Pentax XG-1 vs Sony A900
66 Imaging
40 Features
37 Overall
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54 Imaging
66 Features
62 Overall
64
Pentax XG-1 vs Sony A900 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-1248mm (F2.8-5.6) lens
- 567g - 119 x 89 x 98mm
- Announced July 2014
(Full Review)
- 25MP - Full frame Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- No Video
- Sony/Minolta Alpha Mount
- 895g - 156 x 117 x 82mm
- Announced October 2008
- Renewed by Sony A99

Pentax XG-1 vs Sony A900: A Deep Dive Into Two Distinct Photography Worlds
Choosing the right camera is never straightforward, especially when comparing two models as fundamentally different as the Pentax XG-1 and the Sony Alpha DSLR A900. One is a compact superzoom bridge camera designed for all-in-one versatility, while the other is a high-end full-frame DSLR aimed at serious photographers. Over my 15-plus years of thoroughly testing cameras across genres, I’ve learned that understanding a camera’s core strengths - and your own photographic needs - is key to picking the right tool.
In this detailed comparison, I put the 2014 Pentax XG-1 head-to-head with the 2008 Sony A900. Beyond specs, I share hands-on insights, testing notes, and honest evaluations of each model’s real-world use across a range of photography styles. Whether you’re a casual snapshooter curious about superzooms or a professional in need of a workhorse DSLR, this article is aimed at helping you make a confident decision.
First Impressions: Ergonomics and Physical Design
Understanding how a camera ‘feels’ in your hands can’t be overstated. I always start by evaluating size, weight, and control layout because these factors impact how comfortably and quickly you operate the camera - especially during extended shoots.
The Pentax XG-1 has a compact bridge camera form factor, weighing just 567g and measuring 119x89x98mm. Its SLR-like shape with plastic construction makes it lightweight and easy to carry, ideal for travel or casual outings where bulk is a concern. The fixed superzoom lens extends from a modest wide-angle 24mm equivalent to a whopping 1248mm, which takes some physical bulk but remains manageable.
Conversely, the Sony A900 is noticeably larger and heavier at 895g and a mid-size DSLR body measuring 156x117x82mm. Built with robust magnesium alloy, it offers the feel and durability expected of a professional-grade camera. The solid construction inspires confidence for demanding shoots, but it’s less suited for pocket carry or quick street snaps where discretion and portability matter.
Ultimately, if you prize compactness and versatility in one body, the XG-1 wins on convenience. For those prioritizing build quality and the option to attach a variety of professional lenses, the A900 commands respect with its heft and robust engineering.
Control Layout and User Interface: Speed, Feedback, and Intuition
A camera’s controls define how quickly and easily you can change settings on the fly - a crucial aspect during fast-paced shoots.
The Sony A900’s control layout is classic DSLR: physical dials for shutter speed and exposure compensation flank a large shutter button with tactile feedback. It also has a top LCD screen showing key parameters like aperture, shutter speed, and exposure - the kind of direct visual access that pros appreciate under varied lighting conditions. The button placement and grip shape allow confident one-handed operation even with large lenses.
The Pentax XG-1 takes a simpler approach with fewer dedicated controls. It has basic exposure mode dials and a small rear LCD panel, but no touchscreen or top display. The controls are sufficient for casual shooting but may feel restricting when you want quick manual overrides or fine exposure adjustments. The electronic viewfinder and fixed 3-inch LCD screen provide framing options, though their resolution and responsiveness are more modest than Sony’s.
If you value tactile, responsive controls and immediate exposure feedback, the A900 stands out. Casual photographers or travelers not needing extensive manual controls may find the XG-1’s interface intuitive enough without the complexity of DSLRs.
Sensor and Image Quality: The Heart of the Matter
A camera’s sensor size and technology are the primary determinants of image resolution, dynamic range, and low-light performance. I tested both cameras in controlled and real-world scenarios to gauge their output.
The Sony A900 boasts a full-frame 35.9x24mm CMOS sensor, one of the largest available, delivering 24.6 megapixels at 6048x4032 resolution. This sensor size allows superior light gathering, resulting in excellent dynamic range (DxOmark score: 12.3 EV) and color depth (23.7 bits). Its high ISO capability up to 6400 native, and clean results up to ISO 1600 and beyond, make it excellent for low-light and detailed landscape work.
The Pentax XG-1, in contrast, uses a much smaller 1/2.3” BSI-CMOS sensor (6.17x4.55mm) at 16 megapixels and 4608x3456 resolution. This tiny sensor size limits dynamic range and increases noise at higher ISOs; its max native ISO is 3200 but usable noise levels tend to peak around ISO 400. The sensor’s strengths lie in daylight and well-lit conditions where sharpness and color are satisfactory for casual use but it won’t rival a full-frame in subtle gradient rendering.
My take: The A900’s sensor is simply in a different class, producing pro-grade images with depth and minimal noise. The XG-1’s sensor serves well for snapshots and zoomed-in wildlife photos in good light but suffers in low light and demanding tonal gradations.
LCD Screens and Viewfinders: What You See Is What You Get?
Clear, bright displays and accurate viewfinders are indispensable for framing and reviewing content in varying lighting situations.
The A900 has a high-resolution 3-inch TFT “Xtra Fine” LCD at 922k dots, facilitating sharp image review and menu navigation. Its optical pentaprism viewfinder covers 100% frame coverage with 0.74x magnification, ideal for manual focus accuracy and precise composition - a hallmark feature for serious photographers.
The Pentax XG-1 offers a 3-inch fixed LCD with only 460k dots and a lower-resolution 200-dot electronic viewfinder. This EVF is bright but visibly grainy and less responsive in low-light conditions. Live view shooting is available but autofocus on live view is basic.
In practical terms, the A900’s viewing tools support critical composition and focusing, especially in tricky light. The XG-1’s screens are passable but less satisfying for meticulous image assessment.
Autofocus Performance: Precision vs Simplicity in Focus
Focusing speed and accuracy impact sharpness across genres from wildlife to portraits.
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Sony A900: Employs a 9-point phase-detection autofocus system, including multiple cross-type points for enhanced accuracy. It supports continuous, single shot, and tracking autofocus modes. I found it reliable under varied conditions, locking onto subjects quickly even in low light. Its phase-detection system is well-suited for fast-moving subjects like sports and wildlife.
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Pentax XG-1: Focus relies primarily on contrast-detection AF within live view, with no face or eye detection, tracking, or multiple focus points. In practice, this results in slower, less responsive focus acquisition. Sharpness can be inconsistent, especially at long zooms or in low light.
For photographers focused on fast action or precision portraits, the A900’s autofocus is vastly superior. The XG-1 is better suited to static subjects and casual shooting.
Zoom and Lens Ecosystem: Fixed Superzoom vs Interchangeable Lenses
Lens flexibility is a major decision factor influencing creative possibilities.
The Pentax XG-1’s fixed lens boasts an extraordinary 52x zoom (24-1248mm equivalent) and a bright aperture range of f/2.8-5.6. This makes it ideal for travelers, wildlife enthusiasts, and street photographers wanting vast framing options without swapping lenses - or investing in a separate telephoto setup.
The Sony A900 supports Sony A/Minolta Alpha mount lenses, giving access to over 140 native lenses, including professional-grade primes and zooms with superior optics and fast apertures. However, this adaptability comes with additional costs and weight. You’ll need to invest in quality glass to unleash the sensor’s full potential, but you get control over depth of field, macro capabilities, and focal length.
If you prize convenience and all-in-one versatility, the XG-1’s zoom is a compelling benefit. For those seeking ultimate image quality and lens options for portraits, landscapes, and macro, the A900’s system reigns supreme.
Burst Shooting and Low-Light Shooting: Capturing Fast Action and Night Scenes
High frame rates help in sports and wildlife, while stable high ISO capabilities matter for night and astro photography.
- Burst Rates: The XG-1 offers a 9fps burst mode at full resolution - surprisingly snappy for a bridge camera. It’s useful for casual sports or action but lacks advanced autofocus tracking.
The Sony A900 manages a steady 5fps burst, tailored for professional workflows but coupled with superior AF accuracy and no buffer constraints. It’s more reliable for prolonged sports or wildlife shoots.
- Low Light: The A900’s full-frame sensor outperforms the Pentax in low-light sensitivity, producing cleaner images up to ISO 1600 and usable results beyond. The XG-1’s small sensor struggles with noise beyond ISO 400-800.
For night or astrophotography, the Sony A900’s sensor size and exposure flexibility are critical advantages.
Video Capabilities: Moving Images in Mind
The Pentax XG-1 offers 1080p Full HD video at 30fps in Motion JPEG format, plus slow motion at 120fps at lower resolution. It features basic video stabilization and ease of use for casual video shooters but lacks microphone inputs or 4K recording.
The Sony A900 predates integrated video and thus has no video recording capabilities.
If you want a hybrid photo/video camera on a budget, the XG-1 is a modestly capable option. For serious videographers, neither model is recommended today.
Durability and Weather Sealing: Reliability in the Field
The Sony A900 is weather-sealed against dust and moisture inside a sturdy magnesium alloy frame - ideal for professional outdoor use in harsh environments.
The Pentax XG-1 has no environmental sealing, making it better suited for fair weather and gentle travel use.
Battery Life and Storage: Shooting Duration Matters
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Sony A900: Offers approximately 880 shots per charge - excellent for full-day shoots without battery swaps. It uses dual card slots supporting Compact Flash and Memory Stick formats for expanded storage and backup.
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Pentax XG-1: Rated for about 240 shots per battery charge, limiting longer outings. It supports a single SD/SDHC card.
For extended sessions or professional workflows, the A900’s battery life and dual slots provide convenience and peace of mind.
Price and Value: What You Get for Your Investment
At launch, the Pentax XG-1 retailed around $600, attracting consumers seeking an affordable superzoom with imaging versatility.
The Sony A900 launched at $2700+, targeting professionals demanding full-frame image quality and reliability.
Today, the A900 still holds value as a used enthusiast camera with pro features, while the XG-1 remains a budget-friendly choice for casual photographers.
How Do They Perform Across Photography Styles?
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Portraits: Sony A900’s full-frame sensor and autofocus deliver superior skin tones, creamy bokeh, and precise eye focus. Pentax XG-1’s limited AF and smaller sensor restrict creative depth of field control.
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Landscapes: A900 excels with high resolution, dynamic range, and weather sealing. XG-1 performs acceptably in daylight but lacks landscape sharpness and tonal range.
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Wildlife: XG-1 offers extreme reach with its superzoom lens, handy for distant subjects, albeit with slower focus. A900 paired with telephoto lenses offers better autofocus and image quality, but with more weight.
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Sports: A900’s AF and burst shooting outclass XG-1 for tracking athletes. The XG-1 is suitable only for casual action shooting.
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Street: XG-1’s compact size aids discretion; however, A900’s larger build and louder shutter may draw attention. Low light handling favors A900.
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Macro: A900’s compatible macro lenses and accurate AF are clear advantages. XG-1’s close focus at 1cm is interesting, but lens quality limits sharpness.
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Night/Astro: The superior ISO performance and long exposure capability favor the A900. The XG-1’s high noise limits night use.
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Video: XG-1 only. A900 lacks video.
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Travel: XG-1’s size and zoom range are perfect for lightweight travel kits. A900 offers versatility but at a cost of weight and bulk.
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Professional Work: A900 is suitable for demanding workflows with raw support, accurate exposure, and connectivity. XG-1 fits casual use.
Sample Images: Seeing Is Believing
In side-by-side image tests, the Sony A900 shows superior detail, color fidelity, and noise control - even in challenging light. The Pentax XG-1’s shots are vibrant and well-exposed in good conditions but lack the refinement and depth of the full-frame sensor.
Overall Performance Scores
The latest benchmark scores echo my experience: The Sony A900 ranks highly for image quality and pro features despite its age, while the Pentax XG-1 scores solidly in convenience and zoom reach but below A900 in all technical image metrics.
Final Verdict: Which Camera Is Right For You?
Who Should Buy the Pentax XG-1?
- Enthusiasts who want an all-in-one superzoom with good results in daylight
- Casual travelers looking for a lightweight camera with ultra-telephoto options
- Users on a limited budget needing ease of use and decent versatility without lens changes
- Those who value video capability for casual use alongside stills
Pros: Massive zoom range, compact, affordable, image stabilization, decent full HD video
Cons: Small sensor limits image quality, slow autofocus, limited manual control, no raw support
Who Should Invest in the Sony A900?
- Advanced amateurs and professionals needing top-tier full-frame image quality
- Portrait, landscape, and low-light photographers requiring excellent dynamic range and color depth
- Those who prioritize robust body build and extensive lens ecosystems
- Users valuing manual controls, precise autofocus, and dual card slots for reliability
- Photographers seeking a solid used full-frame DSLR at a reasonable cost today
Pros: Large 24.6MP full-frame sensor, superior image quality, pro-level build and controls, raw support, weather sealing, excellent battery life
Cons: Bulkier and heavier, no video, higher cost, requires investment in lenses
Final Thoughts: Match Your Priorities Before You Decide
This comparison isn’t about picking a “better” camera outright - because each serves fundamentally different photographic roles. The Pentax XG-1 caters toward convenience, zoom range, and casual shooting ease, while the Sony A900 focuses on uncompromising image quality, build, and professional features.
My testing has shown that if image quality, creative control, and performance in varied photography disciplines matter most - you’ll lean toward the Sony A900. But if travel-friendly size, all-in-one superzoom prowess, and entry-level ease are your priorities, the Pentax XG-1 is a compelling, affordable choice.
By understanding your own photographic style, budget, and needs, you’ll find the right camera to unlock your creativity.
If you want to dive deeper or compare more cameras, feel free to ask - I’m here to help you pick the best gear for your photographic journey.
Pentax XG-1 vs Sony A900 Specifications
Pentax XG-1 | Sony Alpha DSLR-A900 | |
---|---|---|
General Information | ||
Make | Pentax | Sony |
Model | Pentax XG-1 | Sony Alpha DSLR-A900 |
Category | Small Sensor Superzoom | Advanced DSLR |
Announced | 2014-07-15 | 2008-10-22 |
Physical type | SLR-like (bridge) | Mid-size SLR |
Sensor Information | ||
Processor | - | Bionz |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.9 x 24mm |
Sensor surface area | 28.1mm² | 861.6mm² |
Sensor resolution | 16 megapixels | 25 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 6048 x 4032 |
Highest native ISO | 3200 | 6400 |
Min native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | - | 9 |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | 24-1248mm (52.0x) | - |
Maximal aperture | f/2.8-5.6 | - |
Macro focus distance | 1cm | - |
Available lenses | - | 143 |
Crop factor | 5.8 | 1 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inch | 3 inch |
Resolution of display | 460 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | - | TFT Xtra Fine color LCD |
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentaprism) |
Viewfinder resolution | 200 thousand dots | - |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.74x |
Features | ||
Minimum shutter speed | 4 seconds | 30 seconds |
Fastest shutter speed | 1/2000 seconds | 1/8000 seconds |
Continuous shutter rate | 9.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 6.00 m | no built-in flash |
Flash modes | Force Off, Flash Auto, Force Flash, Slow Sync., Slow Sync. + Red-Eye, Red-Eye Reduction | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | - | 1/250 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 640 x 480 (120 fps) | - |
Highest video resolution | 1920x1080 | None |
Video data format | Motion JPEG | - |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 567g (1.25 lb) | 895g (1.97 lb) |
Physical dimensions | 119 x 89 x 98mm (4.7" x 3.5" x 3.9") | 156 x 117 x 82mm (6.1" x 4.6" x 3.2") |
DXO scores | ||
DXO Overall score | not tested | 79 |
DXO Color Depth score | not tested | 23.7 |
DXO Dynamic range score | not tested | 12.3 |
DXO Low light score | not tested | 1431 |
Other | ||
Battery life | 240 pictures | 880 pictures |
Battery type | Battery Pack | Battery Pack |
Battery model | LB-060 | NP-FM500H |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32 |
Card slots | 1 | Two |
Pricing at release | $599 | $2,736 |