Pentax ist DL2 vs Sony A55
69 Imaging
44 Features
33 Overall
39
67 Imaging
55 Features
80 Overall
65
Pentax ist DL2 vs Sony A55 Key Specs
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 200 - 3200
- Pentax KAF Mount
- 565g - 125 x 93 x 66mm
- Introduced January 2006
(Full Review)
- 16MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 12800 (Raise to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 500g - 124 x 92 x 85mm
- Released August 2010
- New Model is Sony A57
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Pentax ist DL2 vs Sony A55: A Deep Dive into Two Different Eras of DSLR Photography
Over the years, the evolution of DSLR cameras has been nothing short of remarkable. Today, I’m comparing two intriguing models that embody different phases in camera technology - the Pentax ist DL2, a mid-2000s APS-C CCD DSLR, and the Sony SLT-A55 (A55), an early 2010s mirrorless-slit DSLR crossover with a translucent mirror and cutting-edge tech for its time. Both cameras appeal to enthusiasts who appreciate distinct approaches to image-making, but which one deserves your hard-earned money in 2024? Let’s unpack their features, performance, and practicality in detail.
How They Handle and Feel in Your Hands: Size, Ergonomics, and Build Quality
Before we even start clicking, how a camera feels in your hands is critical. This influences not just comfort during long shoots but also stability and intuitive control. The Pentax ist DL2, launched in 2006, is a mid-sized SLR body with dimensions roughly 125 x 93 x 66 mm, weighing 565 grams with its AA batteries - significant heft for the era.
In contrast, the Sony A55 weighs a lighter 500 grams and is slightly more compact at 124 x 92 x 85 mm, thanks to its innovative SLT design (single-lens translucent). Though the A55 is somewhat thicker to accommodate the translucent mirror system, the grip is more sculpted and feels secure in my experience.

Ergonomically, the Sony A55’s deeper grip and better button placement (discussed more below) give it an edge during rapid shooting sessions or sports events. The Pentax’s controls feel slower to access, partly due to the older design philosophy.
Both bodies lack weather sealing, which was typical of mid-priced cameras in their respective times, so if you shoot outdoors in harsh conditions, you'll want to take extra protective measures.
Design and Control Layout: Top-Down Usability Check
Swiveling around to the top of these models reveals differences typical of their technological generations. The Pentax is straightforward, with a built-in flash that pops out, a modest top LCD for settings, and physical dials for shutter speed and exposure mode.
The Sony A55 integrates more modern touches like a built-in GPS module, an articulated 3-inch screen on the rear (more on that soon), and an electronic viewfinder (EVF) system rather than the traditional pentaprism viewfinder.

Sony’s top interface features an AF mode dial, creative mode selector, and a handy control wheel that’s far more responsive than Pentax’s dated layout. For anyone transitioning from a point-and-shoot to a more serious camera, the Sony layout tends to invite exploration more naturally.
Sensor Tech and Image Quality: CCD Meets CMOS in a Battle Across Time
Now, the heart of any camera - the sensor. The Pentax ist DL2 sports a 6MP APS-C CCD sensor (dimensions 23.5x15.7 mm). Despite the relatively low resolution by today’s standards, this sensor provides clean files with a characteristic “film-like” color rendition. CCD sensors generally excel at color depth but lag behind CMOS in speed and high ISO performance.
The Sony A55 upgraded things considerably with a 16MP APS-C CMOS sensor sharing essentially the same physical size (23.5x15.6 mm) but leveraging Sony’s Bionz processor for faster readouts, higher resolution, and much better noise control.

Examining DxO’s scores:
- Pentax ist DL2: Overall 65, Color Depth 22.9 bits, Dynamic Range 11.1 EV, Low-Light ISO 639
- Sony A55: Overall 73, Color Depth 23 bits, Dynamic Range 12.4 EV, Low-Light ISO 816
The Sony produces noticeably sharper images at larger prints, better dynamic range to recover highlights and shadows, and far cleaner images at ISO 800 and above. On the flip side, the Pentax’s CCD produces creamy skin tones, well worth considering for portrait work if you don’t mind trading off resolution.
Viewing Experience: Optical vs Electronic Finders and Rear Screens
The viewfinder experience can make or break shooting convenience. The Pentax ist DL2 offers a traditional glass optical viewfinder (OVF) covering 95% of the frame, with 0.57x magnification. It’s bright but somewhat limited - 95% coverage means you don’t see the whole frame, requiring more careful composition. No electronic information overlays or focusing aids are available.
Sony’s A55 flips the playbook with a high-res electronic viewfinder (EVF) featuring 1150k-dot resolution, 100% coverage, and 0.73x magnification. The EVF’s preview capability shows exact exposure and white balance before you shoot - an immense advantage for learning and precision work.
On the back, the Pentax’s 2.5-inch fixed LCD with 210k dots feels tiny and lacks articulation or touch functionality. By comparison, the Sony’s 3-inch fully articulated LCD at 921k dots opens numerous shooting possibilities, including awkward angles or self-portraits (the camera is selfie-friendly in that regard).

Moreover, touch is absent on both, but the Sony’s interface is snappier to navigate thanks to better software and hardware integration.
Autofocus Systems: Old vs New for Fast and Accurate Focus
Arguably one of the most dramatic differences between these cameras is the AF technology.
Pentax uses a 5-point phase detection system with multi-area and selective AF modes, but it lacks face detection or advanced tracking. There is no continuous autofocus tracking during bursts, and live view autofocus is nonexistent.
Sony’s A55 boasts 15 AF points including 3 cross-type sensors, face detection, and hybrid autofocus that merges phase detection and contrast detection during live view and video. This results in faster, more consistent autofocus, crucial for wildlife or sports photography where subjects move unpredictably.
Three cross-type points improve precision significantly, especially with wide-aperture lenses.
Burst Shooting and Performance for Fast Action
The Pentax ist DL2 shoots at a modest 3 fps in continuous mode - adequate for casual portraits or landscapes but limiting for anything involving rapid movement.
The Sony A55 accelerates the pace with an impressive 10 fps burst at full resolution. The trick here is the translucent mirror that never flips up, allowing uninterrupted continuous autofocus and exposure adjustments during bursts.
For sports or wildlife photographers on a budget, the Sony A55’s speed is a game-changer.
Video Capabilities - Night and Day Difference
Let’s talk video - an increasingly important feature since 2010.
Pentax’s ist DL2 has no video capabilities at all; it was released just before the video boom.
Sony’s A55 was among the first APS-C cameras offering Full HD 1080p video recording at 60fps, plus slower frame rates for cinematic effects. It supports multiple codecs including MPEG-4 and AVCHD, with external mic input - superb for videographers seeking quality sound and HD footage without a dedicated camcorder.
If video is on your radar, the A55 is the clear winner here.
Lens Ecosystem and Compatibility
Both cameras use robust lens mounts with long-established ecosystems.
- Pentax ist DL2: Pentax KAF mount - easily accesses 151 lenses, including modern autofocus and legacy primes. Pentax lenses are well-regarded for optical quality and affordability.
- Sony A55: Sony/Minolta Alpha mount - a legacy mount with 143 lenses, but third-party support can be patchier.
If you’re already invested in Pentax glass or want classic manual lenses, the ist DL2 can be a treasure trove. However, Sony users have the option of adapting many lenses to mirrorless bodies in later years.
Battery Life and Storage Options
Pentax runs on 4x AA batteries, a practical choice allowing easy replacement on the go but adding weight and requiring carry extras.
Sony uses the proprietary NP-FW50 battery, offering about 380 shots per charge - fair, but you may want spares for extended day trips.
Both cameras have a single card slot; Pentax uses SD/MMC, Sony supports SD/SDHC/SDXC and Memory Stick. The Sony’s support for SDXC means you can use larger capacity cards.
Connectivity and Extras
Regarding connectivity, the Pentax ist DL2 offers only USB 1.0 - slow by today’s standard, with no wireless features.
The Sony A55 features USB 2.0, HDMI output, built-in GPS, and Eye-Fi card compatibility for wireless photo transfer.
These conveniences matter when uploading photos quickly, geotagging your images automatically, or connecting to external monitors.
Real-World Applications: How These Cameras Shine in Various Photography Genres
Let me contextualize their strengths and weaknesses.
Portrait Photography
Pentax’s CCD sensor renders pleasing skin tones with gentle color transitions but limited resolution can impact large prints or heavy cropping. The Sony A55’s higher resolution and face detection AF enhance focus precision on eyes - convenient for studio or casual portraits.
Landscape Photography
With better dynamic range and higher resolution, the Sony’s CMOS sensor pulls ahead. However, the Pentax’s sturdy, tactile manual controls can appeal for deliberate compositions. Neither camera offers weather sealing, so protective gear is advised for harsh environments.
Wildlife Photography
The Sony A55’s faster burst rate and robust autofocus tracking make it a better pick for capturing animals in motion. The Pentax struggles with continuous AF and speed.
Sports Photography
Again, the Pentax ist DL2 is limited by its 3 fps speed and five AF points. The Sony, with 10 fps and improved AF, is a more viable budget-friendly sports camera.
Street Photography
Pentax’s larger size and slower AF may hinder candid shooting. The Sony’s compact body, quiet shooting, and articulated screen help stealth and versatility.
Macro Photography
Both cameras rely on lenses for macro capabilities. Without image stabilization on the Pentax and sensor-shift stabilization on the Sony, handheld macro shooting might be tricky. However, Sony’s superior live view autofocus helps nail focus on tiny subjects.
Night and Astro Photography
Sony’s higher ISO range (up to 12800 native) and improved noise control make it far more versatile in low light. The Pentax max ISO 3200 is noisier but still capable if you favor stopping down aperture and using tripods.
Video
No contest - Sony A55 supports full HD video with mic input, critical for multimedia creators.
Travel Photography
Sony’s lighter weight, better battery life, built-in GPS, and articulated screen make it friendlier for travel. Pentax’s reliance on AA batteries offers some advantage in remote areas with no electricity.
Professional Work
While neither model meets modern pro-level specs, Sony’s RAW files, dynamic range, and video make it marginally more flexible.
Summarizing the Scores: How These Cameras Stack Up Numerically
I’ve run my own batches of tests, but not to be redundant, here’s a concise visual summary from DxO Mark and field performance evaluations I trust:
Additionally, the cameras’ relative strength across photography genres:
You can see Sony A55 comfortably leads across almost all categories except perhaps pure tactile experience and color character, where Pentax still charms.
Real-World Image Gallery: Sample Shots from Both Cameras
To truly grasp their differences, look closely at sample images - notice the difference in resolution, color rendering, dynamic range, and noise in low light conditions.
If you prefer a look that feels more classic and distinctive with less resolution, Pentax has appeal. For crisper, punchier modern images, Sony is the best choice.
Final Verdict: Who Should Buy Pentax ist DL2 or Sony A55?
Pentax ist DL2
Ideal for enthusiasts who prefer a simple, traditional SLR experience, love the Pentax lens mount, and value optical viewfinders with a “film-style” CCD color palette. It’s a camera for those who shoot mostly daylight portraits, landscapes, or casual photography and want a rugged, AA battery-based system.
Sony A55
Designed for users seeking a versatile all-rounder with speed, higher resolution, video capability, face detection autofocus, and modern features like articulated touchless LCDs and GPS. Excellent for wildlife, sports, video creators, and anyone wanting an affordable gateway into mirrorless hybrid technology.
Closing Thoughts: What I’d Choose and Why
Having used both extensively, if I needed a simple DSLR for occasional use with a Pentax heritage lens collection, I’d keep the ist DL2. But for most photographers in 2024, who want flexibility, faster performance, and video, the Sony A55 remains surprisingly competitive despite its age. It is a testament to Sony’s innovation during that era.
Whether you want to delve into the tactile joy of an older DSLR or grab a technologically advanced enthusiast camera with mid-range specs - you can’t go wrong if you align your choice with your photography style and priorities.
Happy shooting!
If you want to explore further comparisons or need my advice on lenses and accessories for either system, feel free to ask!
Pentax ist DL2 vs Sony A55 Specifications
| Pentax ist DL2 | Sony SLT-A55 | |
|---|---|---|
| General Information | ||
| Company | Pentax | Sony |
| Model | Pentax ist DL2 | Sony SLT-A55 |
| Category | Advanced DSLR | Entry-Level DSLR |
| Introduced | 2006-01-27 | 2010-08-24 |
| Physical type | Mid-size SLR | Compact SLR |
| Sensor Information | ||
| Processor | - | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor measurements | 23.5 x 15.7mm | 23.5 x 15.6mm |
| Sensor area | 369.0mm² | 366.6mm² |
| Sensor resolution | 6MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 3:2 and 16:9 |
| Highest Possible resolution | 3008 x 2008 | 4912 x 3264 |
| Maximum native ISO | 3200 | 12800 |
| Maximum enhanced ISO | - | 25600 |
| Lowest native ISO | 200 | 100 |
| RAW support | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | 5 | 15 |
| Cross focus points | - | 3 |
| Lens | ||
| Lens mount | Pentax KAF | Sony/Minolta Alpha |
| Available lenses | 151 | 143 |
| Focal length multiplier | 1.5 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Fully Articulated |
| Screen diagonal | 2.5 inch | 3 inch |
| Screen resolution | 210 thousand dots | 921 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | Optical | Electronic |
| Viewfinder resolution | - | 1,150 thousand dots |
| Viewfinder coverage | 95% | 100% |
| Viewfinder magnification | 0.57x | 0.73x |
| Features | ||
| Minimum shutter speed | 30s | 30s |
| Fastest shutter speed | 1/4000s | 1/4000s |
| Continuous shutter rate | 3.0 frames per sec | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | - | 10.00 m (@ ISO 100) |
| Flash modes | Auto, On, Off, Red-eye reduction | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Fastest flash synchronize | - | 1/160s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | - | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Maximum video resolution | - | 1920x1080 |
| Video file format | - | MPEG-4, AVCHD, H.264 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | No | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 565g (1.25 lbs) | 500g (1.10 lbs) |
| Dimensions | 125 x 93 x 66mm (4.9" x 3.7" x 2.6") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
| DXO scores | ||
| DXO Overall score | 65 | 73 |
| DXO Color Depth score | 22.9 | 23.0 |
| DXO Dynamic range score | 11.1 | 12.4 |
| DXO Low light score | 639 | 816 |
| Other | ||
| Battery life | - | 380 photographs |
| Battery type | - | Battery Pack |
| Battery model | 4 x AA | NP-FW50 |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/MMC card | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | One | One |
| Launch price | - | $800 |