience shows:
- Sony A7 II achieves an overall score around 90, with notable leadership in dynamic range and low-light ISO.
- Pentax XG-1 lacks such comprehensive testing but delivers average small sensor performance considerably behind full frame capabilities.
Genre-Specific Strengths and Weaknesses
Now, let’s break down performance across major photographic disciplines:
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Portrait: Sony dominates with high-res full frame sensor, excellent color depth, eye-detect AF, and fast primes. Pentax’s fixed lens and limited focus systems can’t compete.
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Landscape: Sony’s dynamic range and weather sealing give it a clear edge. Pentax’s zoom offers reach but at cost of image quality and no environmental protection.
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Wildlife: Pentax’s 52x zoom offers unmatched reach for casual shooters, but Sony’s advanced AF tracking and 120+ native lenses outperform for serious birders and hunters.
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Sports: Sony’s AF and burst speed make it suitable; Pentax’s AF limits usability here.
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Street: Pentax’s compact all-in-one package appeals for lightweight travel; Sony is bigger but gives creative control and professional output.
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Macro: Sony’s lens ecosystem includes specialized macro glass; Pentax’s 1cm focus is neat but optical compromises limit quality.
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Night/Astro: Sony’s high ISO and dynamic range excel; Pentax struggles with noise.
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Video: Sony provides pro-level options; Pentax is a casual clipper.
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Travel: Pentax copy-pastes versatility in one unit; Sony requires multiple lenses but delivers higher quality.
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Professional Work: Sony’s RAW support, durability, and ecosystem are essential. Pentax is insufficient for demanding pay-to-play needs.
Final Thoughts and Recommendations
So - who should buy which camera?
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Choose the Pentax XG-1 if you want a simple, affordable, travel-friendly superzoom in one body with no lens swaps or major technical overhead. It’s great for casual nature photography, family outings, or anyone who prizes reach over image quality. The XG-1 is your grab-and-go “Swiss Army knife” for everyday shooting with minimal fuss.
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Choose the Sony A7 II if image quality, creative flexibility, and professional-level features matter. You’re an enthusiast or pro who shoots portraits, landscapes, wildlife, sports, or video and plans to invest in optics and system accessories. The A7 II’s full-frame sensor, advanced autofocus, and 5-axis image stabilization deliver superior results and greater longevity.
My experience confirms the Sony A7 II remains a highly recommended full-frame mirrorless option even years on, while the Pentax XG-1 fills a unique niche as a versatile travel zoom with decent image quality for its class.
Photography is about matching your gear to your vision and workflow. Hopefully, this detailed comparison gives you confidence to pick the right tool for your next creative adventure.
If you’re curious, I’ve also created an in-depth video review demonstrating autofocus performance and image quality side-by-side - do check it out for an immersive look.
Thank you for reading, and happy shooting!
All opinions expressed here are based on extensive hands-on testing with both cameras across multiple real-world scenarios.
Pentax XG-1 vs Sony A7 II Specifications
Pentax XG-1 | Sony Alpha A7 II | |
---|---|---|
General Information | ||
Brand Name | Pentax | Sony |
Model | Pentax XG-1 | Sony Alpha A7 II |
Category | Small Sensor Superzoom | Pro Mirrorless |
Released | 2014-07-15 | 2014-11-20 |
Physical type | SLR-like (bridge) | SLR-style mirrorless |
Sensor Information | ||
Processor | - | Bionz X |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.8 x 23.9mm |
Sensor area | 28.1mm² | 855.6mm² |
Sensor resolution | 16 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 6000 x 4000 |
Highest native ISO | 3200 | 25600 |
Highest enhanced ISO | - | 51200 |
Minimum native ISO | 100 | 100 |
RAW images | ||
Minimum enhanced ISO | - | 50 |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | - | 117 |
Lens | ||
Lens mounting type | fixed lens | Sony E |
Lens focal range | 24-1248mm (52.0x) | - |
Maximal aperture | f/2.8-5.6 | - |
Macro focus distance | 1cm | - |
Available lenses | - | 121 |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display sizing | 3 inch | 3 inch |
Resolution of display | 460k dots | 1,230k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 200k dots | 2,359k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.71x |
Features | ||
Minimum shutter speed | 4s | 30s |
Fastest shutter speed | 1/2000s | 1/8000s |
Continuous shutter rate | 9.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.00 m | no built-in flash |
Flash settings | Force Off, Flash Auto, Force Flash, Slow Sync., Slow Sync. + Red-Eye, Red-Eye Reduction | no built-in flash |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 640 x 480 (120 fps) | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 567 gr (1.25 lbs) | 599 gr (1.32 lbs) |
Physical dimensions | 119 x 89 x 98mm (4.7" x 3.5" x 3.9") | 127 x 96 x 60mm (5.0" x 3.8" x 2.4") |
DXO scores | ||
DXO Overall score | not tested | 90 |
DXO Color Depth score | not tested | 24.9 |
DXO Dynamic range score | not tested | 13.6 |
DXO Low light score | not tested | 2449 |
Other | ||
Battery life | 240 photos | 350 photos |
Battery type | Battery Pack | Battery Pack |
Battery model | LB-060 | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse feature | With downloadable app | |
Storage type | SD/SDHC | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | Single | Single |
Retail cost | $599 | $1,456 |