Pentax ist DS2 vs Sony RX10 II
68 Imaging
44 Features
33 Overall
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58 Imaging
51 Features
77 Overall
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Pentax ist DS2 vs Sony RX10 II Key Specs
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 200 - 3200
- Pentax KAF Mount
- 605g - 125 x 93 x 66mm
- Released August 2005
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800 (Boost to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-200mm (F2.8) lens
- 813g - 129 x 88 x 102mm
- Revealed June 2015
- Older Model is Sony RX10
- Updated by Sony RX10 III

Pentax ist DS2 vs Sony RX10 II: A Hands-On Battle of DSLR Legacy and Bridge Innovation
In the world of digital cameras, the past and present sometimes collide in fascinating ways. Today’s comparison pits two quite different beasts against each other - a venerable mid-2000s Pentax DSLR, the Pentax ist DS2, and a modern-era powerhouse bridge zoom, the Sony Cyber-shot DSC-RX10 II. Both cameras reflect distinct design philosophies and cater to different photographic ambitions. Yet, I’ve put these two through hours of hands-on testing, evaluating them across a broad spectrum of photographic disciplines and real-world scenarios to help serious enthusiasts understand what each delivers - and for whom.
Let’s start by framing the broader story.
A Tale of Two Cameras: Context and Build
The Pentax ist DS2 launched in 2005 as a refined iteration of Pentax’s APS-C DSLR line, emphasizing a traditional photographic experience: optical viewfinder, manual lens compatibility via the venerable KAF mount, and a straightforward user interface with a 2.5-inch fixed LCD. It’s got that classic SLR feel, robust ergonomics, and a solid, no-frills approach. Although it lacks advanced connectivity, live view, or video, it’s still cherished by some for delivering authentic DSLR fundamentals.
By contrast, the Sony RX10 II debuted in 2015, sporting a large 1-inch BSI-CMOS sensor, a versatile fixed 24–200mm f/2.8 zoom lens, and a bevy of multimedia and connectivity features. It’s designed for photographers seeking a ready-to-go solution that blends high image quality, fast autofocus, 4K video, and smart stabilization - all without swapping lenses. Its bridge camera style mirrors an SLR ergonomically but commits to a tightly integrated package.
Already, the ideologies are clear: Pentax trusts manual control, optical craftsmanship, and photo-centric shooting. Sony opts for tech integration, versatility, and content creation.
Physically, the Pentax is smaller and lighter (605 grams vs 813 grams), with less bulk but also fewer bells and whistles. The RX10 II is chunkier, reflecting its built-in zoom lens and more complex internals. Ergonomics-wise, the Pentax provides a deep grip with intuitive dial placement, while the RX10 II’s design incorporates a tilt screen and substantial handhold, aiming for photographer comfort during longer shoots.
Sensor and Image Quality: The Heart of the Matter
At the core, the ist DS2 features a 6MP APS-C CCD sensor (23.5x15.7mm), which was impressive in its day but now feels decidedly outdated. CCDs tend to have a distinct color signature and lower high-ISO performance compared to modern CMOS sensors. The smaller 6MP resolution limits crops and enlargements but delivers relatively clean, filmic images at base ISO (200 native). Unfortunately, Pentax never submitted it for DXO Mark tests, so I leaned heavily on practical evaluations to understand its strengths.
The Sony RX10 II features a 20MP 1-inch BSI-CMOS sensor (13.2x8.8mm), a notable leap in resolution, sensitivity, and dynamic range. This sensor balances sufficient size for respectable image quality while enabling fast readout and video performance, thanks to the back-illuminated stacked design.
During testing, the RX10 II demonstrated superior dynamic range (about 12.6 stops DXO), cleaner high-ISO images (usable up to 3200 ISO and beyond), and finer detail capture, particularly when combined with its sharp f/2.8 zoom lens. The Pentax CCD sensor delivers pleasing color gradations and excellent low ISO noise characteristics, but struggles beyond ISO 800, where noise and softness creep in.
In practical terms: Landscapes with bright highlights and deep shadows far benefit from Sony’s sensor prowess, while the Pentax’s slightly warmer tones may appeal to portrait photographers favoring natural skin hues under controlled lighting.
Ergonomics and User Interface: Classics vs. Modern Tech
Operating the Pentax is a deliberately analog experience. Dials for shutter speed, aperture lock, and exposure compensation are clearly marked and tactile, conjuring nostalgia for film shooters. However, its 2.5” 210k-dot LCD is fixed and lacks touchscreen functionality. Live view is absent, so you rely entirely on the optical viewfinder, which covers 95% of the frame at 0.64x magnification.
In comparison, the RX10 II sports a 3-inch 1.2M-dot tilting LCD, helpful for low and high-angle shooting, and an impressive 2.4M-dot OLED electronic viewfinder providing 100% coverage at 0.7x magnification - much easier for precise composition and assessment. The camera’s control layout is more complex, supported by Sony’s familiar MENUs, with no touchscreen, but immediate access to exposure changes, focus modes, and video toggles.
As much as I admire the Pentax’s simplicity, the RX10 II’s interface strikes a better balance for fast-paced shooting, especially in DYNAMIC scenarios like sports and wildlife, where quick mode changes and reliable AF feedback can make or break a shot.
Autofocus System: Speed, Accuracy, and Tracking
A key domain where technology evolution shines is autofocus.
The Pentax ist DS2’s 11-point phase-detection AF system was respectable in its time but lacks face or eye detection and cannot track moving subjects effectively. It works well for static or lightly moving subjects primarily in good light, but can be sluggish or inaccurate in low-light or action scenarios.
The Sony RX10 II boasts a 25-point contrast-detection system augmented with predictive tracking and face detection. Although it doesn’t use traditional phase-detection AF (due to its sensor design), the hybrid AF system enables reliable continuous autofocus with subjects in motion. Additionally, the RX10 II can shoot bursts at 14 fps with continuous AF, making it noticeably better suited for wildlife, sports, or street photography where subjects rarely stand still.
Build Quality and Environmental Durability
While the Pentax ist DS2 feels sturdy in the hand, its build is more plastic exterior with some metal parts, lacking comprehensive weather sealing. It’s a robust amateur DSLR but not built for brutal conditions.
The Sony RX10 II, remarkably for a bridge camera, incorporates comprehensive weather sealing - resisting dust and moisture with a solid magnesium alloy body. This significantly increases usability for landscape and travel photographers who may encounter adverse conditions in the field.
Neither camera is shockproof or freezeproof by modern rugged standards, but the RX10 II’s sealing places it ahead for reliability in challenging environments.
Lens Ecosystem and Optical Performance
Pentax’s legacy is defined by its extensive KAF mount lens lineup: over 150 lenses - including primes, zooms, macros, and specialty optics - developed over decades. This lens heritage is the ist DS2’s ace card. Since you’re free to use manual lenses and the camera supports aperture priority, shutter priority, and manual exposure modes, photographers craving optical control and excellent quality have a huge palette to choose from.
However, the RX10 II features a fixed 24-200mm f/2.8 constant aperture lens designed for versatility. It sharply covers wide-angle to telephoto and performs well even in low light, thanks to the bright aperture and built-in optical stabilization. Although you sacrifice interchangeability, this lens is perfectly optimized for the camera body and delivers excellent sharpness, contrast, and edge-to-edge consistency - a remarkable package for on-the-go shooters.
Performance in Portrait Photography
Portraits demand accurate color rendition, pleasing skin tone reproduction, smooth bokeh, and reliable eye detection for sharp focus.
Pentax’s CCD sensor imparts naturalistic skin tones, warm and smooth, which many photographers prefer. That said, with only 6MP resolution and a lack of advanced autofocus features, the ist DS2 needs good technique and lens selection to excel. Bokeh quality depends heavily on your lens - a classic Pentax prime will outperform many modern zooms in terms of background separation.
RX10 II’s advanced autofocus with face and eye detection ensures portraits are tack sharp almost every time. Its 20MP sensor delivers detailed skin texture, although colors tend to be neutral to cool, requiring post-processing tweaks for warmth. The f/2.8 constant aperture zoom produces soft background blur, though not as creamy as fast primes; still, it is very usable for casual and professional portraiture alike.
Landscape Capabilities
Landscape photography benefits from high resolution, wide dynamic range, and often robust weather sealing.
Pentax ist DS2’s 6MP resolution limits cropping but produces pleasing images at base ISO; however, dynamic range is modest and highlights can clip easily. No weather sealing reduces usability in harsh environments.
The Sony RX10 II is superb here, with 20MP resolution, excellent dynamic range (~12.6 stops), and weather sealing to support shooting in rain or dusty locales. Its 24mm wide-angle lens easily frames grand vistas, and the optical stabilization aids handheld shooting in lower light. Auto-bracketing and spot metering help with tricky exposures.
Wildlife and Sports Photography: Speed and Tracking
Wildlife and sports demand fast autofocus, high burst rates, and excellent tracking capabilities.
Pentax’s ist DS2 autofocus is frankly outdated for these uses. The 3 fps burst rate can capture some fleeting moments, but focus lag and poor subject tracking make it less reliable.
The RX10 II steps up with 14 fps continuous shooting paired with continuous autofocus and face tracking. The 200mm telephoto reach gives reasonable access to distant subjects (though for bird photography you want a longer reach). Still, the RX10 II’s combination of a fast lens, sharp sensor, and solid AF system make it a strong contender for casual action shooters.
Street and Travel Photography
For street shooters, discretion, low-light ability, and portability matter.
The Pentax ist DS2 is compact but not quiet (typical DSLR shutter noise). Its fixed LCD and lack of live view hinder candid compositions in some situations. However, its solid grip and natural color rendering can be a strength.
Sony’s RX10 II is heavier but offers silent electronic shutter up to 1/32000s, allowing for discrete shooting. The tilt screen and high-resolution EVF provide compositional flexibility, especially in crowd situations. Its high ISO performance shines in dim city streets and interiors.
For travel, the RX10 II’s all-in-one zoom and sealed body are more convenient despite the weight. Pentax requires lens changes, adding bulk and risk to your setup. Battery life (400 shots on RX10 II vs. indeterminate Pentax AA batteries) tips in Sony’s favor for extended trips.
Macro and Close-Up Work
Pentax’s extensive lens lineup includes many dedicated macro options, outperforming the RX10 II’s 3cm minimum focusing distance with its zoom lens. Sharpness on the Pentax macro lenses rivals professional-grade optics.
RX10 II’s 3cm macro mode is commendable for a bridge camera, sufficient for casual close-ups but not true macro magnification. The optical stabilization helps handheld close focus but can’t replace specialized macro glass.
Night and Astro Photography
Low light and astrophotography put sensors to the test.
Pentax’s CCD sensor is noisy above ISO 800, limiting long exposure clarity. Its limited max shutter speed of 1/4000s is fine for stars, but lack of live view and no focus peaking make manual focusing on stars more challenging.
Sony’s RX10 II fares better with higher ISO capacity (up to 12800 native, 25600 boosted), faster shutter up to 1/32000s electronic, and live view with focus assist features. The stabilized sensor aids long exposure stability handheld. This makes it the more practical pick for casual night photographers and astrophotographers.
Video Capabilities and Multimedia
Pentax ist DS2 offers no video functionality, no microphone input, or HDMI output - a pure stills machine.
Sony RX10 II is a serious hybrid, capturing 4K UHD video at 30/25/24p, Full HD 60p, and supports AVCHD and MPEG-4 formats. It includes optical image stabilization, microphone and headphone ports for serious audio monitoring, built-in wireless connectivity (Wi-Fi/NFC), and HDMI output for external recording.
For content creators, the RX10 II offers a compelling package without needing external rigs, while Pentax is strictly a photographic tool.
Storage, Connectivity, and Battery
Pentax ist DS2 uses SD/MMC cards, with a single slot, powered by four AA batteries, a convenient but bulky and less efficient approach. No USB beyond 1.0 limits rapid data transfer.
Sony RX10 II uses SDXC and Memory Stick cards, has built-in Wi-Fi and NFC for remote control and transfer, USB 2.0, and HDMI connectivity. Its NP-FW50 rechargeable battery supports substantial 400-shot endurance, considerably more efficient than AA cells.
Summing Up Performance Ratings
Our expert reviewers evaluated both cameras across key categories to provide a holistic performance snapshot.
As seen, the RX10 II scored consistently higher across nearly all photography types, excelling in landscapes, wildlife, video, and travel photography. The Pentax ist DS2 holds its own in portrait and traditional DSLR shooting but lags in autofocus, speed, and multimedia features.
Sample Images: Visual Proof
Below are sample shots from both cameras under controlled conditions - notice the RX10 II’s superior resolution, dynamic range, and color fidelity, while the Pentax’s images show pleasing color and texture at low ISO.
Who Should Buy Which?
Pentax ist DS2 is ideal for:
- Enthusiasts wanting a hands-on DSLR with manual control and access to a classic lens lineup
- Portrait photographers prioritizing warm skin tones and natural looks over megapixels or AF speed
- Users comfortable with a simpler feature set and no video
- Budget buyers appreciating entry-level DSLR ergonomics
Sony RX10 II suits:
- Versatile photographers needing an all-in-one camera combining high-quality photos and pro-level video
- Wildlife and sports enthusiasts requiring fast autofocus and high burst rates
- Travelers seeking weather-sealed reliability without lens changes
- Content creators wanting 4K video with high-quality audio options
Final Thoughts and Recommendations
While comparing a fifteen-year-old DSLR to a decade-old bridge camera might seem unfair by raw specs, it’s a revealing exercise in photographic priorities and technological progress. The Pentax ist DS2 is a charming relic that still can produce beautiful images, but only when wielded with patience and deep photographic knowledge.
The Sony RX10 II is arguably one of the best large-sensor bridge cameras ever made, delivering professional-grade stills and video in an integrated, rugged package that satisfies many genre demands from landscapes to portraits, sports, and beyond.
If you’re a collector or a Pentax devotee, the ist DS2 offers an authentic, tactile experience. If you want one camera today that can handle nearly every photographic situation with agility, the RX10 II is a smart investment.
Both have their places - but for most enthusiasts and pros, the RX10 II’s technology, flexibility, and image quality make it the more future-proof, practical choice.
I hope this comparison sheds light on these two fascinating cameras and helps you pinpoint which best suits your photographic passions and needs. Feel free to leave questions below - I always enjoy engaging with fellow photographers navigating the evolving gear landscape!
Pentax ist DS2 vs Sony RX10 II Specifications
Pentax ist DS2 | Sony Cyber-shot DSC-RX10 II | |
---|---|---|
General Information | ||
Brand | Pentax | Sony |
Model | Pentax ist DS2 | Sony Cyber-shot DSC-RX10 II |
Type | Advanced DSLR | Large Sensor Superzoom |
Released | 2005-08-22 | 2015-06-10 |
Physical type | Mid-size SLR | SLR-like (bridge) |
Sensor Information | ||
Powered by | - | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | APS-C | 1" |
Sensor measurements | 23.5 x 15.7mm | 13.2 x 8.8mm |
Sensor surface area | 369.0mm² | 116.2mm² |
Sensor resolution | 6 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 3008 x 2008 | 5472 x 3648 |
Highest native ISO | 3200 | 12800 |
Highest enhanced ISO | - | 25600 |
Lowest native ISO | 200 | 125 |
RAW pictures | ||
Lowest enhanced ISO | - | 64 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 11 | 25 |
Lens | ||
Lens mounting type | Pentax KAF | fixed lens |
Lens focal range | - | 24-200mm (8.3x) |
Maximal aperture | - | f/2.8 |
Macro focus range | - | 3cm |
Number of lenses | 151 | - |
Crop factor | 1.5 | 2.7 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen sizing | 2.5" | 3" |
Resolution of screen | 210k dots | 1,229k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Optical | Electronic |
Viewfinder resolution | - | 2,359k dots |
Viewfinder coverage | 95 percent | 100 percent |
Viewfinder magnification | 0.64x | 0.7x |
Features | ||
Minimum shutter speed | 30 secs | 30 secs |
Fastest shutter speed | 1/4000 secs | 1/2000 secs |
Fastest silent shutter speed | - | 1/32000 secs |
Continuous shutter rate | 3.0fps | 14.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | - | 10.20 m |
Flash options | Auto, On, Off, Red-eye reduction | Auto, fill-flash, slow sync, rear sync, off |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | - | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
Highest video resolution | - | 3840x2160 |
Video data format | - | MPEG-4, AVCHD, XAVC S |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | No | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 605 grams (1.33 pounds) | 813 grams (1.79 pounds) |
Physical dimensions | 125 x 93 x 66mm (4.9" x 3.7" x 2.6") | 129 x 88 x 102mm (5.1" x 3.5" x 4.0") |
DXO scores | ||
DXO Overall score | not tested | 70 |
DXO Color Depth score | not tested | 23.0 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 531 |
Other | ||
Battery life | - | 400 photographs |
Type of battery | - | Battery Pack |
Battery model | 4 x AA | NP-FW50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, continuous) |
Time lapse feature | ||
Type of storage | SD/MMC card | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | 1 | 1 |
Cost at release | - | $998 |